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Archive for the ‘The Fillmore Philadelphia’ Category

[ATTENDED: January 18, 2024] Digable Planets 

I was really surprised to see that Digable Planets were opening for Black Pumas.  Largely because I had no idea they were still a thing.

So a brief history shows that they formed between 1987 and 1989 and put out their debut in 1992.  This featured “Rebirth of Slick (Cool Like Dat)” which was a pretty big hit.  I had no idea that their second album Blowout Comb (1994) was a stark departure from the previous album, being darker, less hook-oriented and more overtly political in its references to Black Panther and communist imagery.

And then they broke up. They reunited in the mid-2000s and then again in the late 2010s.  But they’ve never released new music (just live albums).

So if you’re a fan of their old stuff, well, that’s all there is. (more…)

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[ATTENDED: October 31, 2023] Japanese Breakfast

This was my third time seeing Japanese Breakfast. But more importantly, it was my first time going to a show on Halloween (that’s not true, I saw Skinny Puppy on Halloween in 1988), but this is my first time since I had kids.

I wasn’t sure we could pull it off–my daughter wanted to go trick or treating after all.  And I was willing to not go to this show.  If my daughter wanted us home, I would have happily stayed home.  Although this did promise to be a super fun show.  Costumes, a cool poster and the notification that this would be the last J Brekkie show for at least a year.

Zauner had shared her plans for her second book, mentioning the year-long hiatus she plans to take in Korea.  “I’m moving to Korea December 29th to live for a year and work on my second book where I am going to study the language and document that process,” she told Hsu. “And I think it was such a natural response to writing a book that was so rooted in the past and so much of what was hard about it was like it was so obviously emotional, but also it was hard to remember all of that.”

Our daughter gave us permission to go out and we arrived at the show in time to see the opening act. I could (should?) have waited on line for a poster (the above picture with a foil outline), but I decided against it.

Originally Hop Along was supposed to open but that changed at pretty close to the last minute.  (Well, they had enough time to make posters with the new band, Crooks and Nannies) on it.  I’m not a huge fan of Hop Along, but I do like the and was a little bummed at the loss.  But Crooks and Nannies proved to be weirdly delightful.

After Crooks and Nannies finished (at 8:30) it was a short wait and then a woman in a clown outfit came on.  It was comedian Sarah Sherman who Michelle Zauner said “insisted she come out on stage.” She did her routine which was funny and irritating.  And when she was done, Japanese Breakfast’s crew started setting up for their show.  I was sure that the comedian was  a way to distract us while the crew set up.  But instead, it was just a delaying technique.  J.B. didn’t go on until 9:45.  Good grief.

And indeed, it was Sherman who returned, this time dressed as Gollum, ready to introduce the band.  And when she did, it was revealed that the whole band was dressed like Lord of the Rings characters.  And there were clips from the movie (and cartoons and more) projected behind them for the whole show. (more…)

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[ATTENDED: October 31, 2023] Sarah Sherman

After Crooks and Nannies, we waited a few minutes, honestly hoping that JBrekkie would come on stage soon so we could get home early, when out came a a woman in a clown suit.  It took us a moment to realize that we recognized her from the Adam Sandler film You Are So Not Invited to My Bat Mitzvah.  She was weird and funny.

Turns out she was a special surprise Halloween guest for this show.  Michelle Zauner later said that she didn’t ask to perform, she just came out and insisted on it.  Which is pretty funny.

So Sherman started doing her routine.

I have no idea what her stand up is normally like.  If this was a typical gig for her, just shortened to twenty minutes.  Or if she was trying stuff out or what.  But her stand up is deliberately annoying, I believe.

I was annoyed by the guys behind us who kept saying things like “why would you have a stand up comedian come out between bands.”  I mean, it’s Halloween it’s supposed to be fun, shut up.

She does a lengthy bit about New York “you know what I’m tawkin’ about.”  She repeats that line “you know what I’m tawkin’ about” about forty times.  Funny, not funny, then funny, then not funny then funny again. (more…)

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[ATTENDED: October 31, 2023] Crooks and Nannies

This was my third time seeing Japanese Breakfast.  It was a Halloween show!  And her last show for at least a year.  So I grabbed tickets.

Hop Along was supposed to open. Hop Along is a band that I wish I liked more.   I like their music but there’s something about their songs that just doesn’t work for me.  I think it’s got something to do with the vocals, but again, I don’t really know.

But I was looking forward to seeing them live to see if they could win me over.  And then they were not playing the show and it on their place was Crooks and Nannies, a Philly band that I hadn’t heard of.

Crooks and Nannies is more or less a duo: Max Rafter and Sam Huntington.  For this show (and a tour opening for Lucy Dacus (!)), they were a five-piece.  I am pretty certain that Lucy’s own Jacob Blizard was playing with them on guitar.

Since it was Halloween, it was an opportunity for the band to dress up.  Amusingly, because of the lighting in the first two songs, I didn’t realize that guitarist/singer Saxophonist Max was wearing green face makeup to look like Frankenstein’s monster.  I did  wonder why they were dressed that way–the makeup definitely completed the picture.

Their bassist, Ryan Ficano was wearing a cow costume.  Ficano is also in a fascinatingly off kilter metal(ish) band called Ogre.  Their keyboard player, who I think was Addy Watkins, was wearing a fringed cowboy outfit. (more…)

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[ATTENDED: October 25, 2023] An Evening with Les Claypool’s Flying Frog Brigade

I have seen Les Claypool play with a variety of other people.  I’ve been a huge fan of Primus (although not their fans) and have always been interested in whatever Les has to offer.  I have seen him with the Claypool Lennon Delirium twice.  I really don’t need to see him any more, but there was one draw to this show–the band was going to play Pink Floyd’s Animals album straight through.

That’s one of my favorite albums and I knew that they would do a great job with it.

With the hindsight of two shows after this,  I can say that either I have no tolerance for people anymore or that people just have no clue how to behave at a concert.  This is Les Claypool, I expected lunacy and zaniness.  Costumes were encouraged for crying out loud.  It was supposed to be fun.

But there was a woman with calf-length dreadlocks slam dancing with nobody.  She just whipped her hair around and made everyone miserable.  I mean have fun, but don’t shit on everyone else’s party.  And there were two different men with deep booming voices on either side of me who just wouldn’t stop talking “No, that’s a bass saxophone.”  “Have you ever seen Claypool before?  He’s really good.”  During the freaking songs!

Holy shit.

So the band was pretty interesting.  Sean Lennon on guitar (so it was like seeing the Claypool Lennon Delirium, Harry Waters (Roger Waters’ son) on keys, the legendary Skerik on saxophone, Paulo Baldi (from Cake) on percussion, primarily vibes and a revelation on these songs.  And Mike Dillon on drums.

So pretty much all Claypool adjacent songs sound similar-thumping weirdo bass, varying guitar weirdness and everything else thrown on top.

They actually played songs from the Frog Brigade album, but I hadn’t listened to that in a pretty long time.  So I didn’t know the first two songs, but they were Primus-adjacent and there for interesting.

Their cover of The Beat’s “Mirror in the Bathroom” was super fun.  An early highlight of the night.  “That was worth the price of admission,” one of the loud jagoffs said loudly possibly three times, certainly twice.

There was the lengthy, trippy “Blood and Rockets” from the Delirium records.  And then an old Claypool song that I knew: “Hendershot.”  This is a simple straightforward song, a surf rock song that’s not all that weird.

However, the one big difference between the Frog Brigade and Primus is that the Frog Brigade is a jam band.  And they are more like a jazz jam band in which everyone gets a solo (except the drums, mercifully).   That meant that if one of them got a solo, you knew there were going to be three more.  Ho hum.  The saving grace was that they were chatting during the solos and Les is hilarious so any chat is good for me.  They were talking about surf rock with Les teasing Shiner (Sean) asking if that was the best surf rock guitar solo he had ever played.  Then he asked Harry about his surfing experiences and it was all in good fun.  But the loud jagoffs around me started complaining about this talking business.”  Play fucking music.”  I was pretty peeved by the end of the first set.

I seriously considered packing it in and going home.  But I knew the next set started with Animals and I really wanted to see that.

And I’m glad I didn’t leave because Animals was outstanding.

The set opened with Sean on acoustic guitar (on a stand) and Les singing Pigs on the Wing.  They jumped right into Dogs, the most rocking of the songs.  Sean’s guitar was great and Harry’s keys were perfect.  Paulo Baldi added delicate vibes here and there which really fleshed out the high notes wonderfully.  And Les’ bass was louder in the mix, letting us hear those bass lines properly.  Skerik was not included, which was great because there’s no sax (or need for it) on these songs.

In Pigs (Three Different Ones), everything was right on (even the crowd mostly settled down for these songs–except for the guy who kept bumping into me and the apologizing profusely.  Relax dude.  When it came to Dogs, everyone sang.  Sean sang the first line and when the long vocal note was held in the record, Les took over from Sean–sounding seamless and perfect.  It was really impressive.  Harry added vocals as well, and really, it was all a great exercise.

The ended as they begin with Pigs on the Wing and it was a glorious 40 minutes of music.

From there, they got back to the wild business of Claypool.  Precipitation was a rollicking fun song.

But I was thrilled to hear them play “Riddles Are Abound Tonight” a great song from Les’ first spin off band Sausage.  I never imagined that I’d get to hear this song live and it was absolutely great to sing “huh, hoy yo!”

I also really enjoyed Les’ first solo album the Holy Mackerel so it was fun to hear “Running of the Gauntlet.”

There was more soloing from each member and Skerik came back for the last few songs.

I didn’t recognize immediately when they started “Cosmic Highway.”  I knew it but wasn’t quite sure how well knew it.  But a soon as that cool riff started–and genuinely sounded like a sitar–I really enjoyed the lengthy jam.

And then Les left the stage for a minute or so.  And he came back with … the Whamola–essentially a metal stick with a bass string on it.  You hit it with a drum stick and change pitch with a handle at the top.  I’ve seen this in videos but it was amazing to see him play it live.  The song “Whamola” is weird and fun and invites participation from everyone.

I had originally thought I might leave early but I’m so glad I stayed to see Whamola!

I could have gone to the show in Montclair the night before instead of this one.  But upon seeing the setlist I’m glad I didn’t choose that one.  Yes, they got Thela Hun Gingeet as an opener, which would have kicked butt.  But I much preferred Mirror in the Bathroom, plus we got the Sausage song, a great Cosmic Highway and the exceptional Whamola.  So the crowd may have sucked but the music was pretty great.

 

  1. David Makalaster [with Southbound pachyderm tease]
  2. Lust Stings §
  3. Mirror in the Bathroom [The Beat cover]
  4. Blood and Rockets: Movement I, Saga of Jack Parsons – Movement II Too the Moon Æ
  5. Hendershot Ψ
    Pink Floyd: Animals
  6. Pigs on the Wing, Part 1  @
  7. Dogs @
  8. Pigs (Three Different Ones) @
  9. Sheep @
  10. Pigs on the Wing, Part 2 @
    SET TWO
  11. Precipitation Ψ
  12. Riddles Are Abound Tonight
  13. Running of the Gauntlet Ψ
  14. Rumble of the Diesel §
  15. Cosmic Highway
  16. Whamola


@ PINK FLOYD: Animals (1977)
℘ SAUSAGE: Riddles are Abound Tonight (1994)
Ψ Les Claypool and the Holy Mackerel: Highball with the Devil (1996)
⊗ THE LES CLAYPOOL FROG BRIGADE: Purple Onion (2002)
§ LES CLAYPOOL: Of Whales and Woe (2006)
Æ THE CLAYPOOL LENNON DELIRIUM: South of Reality (2018)

 

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[DID NOT ATTEND: September 30, 2023] Royal Blood / Bad Nerves

I have been interested in Royal Blood for a few years.  I don’t really remember when they first hit my radar, but I think it was their debut album.

I had heard that their live show (for just two guys) was really impressive.

Apparently everyone else thinks so too as they have played a few different Philly festivals over the last few years.  I wasn’t interested in seeing them at an all day festival, and this was their first time playing a club in Philly since 2017.

At the time I was really intrigued by them being a duo and rocking out.  But since then, there have been so many duos who absolutely kick ass, that the novelty isn’t that great anymore.  I never really listened to much of their music anyway, so it’s no big deal that I’m not going because this show is the same weekend that my daughter and I are going to the All Things Go.

Bad Nerves is new to me, but they seem like a fun pop punk band from England.  They have one album of frenetic punk that reminds me of The Dickies.  Sounds fun.

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[DID NOT ATTEND: September 20, 2023] Movements / Mannequin Pussy / Softcult / Heart to Gold

I actually didn’t know about Movements until Mannequin Pussy announced that they were opening for them on this tour.   I love Mannequin Pussy and am excited to hear their newer songs live.  So I grabbed a ticket–even though I knew I had a ticket to the sold out Death Grips show the same night.

I figured there was a pretty good chance that Death Grips wouldn’t play (they tend to be flaky about tours, but apparently not this one), and maybe I’d get to go to this show which seemed likely to sell out (it hasn’t yet).

Then I discovered that Death Grips doesn’t have an opener and their shows are fairly short (90 minutes or so).  And I realized there was a chance I could still see some of this show (the venues are less than ten minutes apart).  So it all depends on how long Death Grips play for and how late they start.

Then a few days before the show, I decided that I didn’t want to see Death Grips anymore.  After a couple of rough, pushing a shoving shows, I realized that I didn’t want to spend 90 minutes in a crowd at Franklin Music Hall with abrasion and aggression non-stop for 90 minutes while the crowd slam danced all around me and the stage was bathed in red.  Maybe had I not seen Igorrr and Boris this week, I would have been more up for it, but it just felt not fun.

So then I thought maybe I’d go to this show.  But then things were going on at home and I realized that based on when Mannequin Pussy said they were going on (8:55) that Softcult, who I really wanted to see, wouldn’t be playing for very long.  And I didn’t think MP would get a very long set either.  So I just said meh to the whole thing and stayed home. (more…)

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[DID NOT ATTEND: September 20, 2023] The Breeders / Screaming Females

When The Breeders released “Cannonball” 30 years ago (!), I fell in love with the song (and the video).  It had so much Pixies in it and Kim Deal sounded great.

I believed that I loved the whole album, but it’s possible that I only really liked a couple of songs.

When I saw that they were doing a 30th anniversary tour, I thought that I had to go to it since I’ve seen Pixies without Kim a few times now.  But this show turned out to be the same night that Igorrr and I’ve had tickets for that show since December and there was no way I was going to miss it.

I guess realized I liked The Breeders a bit more in memory than in reality.

Screaming Females opened the show.  I really liked them a few years ago.  I bought most of their records and saw them live twice. But recently, for reasons that are completely unclear to me, I’ve gone cold on them.

Oh well, no biggie.

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[ATTENDED: September 6, 2023] Mr. Bungle

Back in 1991 when the self-titled Mr. Bungle album came out, it was the perfect release for the era of weirdo music.

Sure, Mike Patton was the singer from Faith No More and they had a couple of huge hits, but he was a weird dude to be sure and Mr. Bungle is where he came from.

I enjoyed that self-titled album a ton and really liked their follow ups as well.  Each album was weird and genre-bounding.

Then in 2020, they “reunited” for a re-release of one of their early demos, The Raging Wrath of the Easter Bunny.  This “Demo” version was a reworking of that album (and other songs) and featured Scott Ian (Anthrax) on rhythm guitar and Dave Lombardo (Slayer) on drums!

I was pretty excited for it.  And then when I heard it I was a bit let down because it was pretty much all hardcore and speed metal without much of the genre hopping that I loved about the band.   True, there were some great tracks on it, and it rocked really hard, but it wasn’t what I was expecting.

When Mr. Bungle announced that they were going to tour, it turned out to be a tour of this album.  I was torn about whether I wanted to go.  But it didn’t matter because the tour was only in Brooklyn and California, so the heck with that.

But recently, they announced they were running through some of these lesser East Coast cities and Philly was a stop (as is Montclair, NJ!).  I was torn between being really excited–any opportunity to see Mike Patton is a good one.  Plus Dave Lombardo is a master.  I have never seen Anthrax and seeing Scott Ian live would be pretty awesome.  Finally, Trey Spruance is a weird, amazing guitar player.  Sorry Trevor Dunn, I had no thoughts about you. (more…)

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[ATTENDED: September 6, 2023] Battles

Back in 2007 my friend Lar told me that he saw Battles in concert.  I was really impressed by the video he sent and really liked their unusual sounds.  The band was originally a four-piece.

Sixteen years later and I have finally seen Battles live.  I had kind of forgotten about them, even though I did really like their first few records.  But seeing them as the opening act made me even more excited to go to this Mr. Bungle show.

Battles is the working of two guys.  In my opinion, it is drummer John Stanier who is the star of the show.  Even though Ian Williams is the guy making most of the actual music, Stanier is right up at  the front of the stage with Williams and he is incredible to watch as he smashes his drums with everything he’s got.

Basically, Stanier (who used to play with Helmet and Tomahawk, so you know he has heavy bonafides) sits to our left with his small Tama kit.  He’s got an electronic pad that adds all kinds of good stuff.  And one cymbal which is insanely high up in the air.  It’s almost comically out of the way.  Why?  In 2011 he said (more…)

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