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Archive for the ‘The Fillmore Philadelphia’ Category

[DID NOT ATTEND: April 8, 2025] Franz Ferdinand / Telescreens

I seem to have bad luck when it comes to Franz Ferdinand.  In 2022 they played Philly the same night that I had tickets to see Elvis Costello.  This year, they played Philly on the same night that I had tickets to two other shows (Mogwai and John Grant).

I did get to see them last year when they co-headlined with Pixies.  And they were great!  I would really like to see them again.  But I’d rather have seen the other two above mentioned bands.

Either way, it was moot since my wife had surgery and I was staying home regardless.

Telescreens are based out of New York, Their bio says their:

sound is classic rock with a twist, made unique by their alternative addition of keys and synth. They put on high energy live shows that bring the house down.

And the photo shows someone in the and jumping very high in the air.  They sound like they’d be a blast live.  The little bit I listened to sounded pretty good–simple but rocking with weird sounds sprinkled in.

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[ATTENDED: April 3, 2025] Poppy

A few years ago Poppy was supposed to open for Deftones.  The show was postponed and on the new dates, Poppy was no longer available.  I wound up not going to the show anyhow.  She has played Philly once before as a headliner in 2022, but I had plans that night.  So I decided, why not check her out this time around, now that she has fully embraced her heavy metal persona.

I didn’t know how crowded it would be (somewhat), nor how enthusiastic the crowd would be (very).  I casually know Poppy’s music and assumed she’d put on a good show  But people there knew every song.

With five minutes to go before showtime, a countdown clock appeared on the curtain (this was a great idea I thought).  And when it reached zero, a voice read out a whole bunch of thingsas the words were projected onto the screen  I don’t know if this is part of a song or what.  But when it was done, the band emerged.

Her stage was set up with soft fabrics, including a keyhole entryway with soft curtains that she went through a number of times.  Her band was on the left on a large platform.  She was on the right on a large platform.  The view would have been spectacular except the guy who was earlier next to me was now in front of me and he swayed and pogoed in my face for about half the show.  Sigh.

So Poppy has a great stage presence.  She was dressed in what I can only imagine was a fairy wedding dress without the train, which was replaced by short shorts.  Poppy is, of course, an internet creation, so she is well versed in her image.  She also know how to play against type, being cute and bashful in between songs while screaming her head off during them. (more…)

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[ATTENDED: April 3, 2025] House of Protection

A few years ago Poppy was supposed to open for Deftones.  The show was postponed and on the new dates, Poppy was no longer available.  I wound up not going to the show anyhow.  She has played Philly once before as a headliner in 2022, but I had plans that night.  So I decided, why not check her out this time around, now that she has fully embraced her heavy metal persona.

I didn’t know who would be opening and when she announced it would be House of Protection, I assumed they would be a metal band that was super heavy.

I wasn’t expecting a duo.  Aric Improta ran out and sat at the drumset which was sideways and sitting at the front of the stage.  Seconds later Stephen Harrison also ran out.  He sang and played guitar.  But mostly he incited the crowd.

Improta sang the first song while drumming in a very elaborate (and yes, I’ll say it, a very California) style with lots of arms flailing around.  He was exceptionally theatrical, standing on his drum stool and waving a cymbal around, and really trying to get the crowd into it.

Harrison was equally as theatrical.  He literally ran all over the stage (his guitar was remote, so no cables held him in place).  He spun around, he punched the air, he swung his guitar around his neck.  He was exhausting to watch.

He also commanded the crowd in a way that an opening band very rarely does.  But it turns out that both guys were in Fever 333 (who I don’t know, but who sound pretty cool) and are veterans of the stage. (more…)

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[ATTENDED: February 28, 2025] Father John Misty

Back in 2016, while touring his second album, Father John Misty played XPNFest.  I had been planning on going that day but for some reason couldn’t make it.  He wasn’t the only person I wanted to see, but I was interested in seeing him for sure.  And that’s the year that he had what I guess was a breakdown on stage.  As one person on reddit said

People came to see FJM and he gave them a 20 minute set without even playing a single song of his because what…it’s part of his “character”?

So I’ve been kind of against him since (I held the grudge a lot longer than WXPN did since they play his music all the time–and I know it’s stupid to hold a grudge since I wasn’t even there, but whatever).  The grudge finally ended this year with his great new album.  We enjoyed the new songs so much that we decided to see him at the Fillmore

Sadly, we arrived quite late.  Actually it wasn’t even that late–quite long before Destroyer went on.  But it was packed and we were very far back. I had no idea he would be that popular (or that the show would sell out).  The one fun thing is that I ran into an old school friend Susie and it was great seeing her and catching up with her.

After Destroyer, the crowd adjusted and damnit I was behind a tall dude for a bunch of the set.

I really liked his first two albums.  I grew a little tired of him for a while, but still enjoyed the singles that came later. (more…)

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[ATTENDED: February 28, 2025] Destroyer

I bought tickets for this show long before I knew who the opener was.  I was pleased that Destroyer was opening.  Destroyer was the last show I saw before the pandemic shut everything down.

Dan Bejar, who is Destroyer, is an unusual guy.  He’s got the vibe of a lunge singer, but he sings rather unusual lyrics (and has a rather unique voice).  None of which leads to a band named Destroyer of course.

Last time I saw them there were six members on stage.  This time there were only two in addition to Dan.  There was a drummer (who also played keys while drumming!) and a guitarist.  And of course, Dan was up front singing in his unusual manner–Dan’s microphone stand is set up so that the microphone was at his waist.  Basically he held onto the stand almost like a cane when he sang, and sang more or less to the floor.  And when there were instrumental sections, he would squat down so all eyes were on the other two.

He’s an unusual guy for sure.  I don’t know if he won anyone over–the Fillmore is a much bigger venue than he usually plays in Philly.  He’s also unabashedly himself, so he doesn’t really seem to care if everyone likes him, because a lot of people do.

The arrangements were stripped down to be sure, but I really enjoyed them this way.

He’s playing a headline tour in October, and I may just have to go.

 

2025 2020
The Music Lovers ♥ Crimson Tide ¿
Tinseltown Swimming in Blood Kinda Dark ¿
It’s Gonna Take an Airplane ♥ The Raven ¿
Painter in Your Pocket ♦ Cover From the Sun ⊄
Times Square Kaputt ⊗
Cue Synthesizer ¿ Times Square ∇
It Just Doesn’t Happen ¿ Bangkok ∇
Stay Lost ⊄ It Just Doesn’t Happen ¿
Chinatown Cue Synthesizer ¿
Poor in Love University Hill ¿
Tinseltown Swimming in Blood ⊄
Chinatown ⊗
European Oils ♦
foolssong ¿
Bay of Pigs (detail) ⊗
encore
Poor in Love ⊗
Looters’ Follies ♦

 

¿ = Have We Met (2020)
⊄ = Ken (2017)
∇ = Poison Season (2015)
⊗ = Kaputt (2011)
♦ = Destroyer’s Rubies (2006)
♥ = Your Blues (2004)

 

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[DID NOT ATTEND: February 8, 2025] Phantogram / meija 

For reasons I don’t really understand, I thought that Phantogram was My Brightest Diamond.  The bands’ names are not similar and they don’t sound much alike.  But I was sure that I had seen Phantogram open for someone.  And I had not.

As it turns out, I’ve been vaguely down on Phantogram for a while, and yet there’s been a song on the radio recently that I really like.  And when I listened to some more of their music I realized that I like them quite a lot–they remind me of Chvrches.  And so I thought I’d grab a ticket for this show.

And then I realized that we had a commitment that night, so all of my dithering was pointless.  But I’ll definitely be listening to more of them.

meija is LA based producer and songwriter Jamie Sierota.  He makes synth-drenched, indie pop adjacent rock.  It’s a little low-key and chill for me, but it seems like a decent pairing for Phantogram.

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[ATTENDED: January 24, 2025] Guster

Back in March, we saw the We All Have Eras Tour and we loved it.  It seemed weird to get tickets to the same show a few months later when they announced the second wave of the tour.  But it was almost a year later!

This made my 12th time seeing Guster and every Guster show is a good time.  Although the last time we saw Guster at the Fillmore, we didn’t love the crowd so much (we were also close to the bar…boo).  But this time we landed squarely in the middle of  the floor and had a great view (for the most part) and the crowd around us was cool (for the most part).

The show was like last time, a that there would be a narrator telling us what was going on with the band.  Dave Butler (who also plays drums with Marco Benevento and has played live with Guster since 2015) was the evening’s narrator. [This also means I’ve seen Dave Butler play 13 times].

The sets and “Acts” were the same, possibly a little smoother and, as they said on Instagram–there were laughs in different spots.

They opened the show with a chalk board showing a dorm room at Tufts.  Ryan and Adam met at Tufts.  They each played in bands in high school  (Adam from outside of Morristown, NJ!).  (Ryan’s band was called The Silents, Adam’s was Royal Flush).  They didn’t have bands in common, so they wrote their own song: “Parachute.”  Then they needed a name.  How about Gus?  Sounds good.  They were all set to be the Indigo Boys, two guys with great harmonies and acoustic guitars.  Then a goofy guy, Brian, who carried bongos showed up (his early band was called Toejamb) and soon they were a trio busking in Harvard Square.

Then came two songs that were different from last time [Happy Frappy instead of Fall in Two and X-Ray Eyes (the first time we’ve seen them play it) instead of Demons].  Although I was happy to hear songs for the first time, this was also something of a greatest hist show, so of course it was great to hear Airport Song and Barrel of a Gun (again).

Their story is more interesting than just a band progressing.  They went from acoustic guitars and bongos to a full on band with drumsticks and bass.  They were approached by Steve Lillywhite to produce an album.

Then Luke Reynolds came out with a giant head of Joe Pisapia and a name tag that said JOE.  He was a multitalented multi-instrumentalist and wrote “Jesus on the Radio” (which Luke and Ryan sang together).  Then Joe joined the band for real (played by Luke). (more…)

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[ATTENDED: June 2, 2022] Aurora

This is my fourth time seeing Aurora.  When I saw her in 2018, she was barely known here and I thought she might never play the States again.  Well, three tours later, she has sold out one of the larger venues in Philadelphia.  Good for her, but not so great for us.

The place was packed and we arrived late enough that we were stuck way in the back.  And Aurora has a fan base that is quite…intense.  So there was lots of shrieking and such.  There was also a lot of talking off to the side–drunken idiots who needed to talk loudly despite everyone shushing them (but they also knew all the words so they were fans, wtf).

So I was annoyed when the show started, which is a shame because the show itself was pretty amazing.

She had really upped her production since the last tour, with big screens of dancers behind her.  My wife was really excited to go for some fun poppy dancing.  I joked that it was going to be an all acoustic mellow show.

And I’m surprised to say that my joke almost came true, kind of.

The show opened with the gothy, spooky Churchyard (more…)

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[ATTENDED: December 9, 2024] Biig Piig

Aurora has had some pretty interesting opening artists over the years.  I had never heard of Biig Piig, but apparently the rest of the world has.

Her name is Jessica Smyth and she’s got an interesting backstory.  She was born in Cork, Ireland, but as raised in Spain.  Spanish is actually her native language.  But she moved back to Ireland when she was 12 and then to London a few years later.  And in 2020, her singles Switch, Don’t Turn Around and Feels Right had combined streams of over 60 million. (more…)

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[DID NOT ATTEND: October 20, 2024] Fontaines D.C. / Been Stellar

I’ve seen Fontaines D.C. twice and each time I’ve found the crowd to be unpleasant.  I decided that I didn’t need to see them again.  Especially in a place like the Fillmore–a huge venue that lends itself to bad behaviour.

They released a new album, though and my wife really likes the songs she’s heard and she wondered if we should go.  Then we saw that the show was on a special day for someone in my family.

So that’s THREE shows I would have gone to on one day.  And the day in question was not cool for us.

Oof.

I’m intrigued by Been Stellar and have heard good thigs about them.  I hadn’t heard anything by them and listened to a few clips just now and I don’t really get much of a feeling from them–fuzzy alt rock.  They’re kind of a buzz band, but I’d need to hear more.

Huh, last year I said I listened to a few songs and really liked them.  Maybe I didn’t give a good enough listen this time.

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