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Archive for the ‘Mann Center for the Performing Arts’ Category

[ATTENDED: June 28, 2025] Black Veil Brides

I was really bummed that Jinjer was opening half of these shows and that our show was so close to the Jinjer dates.

I had seen Black Veil Brides open for Ice Nine Kills and my first thought when I saw them was:

“these guys have gotta be from L.A.”  Why?  Because the drummer was swinging his head around and spinning and throwing sticks and the guitarists were really flashy, doing solos up front and standing back to back while they soloed together.  None of it was especially crazy, but it just screamed L.A. metal band to me.  And indeed, I found out after that they are from Holly wood.  Turns out the rhythm guitarist is named Jinxx!

I enjoyed their set well enough then and it was fine for this show.  We had moved to the ADA section, which meant comfy chairs, so we sat through their set.  Couldn’t see them all that well, but they didn’t do anything visual, so it was no big deal.  I had mentioned my L.A. comment to my wife and she agreed.

Many people at the show were REALLY into BVB.  The person in front of us in particular was crazy for  them.

Their set was entirely fine.  I was chickling about he lead singer who sounds like a TV presenter when he talks but who started every single song with a guttural scream.  This of course made all of the songs blend together to me.

There was nothing that we didn’t like about their set, but we both agreed afterwards that there was simply nothing memorable about it.  It turned out, though, that we liked the final two songs the most.

Those songs were from 2011 and 2013, so I’m guessing I like their older stuff better.

2025 2022
Toccata and Fugue in D Minor (Johann Sebastian Bach song)
(Intro theme, transitions into “Knives and Pens”)
The Phantom Tomorrow [tape intro]
Knives and Pens Faithless ∇
Bleeders ♦ Coffin ®
Faithless Crimson Skies ¶
Coffin ® Shadows Die ϖ
Devil ♠ Wake Up √
Perfect Weapon Scarlet Cross ¶
The Legacy § Knives and Pens ⊗
In the End ϖ The Legacy §
Fallen Angels §
In the End ϖ

♦ Bleeders EP (2024)
♠ The Mourning EP (2022)
¶ The Phantom Tomorrow (2021)
√ Vale (2018)
∇ Black Veil Brides (2014)
ϖ Wretched and Divine (2013)
® Rebels EP (2011)
§ Set the World on Fire (2011)
⊗ We Stitch These Wounds (2010)

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[ATTENDED: June 28, 2025] Bloodywood

I hadn’t heard of Bloodywood before this tour, but when I looked them up, I was totally intrigued.

They are a folk metal band from New Delhi, which I found interesting enough.  And their backstory is fascinating.

Prior to forming the band, Karan Katiyar regularly uploaded parody metal covers of popular Bollywood songs on YouTube.  In 2016, Katiyar quit his job as a corporate lawyer and together with Jayant Bhadula formed a two-piece band with the intention of “destroying pop songs”.

Live, the band is a six-piece.  Katiyar plays guitars and flute!  Bhadula sings and growls.  Raoul Kerr officially joined in 2019 and does rap vocals.  The touring band since 2019 includes Vishesh Singh on drums, Roshan Roy on bass and Sarthak Pahwa plays the dhol (an Indian drum that sounds amazing).

The band was loud as anything and they got the crowd going in a second.  They even had the crowd form a circle pit which is very impressive as an opening act and in such a small pit area. (more…)

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[ATTENDED: May 19, 2025] Pierce the Veil

My son and I have seen Pierce the Veil twice in the last two years.  The first show at the Stone Pony Summer Stage during a pending hurricane.  We got soaked and the show was cut short.

The second show was in a fairly large arena and we were pretty far away from the stage.  It was good but unsatisfying.

But this one was at the Skyline Stage at the Mann, an outdoor venue that allows you to get close.  And this time my daughter wanted to come as well.  So I grabbed us three early tickets.

We had been put in the ADA section (my hip) and the kids were allowed to be there with me or they could leave if they wanted.  The ADA section is raised and is off to the side.  So, you get clear unblocked views of the stage (yea!) but at a weird angle (boo) with slightly distorted sound (boo).

I told the kids that I would not be offended if they wanted to go on  the lawn.  I would have if I was less held up.  So they looked at the setlist and decided that they’d like to be in  the lawn for the first part of the show and then maybe come back at the side for the hits at the end.

They enjoyed being on the lawn although they said it was hard to see the stage very well (it’s a very tall stage).  And then about half way through the show, my daughter came back to hang with my while my son made his way to the pit, where he slam danced for the next 45 minutes.  He had a blast and said it was the best show he had ever been to.

I enjoyed the show quite a lot as well.  Although, WOW was it cold.  I mean, mid-May, but the temps were in the 50s with a heavy wind.  And sitting on the side, there was no place for warmth.  Of course, I would feel much more into the show if I were in the mix with other people. But having said that, the band sounded great.  They were full of energy and seemed to be having a total blast.

We both agreed that this was the best of the three shows BY FAR! (more…)

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[ATTENDED: May 19, 2025] Sleeping with Sirens

My kids both really like Pierce the Veil and I got into them as well.  So when they played the GA stage at the Mann Center, I got tickets for all three of us.

The Mann Center is a great venue, but if you go there at the wrong time, the traffic can really suck.  And when the show starts at 6:30, there’s really no way we were going to arrive for all of the bands.

I was looking forward to seeing Daisy Grenade, but we missed them entirely.  Social Casualty says of them:

Female alt-pop, bubble grunge duo Daisy Grenade is led by Dani Nigro and Keaton Whittakker. They aspire to make diary-entry-like songs, bringing you through the growing pains of being a woman in today’s society. With raw emotions, wrapped up with femininity as a weapon, and a theatrical touch on top, they’re turning bubble grunge into something catchy and sharp with a side of something sweet.

So yea, that was a bummer to miss them. But we did arrive in plenty of time to see Sleeping with Sirens.  (more…)

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[DID NOT ATTEND: September 6, 2024] Cage the Elephant / Young the Giant / Bakar

We saw Cage the Elephant open for Beck five years ago–I can’t believe it was that long ago.   They blew me away and I knew I wanted to see them again.  This show proved to be one I wasn’t going to go to.  I instantly bristle at going to the Mann even though the venue is great–the parking is just such chaos.

But we already had tickets to see St. Vincent that night and we weren’t going to miss that one.  So I do hope they come back again next year.

Young the Giant is one of several bands that came out at around the same (like Cage the Elephant) that had this ___ the ___ formatting.  It was very confusing at the time and I’m still not sure I know which is which.  They seem pretty good, but I don’t know any of their songs.

I thought I didn’t know Bakar but it turns out that I know his hit Hell n Back from the radio.  He plays a kind of mellow, warm, satisfying music–kind of rapping with a hint of reggae.  His music would be really nice to hear on a warm summer night at an outdoor venue.

Could have been a fun night.

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[DID NOT ATTEND: July 25, 2024] Beck with the Philadelphia Orchestra / Molly Lewis

My wife and I have seen Beck three times now and his shows are always fun.

I more or less felt like I’d always see him when he came around.  And typically, an orchestral show promises an interesting performance.

But given Beck’s past history with making orchestral music, I wondered if this show would be really mellow and not all that much fun.  I mean, sure, Beck would make it fun, but, well, it just didn’t seem worth the drive to the Mann.

Looking at the setlist, I see that he played six songs from Morning Phase and five from Sea Change.  Just not my type of show, really.  But here’s some excerpts from the WXPN review:

Last night at The Mann Center, Beck took the stage with the 80-piece Philadelphia Orchestra and his Sea Change album band. This allowed him to perform songs that he usually does not get a chance to perform: cuts from Sea ChangeMorning Phase and Mutations, as well as sneaking in his big hits such as “Devil’s Haircut” and “Loser,” which got the intently listening crowd to their feet. It was a truly incredible sound. He referred to playing with the orchestra as “$100,000 karaoke.”

With lots of wit and funny commentary, Beck also talked a lot about his influences such as Serge Gainsbourg and Francoise Hardy, whom he dedicated a song to. He played songs that he “selfishly wanted to sing with an orchestra, now that they were on stage” with him, such as “It’s Raining Today” by Scott Walker. He also mentioned that his very first concert was Brazilian musician Antônio Carlos Jobim.

After the 90-minute set with the Philadelphia Orchestra, they left the stage, leaving just Beck and his band on stage. Beck walked and climbed around the seats on stage having the spotlight follow him as he performed the encore, and left everyone wanting the show to go on longer.

(more…)

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[DID NOT ATTEND: July 13, 2024] Dr. Dog / Kevin Morby / The Teeth

I never really got into Dr. Dog but I’ve liked a bunch of their songs over the years.  And I’d always heard they were great live, so I had them on my “wanna see” list.

Back in June of 2021, Dr. Dog announced their last tour.

“It is a disturbing thing to read, I’m sure, and trust me, an equally unsettling thing to write, but it’s all good,” they wrote. “It’s important to us that you understand that this is not a break up or anything like that. We don’t know what Dr. Dog will do, we just know it won’t include going on tour, except the tour we’re announcing now, which is going to rule.”

And yet, now they were back with a new album an a live show (I don’t know if there were any other shows).

I opted not to go.  The Mann is kind of a pain to get to and I just wasn’t sure I cared enough to bother.  (more…)

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[ATTENDED: July 3, 2024] Cavetown

When I learned of Cavetown from my daughter, who played “Lemon Boy” a lot.  Even a few years later, I think the song is fantastic.  I didn’t really know all that much about him (Robbie Skinner), but I had listened to a few records.  So I assumed that the whole set would be kind of mellow and folky.  It actually seemed like an odd double bill.

But there is a sizable overlap of young trans/non-binary people who make up both audiences so even if the music isn’t similar, the tone of acceptance and respect permeates both (all three actually) bands.

I don’t normally like to be far from the stage–it takes me out of the action and makes me feel like I’m just hearing a band not really experiencing a live show.  That makes me a little insufferable I know, especially to my kids who just want to chill out and enjoy an Event.  And really, an outdoor show is more of an Event.

So, when they walked to the back of the lawn and sat on a blanket, I compromised and left the front area that we were in for Mother Mother and hung back with  them.  Although once everyone stood up, I had to move forward a little because I couldn’t NOT SEE the stage. (more…)

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[ATTENDED: July 3, 2024] Mother Mother

When this show was announced back in January, it was a killer triple bill.  Mother Mother, who we love to see live, Cavetown, who I’ve wanted to see live and Destroy Boys, a band that both my kids like and who my son and I have seen once and wanted to see again.

We were bummed that Destroy Boys was unable to play, but we arrived a little late so maybe we wouldn’t have seen their full set anyway.

We also didn’t know who was headlining this show–it appears that Mother Mother and Cavetown have been switching who was the headliner.  I rather hoped Mother Mother would go last because I felt like their show would be bigger and Cavetown’s would be more mellow.

But Mother Mother went on second and I think it was all for the best!  Because we rocked out to Mother Mother and  then we walked to the back of the lawn and chilled out for Cavetown’s more mellow set.  Very cool!

So this is the third time we’ve seen Mother Mother and actually the first time they weren’t headlining.  As I’ve learned over the years, a double headline bill means neither band plays a very long set, which kind of suck, tbh.  But whatever, it usually means a kind of greatest hits package as well.

Mother Mother has a new album out, which I didn’t realize until a few weeks ago.  They played a few songs from it, but the did not skimp on the big names.

The band walked out. First came bassist Mike Young (who runs all around the stage during the show and is a lot of fun to watch) and drummer Ali Siadat.  Then the applause grew louder as singers/keyboardists Molly Guldemond and Jasmin Parkin were singing the new song “Nobody Escapes.”   Finally, huge applause as Ryan Guldemond came out and the song took off.

Then everyone went nuts when they played “Arms Tonite.”  And they surprised me by playing “Hayloft II” which I think has taken on a life of its own.

The new song “The Matrix” is super fun with the completely singalonable part “fuck no.”   They segued that song into Pixies “Where is My Mind?” and I was delighted and surprised at how many very young people knew this rather old song.  Ryan asked at one point how many people in the audience were younger than the band (who celebrated 20 years this year) and scores of hands went up.  Crazy.

They played two songs about having “Problems” including the super fun “Burning Pile.”  Ryan Guldemond really has his banter down well and when he asked if anyone was having a hard time in life, he commiserated and told them to throw everything that was bothering them on the burning pile.  It was a really sweet moment and I love how Mother Mother has really embraced the community that TikTok has built up around them.

The new song “Explode!” is also super catchy–the whole album is really good.  All the fans love the O My Heart album the most, so they played seven songs from it.  Including “Sleep Awake” a slow, pretty song that Ryan said was the first song he wrote for his big sister to singer. Molly has a lovely voice and I love the way the song was really quiet to start and then got huge.

The band left briefly and then came out for an acoustic medley.  They played six songs from their earlier albums and it was really fun hearing the crowd react to the snippets of each song.  Sadly, someone passed out (I guess) during “Ghosting” (my favorite song in the medley) and they stopped it but did not resume it.  But at least the person was fine (and so were we).

They stayed acoustic for “Oh Ana” “Wrecking Ball.”  I said last time that I really want to see them rock out “Wrecking Ball,” but it is more or less an acoustic song so it makes sense that they would play it that way most of the time.

Then they busted out “Verbatim” and the crowd went nuts.  And they went even crazier for “Hayloft” of course.  Jasmin usually gets a solo moment during the set–it had been “Girl Alone” but for this tour they mixed it up and she sang a beautiful rendition of Lana Del Rey’s “Video Games” before they segued back in to Hayloft to end the show.

When we saw them last time the show was explosive in lights and everything else.  It’s a little harder to overwhelm with lights when it’s 7PM and you’re outside.  But the lighting was still pretty cool–minimal but cool.

It’s also funny how much of a festival-like atmosphere an outdoor show has.  People just seem looser and more prone to doing wild things when outside.  It wasn;t my mafvoirte Mother Mother show, but it was a lot of fun.

 

 

July 2024, Mann Center October 2022, Fillmore February 2022, TLA
Nobody Escapes € Verbatim ⊗ Seven ⇔
Arms Tonite ♥ O My Heart ♥ O My Heart ♥
Hayloft II ⇔ Bit by Bit Let’s Fall in Love ≠
The Matrix € / Where Is My Mind? (interlude /Pixies cover ) Infinitesimal ≠ The Stand
Problems Body of Years ♥ I Got Love ⇔
Burning Pile ♥ Creep (Radiohead cover) Problems
Explode! € The Stand ∇ Body ♥
Back to Life § Back in School ‰ It’s Alright §
Body ♥ Burning Pile ♥ Sick of the Silence ⇔
Sleep Awake ♥ Problems Arms Tonite ♥
Dirty Town ⊗ / Neighbour ⊗ / Wisdom ♥ / Ghosting ♥ / Little Pistol ≠ / It’s Alright §
(Acoustic, Ghosting interrupted due to a medical issue in the crowd)
Sick of the Silence ⇔ Life ⇔
Oh Ana ⊗ [acoustic] It’s Alright § Pure Love ⇔
Wrecking Ball ♥ [acoustic] Arms Tonite ♥ [acoustic] Ghosting ♥
Verbatim ⊗ Body ♥ [acoustic] Bit by Bit
Hayloft ♥ / Video Games (interlude Lana Del Rey cover) Wrecking Ball ♥ [acoustic] Wrecking Ball ♥ [acoustic]
Oh Ana ⊗ Oh Ana ⊗ [acoustic]
Hayloft ♥ / Girl Alone Verbatim ⊗
Hayloft II ⇔ Hayloft ♥ / Girl Alone
encore Hayloft II ⇔
Ghosting ♥
Dirty Town ⊗
Burning Pile ♥

€ Grief Chapter (2024)
⇔ Inside (2021)

§ Dance and Cry (2018)
‰ No Culture (2017)
≠ The Sticks (2012)
∇ Eureka (2011)

♥ O My Heart (2008)
⊗ Touch Up (2007) [originally called Mother released 2005]

 

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[ATTENDED: July 3, 2024] Meet Me @ the Altar

When this show was announced back in January, it was a killer triple bill.  Mother Mother, who we love to see live, Cavetown, who I’ve wanted to see live and Destroy Boys, a band that both my kids like and who my son and I hhave seen once and wanted to see again.

Then, in May it was announced that Destroy Boys would no longer be opening

In a joint statement, Mother Mother and Cavetown shared, “Destroy Boys will no longer be able to join our summer tour due to a medical issue. We’ll be sad to miss them and wish them a speedy recovery.
We are really excited to welcome Meet Me @ The Altar to the tour in place! Can’t wait to see you all soon.”

It turned out that this bummed my son out and kind of soured him on the show a bit.  I have seen MM@TA twice and knew what to expect.  I actually thought they’d be a lot of fun since their opening set is usually a condensed form of bangers an covers.

Well, we arrived a little later than I wanted to and then parking was pretty tough. I was frankly shocked by how many people were there so early (on a Wednesday).  People looked like they’d been camping out forever by  the time we strolled in.

We could hear them from the parking lot, so we could hear most of their set, but by the time we got into the venue and found our places, we were easily more than half way through their set. (more…)

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