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Archive for the ‘Yuck’ Category

[LISTENED TO: November 2021] Girl in a Band

I didn’t really have that much interest in this book when it came out.  I love Sonic Youth, but I didn’t really think I cared all that much about their origin stories.  Then I saw that there was an audio book read by Kim and that sounded pretty cool.

I realized that I had no idea anything about Kim Gordon’s life and it was fascinating to learn just how much of a bohemian artist she was before she joined the band.

The memoir starts with the final Sonic Youth show.  Kim and Thurston’s divorce was already going to happen.  They simply wanted to finish out their final shows.  So Kim played while watching her disappointment of a husband absorb all the adulation.

But Kim’s book isn’t a salacious tell-all. It’s the story of her life and how she wound up where she did.  In fact, there’s very little about Sonic Youth (a lot more about the earliest records and then bits and pieces about the later records).  And, while she’s obviously pissed at Thurston for what he did, she’s restrained in her need to thrash the guy.

Perhaps the biggest take away from the book is that after thirty years of being in a rock band, she doesn’t consider herself a musician or a Rock Star (maybe a small letter rock star).  That eye opening statement is a kind of lead in to the fact that she has been an artist for most of her life–just not necessarily in music.

She moved to New York from California in 1980.  It’s crazy thinking that Kim was a California girl.

It’s even crazier thinking about her older brother Keller who was manipulative and mean and ultimate institutionalized. Kim idolized him and he abused her terribly (more than an older brother might normally do).  All of this made Kim into the shy and sensitive woman who you would never think was responsible for some of the most iconoclastic and then iconic music of the 20th century. (more…)

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Miskatonic University Press Weird Tales compendiumSOUNDTRACK: YUCK-“Rebirth” (2013).

Yuck-Rebirth-608x608-88e4ecb86a2dbcb086211620179bd14d6dbe5221-s1Yuck put out a great albumin 2011.  And then a principal songwriter and singer Daniel Blumberg left the band.  So they regrouped and are coming out with Rebirth (due in the fall).  This track is very My Bloody Valentinesque–big echoey guitars with gentle vocals on top of them.

The big difference comes in the bridge which seems a little more pop than most MBV songs. The chorus also has a few guitar notes that stand out as unechoed notes which also break the shoegaze vibe in a very interesting way.  The biggest surprise comes at the end when the song turns into mostly drums with a bit of a keyboard/dancey feel. It’s just a touch to show that they are not simply mimicking shoegaze, they are using it in their own way.

I’m excited to hear what else the come up with.

[READ: August 8, 2013] “The Horror at Martin’s Beach”

This short story was written by H.P. Lovecraft’s wife, Sonia H. Greene.  Apparently Lovecraft then edited/reworked it before publication in Weird Tales (when it was titled “The Invisible Monster”) although it seems every anthologized version has the “Martin’s Beach” title.  For more about Weird Tales issues, check out Yankee Classic.

I’m not sure how much work Lovecraft did on this story as it doesn’t have any of the hallmarks of his own work.  Indeed, it is a fairly straightforward story with none of the gods and supernatural eerieness that Lovecraft puts in his work.  Which is not to say that this story doesn’t have  supernatural elements, it’s just not Lovecraft’s supernatural elements.

In this short story, a group of sailors of the coast of Gloucester fought with an undersea beast for 40 hours before subduing it. The beast was huge–nearly fifty feet long and ten feet in its cylindrical diameter.  Although it was clearly a fish, it also had small forelegs.  Its skin was thick and, most peculiarly, it has one, giant eye.  After it was dissected, scientists determined that despite the enormity of the creature, it was only a baby–simply a few days old. (more…)

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SOUNDTRACK: YUCK-Yuck (2011).

If you’re like me, you love alt-rock from the 90s, however that may be described.  Typically, we’re talking loud guitars, but we’re also talking shoegazer music and alt folk and basically anything that might have appeared at Lollapalooza.

Yuck is like comfort food for anyone starved for new music from that ear.  There’s hardly anything new or original in it, but it sounds great.  It’s fun to play spot the influences (Dinosaur Jr. Nirvana, melodic Sonic Youth), but it’s more fun to just sit back and listen.

When the first song, “Get Away” opens up with that phased, distorted guitar I’m instantly transported back to the 90s.  And then when the solo begins (before the verse) it’s like adding screaming punk to shoegaze.  Blissful.

“The Wall” sounds like yet another style of 90s alt rock, with some more screaming guitars.  Then comes “Shook Down” in which the band slows down with acoustic guitars (think Teenage Fanclub).  It’s a little slow, but there’s a surprise third part which adds some wonderful distorted guitars to the song.

“Holing Out” brings a more punk edged guitar sound to the album (still distorted just edgier).  “Suicide Policeman” is a pretty straightforward folk rock song: acoustic guitars and whatnot and it never really rocks out.  The nice part is when the second, electric guitar plays slow wobbly chords over the top (think The Smiths).

“Georgia” rips right into a My Bloody Valentine song (female harmonies over washes of guitars).  This is the first song that I don’t love.  It’s got something to do with the chrous.  The verses are great, but the chorus is just a little too…blah.  But I love the sound of the song.

“Suck” is probably my least favorite song on the disc.  It’s really really slow and drags a bit.  Although, amusingly this song stays in my head the longest, especially the line “did you see the fire briagde.”  Maybe I secretly like it best

“Stutter” continues this slow mood–I think I like these songs individually, but they drag down this section of the album when played together like this.

Because when “Operation” bursts back, the album picks up (more great use of little guitar solos-think Smashing Pumpkins).  “Sunday” does the My Bloody Valentine thing much better–great chorus on this one.  Amusingly the verses are not very MBV-sounding at all, but it’s a nice blend.

“Rose Gives a Lilly” is an instrumental and, although it’s nothing amazing, it’s still nice.  The disc ends with “Rubber” a 7 minute retro blast.  It’s a slow builder, with big distorted guitars (the vocals are almost inaudible).  Just add more and more layers of guitar over the melody and you’ve got a great album ender.

It’s nice to see a band absorb influences rather than just aping them.

[READ: January 27, 2012] “Underbrush Man”

Once I saw Mohsid’s story in The Guardian, it was just a quick look to see that Margaret Atwood had a story there too!

I really enjoy Atwood’s stories, and this one is no exception.  But this one was rather unexpected for me because it begins with the point of view of a dog.  There are actually four points of view in this story.  I was delighted that the first two were more or less the same, that the third one was unexpectedly unrelated to the action and then the final one cleared everything up.

But we start with a dog. (more…)

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SOUNDTRACK: YUCK-Live at SXSW 2011 (2011).

Yuck has been on my radar for a little while.  I’ve heard very good things about them but hadn’t heard them until this concert.

They play a kind of distortion fueled alt-rock circa late 90s shoegazing style (and everyone laughs about this because the members are all like 20 years old).  Comparisons abound (Dinosaur Jr. My Bloody Valentine) but the one that I hear that no one else seems to is Placebo (for attitude of vocal style more than anything else).  But yes, what the band does with feedback is certainly enjoyable.

This is a great introduction to the band.  They sound fantastic live.  Although I admit that my impression is that this is a band that would sound great on a studio recording (think MBV).  And this show makes me want to go and get their debut album.

They play 8 songs here which vary from fast rockers to ballads to the 8 minute feedback epic “Rubber.”  Perhaps the most interesting thing about the band, though, is the singer’s speaking voice.  He seems so out of his element talking to the huge (and appreciative) Texas crowd, that you have to wonder if they’ve ever played live before (except that his voice sounds great while singing and the band is totally confident).  It’s just funny to hear him awkwardly addressing the crowd (with a meekness that rivals Droopy Dog):  “Our name is Yuck and this song is called “Suck” and those words rhyme with each other”.  Yikes.  But really it comes across as charming more than anything else and since the band sounds great it doesn’t hurt the crowd’s appreciation.

I’m looking forward to hearing their album.  You can listen, watch (!) and download their set from NPR.

[READ: March 28, 2011] “Franklin’s Library”

This was the second story in The Walrus’ 2006 Summer Reading Issue.  It was a lengthy and rather complicated story.  There were really two stories, although in the end, she tied them together okay.

The story opens with a look at a young sailor.  The sailor has agreed to join the Erebus on its first expedition to the frozen north.  The title of the story comes from the ship’s library.  The sailor is young and more than a little afraid, but he is comforted by the scope of the ship’s library: leather-bound volumes in the hundreds.  The library looks to be the only place where one can have a little peace and quiet (aside from your bunk which is barely larger than you). (more…)

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