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Archive for the ‘Set in New Jersey!’ Category

[ATTENDED: February 6, 2016] Cashore Marionettes

cashoreSarah and Clark were both out on Saturday night, so I thought it might be fun to take Tabitha out to a marionette show at RVCC.

We had gotten the promotional material for it (there’s lots of puppets this season) and it seemed like a fun thing to do.

We got there early (it was general admission seating, and got in the second row).  And it was wonderful.  I was only sad for the puppeteer that it wasn’t more crowded (my constant complaint about RVCC shows–why aren’t more people going to them???).

2016-02-06 19.43.10Joseph Cashore is the creator and operator of all of the marionettes.  And while most of us think of marionettes as the puppet on the string and that giant T crossbar, Cashore has taken this art to levels that far exceed anything you can imagine.  I mean, check out thephoto on the left from the show we saw.  Look at that contraption!

cash3The puppets are puppet-sized and Cashore stands behind them–he doesn’t try to hide himself.  And he doesn’t need to. The puppets are so life-like (jointed in countless places) that you are totally sucked into their story.  Except for the few times when you have to watch his hands and wonder how that all works.  What kinds of things is he doing with those handmade (and decidedly NOT T-shaped crossbar) handles–some of which (like the elephant) have 42 strings on them! (more…)

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[ATTENDED: January 30, 2016] Indigo Girls

2016-01-30 22.57.42When I was a radio DJ in college, I received a promo disc by a band called the Indigo Girls, which I listened to because Michael Stipe sang on one of the songs.  I really enjoyed the sampler.  The Girls’ harmonies were outstanding and the lyrics were clever and funny and very very smart.

And I’ve enjoyed them intermittently for twenty some years.  I even saw them at Newport Folk Festival back in 1998 when they put on a fantastic show.

Sarah has been a fan of the band for a long time as well.  She saw them at an even more unusual venue–at the American Library Association Convention in 2002.

Neither one of us had seen them in a “proper” venue and thought it would be cool to see them in this small theater in Montclair.

And man, did they sound fantastic.  Their first album came on in 1989 and their voices sound exactly the same.  Emily can hit the high notes and Amy still has that great gravelly sound (despite claiming to be ill and on steroids to get her voice to actually work–I never would have guessed).  And their harmonies are still perfect together. (more…)

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[ATTENDED: January 30, 2016] Jill Hennessy

2016-01-30 20.26.55Jill Hennessy is an actress who was on Law & Order  from 1993-1996 and then starred on Crossing Jordan.  She is one of the reasons I watched L&O for the couple seasons that I did.  I pretty much stopped once she left, although I never watched Jordan).

I genuinely didn’t think that this was the same Jill Hennessy.  It’s been twenty years and all, but she looks so different (ans still so young) and the name didn’t seem that uncommon.  But nope.  It’s her.  She started playing music a long time ago.  She was busking in the subway in New York before getting a big Broadway gig.  And in fact, she appeared with the Indigo Girls in a Mountain Stage concert back in 2009 (it’s on NPR here).  Hennessy’s voice suits the Indigo Girls very well, she even sounds a bit like Amy Ray if you don’t think too hard about it.

clairehennesyyBefore the concert, I looked her up online and saw her bio–she’s from Edmonton, Alberta–and has been acting for ages.  She was even a candidate to be Scully on The X-Files.

Then I found a few songs and really liked what I heard–she’s sorta country but more in line with the style of the Indigo Girls.  So I was looking forward to hearing her.

We may have missed a song or two, I can’t find setlists online anywhere, but she played a fairly long and solid set.  (more…)

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sept2015SOUNDTRACK: RIVER WHYLESS-Tiny Desk Concert #502 (January 19, 2016).

whylessRiver Whyless is an interesting band, at least during this Tiny Desk Concert.  They have several singers, different instruments and a whole bunch of interesting percussion on hand–including a typewriter!

The band has one EP out, from which the first song “Life Crisis” comes.  The female singer (none of the players’ names are given) says that this was their tiny desk submission.

On this song the male singer (actually everyone sings) plays typewriter and presents his typed document at the end of the show–although the audience never gets to see it–I imagine it’s gibberish, but it would be amazing if it wasn’t).  The female singer plays a violin solo in the middle of the song (which was unexpected since she doesn’t have it as the song opens).

Under the typewriter is a pump for a harmonium which has an accidental vibrato on it.  Shes says that one day it started doing that and they love it and hope it never fixes itself.

The other two songs are new–not on their EP from last year.  “Sailing Away” starts with violin and harmonium.  There’s also a guitarist who sings leads and a percussionist (who has all manner of gadgets and drums and mallets around him).  The harmonium player/typist also plays a melody on the toy piano.  All of these items may seem like novelties or goofs, but their songs are quite lovely and these little accents just add to the overall feel.

“Baby Brother” opens with a buzzy acoustic guitar and a whole landscape of percussion.  And this time the harmonium player switches to guitar while he sings lead (everyone sings lovely harmonies by the way).

I love everything about this band…except their songs.  All three songs are quite nice, and while I’m listening to them I certainly enjoy them, but they are really not that memorable.  There’s no hooks in them.  Despite the fact that all of their accouterments are not really gimmicks, those are the things I will remember most about River Whyless.

[READ: January 18, 2016] “Learning to Fly Part 4”

This is the final part of the 4 part essay.  A series like this is bound to be anticlimactic because presumably if his solo didn’t go well, he’d be dead.  And if he didn’t do the solo, there likely wouldn’t be a part 4 (unless he talked about chickening out instead).

But Ferris takes an interesting tact for this end section.

He opens the essay by explaining that he was commissioned by Popular Mechanics to write this essay.  This makes sense but is something  hadn’t thought about–they asked him to do it.

He says that he was full of anxiety the entire time–which we knew he would be.  He was terrified to fly–a wobbly commercial airplane takeoff would totally freak him out.  Plus, being a writer, he had an overactive imagination. (more…)

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popjlu SOUNDTRACK: BENNY SINGS-Tiny Desk Concert #501 (January 15, 2016).

bennyBenny Sings is a Dutch singer songwriter.  I had never heard of him, and no wonder, this was apparently his first performance in the United States.  And “this is also where he performed with background vocalist Jennah Bell for the first time.”

The blurb says that he layers R&B, jazz and pop over hip-hop foundations.  Although the first of two songs, “Love” is just him on the piano.  For the second song “Beach House,” he busts out the drum machine.  But it still comes across as an orchestra pop song (maybe like slower Elton John).

It’s all fine, but nothing special.

According to my records, this was the 500th Tiny Desk Concert.  And if you count all of the concerts on their Tiny Desk Page, it tallies up to 500 today.  But I know that they are planning something big for #500.  So I don’t quite know what to think.

[READ: January 14, 2016] “Learning to Fly Part 3”

Part three of this story (see, I said it wouldn’t be too long before I continued with it) is all about the landing.  Ferris explains that the landing has always been the hardest part for him.  He managed turns and banks and rises and everything else, but frankly, had his teacher not been there he would have died dozens of times with bad landings.

He says that as you slowly (or quickly) sink towards the ground, your instinct is to pull up away from it, which is exactly what you shouldn’t do.

This particular part of the essay doesn’t have a lot of flying details in it, because most of it is taken up with his fears about his poor landings.  Although the way Ferris tells of the time he easily should have died from not slowing down is pretty harrowing and exciting–how is his instructor so calm?

He sums up landing though you need patience when things are most hurried, composure when things are most fraught.  You need focus when your attention is most scattered.  You need a light touch on the controls when the urge to yank hard and pull them off the panel is at it strongest.

Then he describes all of the things that his instructor appears to be doing at once to land the plane:

He was descending, turning the yoke, applying back pressures, lowering the flaps, adjusting the trim, peddling the rudder, adding power, nosing down–all more or less simultaneously.

Ferris swears that he will quit.  He cannot land the damned plane.  His wife will be pleased that he has quit ans she is terrified of him crashing.  But he knows that he will likely not quit–because it’s a challenge and any tough challenge is one you want to quit hundreds of times but which you never do,

But for his final lesson, he was going to go up once more and then quit.  “And that was the day I had my first perfect landing.”

Great cliffhanger

The final part comes next.

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[ATTENDED: January 15, 2016] Blue Öyster Cult

2016-01-16 23.20.39I first got into Blue Öyster Cult in 1981 with “Burnin’ for You” (yep, I knew that before “Don’t Fear the Reaper”).  Fire of Unknown Origin was my favorite album for years.  When I got to college, I met my friend Nick when I drew the Blue Öyster Cult logo on my notebook and he saw it.  And then I found out that my neighbor Glen was the biggest Blue Öyster Cult fan, possibly ever.

He has seen them play a bunch of times, but for some reason I never went.  And that is my one major regret after seeing them–I wish I had seen them before when the whole band was together and when they were 20 years younger.  For while they did not disappoint, they weren’t quite up to the standards I had imagined.

The week before the show I listened to their whole catalog and imagined an ideal setlist–deep cuts and weird songs.  But honestly, they could have played any of their songs and it would have been great.

And I loved that they played a sampling of songs from throughout their career. (more…)

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[ATTENDED: January 15, 2016] Vanilla Fudge

2016-01-16 20.13.10I had never seen Blue Öyster Cult even though I’ve been a pretty big fan since college.  So when I saw they were playing at the Wellmont, I had to go see them.  As it turns out Vanilla Fudge was going to be the opener.

I have known of Vanilla Fudge, but I realized that I had no idea what they sang.  And when I looked them up, their biggest hits were all covers.  It turns out, that’s what they are–the world’s most successful and unusual cover band (Led Zeppelin opened for them in 1969, and Deep Purple got their organ sound from Vanilla Fudge).

Although they do covers, their sound is very much their own.  They don’t so much cover songs as transform them into their own style.  And that style is psychedelic and very heavy.

The band released five albums from 1967-1969 and then broke up.  They reunited and recorded an album in 1984.  Then split up.  And reunited in 2002 (with a different singer) and released an album of rerecorded old Vanilla Fudge as well as a cover of a Backstreet Boys and an N’Sync song (!).

Then the original lineup reunited in 2007 for an album of all Led Zeppelin covers called Out Through the In Door.  And then last year they released a new album called Spirit of ’67 (a collection of songs from 1967).  This featured all of the original members except the bassist who has retired.

So, here it is almost 50 years later and the original lineup (sans bassist) is still touring.  And they sounded amazing.  (more…)

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popmechSOUNDTRACK: NATALIE MERCHANT-Tiny Desk Concert #500 (January 12, 2016).

nat merch Natalie Merchant was supposed to appear on a Tiny Desk show in 2014, but she was ill on that day (she even tells the story of going to the hospital).  She had to cancel the entire tour.  Turns out we saw her on that tour a couple of days before she got sick!

When Sarah and I saw her we both remarked on how great her voice still sounded.  And it sounds great here too.  The same instantly recognizable voice from her albums with all of the power and inflection that she’s always had.

Although I still don’t understand where her speaking voice accent comes from (she’s from upstate New York after all).

“Motherland” (a 2001 song) she dedicates to the staff of NPR.  Her accompaniment is an acoustic guitar, upright bass and accordion and it works very well for this slow, rather sad song.

“Texas” is another pretty, slow song from her 2014 album which she was supposed to pay at the Tiny Desk show.  She says he most regretted missing the Tiny Desk show when she had to cancel her tour.  She had no idea the desk was not so tiny and that it could fit 1000 people standing around watching.

Then she plugs her new album, Paradise Is There: The New Tigerlily Recordings.  It is a reworking of her songs from Tigerlily (and there was a documentary that accompanied it (which they were filming when we saw her).  She plays “Cowboy Romance” from that album.  I don’t know the original (or I don’t recognize the song) but it sounds fine in this stripped down format.

Even though her songs are rather serious, she’s quite silly with the band and crew.  She emphasis “CONfiguRAtion of muSICians” before introducing “Cowboy Romance.”

Everyone assumes she will play only three songs (the standard), but she has a special treat planned.  She says that she heard a story on NPR about how office workplaces would benefit from singing together.  And they are all trapped with her.  So she says they are going to sing a Protestant hymn that she recently found in a songbook in the library.

She says that she and the guitarist are Catholic, the accordionist is Jewish (from Israel) and the bassist has no religion.  he says he’s from the West Coast (she jokes that he’s from a cult in Oregon).  Then when she asks the guitarist what key it’s in and he says, “What song? ” to which everyone laughs because she never mentioned the title.

It’s a lovely old song which she teaches to the whole room.  After the first verse, she says she approves of the group sing-along and says it should be a weekly thing.  I love the way they split the screen to show the whole staff singing along. It’s quite lovely and the staff’s accompaniment is really pretty.

This is a delightful show and a very intimate performance by Natalie Merchant.

[READ: January 12, 2016] “Learning to Fly Part 2”

I really enjoyed Part 1 of this essay, but as often happens to me with broken up pieces, I forgot about the next part until long after.  So here it is over six months since I read Part 1 finally getting around to Part 2 (but at least I have Parts 3 and 4 with me so I’ll be finishing them up soon). (more…)

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[ATTENDED: December 18, 2015] Danú

2015-12-18 21.01.52Two years ago we saw Danú play at RVCC.  They came back again this year.  We weren’t sure if we were going to go.  There were other possible plans in the works and should we bring the kids?  Well, S. and I had enjoyed it so much last time that we wanted to go again, and we decided to bring the kids.

It was the last night of their North American tour and while they were selling the same CD we bought last year (and most of that show was similar to the CD), they mixed it up a bit and played a bunch of different material.  And both kids enjoyed it.

Like last time, the six members were the same:

  • Benny McCarthy–button accordion
  • Dónal Clancy–guitar and storyteller (he’s the son of Liam Clancy of the Clancy Brothers and was in the band Solas).
  • Oisín McAuley–fiddle
  • Muireann Nic Amhlaoibh–vocals, flute and whistle.
  • Éamon Doorley–bouzouki
  • Martin O’Neill–bodhran and piano (more…)

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[ATTENDED: December 7, 2015] Punch Brothers

punchChris Thile is a member of Nickel Creek whose last album I loved.  He’s also appeared multiple times on Tiny Desk Concerts (with several different bands).  And that’s where I saw Punch Brothers for the first time.

Punch Brothers are five guys–Chris Thile (mandolin), Gabe Witcher (fiddle/violin), Noam Pikelny (banjo), Chris Eldridge (guitar), and Paul Kowert (bass).  They play a sort of bluegrass, but with a lot of elements of classical music (their debut has a classical suite on it and now they cover Debussey live).  Other labels given to the band include “bluegrass instrumentation and spontaneity in the strictures of modern classical” as well as “American country-classical chamber music.”

That all goes a long way to not really describing what the band sounds like.

The five guys stood around one old timey microphone (like in the poster).  ANd they blew us all away. (more…)

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