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Archive for the ‘The Ukie Club’ Category

[DID NOT ATTEND: August 22, 2025] LSD and the Search for God / A Country Western

I love the band name LSD and the Search for God.  I like it enough that I considered going to  this show without knowing anything about them.  It turned out to be during our vacation so I obviously didn’t.

LSD and the Search for God has only put out two EPs since 2005 (the second one in 2016).  But evidently they have a cult following (my daughter happened to ask me about them a couple of weeks ago after hearing about them on TikTok).

They play a delightful shoegaze style and I think I would have really enjoyed seeing them in a small place like the Ukie Club.

A Country Western is from Philly.  I hadn’t heard of them, but this review from Post Trash is intriguing:

A Country Western are always trying something new. … Their first work they put out, Phenom is very ambient in nature, with the mix of the few vocals blending into the downtrodden sound. The self-titled EP has a lot more forceful rhythms with beats akin to trip-hop. The EP is often grating in its sound but in an unaggressive abrasive fashion. birdfeeder, the band’s first album, took a more upbeat approach to the slowcore sound, including more succinct song structures similar to their friends in feeble little horse.  On A Country Western’s new album Life on the Lawn they once again tweak their sound into something new and dial up the energy ever so much more. They keep the general vibe reflective of their namesake, but instead of using the stylings of slowcore, they opt for a more straight forward alternative country rock approach.

That’s an interesting review, but I’ve listened to a few songs from their new album and I don’t hear any country in their sound (which is fine with me).

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[ATTENDED: August 15, 2025] clipping.

I haven’t been to the Ukie Club for two years.  A lot of good bands play there and it’s easy to get to and to park around, but something about the club feels so young (although Ty Segall did play there and he’s not young).  The last time I was there, I wrote:

Wow was it hot in The Ukie Club.

And this time I say, holy crap was it hot in the Ukie Club!  I sweated from the second I walked in and my shirt was soaked so thoroughly that it was still wet when I got home an hour after the show ended.  There were a/c units on, but they did nothing near the stage.

But even sweating constantly couldn’t ruin a fantastic show.

We saw clipping. open for The Flaming Lips back in 2017.  They were supposed to play Philly during COVID and now, finally, after eight years, they have returned.

For the last show I had just learned about them (and liked them) about a month before this show.  And I wrote

Lest this seem like a vanity project for Diggs, producers William Hutson and Jonathan Snipes [Snipes is a sound designer, film composer, and experimental musician who records glitchy, snarky pop-deconstructionist noise music under the name Captain Ahab; Snipes and Hutson are also in the noise band Unnecessary Surgery] are the forces behind all of the music.  The group began in 2009 as a remix project, with Hutson and Snipes taking a cappellas of mainstream rap artists and making power electronics and noise remixes of them to amuse themselves. Diggs joined in 2010 and began to write his own raps over their compositions.  By the way, if we can trust Wikipedia, Diggs and Hutson met in grade school, and Hutson and Snipes were college roommates.  And for the record, Hamilton premiered in Jan 2015.

Unlike last time, I was right up front for this show.  I could have gotten closer but I was enjoying leaning against the pole that’s about six feet from the stage. (more…)

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[ATTENDED: August 15, 2025] Open Mike Eagle

I saw Open Mike Eagle headline at Milkboy at the end of 2023–I was really happy to have finally seen him live.  He played a lot of songs from my favorite album of his and I really enjoyed his style and the way he interacted with the crowd.

I actually found out about this show because Open Mike popped up on my concert radar.  I was psyched to see him again.  And when I saw he was opening for clipping, I grabbed a ticket as fast as I could.  I assumed it would sell out and it did but not as quickly as I would have thought.

After OME’s set, Daveed Diggs said he drove all the way from Chicago and basically came out on stage with no prep work.  If that’s true then this set was even more impressive than I originally thought.

OME started with a song from Brick Body Kids Still Daydream, the album that introduced him to me (I am surprised to see he’s put out 5 albums since then!).  He didn’t play Brick Body Complex last time, and I was all there for it.

There was a guy in front of me who knew all the words to everything (except the new songs) and he was thrilled to be up so close to Mike.

He rapped four more songs that he had done last time.  And I was delighted to hear them again. I like I’ll Fight You and I really like Very Much Money.  Microfiche is from a great EP. (more…)

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[ATTENDED: August 15, 2025] Fatboi Sharif.

I haven’t been to the Ukie Club for two years.  A lot of good bands play there and it’s easy to get to and to park around, but something about the club feels so young (although Ty Segall did play there and he’s not young).  The last time I was there, I wrote:

Wow was it hot in The Ukie Club.

And this time I say, holy crap was it hot in the Ukie Club!  I sweated from the second I walked in and my shirt was soaked so thoroughly that it was still wet when I got home an hour after the show ended.  There were a/c units on, but they did nothing near the stage.

I didn’t realize the show went on at 8:30 and arrived at 7:45, so I was sweating for no reason.

Around 8:30, a guy cot up on stage behind some gear and he started playing loud beats.  He talked about what he was playing and really tried to get the crowd hyped up.  I assumed this was Fatboi Sharif, but it turned out it was DJ Boogaveli, Fatboi’s DJ.

Because a little while later Fatboi Sharif came up on stage.  The music was loud and his delivery was good, but I really couldn’t follow him very clearly.  I listened to a few of his recorded songs and his delivery is much cleaner.

The fascinating thing is that he brought several guests up on stage–and then stayed to the side while the guests did their own songs.

The first guest was EightyNiner Grant who I liked.  And then came GDP who i liked less (although on Fatboi’s album, I like his delivery quite a lot).

The set was pretty enjoyable.  I would probably have liked it more if I knew his stuff already, but I am intrigued to be sure.  (He is from Rahway, NJ).

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[DID NOT ATTEND: October 25, 2024] Bleary Eyed / Hello Mary

I’ve been vaguely obsessed with Hello Mary for a couple of years now.  Looking back at shows I didn’t attend, I could have seen them six times in the past two years but didn’t for one reason or anther.

So I was really looking forward to this show.

And then, as often happens at this time of year, my daughter had a birthday party planned for that night and so I was in for the night.

Bummer. (more…)

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[DID NOT ATTEND: July 18, 2024] Fucked Up / Chastity

I saw Fucked Up back in July of 2022 and would like to see them again.

They’ve been around a few times since then and things never seem to quite work out.  I was excited about this show because I’m fond of The Ukie Club as a venue.  But then we wound up scheduling dinner with friends and this was the only night available for that.  So, sadly I had to miss them again.

But it sounds like  they’ll be back again soon.

Chastity is a one-man band project from Ontario

is for the skids, the headbangers, the freaks. Chastity is for everyone who has suffered and survived the lethal combination of suburban overculture and mental distress. Chastity is especially for everyone who didn’t survive—the ones who didn’t get out. Brandon Williams did, luckily, and his work with Chastity has been to collect people like him, who got out by the skin of their teeth.

They play surprisingly catchy (with great guitar lines and sing along choruses) song given the angst mentioned and the fact that they are opening for Fucked Up.

I’d have really enjoyed this show I think.

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[DID NOT ATTEND: October 14, 2023] Pinkshift / Jhariah / Pollyanna 

I wanted to go to this show more than the one at House of Independents because I love the Ukie Club.  But I already had tickets to Algernon Cadwallader for this night.  The fact that my son was home from college and I didn’t go to anything this night is totally fine.   And now I’ve found out that the HOI show was rescheduled, so all is good.

I have seen Pinkshift three times and they are amazing.  They get better with each show, but I have yet to see them headline.  So I would have really liked to get to this show.

Jhariah plays musical theater.  But on the heavy end, like when My Chemical Romance goes theatrical.  He throws in all kinds of cool and interesting sounds.  This is wacky and fun and he clearly relishes the theatricality.  I would love to see him live.

Pollyanna are from New Jersey and they absolutely rock: Lead singer and guitarist Jill Beckett, drummer Daniel McCool, bassist Brandon Bolton, and guitarist Jack Rose.  They mix

power-pop, loud rock, bubble grunge, and punk influences.  Their name directly derives from the dictionary definition, “to be unreasonably or illogically optimistic” – perfectly describing front-person Jill Beckett’s ‘stuck in 2017’ incredibly optimistic attitude. After meeting in the first grade, Dan and Jill started the band at just 13 years old, eager to create and play music that would reach audiences beyond the confines of Jill’s open garage doors. Brandon made them a trio in early 2019, bringing 90’s femme punk influence to the group. At the start of 2021, Jack completed the bands’ lineup, adding his elemental stabby guitars and love for shoegaze and metal into the mix. After completing almost 5 tours around the east coast and the midwest, Pollyanna has won over a following in the New Jersey music scene along with cities in the tri-state and beyond. They plan on growing as far as possible and leaving a unique mark in the music industry.

Their album Slime is great–snotty and brash with great sounds and Beckett’s excellent vocals.  So, yes, I hope to see them some time.

Sorry about the flooding (it was really terrible), but I’m glad I get to see the show next year.

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[ATTENDED: July 28, 2023] Pool Kids

Wow was it hot in The Ukie Club.

After two bands (and the inability to buy water at the bar–I can never catch a bartender), I splashed water on my face in the bathroom and prepped for Pool Kids.

The band set up, left the stage and then moments later came on stage to a familiar song that I realized I had no idea the name of.  And you probably don’t either.

It was “Sandstorm” by Darude.  You know it.  Everyone knows it. When I looked up the song the top comment on YouTube is “This song would have well over a billion views if people could actually find it”  And it’s true no one knows the name of it. [The video is quite good too.]

Anyhow, the band came out to it, getting everyone pumped, and then the song slowed and wavered as they kicked into the opening chords of “Swallow.”  There’s some great guitar lines on this song and even though there’s some mellow middle parts (on record–live it’s much heavier), the crowd immediately started slam dancing.  Several people who were up front headed for the sides and I moved over a bit to let them get their dancing out. (more…)

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[ATTENDED: July 28, 2023] Sydney Sprague

I had seen Syndey Sprague open for The Front Bottoms a couple years ago.  She was the first band of  the night and I wound up walking in after the first two songs.

I liked her vibes and overall sound.  But I was surprised/disappointed by her record which was a lot more poppy than her live show (which was kind of grungy and rocking).

For this show, she came out in an oversized shirt(she must have been very hot).

The other two bands were fairly heavy and rocking, and Sydney was almost in that style, but was a little softer, a little quieter.  Just a little.  The biggest difference was in her singing style which was a lot more monotone than t he other two singers.  Not monotone exactly, but nowhere near as expressive as the other singers.

Having said that, her set was a lot of fun and was full of songs from her new (as yet unreleased) album.   The first two (new) songs were catchy and a rocking.  The third, “Steve” slowed things down a bit but retained that catchiness with a big chorus.

“Object Permanence” is a poppy song–super catchy.  (more…)

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[ATTENDED: July 28, 2023] Chase Petra

I wasn’t sure if I was going to make the show this evening.  Things were confusing at my house, but got straightened out enough that I wound up leaving almost an hour after I would normally have.

I assumed I’d missed Chase Petra.  It was stupidly hot in The Ukie Club and the band on stage was setting up at roughly 8:40.  I guessed it was Sydney Sprague, but when someone on stage shouted for help with Syndey’s amp, I realized that this was Chase Petra.

And I thought, jeez, I’m glad I didn’t arrive on time if they’re just going on now.

But it turned out there was a secret guest who started the show.  New Jersey’s Sweet Pill, who I could have seen at a Front Bottoms festival, but have now missed twice (and whose album is very good).

A few minutes later, amid loud (and accurate) grumbling about how hot it was, Chase Petra took the stage. (more…)

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