Feeds:
Posts
Comments

Archive for the ‘Once’ Category

The Swell Season (Glen Hansard & Marketa Irglova) (The Met Philadelphia, Philadelphia, PA, July 29, 2025)

Posted in Glen Hansard, lnterference, Marketa Irglova, Once, Philadelphia, PA, Snacktime, The Frames, The Swell Season, Van Morrison on July 29, 2025| Leave a Comment »

[ATTENDED: July 29, 2025] The Swell Season (Glen Hansard and Marketa Irglova)

Three years ago my wife and I saw Glen and Marketa (interestingly announced as Glen and Marketa of The Swell Season) and the show was wonderful.  So when they came back around (this time announced as The Swell Season) I grabbed tickets right away.  (Incidentally, The Swell Season is the formal name of this duo–Glen has several other bands as well.

We were delighted to be reasonably close and right in the middle.

And there were to be lots of surprises tonight.  Glen and Marketa were joined by a bass player and drummer (whose names I don’t recall).  But before the first song started, they had a big surprise–four member of Snacktime came out to play horns on several of the tracks.  Glen explained that he had met Snacktime at the Newport Folk Festival and since they were going to be in Philly at the same time, he asked them to join him on a few songs.  I’m not typically a fan of horns, but their horns added so much depth to these songs, it was terrific.

And what was so much fun was that Glen instructed them how to play some of the songs while on stage–almost like an improved jam session.  The opened with Low Rising and Glen asked them to stick around for any songs that seemed good to have horns on.

The Swell Season just released a new record and they played all of the songs from it (except A Little Sugar).  But as I told my wife, I don’t really listen to The Swell Season all that much, but everything I hear from Glen (especially live) I enjoy immensely.

After a couple of new songs they played When Your Mind’s Made Up and the crowd was rapt as their gorgeous voices (and that piano) melded beautifully.

They played a few songs that they’d played last time, and that’s great because those are obviously the catchiest ones.  They played a few of Glen’s solo songs (three in total) but none of Marketa’s solo songs–although she did get some gorgeous solo moments where it was just her and her piano and her voice is still gorgeous.  This was especially evident on I Leave Everything to You, which Glen said was so beautiful as soon as he heard it he knew it would be the centerpiece of the album and the tour. (more…)

Read Full Post »

Glen Hansard & Marketa Irglova of The Swell Season (Merriam Theater, Philadelphia, PA, March 14, 2022)

Posted in Glen Hansard, Kimmel Center for the Performing Arts, Leonard Cohen, lnterference, Marketa Irglova, Merriam Theatre, Once, Pete Seeger, Philadelphia, PA, The Frames, The Swell Season, Van Morrison on March 17, 2022| Leave a Comment »

[ATTENDED: March 14, 2022] Glen Hansard and Marketa Irglova

Back in November, I was surprised and delighted to see that Glen Hansard and Marketa Irglova had announced a small tour (like six shows) celebrating the fifteenth anniversary of Once.

S. and I loved the movie and the music and she insisted we get tickets.  So I grabbed them in a pre sale.  Not as close as we would have liked, but not bad at all (there’s really no bad seats in the Merriam).

In the meantime, shows were cancelled and rescheduled, but this show fell in the safe zone and didn’t get moved at all.

We arrived just barely on time–I always forget what a pain it is to get to the Kimmel Center.  But then it took a while for the show to start.  Start time was 7, but they didn’t get on stage until 7:30 (he told us why later).

It was wonderful. (more…)

Read Full Post »

Five Dials Number 33: Part I (26 July 2014)

Posted in Anne Hathaway, Anonymous 4, Art in Manila, Beirut, Cari Vander Yacht, Dirty Projectors, Essays, Five Dials, Glee, Gypsy, Jenni Fagan, Lasorda, Lauren Elkin, Living in Oblivion, Once, Peter Dinklage, Poetry, Rachel Genn, Seabear, Sexism, Short Story, Steve Buscemi, Susan Barbour, Tiny Desk Concert on April 16, 2015| Leave a Comment »

5dails33SOUNDTRACK: ANONYMOUS 4 and BRUCE MOLSKY-Tiny Desk Concert #428 (March 28, 2015).

anon4I first heard about Anonymous 4 way back in 1990 when they started.  I even have their debut album of lovely classical a capella.  Now, twenty-five years and twenty-one albums later they are calling it quits.

Their final album is 1865, released to coincide with the 150th anniversary of the end of the Civil War. and containing songs from that era.

They sing three songs and, unusual as far as I’m concerned, they accompanied by Bruce Molsky, who plays banjo and violin and sings on “Hard Times.”  His voice mixes very well with their higher register–and they can hit some really high notes.

It’s unexpected to hear these singers whom I associate with classical music, singing these “traditional” songs.  But they do a wonderful job.

  • Listen to the Mocking Bird (Richard Milburn, Alice Hawthorne)
  • Hard Times Come Again No More (Stephen Foster)
  • Home, Sweet Home/Polly Put The Kettle On (Henry Bishop, John Howard Payne/Trad.)

As the site explains, the group is original members Ruth Cunningham, Marsha Genensky and Susan Hellauer, plus Jacqueline Horner-Kwiatek along with singer, banjo player and fiddler Bruce Molsky, who also appears on the album.

You can watch it here.

[READ: April 4, 2015] Five Dials 33 part I

This issue celebrates the Port Eliot Festival in Cornwall and features illustrations by: Cari Vander Yacht.  They are cool colorful colored pencil drawings sprinkled throughout the issue.  Most of them are vaguely alien creatures sitting around, shopping, doing a head stand (or break dancing).  You know, as aliens do.

Rather than a letter from the editor, we get a link entitled What’s this issue all about?  It is a link to a Guardian article about #readwomen2014 asking Will #readwomen2014 change our sexist reading habits?  Of course, it is now 2015 and I missed the whole thing.  I wonder if it did. (more…)

Read Full Post »

Roberto Bolaño–Third Reich (1989) [translated 2011]

Posted in All Songs Considered, Boredom, Death, Drinking, Drugs, Foreign Books, Games (Non Video), History, Natasha Wimmer, Nazis, Once, Roberto Bolaño, Short Books, The Swell Season, Threats, Translation, Unreliable narrator on December 27, 2011| Leave a Comment »

SOUNDTRACK: THE SWELL SEASON-Strict Joy (2009).

I bought this disc for Sarah after it came out.  I didn’t think that I would enjoy it that much because while I loved the movie Once, I wasn’t sure if I needed more from Glen and Marketa.  But then I found a whole slew of free concerts from NPR and I became hooked on the band.

The disc opens with “Low Rising” (what I think of as the “Van Morrison” song).  It gets better with each listen.  It’s a slow ballad which is followed by “Feeling the Pull,” a more up-tempo song that really highlights Marketa’s beautiful harmonies.  “In These Arms” is a gorgeous song.  The verses are downbeat and somber “if you stay…with that asshole…it will only lead to harm” but again the harmonies are gorgeous.  “The Rain” is a more rocking tune (within reason, of course).  It has an interesting middle section that quiets down, but it’s a solid folk rocking song.

“Fantasy Man” is Marketa’s first lead vocal song on the disc.  I like her voice but sometimes I find her lead songs to be a bit too wispy, too quiet.  I like this song, but it feels long (and at 5 minutes, it is).  “Paper Cup” is one of Glen’s quiet ballads.  It’s a pretty song.  “High Horses” is one that I didn’t know from the live sets, I guess it’s not too popular with the band, but I think it’s strong.  It runs a little long but that’s because it has a cool middle section that keeps building and building with more instruments and voices.  “The Verb” is another song that I didn’t know.  It has a cool intensity to it and while it doesn’t stand out as a hit, it’s certainly an enjoyable song.

“I Have Loved You Wrong” is another pretty Marketa song, but again it’s very slow and very long.  I don’t think I could buy her solo album because although her voice is lovely and her melodies are nice, they’re just so ephemeral I can’t really get into them.  “Love That Conquers” is an interesting song.  It sounds nothing like The Swell Season (must be the banjo).  It’s a nice addition to the album and should maybe have been placed a little earlier to break up the sound style a bit more.  “Back Broke” ends the disc very strongly.  Although I think the song works better live (with audience participation), the melody and tone of the song are somberly beautiful.

There are moments of this disc when it turns out to be what I feared the whole disc would be–bland folkiness. But overall this is an enjoyable album for a rainy day.  And Hansard really has an amazing voice.  However, I really like them better live.

[READ: December 26, 2011] Third Reich

I was pretty excited when I heard about this book, although I must admit I was a little concerned by the title.  Bolaño has a kind of weird Nazi fascination.  There is Nazi Literature in America and then a whole section of 2666 is given over to Nazi Germany.  He doesn’t like Nazis or anything but he writes about them a lot and it can be a little exhausting.  So it was with some relief that I learned that Third Reich is the name of a game that the main character plays.  It is a kind of historical reimagining kind of game (I guess like Risk but more specific and with more at stake).  It is set during the time of the Third Reich and the players represent various countries (or perhaps even powers).

I am giving up on explaining the game from here on because a) there’s a lot about the game in the book and b) I’m not sure if it wasn’t explained very thoroughly or if I just missed out on exactly what was happening.  During the book he talks about Hexes 65 through 68 and so on.  So I assume the map of the world is a hex grid.  But he never gives any context (or even a picture!–and this makes sense as it’s written as the diary of a well-regarded player who is not trying to teach us the game).  So while I understand the general tenets and play of the game (there’s a die (or dice) and tokens that reside on the board), the specifics are completely nebulous.  But that’s okay.  Because the game specifics don’t impact the book, but the game overall is at the heart of the book.  I think it’s neat that Bolaño invented a game (and several others games are named, but no details are given).  He is clearly very gifted at inventing people, games, things.

But as I said, the game is only a part of the book and in fact, the game details don’t enter into the book until about half way through. (more…)

Read Full Post »

Louise Erdrich–“The Fat Man’s Race” (New Yorker, November 3, 2008)

Posted in Cat Stevens, Dreams, Glen Hansard, Louise Erdrich, Marketa Irglova, New Yorker, Once, Short Story, The Frames, Van Morrison on November 14, 2008| Leave a Comment »

tny 11.3.08 cvr.inddSOUNDTRACK: Once Motion Picture Soundtrack (2007).

onceSarah and I saw a preview for this film a long time ago and promptly forgot about it.  Then, she remembered it was called One or The One or something….  Luckily Netflix set us straight, and we rented Once.  We were amazed at how much we liked it.  It’s clearly a labor of love for the creators.  You can tell it didn’t cost a lot of money to make, but the performances are top notch.  What was particularly cool about the movie (aside from the music) was that it starts like a typical romance of boy meets girl: they play music together and he falls in love.  But it very quickly deviates from that path and turns into a much more complex storyline.  It’s not hard to follow, but it’s a lot more complex than you’d at first think.  But clearly the movie is a showcase for these songs.

We were also delighted that about a week after we watched the film. “Falling Slowly” won the Academy Award for Best Song.  That was nice synchronicity for us.

“Falling Slowly” is a beautiful song, as are just about all of the songs on this soundtrack.  Glen Hansard (the redhead in the Commitments, currently of The Frames–who I’ve not heard aside from this disc, but who I’m led to understand are quite good) has a great, strong, rough voice that sounds a bit like Cat Stevens mixed with some Van Morrison.  Marketa Irglova (about whom more in a moment) is a Czech singer with a really heavenly voice.  Together, their harmonies are really something.  His, rough and strong, hers soft and delicate.

One of the strongest songs on the disc, and in my opinion better than “Falling,” is “When Your Mind’s Made Up.”  The movie shows the band recording this song in full in the studio.  I was happy that the scene wasn’t one of those where the band screws up and they do take after take.  Rather, they play it through solidly and it sounds great. It really makes the song stand out in the movie.  And, there’s something about the way that Hansard screams the chorus as it builds to an impossible crescendo that is really breathtaking.

The rest of the disc features more songs from the movie (there’s a special version of the disc with extra tracks but we didn’t feel compelled to get it).  And the selection is fairly diverse within the strictures of his acoustic guitar and her piano.  She has a ballad of her own, and they do many duets.

As for Marketa Irglova, I didn’t know this until I just looked her up, but apparently, she was “discovered’ by Hansard when she was 13, and she toured the Czech Republic and Ireland with the Frames.  Evidently she and Hansard started dating sometime around the filming of the movie.  I’m not really prudish but there’s something about the 38 year old Hansard dating the 19 year old Irglova that’s a little creepy.  Nevertheless, the music they make together is pretty great.

[READ: November 6, 2008] “The Fat Man’s Race”

The author’s name sounded familiar so I thought I’d give this a read.  Then when I saw it was about a page and a half long, how could I refuse?

Recently I’ve read a number of stories that seemed like the weren’t finished.  I am happy to say that despite its length, this story was clearly done.  (more…)

Read Full Post »