Feeds:
Posts
Comments

Archive for the ‘The Kids’ Category

torSOUNDTRACK: THE KIDS-“Forelska i lærer’n” & “Norske Jenter” (1980).

kids2 The Kids are a Norwegian band that was mentioned in Karl Ove Knausgaard’s story yesterday.  He is pretty disparaging of them as they were hugely popular when he was in school (and he liked other bands).  They sing in Norwegian and are quite poppy.

“Norske jenter” is the poppier of the two.  It’s pretty synthy, with a super catchy melody and chorus.  It seems just shy of being a sleek pop hit, but I can imagine that a band singing in your native tongue would fair well even without super slick packaging.

Of course, having said that, “Forelska i lærer’n” is nothing if not slick–check out these guys with their super blond hair.  Actually the video is pretty funny and with a name like “In love with the teacher,” it is quite a different subject than I expected).  I love the way they designed the teacher.  And that wink is fantastic.  If only the lead singer could act a little better.  kidsThe song is kind of a heavy classic rock sound–maybe a poppier version of Thin Lizzy (those guitar solos are very Thin Lizzy).  I’m of course very curious what the lyrics are.

I found two videos on YouTube (and apparently there are some more recent live songs)

Norske jenter: There’s no visuals in this video, just music:

But the video for “Forelska i lærer’n” is here in all of its glory–it looks much more modern than 1980.  The self pogoing at the end is fantastic.

[READ: June 15, 2014] Replacement

I found out about this book from Karl Ove Knausgaard, who claims that it is the best Norwegian novel ever written (he also has a quote on the back of the book).  I had never heard of Tor Ulven before.  It turns out that he has written mostly poetry.  And then he wrote a few prose-like poems and then this novel called Avløsning in Norwegian.  And then he killed himself.

This book was translated by Kerri A. Pierce and it has an afterword by Stig Sæterbakken.  And literally that is all I can tell you about the book for certain.

Why?  Because the back of the book and the afterword actually differ about what they say is happening in the story.  To a pretty intense degree.  The back of the book says that “the perspectives of unrelated characters are united into what seems a single narrative voice: each personality directing the book in turn.”  Whereas Stig makes the case that the book is all one narrator at different points in his life.

And why can’t you tell?  Because there seems to be different perspectives (all by men), and yet no one is named.  And then there’s the fact that some of the book is written in second person, while the rest is in the third person–this suggest at least two narrators, and yet it could also be a flashback.  There are at least four different time settings and seemingly different people.  There’s an old man in a wheelchair, there’s a security guard, there’s a taxi driver (I think).  There’s a guy who likes to list things, there’s another guy who thinks parenthetical thoughts.  And there’s an intense obsession with “her,” a woman who doesn’t seem fictional but is certainly mythical.

And what happens?  Well, nothing. (more…)

Read Full Post »

CV1_TNY_02_17_14Columbo_spine.inddSOUNDTRACK: THE ALLER VÆRSTE!-Materialtretthet (1980).

matThe Aller Værste! were a Norwegian new waves/punk band with elements of ska thrown in.  I only know of them because of this story, but I decided to check out some of their stuff since it is so relevant to the story.

This was their debut album, which has been ranked as the number 6 best Norwegian album of all time (by Morgenbladet, a Norwegian weekly newspaper).  The album opens with lounge piano and trombone before breaking into a ska-inflected “Du sklei meg så nær innpå livet.”  Lead singer Chris Erichsen sings in some unusually deep voices (some of which seem comical) in “Dødelige drifter.”  “Døgnflue” is a two-minute punk blast with a loud Farfisa organ running throughout.

“Bare du som passer på” has a distinctly Clash feel in the vocals.  “For dem betyr det lite” is powered by that organ sound, while “Bare en vanlig fyr” is very guitar heavy (and may have a different singer).  This is probably my favorite song on the album, there’s some great sections in it.

This sound of punk sensibility with a prominent organ (an vocals in Norwegian) really make The Aller Værste! stand out in 80s rock.  “Må ha deg” has some interesting backing vocals and sounds like a Clash inspired ska song (with more crazy vocals).  It has a slow instrumental section with a twangy guitar solo.

“Igjen” is 90 seconds of punk (but not very harsh punk).  The next few songs are all about 3 and a half minutes long.  “Bare ikke nok” has call and response vocals and an unexpected beat.  “Hong Kong” slows the sound down, with a prominent bass riff.  “De invalide” is an upbeat song with horns.  “Hekt” has some dissonant guitar over almost funky bass and a serious breakdown at the end.  “Discodrøv” has very fast drums as it opens, but it turns into a rollicking song with disco bass and big horns.

“Oppvekst” follows those horns with some fast (ska-like) guitars.  “Materialtretthet” opens with some great, wild bass and continues wit a very fast-paced song.  This is another favorite (it’s interesting that the title track is also one of the shorter songs on the record).  “Menneskelig svikt” sounds quite raw, with echoey distant guitars and vocals.  “Blank” is the final song on the album (reissues have added more tracks).  It has a distant echoey harmonica acting as a melancholy sound behind the vocals.

I hope that Karl Ove’s book somehow gets this disc in print, I’d like to listen to it on more than YouTube.

There’s a live version of the song mentioned at the end of the story here:

[READ: June 11, 2014] “Come Together”

I know that this is an excerpt form the third part of My Struggle which I plan to read in say six or eight months.  But I decided to read it anyway in part because I was intrigued by the cover picture, which is of a record sleeve with a man on a bicycle and the wheel is the inner label of an album.  That, coupled with the title “Come Together” made it pretty apparent that this would be about music.   And so it was.

As I said, this is excerpted from Karl Ove’s third book in the My Struggle series, which is called Boyhood.  I’m intrigued that this book is set in his teenage years since the first two were set much later–it actually felt like Book 2 caught us up to the present).  At any rate, this is one small section (chock full of details) about being young and being in love with music and with girls. (more…)

Read Full Post »