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Archive for the ‘The Fillmore Philadelphia’ Category

[DID NOT ATTEND: September 10, 2024] Starset 

My son and I have seen Starset twice.  Each show has been pretty fantastic.

When this show, the Final Chapter, was announced I really wanted us to go.  Especially since it was a 2 set night of only Starset.

But it was the same night as the Bikini Kill show which we already had tickets for.

The fact that we didn’t go to Bikini Kill makes us missing this show hurt a little bit more.

However, I had gone to a show on 9/7, 9/9 and then 9/11 and 9/12.  I’m not sure I could have made it.

Still, I’ll be this show was great and I’m bummed they didn’t swing back through the area once again with it (and maybe they still will).

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[ATTENDED: September 8, 2024] Waxahatchee / Snail Mail / Greg Mendez

I would have liked to go to one of these two Waxahatchee shows.  I wouldn’t have gone to both shows, but I had a hard time deciding which one to go to.

It turns out in the end that it didn’t matter, because we wound up going to Pearl Jam shows on the 7th and the 9th.  I joked with my wife that I was going to try to go to this show too, but we had been standing for hours for Pearl Jam and then would be standing for Pearl Jam for hours the following day. So I had to give it a miss–even though I’ve heard the show was outstanding.

I love Gladie and would love to have seen them again, but when I saw this lineup, I had to choose the night with Snail Mail, a band I have wanted to see them since about 2018, but it keeps not happening.  This is now the seventh time I could have seen them but didn’t. (more…)

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[DID NOT ATTEND: September 7, 2024] Waxahatchee / Tim Heidecker & The Very Good Band / Gladie

I would have liked to go to one of these two Waxahatchee shows.  I wouldn’t have gone to both shows, but I had a hard time deciding which one to go to.

I love Gladie and would love to have seen them again.

I wasn’t sure about Tim Heidecker and his band.  I assumed it would be serious and not goofy but I genuinely didn’t know what to expect.  Here’s an interesting revue from his 2023 tour

From cultfollowing.co.uk

Having a man who, just forty minutes ago, threw TicTacs around the stage and screeched about TikTok, stare through your soul as he covers Bob Dylan’s Shot of Love classic, Lenny Bruce, is an incredible feeling. Fear of God. Fear of Death. Tim Heidecker and his No More Bullshit tour, accompanied by The Very Good Band have it all. 

So it might have been interesting to see.

But we then got tickets to Pearl Jam for this night so I as glad I didn’t choose this one.

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[DID NOT ATTEND: June 22, 2024] Frank Turner and the Sleeping Souls / Amigo the Devil / Bridge City Sinners / Micah Schnabel & Vanessa Jean Speckman

I had been wanting to see him for a long time because I’d heard his live shows were amazing.  I saw him last year in a solo (more or less) performance.  And it was great.  So next, I wanted to see him with his band because I’ve heard the band version is even wilder with a more punk aesthetic and I do love a fun punk show.

For the last couple of years he has disappointed me by having a show on Mother’s Day and then on Father’s Day.  This year it was the week after and I was sure I would be able to go.

And then my son and his friend had car/motorcycle trouble about 90 minutes away.  There was no way I could go out and have fun while worrying about them.  So I stayed home (they had made arrangements to get home by then, but had been out in the heat and sun for nearly ten hours).

So, yet again, I miss Frank Turner and his band.  Luckily, he never stops touring, so I’m sure they’ll be back again, on some other inconvenient holiday, no doubt. (more…)

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[DID NOT ATTEND: May 13, 2024] Amon Amarth / Cannibal Corpse / Obituary / Frozen Soul

When this tour was announced I had the choice of seeing them at The Wellmont in NJ or the Fillmore in Philly.

I chose the Wellmont because it is smaller and I thought it would be more fun.  I see too many shows in Philly anyway.

It worked out for the best as my wife and I were going to see Neil Young on Sunday night, so this left the rest of the week free.

I’ve really enjoyed Amon Amarth in the past and since my son and his friends enjoyed them when we saw them last year, it was a no brainer for the fur of us to see them headline.

I wasn’t to thrilled with the rest of the lineup, honestly.  I’ve seen Cannibal Corpse a few years ago and once was enough (although now that I heard what a genuinely nice guy Corpsegrinder is, I certainly like them a lot more).  It’s fascinating though that they’ve been a band since 1988 (and appeared in Ace Ventura Pet Detective!  They were an integral early band in the Tampa death metal scene.

Obituary is another super old school band from Tampa (formed in 1984, so even older).  It’s kind of weird that Amon Amarth, who is a Swedish band and not really a death metal band (they’re all about Vikings, but they do sing in a growly way) would invite two early death metal bands.

I know of them (their logo is very familiar) but I guess I never listened to anything they did.  They are heavy and fast but the singer actually does a kind of high voice when he sings (as well as some growling).  It’s a different vibe to be sure and more of what I think about with 80’s metal bands.

Frozen Soul is a death metal band from Texas.  They formed in 2018.  I had not heard of them and wasn’t really that interested in seeing them anyway.  They are heavy death metal with growling vocals.

If it weren’t for the headliners I ‘d have had n interest in this tour at all.

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[ATTENDED: May 8, 2024] The Decemberists     

This was our fourth time seeing The Decemberists (which is frankly too low a number for how much we love them).  But this show was on my birthday!  Imagine that.

I have actually never been to a show on my birthday before, mostly because I like to spend my birthday with my family.  But this was a band that my wife wanted to see as well, so we invited the kids along too, for a fun birthday night.

Sadly, my daughter was on crutches so she chose to stay home, but my son came even though he didn’t think he knew The Decemberists very well.

It turns out he knows them from osmosis and recognized a lot of songs from having heard his parents play them.  He was also pleasantly surprised by how much they rocked (my wife likes the folkier side and she plays them more).

And the show opened with a folky vibe.

There were light fixtures out front and Colin Meloy wandered out with his acoustic guitar and played “Red Right Ankle.”  He sounded great and the ambient lighting was perfect.  He described it as singing in a grotto.  Then Jenny Conlee came out with her accordion and the rest of the band came out soon after.  Nate Query with is upright bass, Chris Funk at his guitar and Lizzy Ellison singing as they played a lovely June Hymn.

They stayed acoustic for the new song All I Want is You complete with Victor Nash on horns and keys.  John Moen came out, the cool lights were removed and the “grotto” was taken away.  They spread out and used the full stage which was delicately designed with floral patterns and curtains.

With the full band out they played Don’t Carry it All with Chris Funk playing lap steel guitar.  Then they played the new song Burial Ground, after which Colin apologized for rhyming the word malaria in the song in case anyone in the audience was currently suffering from it.

The Decemberists could play pretty much anything in their catalog and I’d be happy.  And now that they have so many albums out there are fewer and fewer older songs that they can squeeze in.  So if they can only fit one part of The Crane Wife, I’ll take it.

After a rousing and fun The Sporting Life, with a little coda from The Smiths, Ellison got to show off her vocal chops with a fantastic The Queen’s Rebuke/The Crossing.  The Hazards of Love remains my favorite album of theirs and I love any song they play from it (this was the only one tonight).  But the heavy jamming during The Crossing was great–with some serious metal chords blasting out between the Hammond organ chords. (more…)

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[ATTENDED: May 8, 2024] Ratboys

I saw Ratboys headline a show in November and it was great.  They have been together since 2010, formed by singer/guitarist Julia Steiner and guitar wizard David Sagan.

When I saw them, Steiner told us how pleased she was to have so many different guitars on tour with her, because they were all tuned differently–it made things so easy!  She had a flying V, which was in standard tuning.

That’s the only guitar she used for this set, so I’m guessing all six of the songs they played were in standard tuning.

The set opened the same with, with the blistering rocker “Making Noise for the Ones You Love.”  It’s like a statement of purpose that totally rocks for like 90 seconds before there’s even vocals.

Morning Zoo slows things down and lets you know the diversity of the band’s sound. (more…)

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[ATTENDED: March 11, 2024] Cherry Glazerr 

After Ex Pilots and the obnoxious guy who was talking about how much he didn’t like Cherry Glazerr, a new guy behind me popped up who was a truly crazy fan.  He said he was going to start crying as soon as singer Clementine Creevy came out.   He also shouted her name and said “I love you” about six times.  It wasn’t scary stalker territory but I could see how she could have been unnerved by him.  He sang/screamed too loudly for a bunch of songs and then I think people got him to calm down (it’s a small venue after all).

I’d wanted to see Cherry Glazerr for a while.  I could have seen them in 2019, but they played a date that I couldn’t make.  Then in 2022 they were the openers for the Alt-J/Portugal the Man show that I really wanted to go to but couldn’t make.  Of course, it’s always more fun to see a band like this headlining a small venue, so this show at The Foundry was perfect.

They opened with the slow, moody, “Touched You With My Chaos,” with Clementine sing/shouting “I said that I loved you” and the creepy intense fan screaming it along with her.

But he wasn’t the only one super psyched to be here.  The two women in front of me bounced and screamed to each other for song after song.  And a guy who pushed his way to the barrier was literally leaping three feet in the air to land with every drop in a song.

I don’t really know the band’s output all that well, but I recognized a few songs like “Told You I’d Be with the Guys” with the sharp guitar line and screamed lyrics. (more…)

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[ATTENDED: March 11, 2024] Ex Pilots

I was not familiar with Ex Pilots before this show, but a guy behind me certainly was.  he was one of those guys who feels the need to talk loudly about whatever he thinks he knows a lot about.  He was pretty annoying, but he was right: people are going to come away from this show as Ex Pilot fans.  At the very least, I became a fan.

He also went on some crazy rant about Cherry Glazerr saying he’d never heard of them but thought they were some kind of 90s female grunge sound which he was never into (I was shocked that the the women around him didn’t pound him).  he also said he was surprised that there was only one opening band because most shows have like four.  Ugh, men.

But he was right about Ex Pilots.

I really enjoyed the way Hammer started as a fast rocking song and then after a minute it shifted gears to a slower, heavier rocking sound and then immediately shifted again into a lighter bouncier verse.  According to their recording, this song is only two minutes long.  It changed gears about five times and I was hooked.

“Exactly Like You” is a quieter song with echoing guitars.  It has very few words (only the title is sung) and at two minutes long, the vocals don’t come in until the half way part.

There were lots of fascinating things about this band.  There are six members in the band, including three guitarists!  And yet despite this, lead singer (and from what I can see, the main Pilot) Ethan Oliva played most of the lead guitar lines too.

After two new songs (I always think it’s funny bands ask if it’s okay if they play a new song, especially if hardly anyone has heard their older songs) they played “Nick Song” has a really catchy vocal melody.  “Bad Aibling” has a rocking shoegaze feel.  Most of the songs were about two minutes long but “Aibling” stretched out to 3! (more…)

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[ATTENDED: January 18, 2024] Black Pumas 

My wife and I really liked the first Black Pumas album a lot.  I’m not sure why we didn’t go see them when they played Philly in 2019 (at the Foundry–he was probably in the audience the whole time!).

When this tour was announced, I was shocked at the price of tickets.  I later found out that this was one of the first times Ticketmaster listed the price WITH FEES, so the outrageous price was what you’d pay after the sticker shock, but with the sticker shock up front.  I resisted getting tickets even though we both wanted to go.  And then Live Nation sent a code for $20 off tickets and boom, we were in.

And then the weather discouraged us from going.  It was COLD, and icy and about to snow, and neither of us really felt like going out.  But we did.  And boy was it worth it.

Neither of us knows the new album all that well, but since they only have two albums out there was no reason they wouldn’t play most of the debut as well.  Which they did (7 from the debut and 9 from the new).

And the show was stellar right from the start.  From the cool backdrop (which not only featured the pumas on that poster (right), but it also featured the twinkling teeth and eyes.  And the lights were incredible.

The band came out with singer Eric Burton out front and guitarist Adrian Quesada to the right.  The rest of the band surrounded them–bass, drums, keys and tow backing singers.

They opened with a song from their debut and then more or less went back and forth between a new song and an old one.

The new album has a few more mellow songs, and they were placed properly to give the band and the audience some breathing room in between dancing.

The most impressive part of the show was, without a doubt, Eric Burton’s voice.  His voice is amazing on record, but it was even better live.  It soared and flew, whispered and screamed.  He hit high notes with ease and sounded enormous throughout the set.

Even crazier, during Know You Better, Burton leaped off the stage into the crowd–after parting the crowd, he jumped feet first off the stage, soaring through the air and landed on his feet.  He then sang the rest of the song from the audience with people crowding around him.

It was amazing hearing him sing “Black Moon Rising” and doing those soft but powerful “ow”s that come after each line.

“Ice Cream” sounded fantastic live and everyone was dancing by then.  “OCT 33” was really powerful and “Mrs. Postman” was more fun than the recorded version.

Quesada didn’t say anything, and he didn’t do a lot of soloing, but when he did, his guitar sounded fantastic.

Burton jumped down to the front of the crowd later in the set and sang with the front row folks.  He also handed someone the setlist before the show was even over.

We sang along, we danced, we raised our hands, we clapped.  It was a full experience.

And then they started “Colors” the big hit.  A woman behind me shouted “this is my song” and everyone around her no doubt thought, “no, everyone loves this song, duh.”  Despite her, the song sounded fantastic.  So big, so powerful.  Everyone’s voices rising along.

The only disappointment for the night was the two guys in front of us.  I knew they were trouble when Digable Planets came on and I suggested we should move from them, but a nice gentleman next to us sort of encouraged us to get in front of him and it was hard to say no.

Fortunately for me, their drunken idiocy was far enough from me that it didn’t really impact me.  But my poor wife was stuck in their wake (in fairness I did ask if she wanted to move on a few occasions and she said no).  For two guys who loved the band as much as they did, they were sure disrespectful–talking loudly, leaving for drinks every three songs and then even falling on the floor.  Ooph.

I had seen earlier that Black Pumas had been playing 16 songs, so I thought we might get two encores.  I couldn’t think of any other songs I wanted to hear and the came out and played Hello from the new album.

I always think that encores should be fan favorites–big rockers to get everyone singing along (like Colors).  But that seems to be changing of late.  Hello is a mellow song that is quite lovely.  They followed it with Rock and Roll, the final song on the new album.  The song is kind of simple, but boy they built on the repetition in the song until it sounded massive.

This was supposed to be my first show of the year until The Musical Box cropped up on my radar.  But since that show was a) a cover band and b) seated, I feel like this was really my first real show of the year.  And it was a doozy.  So glad we went!

  1. Fire ♠
  2. Gemini Sun ◊
  3. Know You Better ♠
  4. Black Moon Rising ♠
  5. Sauvignon ◊
  6. Ice Cream (Pay Phone) ◊
  7. Angel ◊
  8. More Than a Love Song ◊
  9. Confines ♠
  10. OCT 33 ♠
  11. Mrs. Postman ◊
  12. Stay Gold ♠
  13. Chronicles of a Diamond ◊
  14. Colors ♠
    encore
  15. Hello ◊
  16. Rock and Roll ◊

♠ Black Pumas (2019)
◊ Chronicles of a Diamond (2023)

no: ♠ Old Man, Touch the Sky, Sweet Conversations
no: ◊ Tomorrow

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