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Archive for the ‘Ye Gods’ Category

[DID NOT ATTEND: April 8, 2025] Mogwai / Ye Gods / Brainiac

There were four shows that I wanted to go to on this night.  But this was my top choice.

I saw Mogwai and Ye Gods almost exactly 3 years ago at this same venue (April 6).

Mogwai were amazing.  And I knew I’d want to see them again.

I liked the name Ye Gods, but my take away was

I wonder if it would have been more enjoyable from further back?  If the sound was better back there. Or maybe seeing how the sausage was made was a little weird?  Either way, it was fine and it was fun to see him as he made the sounds, but I felt like with a name like Ye Gods, it might have been a bit more fun.

Brainiac (3RA1N1AC) was the unknown quantity for me.  I had heard of them but didn’t know much about them.  I have since learned that they were a weird, electro-driven, frantically spastic, experimentally noisy art-punk band.  They put out three albums and then disbanded after the sudden death of lead singer Tim Taylor in a car accident on May 23, 1997.

I’ve seen a few live clips.  This one from KEXP is particularly good and it makes me really wish I had seen them.   But my wife had just had surgery and I wasn’t going anywhere.

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[ATTENDED: April 6, 2022] Mogwai

Back in 1997, my friend Lar was living in Ireland and we would send each other CDs of songs we liked.  He even sent me a couple of UK (etc) only Mogwai singles.

I’m fairly certain he had seen them around this time.  Or at the very least he was aware of their live shows being raucous and loud with endless versions of songs like “Like Herod” where the feedback roared on for twenty minutes.

Well, here it is 25 years later and I still hadn’t seen them live, but they were still going strong.  Actually, I have a ticket stub for them in 2001, but I have no recollection of the show.  I was also supposed to see them in 2017, but a freak snowstorm kept me home.  It was probably the right decision, but I hadn’t forgotten it in five years.  [Either way according to setlist, at neither of those shows did they play “Like Herod”].

And the band did actually wait the 55 minutes to start at 10PM.  Good heavens.  It was so long that the guy next to me passed out (this is the fourth show that I’ve been to where someone has passed out).  He was fine and they walked over to the door to get him so air.

I was right up front (2nd from the fence) and had a perfect view of center stage.  Which was only a shame that Stuart Braithwaite, the defacto leader of the band set up shop on the side of the stage.  Between me and he was a very tall man with a lot of hair.   Bummer. (more…)

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[ATTENDED: April 6, 2022] Nina Nastasia

I had not heard of Nina Nastasia before this show.  And, placed between Ye Gods and Mogwai, I never expected her to be a pleasant, if rather dark, folk singer.

She released her first album in 2000 and put out records pretty consistently for ten years.  Then she stopped and now has a new album due out in July.

Her bandcamp site is quite confessional (more…)

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[ATTENDED: April 6, 2022] Ye Gods

Ye Gods has an amusing name.

It is the project of Antoni Maiovvi, apparently.

Also apparently, Antoni Maiovvi has released music under about a dozen names like: Ye Gods / Jason Priest / Pleasure Model
Half of: Homoagent / Acid Vatican.

According to his bandcamp page,

A project born in Bristol in 2006 and developed in the bohemian dystopia of Berlin from 2009. Antoni Maiovvi walks the line between retro-synth and horror soundtracks for both real and imagined films.

This was his first stop on the Mogwai tour.  When he came out, he had a table with a whole bunch of electronic gear on it.  From where I Was standing I could see his laptop, and although it’s was 100% clear, I was pretty sure I could see the progress bar streaming across the screen.  And indeed, when it reached the end of the last block, the music ended.  So that’s pretty interesting

Essentially, he created a 30 minute block of music and put it in his laptop.  Then he had all kinds of buttons and knobs and he modified the songs throughout–mostly adding wild effects and pitchshifting.

He also sang (and screamed) into his mic.

It was catchy and dancey and he seemed really really into it.

I wonder if it would have been more enjoyable from further back?  If the sound was better back there. Or maybe seeing how the sausage was made was a little weird?  Either way, it was fine and it was fun to see him as he made the sounds, but I felt like with a name like Ye Gods, it might have been a bit more fun.

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