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Archive for the ‘The Met Philadelphia’ Category

[ATTENDED: May 31, 2025] Geese

There had been some buzz around Geese when they were announced as openers for this show.  I knew their song Cowboy Nudes and found it odd but very catchy.

As this show came around, they started playing another song on the radio and I realized that Geese is pretty weird. So I was curious what their live show would be like.  We arrived pretty early, but the pit was already pretty crowded.  Turns out Geese already had a huge fanbase.  The front of the pit was full of big time Geese fans.

They opened their set with Islands of Man, and I thought that the most distinctive thing about the band (Cameron’s voice) was rather subdued. The song starts softly and fairly quietly with interesting guitar parts from Emily Green.

And the rest of the band was amazing too.  As the show went on, I couldn’t take my eyes off of drummer Max Bassin–he was doing some wild and complex parts.  And midway through the show I realized that bassist Dominic DiGesu was playing some amazing fills too.

For Jesse, Cameron continued to sing in a kind of subdued manner, until the bridge where he got a little shouty.  And it worked really well with the jamming music.  Tomorrows Crusades was super catchy with a great guitar line and Cameron singing in a kind of falsetto.  (more…)

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[DID NOT ATTEND: May 16, 2025] Japanese Breakfast / Ginger Root

When this show was announced, it sold out pretty quickly.  We were bummed because we saw Japanese Breakfast on Halloween a couple of years ago when she said she’d be going to Korea for a year or so.

But soon after, they announced another show on the night before (I always think it’s funny to have the second show come before the first show, but realistically I suppose it doesn’t matter to the band unless they were planning on going all out for that final show.

So when they announced night 2 I grabbed tickets right away and we enjoyed yesterday’s show from the pit.  The shows were almost the same although I’m a little bummed that they did a final encore of Everybody Wants to Love You which they didn’t do for us.  But I’ve seen the song a few times so it’s no big deal.

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[ATTENDED: May 15, 2025] Japanese Breakfast

We had seen Japanese Breakfast play their last American show for a year or so on Halloween 2023.  It was a lot of fun and felt like a really special night.

When they announced their new album, For Melancholy Brunettes… I was concerned because that sounded like a bummer of an album.  And, first single Orlando in Love wasn’t especially gripping.  It was pretty, but didn’t really have a hook.

But I knew that they always put on a good show so it was definitely worth seeing.

The curtain rose on a giant clam shell, which Michelle Zauner came out and sat in and played Here is Someone and Orlando in Love.

She switched from acoustic to electric guitar and returned to the clamshell throughout the show.

The rest of the stage was cool too, with a nautical theme and billowing smoke.

They played three songs from the new albums, with Honey Water being the most upbeat.  But they didn’t stay on this vibe for the whole show because they moved on to the Soft Sounds album, playing three great songs, Road Head, Boyish and The Body is a Blade.

Then it was back to the new album for the bouncy Mega Circuit and the more chill Leda.

They only played one song from Psychopomp, and then moved up to Jubilee for the bouncy Slide Tackle.  A few more new songs were followed by Kokomo, a really fun song from Jubilee. (more…)

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[ATTENDED: May 15, 2025] Ginger Root

Japanese Breakfast announced a show at The Met and it sold out instantly.  But then they announced another show (for the day before) and I grabbed us a ticket.

Ginger Root opened both shows.  I didn’t know them, but they seemed to have a good following.  And the band was full of charisma.  They are an indie band from California led by Cameron Lew.  He describes the music as “aggressive elevator soul.”

And Camerom Lew is a fantastic front man.  He is also the creative force behind the visual and audio components of Ginger Root.  Indeed video may be more important that audio for the band.

Ginger Root was without a doubt the best live band I have seen for music that I didn’t really like all that much.  Not that the music was bad, it just wasn’t quite my vibe.  But the live show was so good I would 100% see them again.

As they took the stage there were two video screens that announced We are your openers for this evening.  We’ll be done in ~40 minutes.

And as soon as the band started, their on-stage cameraman began filming them and projecting it on the screens.  He used all kinds of old-school effects, giving the video and almost 80’s feel.  Especially when the screens were bordered with a white line and the legend: You’re listening to Ginger Root. (more…)

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[ATTENDED: May 1, 2025] DEVO

As with most people my age, Devo has been (intentionally or not) part of my life for most of my life.  Even if I didn’t know their earlist stuff, Whip It was unavoidable in the days of MTV.

I never considered seeing them.  In fact I hadn’t really thought about them at all since college.  But a few years ago we saw a Mark Mothersbaugh exhibit in a Denver Museum and I went on a really deep dive of his stuff (and obviously I know he makes all kinds of great soundtracks).

Devo has played live over the last decade, but this was their first time playing Philly since 2008.  And I had heard that the shows on this tour were great.  So I was excited to see them.

And what a show!  They’ve always been a very visual band and this continued in their live show.  And the crowd responded in kind.  There were many people dressed in yellow jump suits.  There were countless energy domes, including one that a guy custom fit the inside with duct tape and other gadgets so it fit him perfectly (he of course had on a yellow jump suit too).

It opened with a funny video showing a where are they now look at the guy who tried to make them stars in the 1970s.  (Very funny, but also quite pointed).

They opened with one of their “new” songs (from 2010) which I vaguely knew.   And the backdrop was a full scale visual assault of colors and videos.

The band were dressed in black suit jacket and pants (with Devo printed on the lapel).  Mark Mothersbaugh looks a lot like Steve Martin now which is somehow even more fun. (more…)

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[ATTENDED: April 16, 2025] Lucy Dacus 

I have seen Lucy Dacus quite a few (six) times and she always puts on a mesmerizing show. The first time I saw her was at Johnny Brenda’s (capacity 250), the most recent was at Union Transfer (capacity 1200).  And now here she was starting off her first tour after boygenius in her former home town of Philadelphia by playing The Met (capacity 3800).

And, wow, did she step it up for this bigger venue.  She had a gigantic backdrop designed to look like a museum wall.  There were picture frames and columns and it looked amazing.  And even this was presented theatrically as for the openers and for Lucy’s first song, the whole extravaganza was covered in a dropcloth.  The band even walked through the dropcloth opening at the center of the backdrop.  When it dramatically dropped away, the crowd went nuts.

And as she sang, one (or more) of the frames would display a picture that had something to do with the song she was playing.

Because this was the Forever is a Feeling tour, she played mostly songs from that new album (she played the whole album, but not in order).  The album opens with Calliope Prelude and so did the show.  It’s a short instrumental which is primarily strings and it worked very nicely as “walk on” music.

And then she launched right into Hot & Heavy, a song that opens quietly but builds really nicely to get the whole band involved.  I was surprised that she hadn’t opened with a song from the new album, but she followed that up with five songs in a row from it.  The band includes Sarah Goldstone (keys vocals), Dominic Angelella (bass), Alan Good Parker Guitars), Phoenix Rousiamanis (violin), and Ricardo Lagomasino (drums).

First was Ankles, the big single from the album–I’m always surprised when bands play their new single so early, but it worked to keep the energy up.  This also happened to be the first Lucy album I hadn’t listened to much before the show.  So I didn’t know these new songs all that well.  But Lucy is engrossing as a performer.  And it’s fun to hear a sing for the first time in a live setting.  Like hearing the words to Modigliani–while she projected a Modigliani painting on the screen. (more…)

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[ATTENDED: April 16, 2025] Katie Gavin 

I Katie Gavin is the singer for Muna.  I didn’t really like the Muna album that much when it came out, but I was really impressed by their live show when I saw them at All Things Go a few years ago.

I felt kind of the same about the Katie Gavin album.  It was okay, but it didn’t excite me all that much.

In fact, I really wanted to see Jasmine.4.T because their song Elephant is one of my favorites this year.  Sadly, I didn’t realize the show started at 7:15 (I assumed 8) and when we rolled up at 7:45, Jasmine.4.T had already ended.

When Katie came out, she was met by thunderous applause, and as soon as she started performing, I was once again blown away by her stage presence.  She joked that people might not know who she is (the applause belied that).

I didn’t love Katie’s album as it leans a little too alt-country for me.  But as with anyone whose albums lean alt-country but who also rock out, in a live setting, the rocking comes to the fore.  And her four-piece band was outstanding, Both bassist Nana Adjoa and guitarist Eric Radloff provided backing vocals.  Adjoa even took a verse or two of some songs (she has a wonderful voice). (more…)

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[DID NOT ATTEND: February 7, 2025] Dream Theater: 40th Anniversary

When Dream Theater came out forty years ago (really??) I loved their debut album.  But I have never really gotten into any of their follow ups.  I know that they are a band I should love–technically amazing, prog metal epics.  They are made for me.  And yet I just can’t get into them.  I do still love that debut album, but it’s the only one that real fans don’t like (I actually like the original singer better as well).

My friend Joe and I saw them live back in 2002 and I remember enjoying the show quite a lot–it is pretty fun to see these guys do these things up close.  But I’ve been up close on a lot of other amazing musicians and I don’t feel the need to go to this one.

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[ATTENDED: November 20, 2024] Modest Mouse 

At the end of 2022, I saw Modest Mouse play their album The Lonesome Crowded West.  It was the last show I saw in 2022 and it was great.

I often think that I don’t need to see Modest Mouse again, and yet when they announced a tour in which they played all of Good News for People Who Love Bad News, I knew I’d be going to that show.  I have now seen Modest Mouse 7 times.  I have only seen 4 artists more (and a couple the same amount).  [I did not go to any of their shows where they played with Pixies, even though that’s a killer lineup].

In 2022, I arrived late (I didn’t want to see the opening band) and wound up really far back.  But this time I got there early enough to get close to the stage without being in the front, exactly.   I really like Modest Mouse, but I really don’t like about half of the Modest Mouse fanboy club.  

My last post included a quote from Holly Hazelwood, which I am excerpting even more here

Do we really need another late-30s dude in a baseball hat trying desperately to make himself the center of attention in a crowd of 1500 people? Of course we don’t. And sadly, Modest Mouse are (fittingly) like Charles Bukowski for rock dudes — well-spoken but biting — so these kinds of fans, who show up and try to out-asshole everyone in the room, are an unnecessary evil that comes with seeing Modest Mouse shows.

Tonight’s crowd didn’t have too many of these bros, although, amusingly the jackasses who pushed their way in front of us were all wearing baseball hats.  There is a lot of screaming along with Modest Mouse, and fair enough, that’s how the songs go.  But overall, I wasn’t terribly annoyed by the crowd this time.  And the two people in front of me were clearly huge fans of the album and were cool about it! (more…)

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[ATTENDED: November 20, 2024] The Black Heart Procession

The opening act for this show wasn’t announced until a few days before the show.  But The Black Heart Procession had been opening all the other shows so I assumed it would be them.

I had never heard of them and assumed that they were some new young band.  And I was completely wrong.  The band was formed in 1997 (!) by Pall Jenkins who has played with a bunch of different bands and even did work with Isaac Brock in Ugly Casanova.  He and Tobias Nathaniel (these two are the main force of the band) create soundtrack music in the way Tindersticks make soundtrack music.  The big difference is that Black Heart Procession is very spare.  For most songs it is Nathaniel on keys and Jenkins on guitar.  With an unintroduced drummer playing along.

The songs are mostly slow with lots of reverb on the guitar.  

And Jenkins’ voice.  When he came out he was wearing a suit jacket and sunglasses.  He looked older than he probably is (although he’s obviously not a young guy) and he belted out songs so full of remorse that, despite the quietness of the song, no one talked through the weird opening song.  Which, I have to emphasize, FEATURED A MUSICAL SAW! (more…)

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