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Archive for the ‘Solar Myth’ Category

Orcutt Shelley Miller (Solar Myth, Philadelphia PA, March 23, 2026)

Posted in Orcutt Shelley Miller, Philadelphia, PA, Solar Myth, What is New on March 24, 2026| Leave a Comment »

[ATTENDED: March 23, 2026] Orcutt Shelley Miller

When I saw Thurston Moore about a decade ago, Steve Shelley was drumming for him.  I thought it would be fun to see each of the Sonic Youth members since I never got to see the band.  Then I saw Kim Gordon a few years ago.  And while I saw Lee Ranaldo decades ago, that doesn’t feel like it counts for various reasons.  But heck, an opportunity to see Steve Shelley again is not to be missed.

I didn’t know who Bill Orcutt was (and shame on me, I guess–he is best known for being in the band Harry Pussy).  I thought I didn’t know who Ethan Miller was, but then I realized I had seen him with Heron Oblivion about 8 years ago and I loved that set and I loved watching him.  But yes, the main draw of this trio for me was Steve Shelley.  Then I listened to their album and I loved it.

Bill Orcutt plays a loose, but great-sounding guitar.  It was fascinating to see that he has literally one pedal in front of him.  A small box which he stepped on from time to time.  I couldn’t really tell what the difference was after he stepped on it (maybe more distortion?), but overall the sound was great.  He played some wild solos–some seemingly on the verge of just nonsensical noise and yet he never let the sound get away from him.  But he also held back when there was a chance for Miller to play some soloing stuff.

Ethan Miller plays a small violin-shaped bass (a Höfner 500/1 Violin Bass) and the sound he gets from it is fantastic.  Unlike Orcutt, he has a bunch if gear.  He’s got some pedals that he messed around with and, in a moment of technological genius, I saw him turn on his phone and hold up a photo of his amp so he could set the dials to the exact specifications.  Miller is the only person who spoke (it must be 9 o’clock) and he seemed to having a really good time.

But not as good a time as Steve Shelley.  He smiles through the whole set, just seemingly thrilled to be playing drums.  It was such a treat to watch him.  And while his kit is pretty sparse, he really conveys a lot.

It was cool to watch Bill check in with Steve with a nod or glance that it was time to change tempo or end the songs. (more…)

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What is Now (Solar Myth, Philadelphia PA, March 23, 2026) [ORCUTT SHELLEY MILLER]

Posted in Orcutt Shelley Miller, Philadelphia, PA, Solar Myth, What is New on March 23, 2026| Leave a Comment »

[ATTENDED: March 23, 2026] What is Now 

I was excited to see Orcutt/Shelley/Miller and was made even happier when Chris Forsyth was listed as the opening act.  I’ve seen Chris in various forms five times and I love that he is creative and virtuosic but also experimental and noisy.  This show was with another group that he has recently gotten together with.  They are called What is Now and it’s a trio with double bassist John Moran (Bark Culture, Daniel Villareal Trio) and drummer Joey Sullivan (Florry, Bark Culture).

Solar Myth is a small venue and I’ve seen some loid shows here.  But this trio proved to be pretty quiet.  The played two pieces which I think were entirely improvised.

The first was about 20 minutes.  I enjoyed watching Chris wrangle his guitar–occasionally making pretty sounds, but largely making interesting experimental noises.

Joey Sullivan was fun to watch because he had a whole selection of gear on the piano next to him.  These included metal pieces that he put on his drums, a kind of spring that he hit and which rattled, and various other things that he put on the drum heads.

I was a little bummed that John Moran faced the other two guys because I was standing sort of in front of him and I never got to see him doing anything–except from the side.  So I could see his bow going back and forth (at one point he made a really noisy scraping “solo” that seemed to introduce a new part of the song.

After about 20 minutes the song wrapped up.  Chris said they would do one more–a quickie.  He asked Bo the sound guy how much time they had and Bo said “enough.”

So they started up a new song.  It was much the same but very different.  I really enjoyed the way the double bass seemed to be the component that held everything together while the guitar and drums seemed to roam around.

Is this jazz?  Maybe.  It’s noisy, occasionally gorgeous and mostly really interesting to watch.

And it’s always fun to chat with Chris after the show–he’s such a nice guy.

 

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Rafia Bhatiq / Ian Chang / Riley Mulherkar (Solar Myth, Philadelphia PA, October 8, 2025)

Posted in Ian Chang, Philadelphia, PA, Rafiq Bhatia, Riley Mulherkar, Solar Myth on October 9, 2025| Leave a Comment »

[ATTENDED: October 8, 2025] Rafia Bhatiq / Ian Chang / Riley Mulherkar

Technically this show is a Rafiq Bhati show, but the show was a trio and they were all equal partners so for me they all get top billing.

I know of Rafiq from his (amazing) work with Son Lux.  When I was lucky enough to see them in 2022 I felt

Drummer Ian Chang is just amazing to watch as he plays all sorts of different things and in unusual rhythms.  But then I would notice that guitarist Rafiq Bhatia was making some incredible sounds out of his guitar and I would wind up watching him for awhile.

So here was Rafiq touring his new album Environments.  This album is more or less an hour of sound shapes and explorations.  Rafiq is a guitarist but there is very little traditional guitar playing on the album.

Watching them live it was fascinating to see that Rafiq would play little bits and pieces and then he would sample himself and mess around with these new sounds.  He sat and played guitar and he had a gear box of some kind next to him.  And he would frequently reach over and twist knobs–and you could hear trills and low notes floating around.

For one song in the middle of the set, he put his guitar down and made sounds using that box– I don’t know what the original sound sources were for this, but it was fun to watch.

Ian Chang is one of my favorite drummers to watch.  He plays spare rhythms with occasional explosions of sound.  He uses brushes, mallets, stick and he has a laptop that he tinkered with from time to time.  When the set opened (Aviary I) he gently touched the various percussive elements on his kit (bells, cymbals, rims).  As the song progressed he had bursts of snare and crashes of cymbals but very rarely did he create a steady beat (except for one song late in the set where they locked into a real groove for a few minutes).  The songs didn’t call for it and his drumming was a great punctuation to Rafiq’s sounds.

I didn’t know Riley Mulherkar at all before this.  I’m not a huge fan of horns, but his trumpet playing was amazing.  For the opening bit (Aviary I), he blew into his trumpet but didn’t produce any notes.  Rather, it was like he was generating a kind of musical wind.  His subtlety was incredible as he played incredibly softly.  My very little understanding of the trumpet is that you blow harder to get the notes higher.  Somehow, he was able to create high notes while playing so delicately as to be almost inaudible.  And of course, he played loud blasts as well.  Of the three, he was the least interesting to watch, but he was the most fascinating to try to understand what he was doing. (more…)

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Secret Chiefs 3: UR (Solar Myth, Philadelphia PA, September 11, 2024)

Posted in Philadelphia, PA, Secret Chiefs 3, Solar Myth, UR on September 12, 2024| Leave a Comment »

[ATTENDED: September 11, 2024] Secret Chiefs 3: UR

I saw Secret Chiefs 3 seven years ago when they opened for Dead Cross.  They are a band created by Mr. Bungle’s Trey Spruance.  For that show the band came out all in hooded robes.  No one spoke.  One more note: Musicians tend to float in and out of SC3, so the concept of “current” and “former” members isn’t entirely applicable.  Thus, I have no idea who was on stage in front of me, except Trey who stood center stage.

The band for this show is an iteration of Secret Chiefs 3 called UR.  Fun fact:

In 2007, it was announced that Secret Chiefs 3 has always been a general name for seven different bands, each representing a different aspect of Spruance’s musical and philosophical interests. The seven bands are Electromagnetic Azoth, UR, Ishraqiyun, Traditionalists, Holy Vehm, FORMS, and NT Fan. Spruance has stated that the sound collages of Electromagnetic Azoth serve as the center of Secret Chiefs 3

This show was advertised as

Ars Nova Workshop is thrilled to present Secret Chiefs 3: UR, an incarnation of the shape-shifting avant-cult group led by Mr. Bungle guitarist/composer Trey Spruance, at Solar Myth on Wednesday, September 11, 2024. This show features a brand new incarnation of the SC3 surf band UR. including Spruance, Ches Smith, Shahzad Ismaily, Matt Hollenberg, and Adam Minkoff, performing a full set of all new music.

(more…)

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Nels Cline’s Consentrik Quartet (Solar Myth, Philadelphia PA, February 10, 2024, 3PM matinee)

Posted in Nels Cline, Nels Cline’s Consentrik Quartet, Philadelphia, PA, Solar Myth on February 11, 2024| Leave a Comment »

[ATTENDED: February 10, 2024] Nels Cline’s Consentrik Quartet

I was excited about this show for a couple of reasons.  I love Nels Cline’s work in Wilco, but I never get to ficus on him because there’s so much else to see in Wilco.  Plus, this was a 3PM matinee show!  I could go to a show and see a great band and be home for dinner!

Well, then Scott Thompson announced a show that evening, so I guess I would be very busy on this Saturday.

I was also excited because I had never been to Solar Myth before, but I’d heard it was a great venue.  Well, little did I realize that Solar Myth is Boot and Saddle!  The venue has been remodeled into more of a coffee shop 9although they do serve wine as well).  They sell jazz records, the bathrooms are less weird and there’s even more room by the door to the venue.

Best of all though is that they didn’t change anything in the performance room.  Our show was seated and I feel like most shows there are seated.  But honestly that just gives you much better sight lines.

So the Consentrik Quartet was introduced by someone from Ars Nova, the non-profit arts company that puts on a lit of experimental shows in New York and Philly.  They bought Boot & Saddle and basically turned it into an experimental jazz club.  Which sounds dire, but this show was packed (all three shows at Solar Myth had sold out).  he told us that contributions to Solar Myth helped Nels Cline get a grant to make music during the pandemic.  So tickets to this show were basically there to keep music like this going.  Pretty cool.

The Consentrik Quartet consists of Nels Cline (Guitar), Ingrid Laubock (saxophone), Chris Lightcap (bass) and Tom Rainey (drums).  The music was 100% experimental jazz, with some parts that were catchy and swinging and other parts that were noisy and skronking with wild sax soloing and crazy chords from Nels.

Each musician was excellent.  Chris Lightcap had the least work to do aside from holding everything together as it spiraled in all directions.  His bass was grounding and perfect, sometimes bowed with occasional runs of his own, but mostly just perfectly placed upright bass notes. (more…)

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