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Archive for the ‘Simeon Cain’ Category

[ATTENDED: November 9, 2024] Makoto Kawabata+ Tim Dahl + Simeon Cain

I had missed Acid Mothers Temple when they played Philly last month, so I was pretty excited to see that Kawabata Makoto was hanging around the Northeast to do a mini improvised tour with Tim Dahl and a rotating cast of drummers.

This November, a collaborative music tour between guitarist Makoto Kawabata (Acid Mothers Temple) and bassist Tim Dahl (Lydia Lunch, Child Abuse) will hit the American Mid-Atlantic and Northeast, promising rock intensity, avant-garde design, and psychedelic perception. With a combination of predetermined material and improvisation, one can expect a focused yet unpredictable and dynamic sonic experience. This collaboration will take audiences on a journey through chaotic, noise-infused passages that suddenly give way to moments of serene beauty, showcasing variety, creativity, and fearlessness. Each night’s concert will be enriched by the distinctive styles of a notable regional guest drummer, adding fresh, unpredictable elements to the performance. Audiences should expect a whirlwind of sound that pushes the boundaries of conventional music and celebrates the expression of unrestrained artistry.

I had never heard of Tim Dahl and was entirely interested in the show for Kawabata.  But it’s possible that Tim Dahl may have been the real draw?

Tim Dahl is a New York based bassist and vocalist best known for his work with the noise-rock bands Lydia Lunch Retrovirus and Child Abuse.

The name of that last band tells you a lot about Dahl’s sound.  He plays a fascinating bass style–in which it doesn’t seem like he is actually playing notes–just running his hands up and down the fretboard at random.  He also uses a finger slide but in his picking hand, generating all kinds of noise.  Combine this with the fact that his microphone seemed to have a very fast repeating echo on it so whatever he said or sang into the mic was repeated beyond recognition and he really seemed to dominate the room. (more…)

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[ATTENDED: November 9, 2024] Nick Millevoi + Mental Jewelry

I had missed Acid Mothers Temple when they played Philly last month, so I was pretty excited to see that Kawabata Makoto was hanging around the Northeast to do a mini improvised tour with Tim Dahl and a rotating cast of drummers.

There hadn’t been an opening band and then it was announced that Nick Millevoi and Mental Jewelry would open the show.

I knew Millevoi from BASIC, the band he’s in with Chris Forsyth.  I’ve actually seen him twice although both times I was more or less behind him (he sat facing the center of the stage and I mostly saw his back).  I had not heard of Mental Jewelry and assumed it was a band.  But it is the stage name of Steve Montenegro, who has also played with Moor Mother (as Moor Jewelry).

Their blurb says

Nick Millevoi and Mental Jewelry’s collab combines repetitive electronic beats and noisy improvised guitars into the groove-fueled future that the ’80s dreamed we’d discover.

And that’s pretty accurate.  Nick set up the drum beats (simple, but with interesting effects on them) and played his baritone guitar.  He mostly played simple chords–riffs would be too strong a word for the chord patterns.  But he manipulated the sounds with effects pedals and dynamic fretboard work.  Everything I’ve read about Mental Jewelry (which is not much) suggests that he is a keyboard player. But he played guitar as well.  He added the higher end to the sound of the songs.  He didn’t add a lot–complimentary chords and minimal “soloing.”

Most of the songs were minimalist and catchy by virtue of repetition.  The fourth (of five) songs was my favorite and felt like an actual song rather than just repeated chords.

At this stage it’s fair to say that this venture is more fun live than on record, but I’m interested to see how it evolves.

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