Feeds:
Posts
Comments

Archive for the ‘Radio’ Category

[ATTENDED: October 3, 2025] The Mountain Goats

I have wanted to see The Mountain Goats for years–pretty much ever since my friend Andrew introduced me to them (with burnt CD copies of albums).  I finally got to see them this summer while playing with Guster and that was great.  I had no idea that the band had so much fun up there and I really enjoyed their set (as I figured I would).

So when they announced this Free at Noon, I jumped at the ticket.  Sure I had just seen them two months ago, but they were great and I wanted more!

I walked in and the usher suggested I sit in the ADA section.  I didn’t want to, as I like being closer, but the crowd was big and rather tall, so I grabbed a seat and happened to be right next to the very Andrew who introduced me to them.  It makes sense that he would be there (he said the same about me) and it was a fun surprise.

The band came out and started with one of my favorite Mountain Goats songs, The Best Ever Death Metal Band in Denton.  I cannot believe that the song is 25 years old!

I actually wondered how many different songs I’d hear compared to the summer’s set.  Well, it was mostly the same, but of the nine songs they played, there were three that they didn’t play this summer.

But, it was also really fun to know the other songs.  I had really enjoyed Bones Don’t Rust last time and I really really liked Broken to Begin With–a terrific song from the new album.

I really like seeing John Darnielle pogo during the instrumentals and bounce from one musician to the next smiling at the music they are playing–sometimes seeming maybe surprised by a move or another.

He explained that the new album is about a sinking ship (which he is on). Rocks in My Pockets is about it as is Great Pirates.  (more…)

Read Full Post »

[ATTENDED: August 15, 2025] Goose

It seems like Goose and Geese both came out last year.  But in fact Goose has been around since 2014 and Geese since 2016–so it’s taken both of them about ten years to get serious attention.

It’s also funny that the bands have such similar names since they are so very different.  We saw Geese open for Vampire Weekend and they were kind of jammy but were decidedly weird.

Goose on the other hand is a pretty conventional jam band.  Four members (guitar (Rick Mitarotonda), bass (Trevor Weeks), keys (Peter Anspach–since 2017), drums (Cotter Ellis-since 2024)

I haven’t been going to very many Free at Noons lately.  It is such a hassle especially for a 30 minute show.  On the other hand it’s an opportunity to see a band (sometimes a really big band) in a small, intimate setting.  Goose, for instance, has sold out Madison Square Garden and is about to play the Mann Center.  I wasn’t even sure if I really wanted to see them, and yet this seemed like the perfect opportunity.

Especially since my office was closed for air conditioning work. (more…)

Read Full Post »

[DID NOT ATTEND: March 22, 2025] Basia Bulat / Mick Flannery

I saw Basia Bulat on a Tiny Desk Concert many years ago. She played the pianoette and sounded amazing.

That Concert is from 2011 and she has changed a lot since then.  I was going to see her in 2020, but the show was cancelled because of COVID. I listened to the new album and found it really poppy and totally not my vibe.  So I’m taking her off of my list of musicians to see.

I saw Mick Flannery back in 2021 when he opened for Kathleen Edwards.   He had a pretty strong Irish accent when he sings, and he had overtones of Van Morrison.  He’s been releasing music since 2007 and is apparently a pretty big deal:

Mick Flannery is one of Ireland’s most acclaimed songwriters and singers. The award-winning, double-platinum selling artist has released six studio albums, three of which reaching No. 1 status.

I enjoyed the set but didn’t feel compelled to seek out any of his music.

Read Full Post »

[DID NOT ATTEND: February 7, 2025] Sharon Van Etten & the Attachment Theory

I saw Sharon Van Etten live back in 2019.  I really enjoyed her set more than I thought I would.  And yet since then I haven’t really been that interested in her music as much.

She’s had a few songs (like this year’s Afterlife) that I’ve really liked, but when she announced a show at Union Transfer in April I was pretty meh about it.

Then it was announced that she and her new band were doing a Free at Noon, and I though that that was the best way to check her out.  And I’m so glad I went because her band (and the whole set) was fantastic.

I’m not sure how long these musicians have been playing with her, but word is that she solidified them as a band with this album and they record the album as a band rather than as a SVE project with backing musicians.  The Attachment Theory is Teeny Lieberson on keys, Shanna Polley on guitar, Jorge Balbi on drums, and bassist Devra Hoff.   When I saw her last time I didn’t know any of her band except for singer Heather Woods Broderick whose voice is amazing.  But Teeny Lieberson’s backing vocals suited Sharon’s perfectly, creating that hauntingly beautiful sound that Sharon does so well.

I was right in front of Devra, whose bass work was great (there was a some cool stuff on a fretless as well as a fretted bass).  The bass was a little loud in the mix for me since I was right in front of the speaker, but the opening bassline of Trouble was fantastic and I loved watching Devra play it. (more…)

Read Full Post »

[DID NOT ATTEND: January 11, 2025] Speedy Ortiz / The Tisburys / Big Benny Bailey

I saw Speedy Ortiz as a headliner in July and as an opener in September.  I really didn’t expect to see that they were playing Philly again so soon.

I didn’t really feel the need to see them again so soon, and I was kind of enjoying not going to shows for the beginning of January.  So I stayed away from this one.

The Tisburys are a Philly band who I have just recently come to know (although I see they’ve been around for ten years).  They are described as early aughts-leaning pop/rock while keeping that indescribable Philly grit.  They played XPNFest which is probably why their name was familiar to me.  They have a folk rock vibe but their music isn’t folk rock.

I assumed that Big Benny Bailey was jazz band, but it turns out Big Benny Bailey is the country project of Shamir and Ben Pierce of Folkadelphia.  Which is a pretty fascinating mix.  Why is everyone going country these days?

 

Read Full Post »

[DID NOT ATTEND: November 22, 2024] The Pineapple Thief

The Pineapple Thief is a progressive rock band which means I should instantly like them.  And yet I just can’t seem to get into them.  They fall on the more mellow side of progressive.

The main draw for me is drummer Gavin Harrison who I saw many times with King Crimson.  But, no matter how much you like a drummer, that’s a very small portion of the overall sound of a band.

Listening to their latest EP, I do rather like it, but it’s too late for me to be into them enough to see them.  Listening a little more they remind me a bit of Death Cab for Cutie, which I did not expect to say.

I do hope to see Gavin Harrison in something else soon though.

Read Full Post »

[ATTENDED: June 27, 2024] Quasi

I was a middling fan of Quasi back in the 90s.  I liked some of their stuff but never really  thought al that much about them.  After Janet “left” Sleater-Kinney and got into a car accident, I was much more interested in supporting her, so I got back into Quasi and was pretty excited to see they were touring last year.

When they played Johnny Brenda’s last year it was just Sam Coomes (on keys–wow, somehow only on keys) and Janet Weiss (killing it on drums).  I really enjoyed the show a lot and was so glad to have seen them.

When they announced a new tour, of the album Featuring “Birds” (the first album I (and apparently everyone else) loved from them.  I knew I’d like to see them again.  I wasn’t keen on going to World Cafe Live because it’s kind of awkward to get to for me.  But this was my second time there in a month and the paring was awesome once again.

And, the best part is that when I got downstairs, Sam and Janet were right there selling their own merch!  I got to chat with both of them and they signed my vinyl.  It was very cool.

When they came on stage, I noticed that there were a lot of guitars up there–there were none last time.  There was also someone else walking around the stage.  This turned out to be Joanna Bolme, on bass and occasional guitar or keyboard.  Bolme played regularly with Quasi for well over a decade, and was around for Birds, as an executive producer.  She didn’t say anything (although she did help o untangle some cords for Sam).  But she really held the show together, especially when Sam switched to guitar–the low end would have been notably absent without her on those song. (more…)

Read Full Post »

[ATTENDED: June 27, 2024] Marnie Stern

I knew of Marnie Stern mostly from Late Night with Seth Meyers.  I had heard of her before the show as a notable guitar player (she was on Kill Rock Stars, so she was clearly iconoclastic).  So I was surprised that she was going to be on the show as, essentially a rhythm guitar player.  She was fine on the show, but she never really got to shine in any way (but I assume it was a reliable, steady gig).

When she put a new album out last year, I assumed it would be full of guitar wizardry, but I was surprised at just how weird it was.

But here’s a review of the album from treblezine which sums up her career briefly but nicely

Stern is a straight-up shredder whose playing style errs closer to the joyous fireworks of someone like Eddie Van Halen than she does any knotty, noisy experimentalists. That she happened to run in underground circles is by-the-by—there was always a great pop song buried within the chaos of her music. This is more visible than ever on The Comeback Kid. With her fifth and (you guessed it) comeback album, Stern has continued to chip away some of the raw spikiness of her early releases in service of a dozen stellar math pop tracks that might be (:whispers:) her strongest body of work yet.

I really enjoyed being right in front of Marnie, watching her tap away on her complex melodies with such ease. She also smiled and laughed through the whole set as she sang her complicated, sometimes perplexing, always exhilarating songs.

The rest of her band (whose names I didn’t catch) were also great.  Her drummer was incredible (I think it’s Jeremy Gara from Arcade Fire).  He smashed the hell out of the drums and really excelled at the crazy time signatures of the songs. (more…)

Read Full Post »

[ATTENDED: June 18, 2024] Trans-Canada Highwaymen

I was pretty thrilled when the “supergroup” of Trans-Canada Highwaymen formed.  I put that word in quotes because it’s likely that some (mostly non-Canadian) people don’t know half of the band.  But I was thrilled to have a guy from four terrific bands pooling themselves together.  And the fact that they were basically covering 70s AM radio hits was just a weird bonus.

I assumed they’d never tour the States.  But when they announced a show in Philly, I grabbed a ticket immediately.  I had no idea if it would sell well (it didn’t, really), but it there was a decent crowd and the people who were there were psyched (some a little too psyched).

There was no opening act.

We had seats in the third row (there were open eats in front of us).  But the row right in front of us was filled with about eight real keen Canadians who were crazy drunk and very loud.   It’s possible only we were bothered by them but I found them more annoying than fun.

But that’s fine, because the music was fantastic.

I’ve said before that I could listen to Steven Page sing anything.  So, having him start with an old BNL song was really fun.  It started with Steven and Craig Northey (from Odds) on guitar Moe Berg (from The Pursuit of Happiness) on bass and Chris Murphy (from Sloan) on drums.

By the end of the night everyone had played drums for at least two songs. (more…)

Read Full Post »

[CANCELLED: June 15, 2024] Lloyd Cole

I’ve never been a huge fan of Lloyd Cole, but I like a bunch of his songs.

My memory is really shaky on how I found out about him. I was certain that a friend of mine got me into him, but years later when I mentioned Lloyd Cole to her, she had no idea who he was.  Someone clearly introduced me to him, and I feel like I can picture the room that we listened to him in, but obviously I was wrong.

I haven’t really given Lloyd much thought over the last few years.  I wasn’t planning on going to this show (I mean, it was the same night as Man Man), but I was intrigued that he had cancelled the tour (as did Man Man–which made me briefly nervous that they knew something bad was happening).

But Lloyd’s reason were personal:

April 26, 2024

I’m taking some time away from music.I was sick on tour in Australia, I was sick on tour in Scandinavia, I’m sick again in Portugal. I have some kind of virus. This time my mental health has been impacted.I’m fine, for now, I’m on antibiotics. I have people to talk to. The plan is to get the seven Portuguese shows done. Then I’ll fly home early May.I need to address the root of the issue. I’d rather not go into details here. Honestly I don’t know exactly what’s going on but I’m pretty sure some major changes are needed in my lifestyle and work schedule. I’ll be consulting my MD and we’ll figure a plan. Most likely I’ll be in some kind of treatment facility for while, hopefully like The Magic Mountain.I’ve cancelled the US East Coast shows that were scheduled for June. I’m keeping May, June and July free to heal/recover. I look forward to some golf in Ireland in late August and then September solo shows in the Ireland and the UK. We’ll reschedule the cancelled US dates as quickly as we can.I’ll see you all in the Autumn.Sincerely,LC.

Read Full Post »

Older Posts »