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Archive for the ‘Trupa Trupa’ Category

Trupa Trupa / The No Good Crowd (Silk City, Philadelphia, PA, February 28, 2025) [DID NOT ATTEND]

Posted in Philadelphia, PA, Silk City, The No Good Crowd, Trupa Trupa on February 28, 2025| Leave a Comment »

[DID NOT ATTEND: February 28, 2025] Trupa Trupa / The No Good Crowd

I Trupa Trupa is a band from Gdansk Poland.  Their music is moody and cool and I’ve heard they are great live.  They came to Philly in 2022 but by the time I heard about the show, I had tickets to TWO others shows that night (one had been rescheduled to this date).  Now, almost three years later, they have announced their second show in Philadelphia.  And it’s the same night that my wife and I have  tickets to see Father John Misty.

Here’s how the band describe themselves on bandcamp

Trupa Trupa is a post-punk band from Gdańsk, Poland, known for their unique blend of brooding leftfield rock and psychedelic influences. They combine dark, introspective melodies with rich, experimental sounds to create their own distinctive space in the world of alternative guitar music.

They definitely have a dark 80s vibe, which I think would get more people into them.

No offense to Father John, but I would 100% rather see Trupa Trupa.  But we already have the tickets and I’m sure Father John will be enjoyable.

But, damn.  What bad timing.  I do hope they come back again in a couple of years.

I don’t know The No Good Crowd, but their bandcamp pages says

Formed in 2023, guitarists Jamie Olson and Jim McGuinn have history going back to Philly’s beloved indie rockers Cordalene(2000-2005), with Jamie forming the rootsier Midnight Singers not long after, where he was joined by drummer Neil Simpkins. Later Jamie formed the even more rootsy Atlantic Coast Ramblers with bassist Brendan Skwire, and putting us all together, we become The No Good Crowd.

I just listened to them and, wow I do not care for them.  So I guess that’s something.

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Trupa Trupa / Haldol (PhilaMOCA, Philadelphia, PA, April 28, 2022) [DID NOT ATTEND]

Posted in Haldol, Philadelphia, PA, PhilaMOCA, Trupa Trupa on April 28, 2022| Leave a Comment »

[DID NOT ATTEND: April 28, 2022] Trupa Trupa / Haldol

April 28th turned out to be a banner night of shows.  There were four I was interested in seeing–three of those I was really interested in.  It was very hard to choose especially since one of them was a show rescheduled to that night and I already had tickets to a different one.

Trupa Trupa is a band from Poland who I found out about through NPR music.  Their music is dynamic and exciting and I understand they are amazing live.

By the time this show was announced I already had tickets for both Son Lux and Stick Men.  But I was so intrigued by this one that it quickly became my number two choice (sorry Stick Men).  I just wasn’t sure which one I was going to go to.  I honestly don’t know how often Trupa Trupa will be able to come to the U.S.  But I so very much wanted to see Son Lux, that they won out.

Haldol is a post punk band from Philly who I haven’t heard of.  But this review, especially about the 4AD/120 Minutes connection is pretty spot on.

While I was lukewarm on their previous record, The Totalitarianism of Everyday Life, Negation recaptures the fire of that self-titled record by pushing past its sound rather than returning to it. While Negation still has death rock-isms like chorus on the guitar and tom-heavy drumming, the guitars are janglier, the singing more expressive, and the songwriting more pop. Once again, Haldol is ahead of the trend; while everyone else is going Christian Death, they’ve gone full 4AD, sounding more like something you’d see on 120 Minutes in the late 80s than a band on a flyer for a Madame Wong’s gig. That seems to imply a softening of Haldol’s sound, but that’s not the case at all… they play with the revved-up energy of bands like the Cult and the Jesus and Mary Chain… it’s pop music as much as it is art project, and listening to it provides all the immediate pleasure that pop music is meant to.”

This would have been a good show.

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Kurt Vonnegut–Bagombo Snuff Box: Uncollected Short Fiction (1999)

Posted in Coronavirus, Death, Funny (ha ha), Futility, Gangsters, Kurt Vonnegut, Language, Magazines, Military, Poland, Quarantine, Racism, Set at School, Sexism, Short Story, Tiny Desk (Home) Concerts, Tiny Desk Concert, Trupa Trupa, World War II on July 6, 2020| Leave a Comment »

SOUNDTRACK: TRUPA TRUPA-Tiny Desk (Home) Concert #44 (July 3, 3030).

Trupa Trupa is a band from Poland who play some really great indie rock.  They were supposed to be touring the U.S. and doing a Tiny Desk, but instead they are home.

In a little dirty rehearsal room basement in Gdańsk, we find Poland’s great rock band Trupa Trupa on lockdown. Had it not been for COVID-19, this band would have been behind my desk this week, but as it is, they’ve settled into their rehearsal space.

Their songs are pretty intense, but this Home Tiny Desk features lighter versions of the songs.

They open their set with “Another Day,” from the 2019 record Of The Sun.  It has a great throbbing bassline Wojciech Juchniewicz while singer Grzegorz Kwiatkowski plays acuostic guitar.  He says its the first time he’s played the acoustic guitar in a really long time.

There’s a cool theremin-type sound that is coming from Rafał Wojczal.  The credits say the instrument is called an ondes Martenot, but this is a homemade device–and it sounds pretty cool.

I’ve seen them perform this; it’s always had an apocalyptic feel, but now the words “another day, waiting for another,” prompts Grzegorz to mention how this has turned into a quarantine song.  Grzegorz tells us that life in Poland has been difficult in this young democracy, but they are staying optimistic and playing music.  There’s darkness in the basement, yet their music is a bright beacon.

“Dream About” starts with a snappy drum from Tomasz Pawluczuk.  Kwiatkowski plays as scratchy rhythm on the guitar before  Juchniewicz plays a great rolling bassline that runs throughout the song until it abruptly stops for a some single notes.  Then it resumes again.  Wojczal adds some guitar before bringing that Martenot back.

“None of Us” is slow and deep basslines.  Initial vocals come from Juchniewicz who has switched to guitar.  The acoustic guitar is more prominent on this song.  And Juchniewicz’  fuzzy electric guitar sound is deep and menacing.

Their U.S. Tour was cancelled, but they weren’t going to play near me.  Maybe when they come back they can squeeze in a Philadelphia date.

[READ: June 20, 2020] Bagombo Snuff Box

This is a short story collection that I read when it came out.  When I read all of Vonnegut’s books a few years ago, I decided to re-read this collection.  It has only taken me several years to get to it.

But what a great bunch of short stories.

The Preface explains that these stories were written in the 1940s and printed in magazines before he had written his first big novels.  After the War, there were many magazines that featured fiction, so Kurt was able to make some good money on the side while he worked at General Electric.  He left the company in 1950.

Vonnegut has an introduction as well.  He talks about the beneficial effect short stories can have on a person.  He also says he generally feels good about these stories although he feels a bit badly for the way some (many) of the women are treated–not that Vonnegut specifically treated them badly, but that was sort of the way it was then. (more…)

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