Feeds:
Posts
Comments

Archive for the ‘Set in New Jersey!’ Category

[ATTENDED: July 28, 2017] Garbage

When I saw that Blondie and Garbage were touring together (“The Rage and Rapture Tour”) I casually asked Sarah if she wanted to go.  She said yes and so cousin Kate got us tickets the same day she bought the King Crimson seats. I’ve never seen Blondie, but I loved Garbage.

I had seen Garbage at the Starland Ballroom almost exactly one year earlier.  That show was great. They played a really long set, played a lot from their debut album and I was really close.

For this show we were a bit further back (it was row T), but the view was great.  And, frankly, my location in Starland was hampered by some tall people.  So I had a pretty clear view of the show (except for the drunken people who were coming in later and later and later).

The sound was spectacular (I feel bad for Deap Vally that their sound wasn’t).  I especially appreciated how I could hear the difference between Duke Erikson’s guitar and Steve Marker’s guitar (when they alternated notes, you could really hear the sonic differences in their guitars). (more…)

Read Full Post »

[ATTENDED: April 5, 2017] Shaolin Warriors

When I first saw this listing in the State Theatre calendar, I knew I had to get tickets for the four of us.   I didn’t really know what to expect, but I knew that it would be different from the acrobats, and yet have that same inspiration behind it.  I sort of imagined simple displays of strength, focus and cool Shaolin spirituality.

I did not expect that there would be a “story.”  And indeed there was one.  We follow two children as they make their way into the Shaolin temple and grow and develop into Shaolin adults.

The only compliant I have is that the program notes state this: “Shaolin Warriors, highly acclaimed as “Crouching Tiger, Hidden Dragon” live on stage, is definitely a must-see for family audiences and martial arts lovers alike.”  By invoking Crouching Tiger, it suddenly set my expectations way too high. That film is mind-blowing, a visually stunning production.  And this production is nothing like that.  Rather, they could have described it as a Jackie Chan film come to life, and that would be more accurate (and still impressive). (more…)

Read Full Post »

[ATTENDED: April 2, 2017] Golden Dragon Acrobats

Just over four years ago we saw the Golden Dragon Acrobats perform Cirque Ziva.  The founders of Golden Dragon Acrobats created Cirque Ziva as a special touring production in 2011. This show was quiet similar to that performance, (I wasn’t sure if, since it wasn’t called Cirque Ziva, it would be very different) but there were some minor changes that were pretty exciting.

More exciting was that since the kids were much younger four years ago, they didn’t exactly remember things that well, so they were pretty thrilled by everything.

I had mentioned that Cique Ziva had flash in costumes and sets.  For this show the costumes were certainly here, although the sets were pretty simple.

As you can see from the “setlists” below, the acts were pretty similar and in pretty much the same order.  The show opened with the thousand hands.

Since the acts were basically the same, I’m going to copy much of what I wrote then and see if I have any updates: (more…)

Read Full Post »

[ATTENDED: March 24, 2017] Pippin

Pippin has been Sarah’s favorite musical for years.  And as a special treat, she is guest co-authoring this post with me.  I have highlighted her part in a Pippin-inspired purple.

She has seen it once before in a decent sized production.  And we saw it together at a community theater version.  Strangely, I don’t remember much about that production (I was more fascinated by the building).  Anyhow, this touring production of Pippin is the newly redesigned version.

As I said I don’t remember all that much about the previous version, but I can tell you it was nothing like this one.  This new version was utterly spectacular, with an emphasis on spectacle!

SD: You know how the books from your childhood or the movies you watched over and over as a teenager are the ones you know by heart? Pippin is like that for me. My mom loved this musical and I grew up listening to the soundtrack (Original Broadway cast recording) over and over again. I know every bit of the album (and when I grew up and got a dog, I named him Pippin.) The thing about knowing a show by the soundtrack and not the performance is that you might make up what some of the plot is. I remember being surprised at the previous performances I’ve been to (one very good, one, as Paul said, not so great community theater) to find out what the songs really meant in context!  Anyway, the songs and the show are special to me and I couldn’t wait to see this. 

The story of the musical is fairly simple.

Pippin is the son of King Charlemagne (that much is true, but the rest is totally made up).  Pippin has just come back from college, but he is full of ennui.  He knows that he is an extraordinary person (he even sings about it), and is certain that there has to be something that will fulfill him.   Pippin wants to impress his father so he insists that he join his father and step son in fighting the Visigoths.  Charles reluctantly agrees but Pippin finds it less than satisfying.  From there he runs to his grandmother who tells him to enjoy the physical pleasures in life–which he does!  But that proves empty as well.  Finally seeing how much of  tyrant his father is he decides to fight tyranny and take over as King. But he finds that he has to resort to tyranny as well and asks for a do-over.

What’s left?  Art?  No.  Religion?  No.  No No No.  All that is left is despair.  While lying in the road, Catherine finds him.  She is a widow with a son and she tends to him.  He is reluctant, but eventually comes around to her care.  He spends a year with her, fixing the house, tending the farm, doing very ordinary things.  But he is extraordinary!  He can’t live a life like that.  How can he make his life (or death) special?

Fairly straightforward, right?  Well, this production takes this story and tweaks it in an amazing way. (more…)

Read Full Post »

[ATTENDED: January 11, 2017] Cirque Éloize: Saloon

salooonI was pretty excited to see that Cirque Éloize was coming back with an all new show.  Their previous show Cirkopolis was phenomenal–wonderfully constructed and very cool to look at.  This show was very different, both in theme and production, but it was still amazing.

Indeed, I had mistakenly believed that this production was by Cirque Alphonse (another troupe from Montreal), who did a lumberjack-themed show last year.  But no, it was from the folks who did CirkopolisCirkopolis proved to be so different from Saloon, that it’s even more impressive that the same company created both shows.

This show was designed to be set in an old timey-salooon.  And while most Cirques perform the same basic routines, it was really fun to see how they were able to modify them for this new setting and “story.”  I also loved that they were all dressed like the old west–with chaps, and suspenders and hats–the kind of clothes that you really never see people performing this kind of material in (although I’m sure there must have been leotards underneath, right?). (more…)

Read Full Post »

rek2SOUNDTRACK: OF MONTREAL-Tiny Desk Concert #263 (January 28, 2013).

of-montrealWhen I saw that Of Montreal was doing a Tiny Desk Concert I really had no idea what to expect.  I mean, it could have been anything.  The blurb even jokes that Of Montreal concerts have been described as “wildly theatrical,” “flamboyant,” “synchronized dancing” and having “strange, wandering creatures that look like amoebas.”

So I was absolutely not expecting to see two guys with acoustic guitars and a woman singing a gentle folk song.  I actually double checked to make sure I was watching the right show.

Evidently around this time, Kevin Barnes (the man behind Of Montreal) had been working on quieter, more personal work. And so we get these three songs which are, more or less, Barnes solo.

The first song, “Feminine Effects” has the assistance of singer Rebecca Cash and guitarist Bryan Poole.  Cash sings the entire song, and it’s quite lovely, if not a little dark.

The next two songs “Imbecile Rages” and “Amphibian Days” are Barnes by himself, strumming guitar and singing.  The music is fairly straightforward, although he does throw in some unexpected chords which makes the songs stand out. And, of course, his lyrics and delivery are quirky. His enunciation is peculiar and even more pronounced in this setting.

This is a real surprise for Of Montreal fans, and frankly almost a red herring for anyone new to the band.

[READ: December 31, 2016] The Impossible Fortress

Sarah received an advanced reader’s copy of this book from her friend Mary Lynn and thought I would like it.  And boy did I ever.  I read this book in half a day.  It’s a quick read and while not profound of life-changing, it was really fun and funny–with a fairly dark twist.

There are two major plots in this book and they intertwine very nicely.

The first–the “action” plot–involves the Vanna White Playboy issue.  The second–the main character plot–involves coding a video game on a Commodore 64.  For this book is set in 1987 in the suburban New Jersey town of Wetbridge.  Our protagonists are 14-year-old boys who never really fit into other cliques.

The story is about Billy Marvin.  He never knew his father and his mother has started working the overnight shift at the Food Mart to make an extra dollar an hour.  Billy’s mom has really high hopes for Billy.  But his school life is pretty dismal.  His mom believes that Billy is really smart and she tries to get Billy into honors classes.  But his grades indicate remedial classes.  If he can succeed in these classes he can get moved up.  But he does not succeed. At all. (more…)

Read Full Post »

2016-12-05-21-06-09SOUNDTRACK: ARBOREA-Tiny Desk Concert #218 (May 17, 2012).

I’d published these posts without Soundtracks while I was reading the calendars.  But I decided to add Tiny Desk Concerts to them when I realized that I’d love to post about all of the remaining 100 or shows and this was a good way to knock out 25 of them.

arboreaArborea is a totally captivating band.

The band consists of Shanti and Buck Curran.  They play three songs and each one is really different, but all with in a spooky, mellow Appalachian feel.

“Song for Obol” features Buck playing an electric guitar with an e-bow and a slide—creating single-note sirens that roar and fade.  The sounds are magical.  But they’re not the most interesting part of this song.  Because Shanti is playing the Ban-Jammer–“a sweet little hybrid that’s part banjo, part mountain dulcimer.” Shanti also sings and her voice is high and delicate—sometimes almost a whisper.  The Ban-Jammer is such an interesting and compelling sound and those washes of electric guitar so enticing that I didn’t want this song to end—even if I never really paid attention to what she was singing about.

For the second song Bob Boilen himself goes behind his desk to play harmonium with them.  Shanti plays acoustic guitar and tells us that the harmonium is

Inspired by the tales in Maine about fishing boats that were lost to the ocean—this song is about a woman who loses her lover to the sea—the harmonium is the ocean and the wind.

The harmonium isn’t very loud, but it keeps constant background while Buck pays the electric guitar (with slide, but no e-bow) and Shanti picks out the acoustic guitar melody.

The final song “A Little Time” is played on an acoustic tenor guitar.  Both Shanti and Buck sing for this track.  At first I wasn’t crazy about his voice accompanying hers, but he really gets the same tone very nice;y.  And her oh-hoos are beautifully haunting.

I’d really like to hear more from these guys.  And it is pretty fun to actually see Bob behind his Tiny Desk.

[READ: December 6, 2016] “Dream Girl”

Near the end of November, I found out about The Short Story Advent Calendar.  Which is what exactly?  Well…

The Short Story Advent Calendar returns, not a moment too soon, to spice up your holidays with another collection of 24 stories that readers open one by one on the mornings leading up to Christmas.  This year’s stories once again come from some of your favourite writers across the continent—plus a couple of new crushes you haven’t met yet. Most of the stories have never appeared in a book before. Some have never been published, period.

I already had plans for what to post about in December, but since this arrived (a few days late for advent, but that was my fault for ordering so late) I’ve decided to post about every story on each day.

I wasn’t aware of Katie Coyle before reading this story.  Perhaps the only reason I might have known about her is because she is a YA author from New Jersey.

But I’d like to know more about her because this story was wonderful.  The point of view of the story was fantastic and the whole concept was weird and cool.

The narrator is never revealed, but I love this beginning:

This all started when Winston’s girlfriend Sheila dumped him at his high-school graduation party.  Or maybe it started when Sheila began to notice that Winston didn’t understand her.  Certainly it never would’ve happened had she not turned to Winston in their Modern Conflicts class nine months earlier and said, “It’s Winston, right?”

Such intrigue! (more…)

Read Full Post »

[ATTENDED: December 8, 2016] Blue Öyster Cult

2016-12-08-21-26-13I saw a whole bunch of concerts this year. I didn’t expect to end my concert year with Blue Öyster Cult.  But, I enjoyed them when I saw them last, and when I saw they were playing at the State Theater in New Brunswick (and I was able to score a 4th row seat) I decided to see them again.

I didn’t realize that Blue Öyster Cult was also the first band I saw this year (back in January).  So, it was a year bookended with BÖC.

While I enjoyed the previous show, I thought it seemed like the guys were getting a little creaky (understandable since they are in their late 60s).  But they seemed much more “on” during this show.  Eric Bloom was chatty and fun, his voice sounded great and he seemed a lot more energetic than last time.  And that made the show much more fun.  As did sitting really close–I was able to actually see the BÖC on his guitar. (more…)

Read Full Post »

[ATTENDED: December 8, 2016] Jefferson Starship

2016-12-08-20-07-51I had no interest in seeing Jefferson Starship, but they were opening for Blue Oyster Cult and, heck I love White Rabbit, so why not check them out.

This incarnation of Jefferson Starship is pretty hilarious because the only person in the band who was in the band when they were Jefferson Starship is guitarist David Freiberg (vocals, guitar) (almost–the drummer has a tenure there too, see below).  It’s particularly amusing because Freiberg was in Jefferson Airplane for their final tour, and then they broke up.  When Jefferson Starship began a couple years later, he was a part of the band until they went on hiatus in 1985.  But when Paul Kantner reunited the band in 1993, Freiberg wasn’t included (apparently because Freiberg didn’t leave immediately when Starship formed, like Kantner did).  They made up in 2006 and Freiberg and Kantner had been touring as Jefferson Starship.  Kantner died earlier this year, so Freiberg is the only person connected with the original band left.

Interestingly, he left when Jefferson Starship became Starship, (but not as quickly as Kantner) because he didn’t like the direction the band was going (and Grace Slick considered him “dead weight”).  So he didn’t do “We Built This City.”  However, Donny Baldwin, the drummer at our show played with Jefferson Starship for two years (when Freiberg was there, too) in the 1980s and moved on to Starship and DID play on “We Built This City.”  When they reunited, they had a different drummer, but Baldwin came back in 2008.  So, when they play “We Built This City,” and they do, the drummer is the only one who was responsible for it in the first place.  Crazy.

Incidentally, Freiberg more or less left because of “We Built This City.”  According to Wikipedia: He became frustrated with the sessions because all the keyboard work in the studio was being done by Peter Wolf (lead singer of the J. Giels Band who had played on the sessions for Nuclear Furniture and briefly joined the band on the road for the follow-up tour) and keyboards were the instrument Freiberg was supposed to be playing.  He left the band and the album (with “We Built This City” which was written by written by Bernie Taupin, Martin Page, Dennis Lambert, and Peter Wolf) was finished with the five remaining members.

2016-12-08-20-23-29How’s that for a convoluted history. (more…)

Read Full Post »

[ATTENDED: October 26, 20162016-10-26-19-47-23] The Monkees

Like most people of my age I used to watch The Monkees on TV.  I was never a huge fan, but I liked the show a bunch and used to sing the theme (and pretend to be The Monkees when at the beach).  But I never really gave them much thought as a musical act (especially when I got older and learned that *gasp* they didn’t even play on the songs!).

Then I learned that there are some people who really really like The Monkees.  My college roommate was a huge fan, and a fellow I’ve met through another friend is an even bigger one–Craig, good luck on that book, man!  I also found out that Sarah and her fried Joanna used to watch the show all the time and were mega Monkees fans (without the album buying).

So when the band announced their 50th (FIFTIETH!) Anniversary tour, I thought it would be fun to go and thought Sarah would really enjoy it.  Sarah saw them on a previous anniversary tour (25, maybe?), where Peter, Micky and Davy were presence (Mike doesn’t typically do this sort of thing).  Of course, with Davy passed on, we wondered just how much of a Monkees show this would be.

Well, I never realized that Mickey sang most of the songs.  It makes sense now that I think of it, he is the voice of the Monkees after all, but I’d assumed it was a bit more democratic.  So as long as Mickey’s there it is still a Monkees gig.  Having Peter there lends it some credibility (Mike did perform a couple of shows when the tour went through California). (more…)

Read Full Post »

« Newer Posts - Older Posts »