Feeds:
Posts
Comments

Archive for the ‘The Met Philadelphia’ Category

[ATTENDED: September 27, 2022] The Mars Volta

Back in 2000, I loved At the Drive In.  I was bummed when they broke up.  However, they split into two bands: Sparta (the more streamlined guys) and The Mars Volta (the wacky prog rockers).  I was pretty psyched to hear TMV and their debut album De‐Loused in the Comatorium was amazingly weird and cool.  I also really liked the follow up Frances the Mute, but kind of lost track of them after that.

They broke up at some point and that was that.  Guitarist Omar Rodríguez-López went on to do a million projects (like playing with Teri Gender Bender) and singer Cedric Bixler-Zavala has appeared all over the place in bands and as a guest.  i didn’t really give them much thought until they announced a new song and tour.  So I pulled out De-Loused and remembered how much I liked them.

This tour was apparently designed just for me, since most of the songs were from De-Loused and Frances, with one song from the other albums and two from the new one.

The light show was pretty great.  They had squares of light bulbs that illuminated shapes and showed various LED colors.  Not to mention super bright strobes and lots of searching beams of colors.

More impressively, Omar Rodríguez-López’s guitar was even better than I had remembered.  He did a few segments were he just soloed for two or three minutes that never felt showoffy.  And, actually, even more impressive than that was Cedric Bixler-Zavala’s voice.  He can still hit those incredible high notes.

They opened with a song that has a lengthy moody opening.  Omar played soundscapes and solos and then Cedric started singing the slow trippy opening.   And after about ten minutes of that and me thinking…huh, is this the kind of stuff they are gonna play, they shifted gears and launched into the ferocious 7 minute “Roulette Dares” from De-Loused.  This song has more shifts and turns than you can count.  As well as the super catchy “Exoskeletal junction at the railroad delayed” impenetrable lyric.

They jumped to later in the album for “Eriatarka” a slower (at first) song that jumps and pounds with frenetic energy. (more…)

Read Full Post »

[ATTENDED: September 27, 2022] Teri Gender Bender

Teri Gender Bender is the lead singer for the band Le Butcherettes who I know from an amazing Tiny Desk Concert nearly a decade ago.

I was supposed to see Le Butcherettes a few times.  They were supposed to open for Chicano Batman, but had to change as each show was rescheduled.

So I was pretty excited to see Teri Gender Bender who has put out a lot of music in addition to Le Butcherettes.  I wondered exactly how she got involved with The Mars Volta for this tour, then I found out that she was in a band with Volta guitarist Omar Rodriguez-López, called Bosnian Rainbows.   Indeed, he was also in Le Butcherettes.

As the set wore on and she introduced the band, it turned out that he was on stage with her during her set as well!  (In a pink suite with his hair in a wild pompadour).

Her band was set up in a kind of old school trio–bass and guitar behind little podiums with shiny fabric on them and a drummer behind her.  She introduced the other two musicians, but I didn’t catch their names.

The band came out and started jamming and after a minute or two Teri Gender Bender came out on stage.  She is a true performer, standing in fascinating poses, screaming intently her passionate lyrics and stalking around the stage.

The music was kind of dancey but with flairs of anarchy.  But it was all in support of Teri.  She was focused and intense as she got on the floor, contorting he body while she sang.

Between songs, she addressed the audience in Spanish (she was born in Denver, but her family moved to Mexico when her father died).

Her energy was unmatched and I wnjoyed the show.  Although I would have enjoyed it more if I knew the songs better.

  1. córtate el pelo ∏
  2. KENDALL Ø
  3. action ⊗
  4. talking about you ∞
  5. ya no soy
  6. MJ Ø
  7. THE GET UP ⇑

Ø olivia, she wanted me to leave her alone (2022)
∏ madre would not allow it though (2022)
∞ you were truly the one that made us laugh (2022)
⊗ leaving her to be was just not an option (2022)
¶ pestering became a virtue (2022)
⇑ The Get Up (2022)

Read Full Post »

[ATTENDED: September 1, 2022] Kurtis Conner

My daughter (and apparently my son, too) loves Kurtis Conner.  They kept saying his name as if I had heard of him.  I had no idea who he was at all.  Turns out he is a YouTuber with a billion fans.

My daughter tells me that they Holy Trinity is Kurtis Conner, Danny Gonzalez and Drew Gooden (whom he has toured with in the past).  But without doubt, Conner (whose name is so simple and yet sound confoundedly hard to spell correctly with that K and the e) sits on top.

So what could Conner possibly do if he has made his career based on commenting on YouTube videos (or something).  And, I wondered aloud to both of my kids if I would enjoy this gig or not know what he was talking about.  I decided not to watch anything before hand so that I would have no expectations whatsoever.

So I glad I didn’t read this review beforehand

A big aspect of Conner’s set was integrating some of his classic jokes from his videos into his in-person stand-up punchlines. Of course he did it flawlessly, and I — along with everyone in the theater — loved it. Because prior knowledge of his jokes is needed, though, many of his references wouldn’t be understood by someone who didn’t watch Conner’s YouTube.

I have to say, aside from a few times when he said a line or catchphrase that people applauded (and I had no idea why), there was nothing about his show that I didn’t get.  And, best of all, I thought he was really funny. (more…)

Read Full Post »

[ATTENDED: September 1, 2022] Dean Hebscher

My daughter (and apparently my son, too) loves Kurtis Conner.  They kept saying his name as if I had heard of him.  I had no idea who he was at all.  Turns out he is a YouTuber with a billion fans.

When he announced a tour, my daughter begged to go.  But most of the venues were far away.  Then he announced Philly and how could I say no?

We had seats in the high balcony–it didn’t seem like the kind of show you’d need to be super close for.  A short time before the show, my daughter’s friend was able to get a seat in the same row.  So I drove them both and then they sat together and I sat next to a group of twenty-something girls–not awkward at all.

After the Jacob Sharpe set, we didn’t have to wait long for Dean Hebscher to come out.  That’s one thing that comedians have over bands–no need for set up time.

So it turns out that my daughter tells me that Jacob Sharpe is cool but Dean Hebscher is not.  She wished we had missed Hebscher’s set.  (According to Conner, Sharpe and Hebscher are his best friends).

Hebscher’s set was a little different.  He talked about growing up in rural Canada.  He talked about how his school had a “kick the ginger day” (there was one red-haired kid in school).  He pointed out that it wasn’t school sanctioned (that’s pretty funny) but everyone knew about it through facebook.  I did rather enjoy when the poor ginger kid got his revenge (also through facebook).

I think I enjoyed the set up of his jokes more than the actual jokes themselves.  I enjoyed when he talked about being a camp councellor when he was like 16–barely a few years older than the kids he was supposed to watch.  But he got bogged down with when the kids found the jets in the pool stimulating.  In act I felt lik e alot of his jokes got bogged down in a kind of sexual trajectory that he mined for too long.

I did rather enjoy an absurd story about when he was young and waiting to get into a club.  He was on a long line and farted essentially on the girl behind him.  The line was really close and she was knocked back by the horrible smell.  She spent the whole time that they were waiting to get into the club announcing that this guy in front of her had farted on her.  There was a nice payoff later too.

These jokes were clearly polished but they felt very anecdotal, like he was thinking of details as he went along.  For better or worse.

I liked his set but not nearly as much as the other two.

Read Full Post »

[ATTENDED: November 19, 2022] Jacob Sharpe

My daughter (and apparently my son, too) loves Kurtis Conner.  They kept saying his name as if I had heard of him.  I had no idea who he was at all.  Turns out he is a YouTuber with a billion fans.

When he announced a tour, my daughter begged to go.  But most of the venues were far away.  Then he announced Philly and how could I say no?

We had seats in the high balcony–it didn’t seem like the kind of show you’d need to be super close for.  A short time before the show, my daughter’s friend was able to get a seat in the same row.  So I drove them both and then they sat together and I sat next to a group of twenty-something girls–not awkward at all.

We wound up leaving later than I wanted to, and as we got to the exit, it turned out that President Biden had been in Philly and the exit was blocked off!  Traffic was terrible and I wasn’t sure how we were going to go around to a new exit when the police just pulled away and let us use the exit.  So our timing was actually perfect–any earlier and I’d be driving around who knows where.

But we stilled missed much of Jacob Sharpe’s set. (more…)

Read Full Post »

[ATTENDED: August 25, 2022] The Decemberists

The Decemberists are one of our favorite bands and yet we have seen them very few times.  We were supposed to see them on their last tour but they cancelled our show because Colin lost his voice.

Then last year’s show was postponed for COVID.

Finally it was rescheduled.

We were on the left side of the stage, in front of Jenny Conlee.  I had a great view of her Leslie cabinet and speaker and it was really neat watching it spin faster and faster as the sound got bigger and wilder. (more…)

Read Full Post »

[ATTENDED: August 25, 2022] Jake Xerxes Fussell

The Decemberists are one of our favorite bands and yet we have seen them very few times.  We were supposed to see them on their last tour but they cancelled our show because Colin lost his voice.

Then last year’s show was postponed for COVID.

Finally it was rescheduled.  Originally the support was from Brigid Mae Power who I don’t know.  But at some point she backed out and the new support came from Jake Xerxes Fussell who I also had never heard of.

For whatever reason, we arrived pretty late and decided to get merch since the line was short. We walked in half way through Fussell’s set.  It was just him and his electric guitar

So, Jake Xerxes Fussell is a guitarist who sings traditional folk songs.  No, that’s not exactly right.  He songs untraditional folks songs–songs that were literally sung by the folk, most of which were never recorded until a chronicler like Folkways came along.

The first song we heard was also the first song he played on his recent Tiny Desk Concert and this is how they described it:

Jake Xerxes Fussell’s Tiny Desk (home) concert opens with the eyebrow raising lyric, “I’ve got fresh fish this morning, ladies. They are gilded with gold and you may find a diamond in their mouths.” It was originally sung by a fishmonger in Florida and captured in a field recording. Coming from Fussell, it sounds as lived-in as his worn Telecaster looks. It’s immediate, but somehow out-of-time. Fussell found the tune at the Library of Congress, part of his process of collecting and curating traditional, public domain folk songs, and reinterpreting them through his own lens.

His voice is deep and old-sounding.  He fills these songs with the appropriate feeling that the original singer intended.   His guitar playing was quite good as well.

He won over the audience pretty easily, too.   If I had been there to see him or, more importantly, if I wasn’t super excited for The Decemberists, I would have enjoyed his set a lot more.  As it was I enjoyed the set quite a bit, but I really wanted to hear the main band.

I’m not sure I’d listen to his records, but I would enjoy seeing him live.

Read Full Post »

[ATTENDED: July 23, 2022] Beach House

I’ve been a fan of Beach House for a long time. I wasn’t sure if they were a band I wanted to see live, but then it turned out that everyone in my family was enjoying them independently of me.

Both of my kids had been listening to a few of their songs and I knew that S. liked the songs she’d heard too.  So I thought it would be fun for us all to go see them live.

I got us GA tickets because the closest seated tickets were kind of crappy.  I suppose seated would have been fine because the Beach House show was pretty much designed for you to not really see the stage very well.

The lighting was such that it had a presence in the room.  You could practically feel the weight of the colors as they fell from the stage.  The three band members were placed in a row across the stage.  with Alex Scally on the left playing guitar, Victoria Legrand in the center on keys and James Barone on drums on the right.  The band was backlit for the entire show so that they were in shadow and silhouette.  I am fairly certain I never saw any of their three faces all nights.

Whether it was white lights shining down from the ceiling, a wall of stars on a deep blue background, or waving searchlights through dense fog, the atmosphere changed with every song.  The details were different but the overall vibe remained one of a kind of smothering warmth almost like a weighted blanket.  (more…)

Read Full Post »

[ATTENDED: July 23, 2022] Mary Lattimore

I’ve been a fan of Beach House for a long time.  When  they announced the opening bands, I was pretty psyched that we were getting Mary Lattimore (I don’t know any of the other artists).

I saw Mary Lattimore open for Parquet Courts about four years ago and I was blown away by her amazing harp playing.

Mary Lattimore is kind of the go-to harpist for rock albums.  She has played on all kinds of albums including two from Philly local Kurt Vile (Smoke Ring For My Halo & Wakin on a Pretty Daze).

The show wasn’t very crowded yet and I told my family that I wanted to get pretty close to the stage for this set.  So I moved in and had a really nice view of Mary’s hands as she played.

Mary’s songs are instrumental and they are beautiful, but also sad and thoughtful.  She had videos projected behind her (they were weird and looping and grainy).

She played about five songs, giving a brief introduction to each one.  She told us that she wrote “For Scott Kelly, Returned to Earth” for astronaut Scott Kelly and even sent him a copy, which he listened to in space, which is pretty wild.

One thing I love about Mary is that she plays all parts of her harp.  She taps the side and makes percussive sounds.  She also has an effects pedal and is able to morph and loop the sounds that she makes.  Plus, she uses all of the notes.  Even the tiny high notes.  And the low low notes (those were remarkably deep).

After several songs she announced a guest.  A young girl named Delphine came out.  She sat at her small harp with incredible form.  Then she and Mary played a duet of Mary’s “Wawa by the Ocean.”  It was lovely and adorable.  And once you got over how adorable it was you realized how good Delphine was.

Then Mary said that Delphine’s father was going to come out and do a song with her.  And Delphine’s father was Kurt Vile!

What a surprise.  I mean, maybe not 100% surprise as Kurt does tend to make a random appearance from time to time, but we never seem to get anything like that at our shows.  So he sat there with his guitar and they played “Ghost Town” the Kurt Vile song.

We had just seen Kurt so this was like a really delayed encore and that was a lot of fun too.

Overall, I feel like the audience could have been a little more respectful of the harp, but whatever, the harp is a hard sell for a rock crowd.

I’m just glad I got to see her again.

(sort of setlist)

  1. The Warm Shoulder
  2. For Scott Kelly, Returned to Earth
  3. Otis Walks Into the Woods
  4. It Feels Like Floating
  5. Wawa by the Ocean (with Delphine Vile)
  6. Ghost Town (with Kurt Vile}

 

Read Full Post »

[ATTENDED: July 22, 2022] Jonah Yano

Clairo’s Sling tour with Arlo Parks was supposed to happen at the Fillmore on February 26 2022.  It had been sold out for a long time.  I had actually been interested in going just to see Arlo Parks.  But by the time my daughter said she wanted to go to see Clairo, it was long sold out. 

I followed along because something happened to the show the night before.  And then the Philly show was was postponed on that day with almost no warning.

There were comments on Facebook like 

If my daughter hadn’t looked at IG we wouldn’t have known. We were ready to hit the road. Why are we not receiving communication via email/ticketmaster

And on reddit:

So sad i drove 6 hours to philly and have been waiting

Yikes.

Apparently it was a COVID scare, but the communication was terrible.  However, the rescheduled date was a gain for me because tickets immediately went on sale and I snatched up 2 at 7PM that evening.

Sadly for me, Arlo Parks would not be joining her.  The new opening act was Jonah Yano whom I had never heard of. (more…)

Read Full Post »

« Newer Posts - Older Posts »