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Archive for the ‘The Fillmore Philadelphia’ Category

[ATTENDED: October 31, 2023] Crooks and Nannies

This was my third time seeing Japanese Breakfast.  It was a Halloween show!  And her last show for at least a year.  So I grabbed tickets.

Hop Along was supposed to open. Hop Along is a band that I wish I liked more.   I like their music but there’s something about their songs that just doesn’t work for me.  I think it’s got something to do with the vocals, but again, I don’t really know.

But I was looking forward to seeing them live to see if they could win me over.  And then they were not playing the show and it on their place was Crooks and Nannies, a Philly band that I hadn’t heard of.

Crooks and Nannies is more or less a duo: Max Rafter and Sam Huntington.  For this show (and a tour opening for Lucy Dacus (!)), they were a five-piece.  I am pretty certain that Lucy’s own Jacob Blizard was playing with them on guitar.

Since it was Halloween, it was an opportunity for the band to dress up.  Amusingly, because of the lighting in the first two songs, I didn’t realize that guitarist/singer Saxophonist Max was wearing green face makeup to look like Frankenstein’s monster.  I did  wonder why they were dressed that way–the makeup definitely completed the picture.

Their bassist, Ryan Ficano was wearing a cow costume.  Ficano is also in a fascinatingly off kilter metal(ish) band called Ogre.  Their keyboard player, who I think was Addy Watkins, was wearing a fringed cowboy outfit. (more…)

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[ATTENDED: October 25, 2023] An Evening with Les Claypool’s Flying Frog Brigade

I have seen Les Claypool play with a variety of other people.  I’ve been a huge fan of Primus (although not their fans) and have always been interested in whatever Les has to offer.  I have seen him with the Claypool Lennon Delirium twice.  I really don’t need to see him any more, but there was one draw to this show–the band was going to play Pink Floyd’s Animals album straight through.

That’s one of my favorite albums and I knew that they would do a great job with it.

With the hindsight of two shows after this,  I can say that either I have no tolerance for people anymore or that people just have no clue how to behave at a concert.  This is Les Claypool, I expected lunacy and zaniness.  Costumes were encouraged for crying out loud.  It was supposed to be fun.

But there was a woman with calf-length dreadlocks slam dancing with nobody.  She just whipped her hair around and made everyone miserable.  I mean have fun, but don’t shit on everyone else’s party.  And there were two different men with deep booming voices on either side of me who just wouldn’t stop talking “No, that’s a bass saxophone.”  “Have you ever seen Claypool before?  He’s really good.”  During the freaking songs!

Holy shit.

So the band was pretty interesting.  Sean Lennon on guitar (so it was like seeing the Claypool Lennon Delirium, Harry Waters (Roger Waters’ son) on keys, the legendary Skerik on saxophone, Paulo Baldi (from Cake) on percussion, primarily vibes and a revelation on these songs.  And Mike Dillon on drums.

So pretty much all Claypool adjacent songs sound similar-thumping weirdo bass, varying guitar weirdness and everything else thrown on top.

They actually played songs from the Frog Brigade album, but I hadn’t listened to that in a pretty long time.  So I didn’t know the first two songs, but they were Primus-adjacent and there for interesting.

Their cover of The Beat’s “Mirror in the Bathroom” was super fun.  An early highlight of the night.  “That was worth the price of admission,” one of the loud jagoffs said loudly possibly three times, certainly twice.

There was the lengthy, trippy “Blood and Rockets” from the Delirium records.  And then an old Claypool song that I knew: “Hendershot.”  This is a simple straightforward song, a surf rock song that’s not all that weird.

However, the one big difference between the Frog Brigade and Primus is that the Frog Brigade is a jam band.  And they are more like a jazz jam band in which everyone gets a solo (except the drums, mercifully).   That meant that if one of them got a solo, you knew there were going to be three more.  Ho hum.  The saving grace was that they were chatting during the solos and Les is hilarious so any chat is good for me.  They were talking about surf rock with Les teasing Shiner (Sean) asking if that was the best surf rock guitar solo he had ever played.  Then he asked Harry about his surfing experiences and it was all in good fun.  But the loud jagoffs around me started complaining about this talking business.”  Play fucking music.”  I was pretty peeved by the end of the first set.

I seriously considered packing it in and going home.  But I knew the next set started with Animals and I really wanted to see that.

And I’m glad I didn’t leave because Animals was outstanding.

The set opened with Sean on acoustic guitar (on a stand) and Les singing Pigs on the Wing.  They jumped right into Dogs, the most rocking of the songs.  Sean’s guitar was great and Harry’s keys were perfect.  Paulo Baldi added delicate vibes here and there which really fleshed out the high notes wonderfully.  And Les’ bass was louder in the mix, letting us hear those bass lines properly.  Skerik was not included, which was great because there’s no sax (or need for it) on these songs.

In Pigs (Three Different Ones), everything was right on (even the crowd mostly settled down for these songs–except for the guy who kept bumping into me and the apologizing profusely.  Relax dude.  When it came to Dogs, everyone sang.  Sean sang the first line and when the long vocal note was held in the record, Les took over from Sean–sounding seamless and perfect.  It was really impressive.  Harry added vocals as well, and really, it was all a great exercise.

The ended as they begin with Pigs on the Wing and it was a glorious 40 minutes of music.

From there, they got back to the wild business of Claypool.  Precipitation was a rollicking fun song.

But I was thrilled to hear them play “Riddles Are Abound Tonight” a great song from Les’ first spin off band Sausage.  I never imagined that I’d get to hear this song live and it was absolutely great to sing “huh, hoy yo!”

I also really enjoyed Les’ first solo album the Holy Mackerel so it was fun to hear “Running of the Gauntlet.”

There was more soloing from each member and Skerik came back for the last few songs.

I didn’t recognize immediately when they started “Cosmic Highway.”  I knew it but wasn’t quite sure how well knew it.  But a soon as that cool riff started–and genuinely sounded like a sitar–I really enjoyed the lengthy jam.

And then Les left the stage for a minute or so.  And he came back with … the Whamola–essentially a metal stick with a bass string on it.  You hit it with a drum stick and change pitch with a handle at the top.  I’ve seen this in videos but it was amazing to see him play it live.  The song “Whamola” is weird and fun and invites participation from everyone.

I had originally thought I might leave early but I’m so glad I stayed to see Whamola!

I could have gone to the show in Montclair the night before instead of this one.  But upon seeing the setlist I’m glad I didn’t choose that one.  Yes, they got Thela Hun Gingeet as an opener, which would have kicked butt.  But I much preferred Mirror in the Bathroom, plus we got the Sausage song, a great Cosmic Highway and the exceptional Whamola.  So the crowd may have sucked but the music was pretty great.

 

  1. David Makalaster [with Southbound pachyderm tease]
  2. Lust Stings §
  3. Mirror in the Bathroom [The Beat cover]
  4. Blood and Rockets: Movement I, Saga of Jack Parsons – Movement II Too the Moon Æ
  5. Hendershot Ψ
    Pink Floyd: Animals
  6. Pigs on the Wing, Part 1  @
  7. Dogs @
  8. Pigs (Three Different Ones) @
  9. Sheep @
  10. Pigs on the Wing, Part 2 @
    SET TWO
  11. Precipitation Ψ
  12. Riddles Are Abound Tonight
  13. Running of the Gauntlet Ψ
  14. Rumble of the Diesel §
  15. Cosmic Highway
  16. Whamola


@ PINK FLOYD: Animals (1977)
℘ SAUSAGE: Riddles are Abound Tonight (1994)
Ψ Les Claypool and the Holy Mackerel: Highball with the Devil (1996)
⊗ THE LES CLAYPOOL FROG BRIGADE: Purple Onion (2002)
§ LES CLAYPOOL: Of Whales and Woe (2006)
Æ THE CLAYPOOL LENNON DELIRIUM: South of Reality (2018)

 

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[DID NOT ATTEND: September 30, 2023] Royal Blood / Bad Nerves

I have been interested in Royal Blood for a few years.  I don’t really remember when they first hit my radar, but I think it was their debut album.

I had heard that their live show (for just two guys) was really impressive.

Apparently everyone else thinks so too as they have played a few different Philly festivals over the last few years.  I wasn’t interested in seeing them at an all day festival, and this was their first time playing a club in Philly since 2017.

At the time I was really intrigued by them being a duo and rocking out.  But since then, there have been so many duos who absolutely kick ass, that the novelty isn’t that great anymore.  I never really listened to much of their music anyway, so it’s no big deal that I’m not going because this show is the same weekend that my daughter and I are going to the All Things Go.

Bad Nerves is new to me, but they seem like a fun pop punk band from England.  They have one album of frenetic punk that reminds me of The Dickies.  Sounds fun.

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[DID NOT ATTEND: September 20, 2023] Movements / Mannequin Pussy / Softcult / Heart to Gold

I actually didn’t know about Movements until Mannequin Pussy announced that they were opening for them on this tour.   I love Mannequin Pussy and am excited to hear their newer songs live.  So I grabbed a ticket–even though I knew I had a ticket to the sold out Death Grips show the same night.

I figured there was a pretty good chance that Death Grips wouldn’t play (they tend to be flaky about tours, but apparently not this one), and maybe I’d get to go to this show which seemed likely to sell out (it hasn’t yet).

Then I discovered that Death Grips doesn’t have an opener and their shows are fairly short (90 minutes or so).  And I realized there was a chance I could still see some of this show (the venues are less than ten minutes apart).  So it all depends on how long Death Grips play for and how late they start.

Then a few days before the show, I decided that I didn’t want to see Death Grips anymore.  After a couple of rough, pushing a shoving shows, I realized that I didn’t want to spend 90 minutes in a crowd at Franklin Music Hall with abrasion and aggression non-stop for 90 minutes while the crowd slam danced all around me and the stage was bathed in red.  Maybe had I not seen Igorrr and Boris this week, I would have been more up for it, but it just felt not fun.

So then I thought maybe I’d go to this show.  But then things were going on at home and I realized that based on when Mannequin Pussy said they were going on (8:55) that Softcult, who I really wanted to see, wouldn’t be playing for very long.  And I didn’t think MP would get a very long set either.  So I just said meh to the whole thing and stayed home. (more…)

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[DID NOT ATTEND: September 20, 2023] The Breeders / Screaming Females

When The Breeders released “Cannonball” 30 years ago (!), I fell in love with the song (and the video).  It had so much Pixies in it and Kim Deal sounded great.

I believed that I loved the whole album, but it’s possible that I only really liked a couple of songs.

When I saw that they were doing a 30th anniversary tour, I thought that I had to go to it since I’ve seen Pixies without Kim a few times now.  But this show turned out to be the same night that Igorrr and I’ve had tickets for that show since December and there was no way I was going to miss it.

I guess realized I liked The Breeders a bit more in memory than in reality.

Screaming Females opened the show.  I really liked them a few years ago.  I bought most of their records and saw them live twice. But recently, for reasons that are completely unclear to me, I’ve gone cold on them.

Oh well, no biggie.

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[ATTENDED: September 6, 2023] Mr. Bungle

Back in 1991 when the self-titled Mr. Bungle album came out, it was the perfect release for the era of weirdo music.

Sure, Mike Patton was the singer from Faith No More and they had a couple of huge hits, but he was a weird dude to be sure and Mr. Bungle is where he came from.

I enjoyed that self-titled album a ton and really liked their follow ups as well.  Each album was weird and genre-bounding.

Then in 2020, they “reunited” for a re-release of one of their early demos, The Raging Wrath of the Easter Bunny.  This “Demo” version was a reworking of that album (and other songs) and featured Scott Ian (Anthrax) on rhythm guitar and Dave Lombardo (Slayer) on drums!

I was pretty excited for it.  And then when I heard it I was a bit let down because it was pretty much all hardcore and speed metal without much of the genre hopping that I loved about the band.   True, there were some great tracks on it, and it rocked really hard, but it wasn’t what I was expecting.

When Mr. Bungle announced that they were going to tour, it turned out to be a tour of this album.  I was torn about whether I wanted to go.  But it didn’t matter because the tour was only in Brooklyn and California, so the heck with that.

But recently, they announced they were running through some of these lesser East Coast cities and Philly was a stop (as is Montclair, NJ!).  I was torn between being really excited–any opportunity to see Mike Patton is a good one.  Plus Dave Lombardo is a master.  I have never seen Anthrax and seeing Scott Ian live would be pretty awesome.  Finally, Trey Spruance is a weird, amazing guitar player.  Sorry Trevor Dunn, I had no thoughts about you. (more…)

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[ATTENDED: September 6, 2023] Battles

Back in 2007 my friend Lar told me that he saw Battles in concert.  I was really impressed by the video he sent and really liked their unusual sounds.  The band was originally a four-piece.

Sixteen years later and I have finally seen Battles live.  I had kind of forgotten about them, even though I did really like their first few records.  But seeing them as the opening act made me even more excited to go to this Mr. Bungle show.

Battles is the working of two guys.  In my opinion, it is drummer John Stanier who is the star of the show.  Even though Ian Williams is the guy making most of the actual music, Stanier is right up at  the front of the stage with Williams and he is incredible to watch as he smashes his drums with everything he’s got.

Basically, Stanier (who used to play with Helmet and Tomahawk, so you know he has heavy bonafides) sits to our left with his small Tama kit.  He’s got an electronic pad that adds all kinds of good stuff.  And one cymbal which is insanely high up in the air.  It’s almost comically out of the way.  Why?  In 2011 he said (more…)

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[ATTENDED: August 6, 2023] The Flaming Lips

I have now seen The Flaming Lips seven times.  I’ve wanted to bring my kids to a show because there’s really nothing like a Flaming show. Last year, their set was on my daughter’s birthday and she didn’t want to spend her birthday seeing a band she didn’t really know (fair enough).

So this year, the show was in the middle of the summer with no other commitments around us  And, it was the anniversary show of Yoshimi Battles the Pink Robots–a catchy album with a song (“Do You Realize??”) that they knew.  My daughter’s friend also wanted to go, so I wound up getting five tickets for us.

Since there was no opening band I wanted us to get there fairly early so we could be in the confetti blast zone.  My daughter (who typically doesn’t like to be up close) and her friend wound up really close (they were at the barrier by the end), although they were off to the side quite a lot.

The rest of us got right in the middle (behind some tall people, sadly) and could see as the giant pink robots (all FOUR of them) inflated and the test began …  NOW!

It was great to hear “Fight Test.”  And then to hear the song segue into the rest of the album.  That mellow song morphed into “Yoshimi Pt.1” which I’ve heard five time and never get tired of.

By the way, the confetti included pink robots, which was a chef’s kiss touch on the Lips’ usual fun nonsense.  I was pretty excited to hear Yoshimi Pt. 2, a weird instrumental in which lots more confetti came out.  Wayne grabbed his tiny confetti tubes and shot them at everyone–there’s still streamers in the rafters I’m sure (they must pay extra for cleanup). (more…)

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[DID NOT ATTEND: July 29, 2023] ALT 104.5 Fishtown FestivALT Block Party

I received a notification that Portugal. The Man were going to be playing at The Fillmore.  They are a band who are high on my “wanna see” list.  So I grabbed a ticket even though I had a ticket for another show that night.

Then I learned a short time later that the Portugal. The Man show was part of this ALT 104.5 Fishtown FestivALT Block Party.  It’s an all-day affair in three locations.  Much of it is free, although the Portugal. show is not.  Well, then it turned out that we were picking up my daughter from camp that day–so that knocked out going into town early.  And then we got invited to a farewell party for a friend who was leaving the area.  So there went the evening show.  I tried to resell my tickets but I guess Portugal. The Man is not on the top of everyone’s “must see” list.

As for the free bands, it’s amazing how much TikTok is making new bands into favorites.

There are three venues involved. (more…)

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[DID NOT ATTEND: July 22, 2023] The Struts / Mac Saturn

The Struts opened for Foo Fighters when my wife and I saw them.  Sadly, we missed their entire set.

They have a retro look and feel and I like the way Louder Than War describes their:

knack for writing and performing unapologetically direct, catchy, feel-good original songs that somehow sound like long-lost rock classics. It also shows the singer’s ability to connect with crowds.

Moving with all the grace and poise of someone who, as a child, imitated Michael Jackson in front of a mirror, he fully commits to one tried-and-tested rockstar move after another. It works. His repertoire — above-the-head clapping, raised jazz hands, reaching out with microphone in palm, cupping hand to ear, come hither gestures, running hands over torso, and stationary hands-on-hips poses — forms a direct, almost primal, connection with the audience. With just the flick of a wrist he can get 2,000 people to sing louder, cheer harder, clap faster, or jump higher than they already are.

Luke Skinner sang a song with Foo Fighters and I can attest to his charisma.

This would probably have been a fun show, honestly, but I wasn’t all that inspired. Plus, I had a show the night before, so it seemed like too much.

According to Michigan Daily,

Detroit’s Mac Saturn is best known for its explosive rock ‘n’ roll shows, filled with ’70s rock mystique and flair. The six-piece is made up of frontman Carson Macc, drummer Angelo Coppola, guitarists Mike Moody and Nick Barone, bassist Jive Moses and pianist Evan Mercer on the keys. Mac Saturn became a staple of the Michigan music scene in 2020 and has since released 2022 single “Diamonds,” funk rock EP Until the Money Runs Out and “Plain Clothes Gentleman (Live)” — an electrifying start to a promising career.

I’m getting a funky Steely Dan vibe from them.   In fact, now that I’ve listened to a few of their songs, if you told me the songs were lost Steely San songs I’d believe you.

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