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Archive for the ‘Ortlieb’s’ Category

[DID NOT ATTEND: February 7, 2025] Wax Jaw / DJ PTFERRIS96

Yet again, Wax Jaw eludes me.

This show sounds amazing–a rocking show with an opportunity to watch the band make a video.  How cool would that be?

The blurb says

This will be a Wax Jaw banger to end all Wax Jaw bangers, and all attendees will get to:
⭐️ star in a wax jaw music video
💀 thrash to a fresh wax jaw set
🪩 dance all night with @ptferris96

~BLACK AND PINK ATTIRE STRONGLY ENCOURAGED~

And, yea, I don’t want to be in a Wax Jaw video.  And they don’t want me in a Wax Jaw video.

 

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[DID NOT ATTEND: March 1, 2024] Wax Jaw / Life in Vacuum / Porcelain

I have recently discovered the Philly band Wax Jaw and I am mildly obsessed with them.  They recently posted that they have existed for one whole year.  In that time I could have seen them six times, but only saw them once.  And I am looking forward to seeing them again.

The confusing thing about this show is that I have seen two posters for it.  The one on the right implies that Porcelain arethe headliners.  The one below implies  that Wax jaw are the headliners.  What to believe?

I already had plans for this night and I didn’t want to give them up for a 20 minute Wax Jaw set.  Although it does sound like Wax Jaw is headlining.

Well, I already had plans.  Plus, Wax Jaw is playing in Bethlehem in a few weeks anyhow.

Porcelain is from Austin.  Post-Trash says

The quartet of Ryan Fitzgibbon (US Weekly), Eli Deitz (Dregs, Votive), Steve Pike (Exhalants, CSSS), and Jordan Emmert (Super Thief, Pleasure Venom) bring a great deal of experience together from different pockets of the city’s noise rock and punk scene, the pieces coming together to create something better than the sum of it’s parts.

I’ve never heard of any of those bands.  I like the sound of their music but I don’t really like the singer.  I bet they crush it live though, their drummer sounds like a maniac.

Life in Vacuum is from Toronto. Although Stereogum adds more details

Life In Vacuum are a band based in Toronto, formed in Ukraine, playing an aggressive form of indie rock that pulls from a few different subgenres. I hear some Fugazi-style post-hardcore and some Metz-esque noise-rock in the mix.

They play an abrasive thumping hardcore that’s lurching and unsettling. Probably amazing to see live.

Born Loser is a record label that Life in Vacuum is on.  I gather someone from the label will be spinning songs from the label between bands?

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[DID NOT ATTEND: September 1, 2023] Strawberry Moon / Wax Jaw / Hot Seat / Wallace, Tonight

I have recently discovered the Philly band Wax Jaw and I am mildly obsessed with them.  I have yet to see them live, but I really want to.  When I saw this show at Ortlieb’s, I thought it might be a great time to see them.

But there were a couple of problems.

The big one is that my son was moving to college the next day.  Yea, there was no way I was not going to be home to help him (and we were up until almost midnight getting everything together).  The second, obviously minor thing is that Wax Jaw was not the headliner.

Strawberry Moon was the headliner.  I hadn’t heard of them, but imagined they would be kind of a psychedelic band.  And nothing could be further from the truth.  Their bandcamp summary says:

rock and roll with big ole vocals and dancey riffs

And that’s pretty spot on.  There’s some great rocking riffs and lead singer Katie Bowles has a powerful voice that never turns into screaming.  The rest of the band is Liam McElroy – guitar ; Gray Stephenson – bass ; TJ Meade – drums.  The poster says “Introducing Christian” which I assume means another member of the band, but who knows.

They are  a classic sounding band who probably put on a killer live show.

Wax Jaw I only know from a show I didn’t see (which had video online afterward).  There’s something wonderfully primal about them–kinda surfy but with a real punk rock feel.  Or as, this review in Before Tomorrow says

With a blend of surf rock, new wave, and popost-punk influences; Wax Jaw can only be described as something akin to the love child of The Cure, Siouxsie and The Banshees, and The Dictators all wrapped up into one package of sound that you may have expected to hear leaking from the doors of The Hot Club in the late 1970s. In the seemingly brief time they have been together, Wax Jaw has already garnered an extensive roster of sold out shows across the Philadelphia area and after our experience, it is undeniable that this streak will continue.

The review also goes on to say that it sounds like they stole the show. (more…)

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[ATTENDED: June 24, 2023] Spotlights

I saw Spotlights open for Deftones back in 2016.  I hadn’t heard of them before, but their live show left a lasting impression on me.  I had been trying to see them again since then, but it never worked out for one reason or another.

Finally, they were playing at Ortlieb’s, a bar I’d never been to. So it was cool to check out this venue and see  this band.

The openers started late for one reason or another and so Spotlights didn’t go on until after 10.  They were supposed to end at 11 (a dance party in the main part of the bar was scheduled for 11).  They said they were going to be quick, which I guess meant minimal banter because it didn’t see to shorten their set at all.

The one thing I had remembered from their show was how big and loud this trio sounded.  Originally, Spotlights was a duo–husband and wife Mario and Sarah Quintero–but they seemed to have taken drummer Chris Enriquez into their family and he is a beast.  Enriquez is a perfect compliment to their wall of sound.

And indeed, when Sarah plugged in her bass, the sound was so big my arm hairs vibrated. They played four songs from their new album.  One of which (“Algorithmic” I think) got a huge response from the crowd.

Speaking of the crowd, Ortlieb’s holds about 75 people.  So it was a close, tiny room.  A guy next to me even put his vinyl purchases on the stage (which was about six inches high).  Of course, mid-set, Mario asked him to move them so he (Mario) could stand there and interact with the crowd.  Mario eventually came onto the floor and gave that guy a hug.  (more…)

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[ATTENDED: June 24, 2023] Heatmap

Heatmap is from Philly and should not be confused with Heatmaps.  They weren’t originally on this bill and I’m not sure when they got added.  But wow, what a great find.

The band is a trio and they have two EPs out.

I stood right in front of their bassist who played a 1974 Gibson (I only know this because someone asked him and I overheard the answer).  It had such a great sound and it worked perfectly with the way he plays.  The bass is almost a lead instrument.  Not like Primus (they sound absolutely nothing like Primus), but sort of like Primus in that the bass plays the main riff/melody line and the guitar mostly throws sounds and textures over the top of them.

Couple that with their drummer’s complex and amazing drum patterns (now two songs have the same beat and pretty much none of them are just bass/snare) and Heatmap proved to be the most exciting band to watch.

On record, the bass prominence is less notable–it’s still there, but the guitars are more prevalent.  But live, sometimes the singer/guitarist wasn’t playing anything as the bass played the cool post-punk lines and the drums thumped away with lots of floor toms. (more…)

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[ATTENDED: June 24, 2023] LaMacchia

LaMacchia is John LaMacchia.  John LaMacchia is the guitarist for Candiria, a metal band I don’t know who plays a kind of mathcore/prog something or other.

LaMacchia is his first solo album, and it’s a very different feel.  He and Sabrina Ellie are the main singers and the album has a much more mellow vibe.

For this show, he had a band and I really enjoyed their set a lot.  There was no female vocalist, but there were outstanding harmonies from his bassist (who had an excellent sound and was really fluid in the basslines) and his guitarist/keyboardist who seemed to be doing all kinds of things over there.

Their drummer was a guest drummer for the night and he was really good, too.

Overall, I was really impressed with how the band could maintain an overall heavy sound but still have excellent (at times) three part harmony.  There was also some diversity in sound up on stage too, with a couple of the songs being almost atmospheric.

“Disconnect” even had a sample from Casablanca (who samples Casablanca?). (more…)

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