Feeds:
Posts
Comments

Archive for the ‘The Met Philadelphia’ Category

[ATTENDED: May 15, 2025] Ginger Root

Japanese Breakfast announced a show at The Met and it sold out instantly.  But then they announced another show (for the day before) and I grabbed us a ticket.

Ginger Root opened both shows.  I didn’t know them, but they seemed to have a good following.  And the band was full of charisma.  They are an indie band from California led by Cameron Lew.  He describes the music as “aggressive elevator soul.”

And Camerom Lew is a fantastic front man.  He is also the creative force behind the visual and audio components of Ginger Root.  Indeed video may be more important that audio for the band.

Ginger Root was without a doubt the best live band I have seen for music that I didn’t really like all that much.  Not that the music was bad, it just wasn’t quite my vibe.  But the live show was so good I would 100% see them again.

As they took the stage there were two video screens that announced We are your openers for this evening.  We’ll be done in ~40 minutes.

And as soon as the band started, their on-stage cameraman began filming them and projecting it on the screens.  He used all kinds of old-school effects, giving the video and almost 80’s feel.  Especially when the screens were bordered with a white line and the legend: You’re listening to Ginger Root. (more…)

Read Full Post »

[DID NOT ATTEND: May 5, 2025] Arcade Fire

Back in the day I was a big fan of Arcade Fire.  I though their first few albums were great.  Then I kind of gave up on them.  A student who worked for me was obsessed with them and was a little much, but he did make me rethink why I was blowing them off.

Nevertheless, I hadn’t listened to them in quite some time.

I knew the last times they toured they played large venues.  But this was meant to be a small sort of pre-tour tour.  They announced the shows about two weeks before the dates.  There were only a few shows and Philly was one of them.  I thought, why not?  It’s a chance to see them in a small place.

But wow, crazy expensive seats.  And I had a show the day before and the day after, so I said no thanks.

Turns out they played  the entire new album and then a good selection of hits as well.

I had wanted to see them back in the day, alas.  I don’t think I’ll be checking them out in the future either.

 

Read Full Post »

[ATTENDED: May 1, 2025] DEVO

As with most people my age, Devo has been (intentionally or not) part of my life for most of my life.  Even if I didn’t know their earlist stuff, Whip It was unavoidable in the days of MTV.

I never considered seeing them.  In fact I hadn’t really thought about them at all since college.  But a few years ago we saw a Mark Mothersbaugh exhibit in a Denver Museum and I went on a really deep dive of his stuff (and obviously I know he makes all kinds of great soundtracks).

Devo has played live over the last decade, but this was their first time playing Philly since 2008.  And I had heard that the shows on this tour were great.  So I was excited to see them.

And what a show!  They’ve always been a very visual band and this continued in their live show.  And the crowd responded in kind.  There were many people dressed in yellow jump suits.  There were countless energy domes, including one that a guy custom fit the inside with duct tape and other gadgets so it fit him perfectly (he of course had on a yellow jump suit too).

It opened with a funny video showing a where are they now look at the guy who tried to make them stars in the 1970s.  (Very funny, but also quite pointed).

They opened with one of their “new” songs (from 2010) which I vaguely knew.   And the backdrop was a full scale visual assault of colors and videos.

The band were dressed in black suit jacket and pants (with Devo printed on the lapel).  Mark Mothersbaugh looks a lot like Steve Martin now which is somehow even more fun. (more…)

Read Full Post »

[DID NOT AnicTTEND: April 26, 2025] Nick Cave & The Bad Seeds

I saw Nick Cave back in 2017 and it was a great show an a terrible show at the same time.  Nick was great but the crowd around me was so annoying.  And a lot of things went wrong that kept me from getting there at a reasonable hour, so I was really far back.  Blah Blah Blah.

I don’t really like Nick’s newest, mellow, sad album.  I hadn’t even listened to this new one.   And since this was the tour for this album, I didn’t really plan to get tickets.  I did look at them when they were announced and they were really expensive.  So I didn’t even bother getting a ticket.

Looks like he did play songs I wanted to hear and I’m sure the crowd would have been better behaved.  But it’s totally fine that I didn’t go.

Read Full Post »

[ATTENDED: April 16, 2025] Lucy Dacus 

I have seen Lucy Dacus quite a few (six) times and she always puts on a mesmerizing show. The first time I saw her was at Johnny Brenda’s (capacity 250), the most recent was at Union Transfer (capacity 1200).  And now here she was starting off her first tour after boygenius in her former home town of Philadelphia by playing The Met (capacity 3800).

And, wow, did she step it up for this bigger venue.  She had a gigantic backdrop designed to look like a museum wall.  There were picture frames and columns and it looked amazing.  And even this was presented theatrically as for the openers and for Lucy’s first song, the whole extravaganza was covered in a dropcloth.  The band even walked through the dropcloth opening at the center of the backdrop.  When it dramatically dropped away, the crowd went nuts.

And as she sang, one (or more) of the frames would display a picture that had something to do with the song she was playing.

Because this was the Forever is a Feeling tour, she played mostly songs from that new album (she played the whole album, but not in order).  The album opens with Calliope Prelude and so did the show.  It’s a short instrumental which is primarily strings and it worked very nicely as “walk on” music.

And then she launched right into Hot & Heavy, a song that opens quietly but builds really nicely to get the whole band involved.  I was surprised that she hadn’t opened with a song from the new album, but she followed that up with five songs in a row from it.  The band includes Sarah Goldstone (keys vocals), Dominic Angelella (bass), Alan Good Parker Guitars), Phoenix Rousiamanis (violin), and Ricardo Lagomasino (drums).

First was Ankles, the big single from the album–I’m always surprised when bands play their new single so early, but it worked to keep the energy up.  This also happened to be the first Lucy album I hadn’t listened to much before the show.  So I didn’t know these new songs all that well.  But Lucy is engrossing as a performer.  And it’s fun to hear a sing for the first time in a live setting.  Like hearing the words to Modigliani–while she projected a Modigliani painting on the screen. (more…)

Read Full Post »

[ATTENDED: April 16, 2025] Katie Gavin 

I Katie Gavin is the singer for Muna.  I didn’t really like the Muna album that much when it came out, but I was really impressed by their live show when I saw them at All Things Go a few years ago.

I felt kind of the same about the Katie Gavin album.  It was okay, but it didn’t excite me all that much.

In fact, I really wanted to see Jasmine.4.T because their song Elephant is one of my favorites this year.  Sadly, I didn’t realize the show started at 7:15 (I assumed 8) and when we rolled up at 7:45, Jasmine.4.T had already ended.

When Katie came out, she was met by thunderous applause, and as soon as she started performing, I was once again blown away by her stage presence.  She joked that people might not know who she is (the applause belied that).

I didn’t love Katie’s album as it leans a little too alt-country for me.  But as with anyone whose albums lean alt-country but who also rock out, in a live setting, the rocking comes to the fore.  And her four-piece band was outstanding, Both bassist Nana Adjoa and guitarist Eric Radloff provided backing vocals.  Adjoa even took a verse or two of some songs (she has a wonderful voice). (more…)

Read Full Post »

[DID NOT ATTEND: March 29, 2025] Beth Gibbons / Bill Ryder-Jones

I love Portishead, they’ve always been a favorite band of mine even if they are rather unprolific.  A lot of that is Beth Gibbons’ voice.  But I’m guessing more has to do with the music of Geoff Barrow and Adrian Utley.

When this tour was announced I almost immediately grabbed a ticket.  And then I heard Beth’s solo album and I was kind of bored by it.  Her voice is still glorious but I wasn’t excited by the music.  And while it would be amazing to see such an icon…not if I don’t enjoy what they’re doing.

Bill Ryder-Jones is a songwriter.  I listened to a few minutes of something and found it really slow.  It sounds like maybe he’s a diverse musician, but I wasn’t interested in finding out more.

Read Full Post »

[DID NOT ATTEND: February 7, 2025] Dream Theater: 40th Anniversary

When Dream Theater came out forty years ago (really??) I loved their debut album.  But I have never really gotten into any of their follow ups.  I know that they are a band I should love–technically amazing, prog metal epics.  They are made for me.  And yet I just can’t get into them.  I do still love that debut album, but it’s the only one that real fans don’t like (I actually like the original singer better as well).

My friend Joe and I saw them live back in 2002 and I remember enjoying the show quite a lot–it is pretty fun to see these guys do these things up close.  But I’ve been up close on a lot of other amazing musicians and I don’t feel the need to go to this one.

Read Full Post »

[ATTENDED: November 20, 2024] Modest Mouse 

At the end of 2022, I saw Modest Mouse play their album The Lonesome Crowded West.  It was the last show I saw in 2022 and it was great.

I often think that I don’t need to see Modest Mouse again, and yet when they announced a tour in which they played all of Good News for People Who Love Bad News, I knew I’d be going to that show.  I have now seen Modest Mouse 7 times.  I have only seen 4 artists more (and a couple the same amount).  [I did not go to any of their shows where they played with Pixies, even though that’s a killer lineup].

In 2022, I arrived late (I didn’t want to see the opening band) and wound up really far back.  But this time I got there early enough to get close to the stage without being in the front, exactly.   I really like Modest Mouse, but I really don’t like about half of the Modest Mouse fanboy club.  

My last post included a quote from Holly Hazelwood, which I am excerpting even more here

Do we really need another late-30s dude in a baseball hat trying desperately to make himself the center of attention in a crowd of 1500 people? Of course we don’t. And sadly, Modest Mouse are (fittingly) like Charles Bukowski for rock dudes — well-spoken but biting — so these kinds of fans, who show up and try to out-asshole everyone in the room, are an unnecessary evil that comes with seeing Modest Mouse shows.

Tonight’s crowd didn’t have too many of these bros, although, amusingly the jackasses who pushed their way in front of us were all wearing baseball hats.  There is a lot of screaming along with Modest Mouse, and fair enough, that’s how the songs go.  But overall, I wasn’t terribly annoyed by the crowd this time.  And the two people in front of me were clearly huge fans of the album and were cool about it! (more…)

Read Full Post »

[ATTENDED: November 20, 2024] The Black Heart Procession

The opening act for this show wasn’t announced until a few days before the show.  But The Black Heart Procession had been opening all the other shows so I assumed it would be them.

I had never heard of them and assumed that they were some new young band.  And I was completely wrong.  The band was formed in 1997 (!) by Pall Jenkins who has played with a bunch of different bands and even did work with Isaac Brock in Ugly Casanova.  He and Tobias Nathaniel (these two are the main force of the band) create soundtrack music in the way Tindersticks make soundtrack music.  The big difference is that Black Heart Procession is very spare.  For most songs it is Nathaniel on keys and Jenkins on guitar.  With an unintroduced drummer playing along.

The songs are mostly slow with lots of reverb on the guitar.  

And Jenkins’ voice.  When he came out he was wearing a suit jacket and sunglasses.  He looked older than he probably is (although he’s obviously not a young guy) and he belted out songs so full of remorse that, despite the quietness of the song, no one talked through the weird opening song.  Which, I have to emphasize, FEATURED A MUSICAL SAW! (more…)

Read Full Post »

« Newer Posts - Older Posts »