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Archive for the ‘Riot Grrrl’ Category

[ATTENDED: September 10, 2024] Bikini Kill / Sweeping Promises

Last year my daughter and I saw Bikini Kill, 1,244 days after I bought the tickets.

And we really enjoyed it.

When they announced another tour this year, I grabbed a ticket for my daughter, my wife and I.  And then my wife and I got tickets to two Pearl Jam show just before this one.  And we were wiped out.  Fortunately, my daughter didn’t feel compelled to go either, so we were able to get rid of the tickets and feel okay about the evening.  I’m sure the show was fun.

The setlist was almost exactly the same, but I’ll bet the energy was great.

I didn’t know Sweeping Promises who are a post punk duo from Boston, Massachusetts now based in Lawrence, Kansas consisting of Lira Mondal and Caufield Schnug. Multi-instrumentalist Spenser Gralla has toured as their live drummer since 2019.

They sound… a lot like Bikini Kill.

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[ATTENDED: April 7, 2023] Bikini Kill [rescheduled from November 22, 2020, October 2, 2021 and July 13, 2022]

I bought a ticket for this show on November 10, 2019.  That’s 1,244 days.

And it finally happened!

It felt like a pretty long time before the band came out.  My daughter was a little nervous about the place being sold out and the crowd definitely pressed in on us, but she was a trooper and we enjoyed talking to some of the other people around us.

And then the band came out.

Three of the original Bikini Kill members were touring, Tobi Vail on drums (and vocals) Kathi Wilcox on bass (and drums) and Kathleen Hanna singing (and bass).  Original member Billy Karren was not part of the reunion and was replaced by Sara Landeau who has an impressive musical background.

They came out and launched right into song after song.

Kathleen Hanna is a great front woman–talking to us about the songs, saying how great it was to see so many young people whose parents were into th eband and talking about how different it was back in the 90s when people would heckle and throw things at them.

They played a bunch of songs and the crowd was singing along with them all the way.

After about six songs, Tobi Vail came down from behind the kit and sang a couple of songs.  Kathi played drums and Kathleen went to the bass.

Then Kathleen retruned to the fore for a few more songs.  She talked about “No Backrub” as being about self-care and she was delighted to see punks slamdancing to a song about self-care.

It’s been a pretty long time since I listened to these records very carefully so I didn’t know the songs all that well.  But I enjoyed the energy and singing along to the songs and parts of songs that I knew.  I love “Reject All American.”  And it was soon after that they played a whole bunch from Pussy Whipped, the album I know best.

As the set drew to a close, she said they were going to a play a song that she wrote because her sister used to say it to all he guys who harrassed her on her way to school.  Everybody shout along now: “suck my left one!”

After a short encore break, Kathleen apologized for not introducing the band and shouted “We are Bikini Kill and we want Revolution Girl Style Now!” before playing “Double Dare Ya!”

And then came the moment everyone was waiting for.  They started “Rebel Girl” and the play exploded.  It was great fun.  And at about 80 minutes it still felt pretty exhausting from all the dancing.

  1. New Radio §
  2. This Is Not a Test
  3. Don’t Need You ©
  4. Alien She Ψ
  5. Feels Blind
  6. I Hate Danger § (Tobi Vail singing)
  7. In Accordance to Natural Law § (Tobi Vail singing)
  8. Carnival
  9. Resist Psychic Death ©
  10. No Backrub Ø
  11. Capri Pants Ø
  12. For Tammy Rae Ψ
  13. For Only Ø
  14. Demi Rep §
  15. Reject All American Ø
  16. Jigsaw Youth ©
  17. Sugar  Ψ
  18. Rah! Rah! Replica §
  19. Hamster Baby Ψ  (Tobi Vail singing)
  20. Tell Me So Ψ  (Tobi Vail singing)
  21. Magnet Ψ
  22. Lil’ Red Ψ
  23. Suck My Left One
    encore
  24. Double Dare Ya
  25. Rebel Girl Ψ
⇓ Revolution Girl Style Now (1991)
Ψ Pussy Whipped (1993)
© The C.D. Version of the First Two Records (1994)
Ø Reject All American (1996)
§ The Singles (1998)

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[ATTENDED: April 7, 2023] Brontez Purnell [rescheduled from November 22, 2020, October 2, 2021 and July 13, 2022]

I bought a ticket for this show on November 10, 2019.  That’s 1,244 days.

And it finally happened!

In the 4 years since I bought these tickets, my daughter became a fan of the band and I was able to score a ticket for her that wasn’t marked up all that much.  So we both got to enjoy the show.

There were a couple of different opening acts planned for this show.  I would have loved to see Alice Bag.  But for this date we had Brontez Purnell.

I had no idea who this was and even had kind of a hard time imagining what they would do.  Especially since his Wikipedia page states:

Brontez Purnell is an American writer, musician, dancer, and director based out of Oakland, California. He is the author of several books, including Since I Laid My Burden Down, and the zine Fag School; frontman for the punk band The Younger Lovers; and founder of the Brontez Purnell Dance Company.

I didn’t know if Brontez would speak, dance or sing.

So it turned out Brontez fronted a three piece garage punk band.  And they were very much okay. (more…)

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[POSTPONED: July 13, 2022] Bikini Kill / Brontez Purnell [rescheduled from November 22, 2020 and October 2, 2021; moved to April 7, 2023]

index

About a week before this show was supposed to happen we got another update that the show was postponed yet again.

I like to note that I bought ticket to this show on November 10, 2019.

The reunited riot grrrl stars were originally set to play a host of North American shows across June and July this year, but had to postpone them due to a positive COVID case in their touring party.

Original support act Alice Bag is long gone replaced by Brontez Purnell who is still slotted to support next year.

Brontez Purnell is an American writer, musician, dancer, and director based out of Oakland, California. He is the author of several books, including Since I Laid My Burden Down, and the zine Fag School; frontman for the punk band The Younger Lovers; and founder of the Brontez Purnell Dance Company.

~~~~

(more…)

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[POSTPONED: October 2, 2021] Bikini Kill / Alice Bag [rescheduled from November 22, 2020; moved to July 13, 2022]

indexON April 28, Bikini Kill announced that they’d be pushing back this tour date one more time.

“We have moved all of our tour dates to 2022 to ensure our fans, our crew, venues’ staff, and the band’s safety,” Bikini Kill said in a statement. “We know many of you have had your shows rescheduled more than once and appreciate your patience and flexibility.”

Then on April 30, I was told

This just in – Alice Bag will no longer be performing at your upcoming event.

So that’s kind of a bummer since Alice Bag is iconic and I’d like to see her.  Not sure who is opening now, but I’m sure they’ll be good.  Maybe the Linda Lindas?

~~~

I’m not sure if something specific caused this Fall show to be moved to next summer, but it’s just as well since my October was filling up pretty quickly.

I am bummed to see that Alice Bag won’t be opening anymore.  I wonder who they’ll get instead.

Boy, a band reunites and plans a national tour and then everything blows up on them.  I thought surely this show would go on as planned–a bigger venue, possible social distancing. But how do you enforce social distancing at a rock show?  I sure hope we can go to live music again.

When Bikini Kill did their short reunion tour a couple years ago, tickets sold out in like ten seconds.  When they announced this follow up tour I grabbed a ticket immediately.  As far as I can tell it still hadn’t sold out when it was postponed (which is a surprise, I think).

Bikini Kill are foundation for the Riot Grrl movement although I was not a huge fan of them per se.  I have their records appreciate them for what they did, but they weren’t my favorite,

Nevertheless, this opportunity to see them live sounded like a great time.

Alice Bag has been cropping up in my periphery for quite some time although I realized I didn’t know much about her.  Alicia Armendariz was a co-founder and singer of the 70s punk band The Bags.  After they broke up, she was in about a half dozen other bands, although none of them released more than some singles.  She finally put out a solo album in 2016.

Her album(s) since have gotten strong reviews and it would be excellent to see this feminist icon in action.

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[POSTPONED: November 22, 2020] Bikini Kill / Alice Bag [rescheduled from May 13; moved to October 2, 2021]

indexBoy, a band reunites and plans a national tour and then everything blows up on them.  I thought surely this show would go on as planned–a bigger venue, possible social distancing. But how do you enforce social distancing at a rock show?  I sure hope we can go to live music again.

When Bikini Kill did their short reunion tour a couple years ago, tickets sold out in like ten seconds.  When they announced this follow up tour I grabbed a ticket immediately.  As far as I can tell it still hadn’t sold out when it was postponed (which is a surprise, I think).

Bikini Kill are foundation for the Riot Grrl movement although I was not a huge fan of them per se.  I have their records appreciate them for what they did, but they weren’t my favorite,

Nevertheless, this opportunity to see them live sounded like a great time.

Alice Bag has been cropping up in my periphery for quite some time although I realized I didn’t know much about her.  Alicia Armendariz was a co-founder and singer of the 70s punk band The Bags.  After they broke up, she was in about a half dozen other bands, although none of them released more than some singles.  She finally put out a solo album in 2016.

Her album(s) since have gotten strong reviews and it would be excellent to see this feminist icon in action.

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[POSTPONED: May 13, 2020] Bikini Kill / Alice Bag [moved to November 22]

indexWhen Bikini Kill did their short reunion tour a couple years ago, tickets sold out in like ten seconds.  When they announced this follow up tour I grabbed a ticket immediately.  As far as I can tell it still hadn’t sold out when it was postponed (which is a surprise, I think).

Bikini Kill are foundation for the Riot Grrl movement although I was not a huge fan of them per se.  I have their records appreciate them for what they did, but they weren’t my favorite,

Nevertheless, this opportunity to see them live sounded like a great time.

Alice Bag has been cropping up in my periphery for quite some time although I realized I didn’t know much about her.  Alicia Armendariz was a co-founder and singer of the 70s punk band The Bags.  After they broke up, she was in about a half dozen other bands, although none of them released more than some singles.  She finally put out a solo album in 2016.

Her album(s) since have gotten strong reviews and it would be excellent to see this feminist icon in action.

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SOUNDTRACK: SKATING POLLY featuring LOUISE POST & NINA GORDON OF VERUCA SALT-New Trick EP (2017).

So Kelli (17) and Peyton (21) have added their brother Kurtis (20) on drums which allows the grrrls to focus on guitars and bass.  This EP, as the name states, was co-written with Louise and Nina of Veruca Salt

“Louder in Outer Space” is the catchiest thing they’ve done by far.  The harmonies are great and the chorus (and even the verse) has the clear impact of Veruca Salt.  The co-songwriting has upped their game in a number of ways too with interesting vocal harmonies.

“Hail Mary” has a real Nirvana feel in the chord choices and in Kelli’s vocal delivery.  The addition of Peyton’s backing vocals in the chorus are a wonderful detail.

There’s a simple bass and drum set up on “Black Sky.”  But when it gets going, it’s the most Veruca Salt of the three songs. It’s even more so when the song pauses and someone (even their voices intertwine) sings “the monster of a sky.”  Then end the song with the following section, the way the vocals (all four of them, I assume) swirl around is really great.  It’s such a terrifically catchy song.  And a dynamite EP.

[READ: December 17, 2017] “Lynch Law”

This story was constructed around what I assumed was a fabricated title but which is very much real: Mounted Police Life in Canada, A Record of Thirty-One Years’ Service by Superintendent Richard Burton Deane (you can see the whole book here).  I was willing to accept the “truth” of the book even if it was made up, but knowing that it was real makes this a more interesting (but not more enjoyable) story.

Basically what we have is Deane’s official transcript of events and then a woman’s explanation of the story from her point of view.

The story begins with quotes from the manuscript: (more…)

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SOUNDTRACK: SKATING POLLY-Fuzz Steilacoom (2014).

“Ugly pop” is how Skating Polly describes their music.  And it’s a pretty good descriptor.  Their music is loud and brash and the two members can both sing pretty and scream loudly.

Both Kelli Mayo & Peyton Bighorse play drums and guitar and piano and they alternate for different songs.  Kelli’s instrument is more of a bassitar–a bass with just a couple of strings on it.

How on earth do they make such a big sound with such limited equipment?  And how do they write such great songs?

I guess at this point it’s worth mentioning that Kelli and Peyton are stepsisters and, when they made this album in 2014, Kelli was 14 and Peyton was all of 19.  How, then do they make music that sounds like a perfect continuation of the riot grrrl 90s?  Catchy, with lot of distortion and a whole lot of pogoing.

The other fascinating thing about these songs is that they are short.  You’d assume that fast punky songs–with only two instruments and no guitar solos!–would barely clock in at 3 minutes.  But these songs are almost all 3 and a half, some pushing four minutes.

“Alabama Movies” has a cool staggered riff with a high bass note that stands out in a really cool way. The song is smooth and rocking until the chorus where Kelli lets her shriek flag shine and the song totally rocks.  “Scummy Summer” has a very different sound–more tinny and guitar-based–including a moment mid-song when all of the fuzz drops out and it’s just a clean guitar and simple drums.  I’m assuming that this is a Peyton song.  They trade-off styles like this throughout the album–some heavier, some lighter, but pretty consistently with a lot of distortion.

“Ugly” really shows off what they can do.  Opening with some acoustic guitar and whispered vocals, the rest of the song follows a rumbling bass line and thumping drums:

I wear my face just like my skin
Dried up, paint-free, and authentic
I let my hair just soak up grease
I brush it with my fingers, see?

and then this more disturbing third section, in which they don’t hold back:

Suzy went to school this morning
Suzy went to class this morning
Suzy was loudly droning
Suzy told the class her story
You can look in the mirror
Might not like what you see
You can try to change it
But you’ll always be ugly
And you’ll always be nothing

They mix up some of their style even more with songs like “Break Your High” which is almost fast folk.   This one has a waltz beat and acoustic guitars.  The rest of the album plays with these dynamics in interesting ways.

They sisters are very impressive with their tightness-t-hey stop on a beat and change styles mid-song as easily.

I’m a little underwhelmed by the production of the record.  Specifically the drums, which sound like they are made of cardboard.  The guitars (especially Kelli’s bass heavy one) sound great though.

The final song, “A Little Late” throws everything out the window and shows a totally different side of the band.   It’s a five-minute piano song with the lyrics sung in a round–both Kelli and Peyton singing over and over each other.  It’s really interesting and quite catchy. the way the song slowly builds, adding new instruments.  There’s a lot of components to the song, but I especially like:

Chase away the thoughts that make you hate
‘Cause hate does not create
And hate at best will just keep you a little late, a little late

This was their third album.  I have yet to hear their earlier two, but their follow-up was pretty outstanding.

[READ: October 17, 2017] Brave

Tabitha chose to read this book because she really liked Awkward.  It takes place in the same universe, and I love that the characters from Awkward make a cameo.

Peppi (Penelope) is back in this story but she is a very minor character.  Indeed, the book says that there will be more books set in Berrybrook Middle School presumably with many different characters in the lead.

This story follows Jensen, an overweight, socially awkward, not-terribly-bright boy who has anxieties but generally doesn’t feel that he is being picked on (he is).

Peppi is part of the art club and that’s where Jensen finds some friends, too. (more…)

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carrieSOUNDTRACK: CATE LE BON-Tiny Desk Concert #337 (February 18, 2014).

cateCate Le Bon has a very interesting style of singing–it reminds me of Grace Slick in her enunciation, but also like someone whose speaking accent is very strong and is somewhat masked by her singing (like the way she sings “reason” as “ree-sun” as opposed to “reezun”).

The blurb explains that her “phrasing is completely tied to her Welsh dialect — in fact, her first record was in Welsh…. The enunciation is completely tied to the loneliness and the questioning.”

 For this concert it is just her and her fellow guitarist H. Hawkline (both wearing super cozy sweaters).  They share the guitar licks very nicely–it’s not always clear who is playing what–with her sometimes finishing his lines (I believe).

“Are You With Me Now?” has a very catchy chorus (with an “ah ha ha ha ha” part that makes it sound like an olde English ballad).

“No God” plays with very simple guitar lines (chords played very high on the neck of her guitar and a simple accompanying riff).  Hawkline plays keys (and sings some great falsetto backing vocals) to flesh out this song.  Everything is so clean you can hear each note from the guitar and her voice.

“Duke” opens with some interesting slightly off sounding from Cate while Hawkline plays a simple chord pattern (his fingers are enormous, by the way).  Hawkline’s falsetto is almost as engaging as the vocal lines that match the guitar line which Cate plays.  And when she says “I’ll see you here” in that unexpected pronunciation, it’s totally captivating.

I like Le Bon a lot and want to hear what she wounds like on record.

[READ: May 18, 2016] Hunger Makes Me a Modern Girl

After finishing Bob Boilen’s book and thinking about how I don’t really love music-based books, I immediately read Carrie Brownstein’s book.  Carrie Brownstein is one of the two guitarists in Sleater-Kinney and Wild Flag.  She is also one of the leads (writer and actor) on Portlandia.  And she wrote for NPR for a while, too.  Basically, Carrie is the shit.

One thing I took away from this book is that I’ve read a few musician memoirs (Mötley Crüe and Marilyn Manson to name a few) and this is the first one I’ve read that was filled with so much sadness.  Not “I was stoned and regret sleeping with that person with an STD sadness,” but like, real family problems and even a dead pet.  And, as Carrie herself jokes, her stories of being on tour and ending up in the hospital are not based on drugs or other debauchery, but on anxiety and even worse, shingles.

The beginning of the book starts in 2006, around the initial break up (hiatus) of Sleater-Kinney.  Carrie is in pain–emotional and physical–and she can’t take much more.  She starts punching herself hard in the face. (more…)

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