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Archive for the ‘Franklin Music Hall’ Category

[ATTENDED: June 20, 2023] Idles

I didn’t known that Idles was going to play near me at all this year.  Turns out that Idles will be doing lots of Festivals this summer in the States, and they decided to throw in two headline shows in the middle.  And Philly was one of them.

I’ve seen them twice before–each time the venue getting larger (good for them).

This was at Franklin Music Hall and I don’t think it sold out, but it was close.  The crowd was crazy (although, I feel not quite as crazy as at previous shows).  The band has a newish album out which I haven’t listened to as much–it changes their formula somewhat.

But they still opened with “Colossus.”  A loud, slow, rumbling repeating bass note from Adam Devonshire shook the whole place.  And then Joe Talbot came out and started singing the slow, quiet introduction.  The lights flashed from red to white as the song built and when it hit the loud part–boom!

The Re:SET concerts have seen them playing roughly an hour, so I wasn’t sure how long they would play for us.  They did a solid hour and forty-five minutes, playing songs from all of their albums, and leaving out at least one classic.  I was genuinely surprised they didn’t play “I’m Scum” since they are still selling the T-shirt

Jon Beavis is a maniac on the drums–how did these drum head survive the pummeling?  Again, I could barely see him back there, but he was easily felt.

After the first song Joe left the stage for a minute and Mark Bowen said hiya Philly.  When Joe came back out he said, “is that your crowd talking dress you’re wearing?”  He said that Bowen has never addressed an audience before.  He amended that to, “and been understood.” (more…)

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[ATTENDED: June 20, 2023] Idles

I was pretty excited to see Idles, but I was even more excited when it was announced that Mannequin Pussy would be opening.

I wanted to get their plenty early.  This was a weird night because I-95 had collapsed and there was a detour in place.  I didn’t know how long it would take to get there.

I’m guessing most people stayed away from 95 altogether, and it was a Tuesday night, because the ride in was so smooth.  The detour that I took was only a few blocks and I was right back on the road with hardly any other traffic,  It was great.

I arrived in plenty of time, although it was already pretty crowded.

Then, at 8PM, Mannequin Pussy came out on stage.

I’ve seen them four times, although it had been almost two years since the last time.  Three of those four times, they were opening, so it’s not like I chose to see them. But I do love seeing them live.  And this show was no exception. (more…)

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[DID NOT ATTEND: June 4, 2023] Grandson / K. Flay / Jack Kays

Last year my son and I saw grandson and he was great.  It was a stellar show.  So when he announced a new tour this year I grabbed us both a ticket.

Last year I know he was really into the grandson album, but I hadn’t heard him talk much about the music this year.  He had seemed excited about the show when I told him about it, but as it drew close I felt like maybe he didn’t fell like going.

It turns out that the school was going to Great Adventure the next day and he didn’t want to be tired for it.  Which is fair. I happened to do a ton of yard work during the day and the last thing I wanted to do was stand for three hours in Franklin Music Hall.

Even though I’m sure grandson kicked ass.  And maybe if I liked his openers more next time I’d see him again.

Jack Kays is a 22-year-old musician from Cincinnati, Ohio, here to raise awareness for mental health, drug addiction, and redemption—situations and obstacles he personally has faced, gone through, and overcame. Blending the genres of hip-hop, alternative, and folk, Jack carves his own unique lane and sound, while touching the masses with his remarkable story.

The one song I listened to was all acoustic guitar and intensity.  I rather liked it.  He’s also apparently a trained chef!

K. Flay (full name Kristine Meredith Flaherty), is an American singer, musician, songwriter, and rapper. Her debut album Life as a Dog was released in 2014.

Her singing style reminds me a lot of grandson’s actually.  They seem like a perfect fit.  In fact, when the tour was announced I wasn’t sure if the two of them would be performing together or separately.  I mean, the official tour name was Grandson & K.Flay Present: I Love You, I’m Trying Tour.

I wish we were more up for going.

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[ATTENDED: May 5, 2023] Yves Tumor

Yves Tumor had been on my list of artists I wanted to see live.  So when they announced a show at Franklin Music Hall, I grabbed a ticket pretty quickly.  I didn’t think it would sell out.  In fact I thought that Franklin Music Hall would be too big a venue for them.  I mean, had anyone even heard about them?

When I arrived (much earlier than I expected, thank you light traffic), there was hardly anyone in the parking areas that are usually packed.  And the entrance was pretty swift.  But when I got to the floor, it was surprisingly crowded.  Not jam packed or anything, but I couldn’t get anywhere near the stage.

I also realized that this crowd was YOUNG.  I’m usually one of the older people at a show, but this time the gap felt pretty large.  That doesn’t bother me, because usually, the young hyperactive folks rush to the front and I hang out in the middle.  But in this crowd everyone was jumping and bouncing and carrying on.

I’m still not sure how people have heard about Yves Tumor.  My kids hadn’t and they have fingers on various pulses.  I know them from NPR Music, which I think of as a slightly older crowd.  But by the time Yves came on, the crowd was pretty packed in and ready to party.

I had heard that Yves Tumor’s show were must-see.  Their earlier releases were challenging with samples and loops and unexpected diversions.  The songs were spare with Tumor’s voice being one of the things that really held them together.

But on the newest record (and I’m guessing the previous EP), there’s a more glam rock feel to the album. Tumor’s vocals remain the same (which is good) but there are melodies and riffs galore.

Yves Tumor is a star.  They own the stage with everyone following their every movement and step.  Their microphone has some kind of cool attachment  to it (I couldn’t see it from where I was, but it was like a wolf’s head facing them.  They prowled the stage in leggings and short shorts.  They wore a leather jacket and a shirt that simply said FUCK.  Their hair was two-toned.  They were beautiful.

The stage had industrial metal crates with lights permeating from the center.  The lights and feel changed according to the mood and it was quite effective.  The band was few in number but huge in sound.  Gina Ramirez on bass and harmonious backup vocals; Yves Rothman on guitar, keyboard, and samples; Rhys Hastings on drums and lead guitarist Chris Greatti.

Greatti was a star himself, shredding like crazy and being very present as Yves walked around the stage–filling in front and center if Yves walked away and being there when Yves needed to hug someone. (more…)

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[ATTENDED: May 5, 2023] Pretty Sick

Yves Tumor had been on my list of artists I wanted to see live.  So when they announced a show at Franklin Music Hall, I grabbed a ticket pretty quickly.  I didn’t think it would sell out.  In fact I thought that Franklin Music Hall would be too big a venue for them.  I mean, had anyone even heard about them?

Of the two opening bands, I was looking forward more to seeing Pretty Sick, whose recordings are pretty great.  Their blending of noise with hooks is really terrific.  They allude to all of the best moments of 90s alt-rock.  Grungy guitars, squalling feedback sounds and lead singer Sabrina Fuentes recalls Courtney Love’s best vocal moments.

On their latest album she seems to leave it all on the floor with her intensity.

They came out and I expected a wall of noise and feedback.  But wow, was their sound tepid.  I have to blame the venue, because I think it got better as the set went on, but when they started out, the guitars sounded like they were coming from a teeny amplifier.  Fuentes’ voice sounded out of tune with what I was hearing and the whole thing felt so small after Frost Children.

The rest of the crowd seemed to really enjoy them, so maybe I was just wrong about it.  But I was so disappointed by the set–it felt really puny for some reason.

I’ve since listened to their records and they sounded even better, so maybe I need to see them again in a diffeent setting.

At the end of the show, the guitar player crumbled up a set list and threw it into the crowd right to the guy in front of me (his girlfriend was a big fan, so that was good for them).

There’s no setlist available for the show, but recent shows indicate these songs were played

  1. Angel Landing ∇ 
  2. Black Tar Ü
  3. Devil in Me
  4. Allen Street
  5. Superstar
  6. Human Condition Ü
  7. PCP Ü
  8. Dumb

Ü Makes Me Sick Makes Me Smile (2022)
⇓ Come Down (2021)
∇  Deep Divine (2020)

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[ATTENDED: May 5, 2023] Frost Children

Yves Tumor had been on my list of artists I wanted to see live.  So when they announced a show at Franklin Music Hall, I grabbed a ticket pretty quickly.  I didn’t think it would sell out.  In fact I thought that Franklin Music Hall would be too big a venue for them.  I mean, had anyone even heard about them?

I hadn’t heard of either opening band.  But when I looked up Frost Children, I was intrigued.  Frost Children are siblings Angel and Lulu Prost from St. Louis, now living in New York City.

I listened to their album on Spotify and liked it enough.  Hyperpop with sound effects and glitches and interesting pitch-shifted vocals.  There’s was lots of cursing and aggression, but it was all really catchy.  Going back through their catalog, it’s clear that in the last three years since their debut, they have gotten much more inventive with their creations.  There’s not a lot of depth to the lyrics, but who cares when a chorus like

Like oh my god
what the fuck
who are you?

is so damned catchy and singalong able. (more…)

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[DID NOT ATTEND: May 4, 2023] Ministry / Gary Numan / Front Line Assembly [rescheduled from July 18, 2020, April 17, 2021; moved to March 9, 2022]

Ministry had several tour dates scheduled and cancelled in the last few years.  Most were pandemic cancellations, but some seemed out of the blue.

I had once really like Ministry, but I haven’t listened to much by them in ages.  So I think I’m pretty much done with the idea of seeing them live.  Seeing Skinny Puppy took care of my industrial needs and I suspect the Ministry crowd is more aggressive.

Gary Numan is a pioneer in the genre. And boy do I dislike him.  Actually, that’s not fair.  I hate the song “Cars” so freakin much that I’ll never get past it to explore him further. So, even if I had wantedto go to this show, Gary Numan might have kept me away.

Front Line Assembly was supposed to open for Ministry on the original 2020 tours.  They were eventually replaced.  FLA was one of the few bands on the industrial label Waxtrax that I never really got into.  I liked many bands on the label, but really never had much exposure to FLA (in the days before you could listen to things online).

 

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[ATTENDED: April 29, 2023] Placebo

When Placebo announced their first American tour in ten years, I immediately grabbed a ticket.  I was vaguely surprised that my wife wanted to go–she loves a couple of their songs, but doesn’t know much else by them.

I had forgotten that originally, they had announced the tour in the fall of 2022 (with no Philly date, the closests show was Brooklyn, boo).  But they had to postpone for logistical reasons.

She did, however, guess exactly right what the show would be like–loud rocking guitars, cool lights and a fun time.  I, a big fan for decades, was completely wrong about the show.  I didn’t think it would rock that hard–knowing that they have moody songs as well.

Before the show, I checked setlist, not to see what they were playing but to see album distribution.  I found that they were playing 11 songs from their new album (!) out of 22 songs in total.

I was a little bummed about this, not because I don’t like the new album, but because I’ve never seen them before and I wanted to hear a greatest hits show.  I mean it’s been ten years.  [Turns out the band hated doing their retrospective tour ten years ago and almost broke up because of so clearly they weren’t doing that again].

But they came out (with a very strict policy of no cameras) in a wall of lights.  Brain Molko and Stefan Olsdal stood up at the front.  Brian switched guitars nearly every song and Stefan switched between bass and guitar with stark frequency. (more…)

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[ATTENDED: April 29, 2023] Placebo

When When Placebo announced their first American tour in ten years, I immediately grabbed a ticket. I was vaguely surprised that my wife wanted to go–she loves a couple of their songs, but doesn’t know much else by them.  I had actually forgotten that they had set up a tour in of the States in 2022 with no Philly date and then cancelled the tour.  But there was the Philly show and there was my ticket

Deap Vally were supposed to open.  We had seen them open for Blondie a number of years ago and I really liked them.

But then it was announced a month or so ago that Poppy Jean Crawford would open.  I thought that it was Poppy and I was really excited because I’ve wanted to see her.  But no, it was Poppy Jean Crawford–whom I had never heard of.

Her brief bio says

Poppy Jean schooled herself in L.A.’s DIY scene, hanging out at places such as the Smell and taking an interest in writing music.  She joined her first band, Crosseyed and Pantyless, at 15. Playing Experimental Folk Punk in the nude.
Feeling she had more to offer, Poppy released her first single, “Dead Girl” at 16.

She was not nude when she came out on the stage, but she was in a bodysuit and I was very impressed with her body confidence.  She sang a few songs without a guitar and a few songs with a guitar.

To her right was a guy who looked like Howard Stern playing keys.  On her left was a woman playing bass.  She was pretty superfluous because almost all of the sound came from the synths.  But she looked good.

I had to assume that PJC was annoyed by the “no cameras” rule, because no one filmed her or her band at all–and a young band needs any exposure they can get.

Anyhow, Poppy has a nice powerful voice.  Her songs are simple but catchy and I mostly enjoyed her set.  Because I have no reference point, I’m remembering that I really liked a couple of her songs and kind of didn’t like a couple other ones for some reason.

The big surprise came about 2/3 of the way through the set when she played a cover of Tears for Fears “Head Over Heels.”  The pacing was much slower which was odd.  I couldn’t decide if i liked it or not.

She didn’t say anything until the very end of her set.  But she had an amazing stage presence–utterly fearless.  (she’s been performing for eight years or so, so that makes sense).

Overall, a thumbs up.

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[DID NOT ATTEND: April 26, 2023] 100 gecs / Machine Girl

Back in 2021, 100 gecs played Union Transfer.  Two nights.  Both sold out.

I barely know them but I enjoy their hyperactive pop.

Here it is two years later and they have moved up to Franklin Music Hall.  I still think they would be fun to go see, but I  imagine I would be an old age minority at this very young person’s show.

Still sounds like fun.

Machine Girl is described by Pitchfork as Relentlessly smashing together bits of punk, grindcore, rave, industrial, and more, the Pittsburgh duo’s maximalist music echoes the cruel momentum of the modern world.

Which sounds about right for this tour.  The show must have been exhausting.

 

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