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Archive for the ‘Franklin Music Hall’ Category

[DID NOT ATTEND: September 29, 2023] Explosions in the Sky / Draag Me

Explosions in the Sky twice.  After that second show, I promised myself that I would see them any time they toured.   It has been a few years and they announced their new tour was called The End.  It was wildly speculated that they were breaking up after it (and why wouldn’t people speculate about that).  So I made sure to buy a ticket immediately.

But after months of speculation, it was revealed that The End is just the name of their new album.  It doesn’t make the tour any less exciting, but it leaves a but of a bad taste.

This is the largest venue that I would have seen them play at–and I wasn’t all that excited about that either.

Well, when Margaret Glaspy announced  that she was playing a show at Underground Arts on the same night, at first I was bummed to miss her.  Then I decided that I had seen Margaret twice, but both were short shows and that I’d really like to see her headline.

So, yes, I’m giving EITS a pass.  It’s kind of a shame that bands aren’t postponing shows anymore (bite your tongue).

EITS said that they’d be having local bands open for them throughout this tour.  According to Pitchfork:

Draag Me started as the solo project of Zack Schwartz, one of the driving forces behind Philadelphia psych band Spirit of the Beehive. His first record under the Draag Me moniker, i am gambling with my life, was a collection of warm, hazy electro-pop with an undercurrent of anxiety.  With idle time during the pandemic, Schwartz started emailing scraps of songs to his Beehive bandmate Corey Wichlin, including some taken from Beehive’s ENTERTAINMENT, DEATH sessions. The two passed files back and forth, arranging and mangling them until full compositions emerged, ones more metallic and jittery than their predecessors.

The music is weird an unsettling–chopped up and stripped down.  It’s the kind of music that would be really hard to play live if it wasn’t all prerecorded in some way.  I’m curious how well they will be received–although a Philly show with a Philly band should probably be okay.  Interestingly, they are also opening for DIIV in Jersey City on Nov 1.  I don’t know DIIV at all, but I wonder how well they work with these two different bands.

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[DID NOT ATTEND: September 23, 2023] Death Grips

Death Grips is a band I learned about a few years ago.  They are noisy and scary and apparently put on an insane live show.  But they are also really flaky, including posting this on Facebook a decade ago

We are now at our best and so Death Grips is over. We have officially stopped. All currently scheduled live dates are canceled.

This show was scheduled to be at Union Transfer, which I was pretty psyched about.  But it sold out in about five seconds and they moved it to Franklin Music Hall, which is kind of a bummer, although somehow it seems fitting that they would play at a much bigger venue.

It also appears that it’s unclear how long after doors open that they will go on.  You could wait almost two hours if you get there when doors open.  Yikes.

 

(more…)

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[ATTENDED: August 12, 2023] Sylvan Esso

I’ve had Sylvan Esso on my list of bands to see for a while, even though I’ve never been a huge fan of the band.  I like a lot of their songs, but I don’t really listen to them all that much.

However, every time they release a new single I dig it.  Plus, I had heard that their live shows were electric.  The last time they camw to Philly it was part of another tour and I’d never even heard of the headliner(!).  Before that was 2018 at a Festival.

The problem, such as it is, is that I didn’t know their new album all that well at all. But that’s fine, because the songs are fun and Amelia Meath, literally the only person to watch on stage is all about being in charge.  Her musical partner Nick Sanborn creates all of the music on a variety of electronic devices.  he stands up in the corner of the stage, occasionally looking up, but mostly very busy making sounds including manipulating and echoing Amelia;s voice as she sings.

Amelia started out wearing a suit jacket long enough to cover most of her body.  She opened the jacket for “Ferris Wheel” (and I love how the whole room shouted the NO! at the right time).

Then she took off the jacket to reveal that she was wearing a leather bikini of some sort (which looked really uncomfortable if I’m being honest).  But she was in her element–dancing some impromptu moves and getting the whoel crowd inspired by her. (more…)

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[ATTENDED: August 12, 2023] Dehd

I only know Dehd from one song that WXPN plays a lot called “Bad Love” (although I didn’t know that was the name of it).

I also didn’t know a thing about them.  Turns out they are a trio from Chicago and have been around since 2015.  The three are Emily Kempf bass and (most) vocals, Jason Balla guitar and (some) vocals, and Eric McGrady drums.

Emily Kempf is a fascinating person in her own right–a look for her history will turn up lots of interesting tidbits.

I loved the way she stood, upright and almost defiant on stage playing bass and singing with whoops and trills as needed.  Meanwhile, Jason Balla, with his neon green guitar jumped around all over the stage–a perfect companion. (more…)

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[DID NOT ATTEND: July 8, 2023] The Smile / Robert Stillman

Much like with the Trey Anastasio Band and Phish (the only way to get close to Trey is to see him solo), The Smile seemed like the only way to see Thom Yorke and Jonny Greenwood from Radiohead up close. Their drummer is Tom Skinner from Sons of Kemet.

So when they announced a show in Philly I was all set  to grab a ticket.

Then I listened to the record and… I didn’t think much of it.  Granted , I didn’t give a lot of time to the record, but what I heard was just too jazzy for my liking.  So I was just as happy to not go see them.

I see that it has sold out, so good for them.

Robert Stillman is a composer and multi-instrumentalist from the northeast United States, currently based in Margate, UK. His music juxtaposes the archaic with the futuristic, incorporating influences of Jazz, Minimalism, American Folk music, and experimental electronic music to create a sound described by the Guardian Observer as “lending an avant-garde shimmer to pre-modern American sounds.”

One review of his set says he was

Perched behind a Yamaha DX7 and some DJ gear, Stillman blended down tempo jazz sax with minimalist electronic beats to warm-up the growing crowd

This sounds like a show I would have enjoyed intellectually, but not in practice.

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[ATTENDED: June 20, 2023] Idles

I didn’t known that Idles was going to play near me at all this year.  Turns out that Idles will be doing lots of Festivals this summer in the States, and they decided to throw in two headline shows in the middle.  And Philly was one of them.

I’ve seen them twice before–each time the venue getting larger (good for them).

This was at Franklin Music Hall and I don’t think it sold out, but it was close.  The crowd was crazy (although, I feel not quite as crazy as at previous shows).  The band has a newish album out which I haven’t listened to as much–it changes their formula somewhat.

But they still opened with “Colossus.”  A loud, slow, rumbling repeating bass note from Adam Devonshire shook the whole place.  And then Joe Talbot came out and started singing the slow, quiet introduction.  The lights flashed from red to white as the song built and when it hit the loud part–boom!

The Re:SET concerts have seen them playing roughly an hour, so I wasn’t sure how long they would play for us.  They did a solid hour and forty-five minutes, playing songs from all of their albums, and leaving out at least one classic.  I was genuinely surprised they didn’t play “I’m Scum” since they are still selling the T-shirt

Jon Beavis is a maniac on the drums–how did these drum head survive the pummeling?  Again, I could barely see him back there, but he was easily felt.

After the first song Joe left the stage for a minute and Mark Bowen said hiya Philly.  When Joe came back out he said, “is that your crowd talking dress you’re wearing?”  He said that Bowen has never addressed an audience before.  He amended that to, “and been understood.” (more…)

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[ATTENDED: June 20, 2023] Idles

I was pretty excited to see Idles, but I was even more excited when it was announced that Mannequin Pussy would be opening.

I wanted to get their plenty early.  This was a weird night because I-95 had collapsed and there was a detour in place.  I didn’t know how long it would take to get there.

I’m guessing most people stayed away from 95 altogether, and it was a Tuesday night, because the ride in was so smooth.  The detour that I took was only a few blocks and I was right back on the road with hardly any other traffic,  It was great.

I arrived in plenty of time, although it was already pretty crowded.

Then, at 8PM, Mannequin Pussy came out on stage.

I’ve seen them four times, although it had been almost two years since the last time.  Three of those four times, they were opening, so it’s not like I chose to see them. But I do love seeing them live.  And this show was no exception. (more…)

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[DID NOT ATTEND: June 4, 2023] Grandson / K. Flay / Jack Kays

Last year my son and I saw grandson and he was great.  It was a stellar show.  So when he announced a new tour this year I grabbed us both a ticket.

Last year I know he was really into the grandson album, but I hadn’t heard him talk much about the music this year.  He had seemed excited about the show when I told him about it, but as it drew close I felt like maybe he didn’t fell like going.

It turns out that the school was going to Great Adventure the next day and he didn’t want to be tired for it.  Which is fair. I happened to do a ton of yard work during the day and the last thing I wanted to do was stand for three hours in Franklin Music Hall.

Even though I’m sure grandson kicked ass.  And maybe if I liked his openers more next time I’d see him again.

Jack Kays is a 22-year-old musician from Cincinnati, Ohio, here to raise awareness for mental health, drug addiction, and redemption—situations and obstacles he personally has faced, gone through, and overcame. Blending the genres of hip-hop, alternative, and folk, Jack carves his own unique lane and sound, while touching the masses with his remarkable story.

The one song I listened to was all acoustic guitar and intensity.  I rather liked it.  He’s also apparently a trained chef!

K. Flay (full name Kristine Meredith Flaherty), is an American singer, musician, songwriter, and rapper. Her debut album Life as a Dog was released in 2014.

Her singing style reminds me a lot of grandson’s actually.  They seem like a perfect fit.  In fact, when the tour was announced I wasn’t sure if the two of them would be performing together or separately.  I mean, the official tour name was Grandson & K.Flay Present: I Love You, I’m Trying Tour.

I wish we were more up for going.

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[ATTENDED: May 5, 2023] Yves Tumor

Yves Tumor had been on my list of artists I wanted to see live.  So when they announced a show at Franklin Music Hall, I grabbed a ticket pretty quickly.  I didn’t think it would sell out.  In fact I thought that Franklin Music Hall would be too big a venue for them.  I mean, had anyone even heard about them?

When I arrived (much earlier than I expected, thank you light traffic), there was hardly anyone in the parking areas that are usually packed.  And the entrance was pretty swift.  But when I got to the floor, it was surprisingly crowded.  Not jam packed or anything, but I couldn’t get anywhere near the stage.

I also realized that this crowd was YOUNG.  I’m usually one of the older people at a show, but this time the gap felt pretty large.  That doesn’t bother me, because usually, the young hyperactive folks rush to the front and I hang out in the middle.  But in this crowd everyone was jumping and bouncing and carrying on.

I’m still not sure how people have heard about Yves Tumor.  My kids hadn’t and they have fingers on various pulses.  I know them from NPR Music, which I think of as a slightly older crowd.  But by the time Yves came on, the crowd was pretty packed in and ready to party.

I had heard that Yves Tumor’s show were must-see.  Their earlier releases were challenging with samples and loops and unexpected diversions.  The songs were spare with Tumor’s voice being one of the things that really held them together.

But on the newest record (and I’m guessing the previous EP), there’s a more glam rock feel to the album. Tumor’s vocals remain the same (which is good) but there are melodies and riffs galore.

Yves Tumor is a star.  They own the stage with everyone following their every movement and step.  Their microphone has some kind of cool attachment  to it (I couldn’t see it from where I was, but it was like a wolf’s head facing them.  They prowled the stage in leggings and short shorts.  They wore a leather jacket and a shirt that simply said FUCK.  Their hair was two-toned.  They were beautiful.

The stage had industrial metal crates with lights permeating from the center.  The lights and feel changed according to the mood and it was quite effective.  The band was few in number but huge in sound.  Gina Ramirez on bass and harmonious backup vocals; Yves Rothman on guitar, keyboard, and samples; Rhys Hastings on drums and lead guitarist Chris Greatti.

Greatti was a star himself, shredding like crazy and being very present as Yves walked around the stage–filling in front and center if Yves walked away and being there when Yves needed to hug someone. (more…)

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[ATTENDED: May 5, 2023] Pretty Sick

Yves Tumor had been on my list of artists I wanted to see live.  So when they announced a show at Franklin Music Hall, I grabbed a ticket pretty quickly.  I didn’t think it would sell out.  In fact I thought that Franklin Music Hall would be too big a venue for them.  I mean, had anyone even heard about them?

Of the two opening bands, I was looking forward more to seeing Pretty Sick, whose recordings are pretty great.  Their blending of noise with hooks is really terrific.  They allude to all of the best moments of 90s alt-rock.  Grungy guitars, squalling feedback sounds and lead singer Sabrina Fuentes recalls Courtney Love’s best vocal moments.

On their latest album she seems to leave it all on the floor with her intensity.

They came out and I expected a wall of noise and feedback.  But wow, was their sound tepid.  I have to blame the venue, because I think it got better as the set went on, but when they started out, the guitars sounded like they were coming from a teeny amplifier.  Fuentes’ voice sounded out of tune with what I was hearing and the whole thing felt so small after Frost Children.

The rest of the crowd seemed to really enjoy them, so maybe I was just wrong about it.  But I was so disappointed by the set–it felt really puny for some reason.

I’ve since listened to their records and they sounded even better, so maybe I need to see them again in a diffeent setting.

At the end of the show, the guitar player crumbled up a set list and threw it into the crowd right to the guy in front of me (his girlfriend was a big fan, so that was good for them).

There’s no setlist available for the show, but recent shows indicate these songs were played

  1. Angel Landing ∇ 
  2. Black Tar Ü
  3. Devil in Me
  4. Allen Street
  5. Superstar
  6. Human Condition Ü
  7. PCP Ü
  8. Dumb

Ü Makes Me Sick Makes Me Smile (2022)
⇓ Come Down (2021)
∇  Deep Divine (2020)

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