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Archive for the ‘PUP’ Category

Beach Bunny (The Rooftop at Pier 17, New York, NY, May 23, 2023)

Posted in Beach Bunny, New York City, Pool Kids, PUP, The Rooftop at PIer 17 on May 25, 2023| Leave a Comment »

[ATTENDED: May 23, 2023] Beach Bunny 

When this mini tour was announced I was pretty psyched.  My son and I have seen PUP and loved them.  My daughter and I have seen Beach Bunny (twice) and loved them.  The only problem was that it was at Rooftop Pier 17–a massive pain in the butt to get to.

But I grabbed tickets anyway and surprised them earlier this month.

When PUP ended the place cleared out some.  There were definitely fans of both bands there (in fact, they had toured together five years ago), but a lot of the more hardcore PUP fans took off, which was nice.

I used the intermission time (since our space wasn’t that great anyway) to look at merch and use the bathroom.  When I came back up, my daughter had moved further back (she says she can see better from the back, which is kind of true, but there is the huge problem of drunken hangers on hanging on and talking back there).  My son, on the other hand, pressed forward and wound up just five people from the stage. (more…)

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PUP (The Rooftop at Pier 17, New York, NY, May 23, 2023) [BEACH BUNNY]

Posted in Beach Bunny, New York City, Pool Kids, PUP, The Rooftop at PIer 17 on May 24, 2023| Leave a Comment »

[ATTENDED: May 23, 2023] PUP

When this mini tour was announced I was pretty psyched.  My son and I have seen PUP and loved them.  My daughter and I have seen Beach Bunny (twice) and loved them.  The only problem was that it was at Rooftop Pier 17–a massive pain in the butt to get to.

But I grabbed tickets anyway and surprised them earlier this month.

I assumed that PUP would go on last as they are the louder band.  But, in fact, they went on second. And that may have been wise as many of PUP’s more bro fanbase left after their set.

But as they were setting up, the sun hadn’t set yet and PUP came out to the orchestral version of their album (they just released some kid of answering machine version of their album from during the pandemic, which I’m pretty curious to hear).  They had a cool evening sky and marveled at being on a rooftop in New York City (it is a very cool venue).

And then they were off.  They opened with the two songs they closed the show with last time.  This being a shorter set, it was more of a greatest hits and less of a celebration of the last album.

There’s only one rule at a PUP show.  Look at your neighbors around you, have fun and look out for each other’s safety.  Then the moshing began in earnest. (more…)

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Pool Kids (The Rooftop at Pier 17, New York, NY, May 23, 2023) [BEACH BUNNY/PUP]

Posted in Beach Bunny, New York City, Pool Kids, PUP, The Rooftop at PIer 17 on May 23, 2023| Leave a Comment »

[ATTENDED: May 23, 2023] Pool Kids

I think I heard of Pool Kids about a week before this show was announced.  I really liked their mix of punky alt rock and really cool guitar shredding (so much finger tapping).

I was thrilled that they were opening this show.

The Rooftop at Pier 17 is a great venue but it is a huge pain in the ass to get to.  Last time, we drove in and looked for parking for about 20 minutes.  This time we drove to Hoboken and took the PATH train to World Trade Center.  It was about a ten minute walk but we stopped or food.

We had left the house at 4 and wound up being late for Pool Kids who went on at 6:30.  So I don’t imagine going to too many more shows there.

We saw about three Pool Kids songs and they were great.  The band has great on stage presence and clearly were cool with a large crowd.  Vocalist/guitarist Christine Goodwyne was fun with a powerful voice that held high notes and also screamed with rage.  She and second guitarist Andy Anaya played some great harmony solos together too.

Bassist Nicolette Alvarez took lead vocals on one song, but mostly held down the low end.  And drummer Caden Clinton somehow made a lot of noise on a drumset that was off to the side (and was much smaller) than Pup’s massive kit behind them.

I think we came in during “Arm’s Length.”  But I was really excited that they saved “Conscious Uncoupling” late in their set.  It’s the first song on their album and is a perfect statement about the band.  Great vocals, a cool riff and tons of energy.

I’m really excited they’re doing a headline tour later this year so I can catch a full set.

  1. Swallow
  2. That’s Physics, Baby
  3. $5 Subtweet ⊗
  4. Arm’s Length
  5. I Hope You’re Right
  6. Conscious Uncoupling
  7. Talk Too Much
⊗ Music to Practice Safe Sex To (2018)
¶ Pool Kids (2022)

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PUP (Franklin Music Hall, Philadelphia, PA, May 6, 2022)

Posted in Franklin Music Hall, Philadelphia, PA, Pinkshift, PUP, Sheer Mag on May 8, 2022| Leave a Comment »

[ATTENDED: April 1, 2022] PUP

It’s kind of funny that the headliner is the only band on this bill that I hadn’t seen before.

I was really excited to see PUP.  I knew some of their songs and t hen slowly I knew and liked even more of them.  After watching their Tony Desk on NPR, I knew they were fun guys who probably put on a great show.

The backdrop was in  the same deliciously surreal style as the poster (which I love).  And then the band came out.

Stefan Babcock played the opening song from the new album (about just learning to play piano and writing a song on it because the label wanted them to) on a keyboard.

And as soon as the song ended, the whole place exploded into a pogoing slamming chaotic fest of fun.  They blasted through one song from each of their albums and everyone sang/screamed the words to all of them.

The light show was simple but really effective, with a bank of lights behind the drums and beams shooting out from time to time. (more…)

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Sheer Mag (Franklin Music Hall, Philadelphia, PA, May 6, 2022) [PUP]

Posted in Franklin Music Hall, Philadelphia, PA, Pinkshift, PUP, Sheer Mag on May 7, 2022| Leave a Comment »

[ATTENDED: May 6, 2022] Sheer Mag

I saw Sheer Mag back in 2017 and enjoyed their set quite a lot.  I had said that

They play a terrific swagger-filled hard rock (comparisons to many riff rock bands of the 70s abound).  And they are fronted by bad-ass singer Tina Halladay whose gritty voice sounds quite a bit like some of high-pitched male singers of the era.

They haven’t really made any new music since 2019, which is kind of a surprise as they were pretty prolific up until then.

This show had them playing a few songs from each of their albums and some of their earlier 7 inch records too.

This being a home town crowd, I thought the band would bring something extra.  It seemed like they were a little cranky or something. (more…)

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Pinkshift (Franklin Music Hall, Philadelphia, PA, May 6, 2022) [PUP]

Posted in Franklin Music Hall, Philadelphia, PA, Pinkshift, PUP, Sheer Mag on May 6, 2022| Leave a Comment »

[ATTENDED: April 1, 2022] Pinkshift

Pinkshift is from Baltimore and they play a great mix of grunge and punk all coordinated by lead singer Ashrita Kumar.

I saw them open for Mannequin Pussy last year and they were amazing.  I was psyched that they were opening for Pup and made sure my son and I arrived early.

The band has only gotten better since we last saw them.  Kumar remains an amazing front woman, channeling her anger and aggression into an amazing set of songs and really getting he crowd pumped.

Guitarist Paul Vallejo and touring bassist Mikey Stabekis  were locked in step as they rocked.  Sounds like original bassist Erich Weinroth has been let go]. And drummer Myron Houngbedji was completely intense.

Here’s a funny detail I didn’t know.  (more…)

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Alice Munro–“Comfort” (New Yorker, October 8, 2001)

Posted in Alice Munro, Canadian Content, Canadian Music, Coronavirus, Death, Marriage (Happy), New Yorker, PUP, Quarantine, Religion, Set at School, Short Story, Tiny Desk (Home) Concerts, Tiny Desk Concert on March 16, 2021| Leave a Comment »

SOUNDTRACK: PUP-Tiny Desk (Home) Concert #149 (January 21, 2021).

A lot of Tiny Desk Concerts are by bands I don’t know (and then really like).  Some are by bands I don’t like.  And every once in a while they have one by a band I like a lot.

Pup is a hugely popular pop punk band from Canada.  I’m bummed I didn’t get to see them when they played around here, but I wasn’t really aware of them at the time.

I have since come to enjoy their music quiet a lot.

“Rot” (from the group’s aptly-titled 2020 EP, This Place Sucks A** ) opens with some fast drumming from Zack Mykula, then Stefan Babcock starts singing and playing rhythm guitar.  After the first verse, Steven Sladkowski adds higher harmony notes–a simple but cool effect.  It’s not until the (outrageously catchy) chorus that Nestor Chumak adds the bass notes and, suddenly, the song feels huge.  I really like that Babcock adds some noisy harmonics and mini feedbacks into the chaos.

The other fun thing is that everyone except Babcock is wearing a mask–even while signing backing vocals (it’s not hard to wear a mask, people).  For a fast punk song, it’s actually quote long–over three minutes.

“My neighbors hate us, and I don’t blame them,” Babcock said.  The Toronto group refused to dial down the volume, filling Babcock’s neatly-furnished living room – complete with an Ontario pennant – and just maybe making a few enemies down the street in the process.

“Kids” (From 2019’s Morbid Stuff) opens differently–bass and harmonics for the first verse, before the rest of the band crashes in. There’s even a harmonic-filled guitar solo.  I like in the middle when it’s almost only drums and Mykula plays some cool rhythms on the floor tom.

Up next is “Reservoir,” a track off the group’s debut.  It’s full on with lots o crash cymbal, and lots of fast playing from everyone during the chorus.

“Scorpion Hill” runs to almost seven minutes and has several parts.  It opens quietly with just Babcock singing and playing.  After the first verse the whole band joins in including backing vocals.  But it’s still fairly quiet until after a pauses a n a misdirecting guitar strum, the song rockets off with lots of thumping drums and bass  After a couple of lengthy section, there’s pause and then a simple riff during which everyone sings “ah ah ah oh.”

This was a wonderful set.  And the even better news

the handmade “Ceci n’est pas une Tiny Desk” (“This is not a Tiny Desk”) sign serves as a warning: When the Tiny Desk returns to NPR HQ and the U.S.-Canada border reopens, prepare to have your workday interrupted.

[READ: February 1, 2021] “Comfort”

This story seemed rather different from Munro’s usual work.

It is about Nina and her husband Lewis. Lewis was a teacher at the high school left until he left under less than positive circumstances.

Nina met with Margaret (another former teacher who left on good terms) at the high school tennis courts.  Nina had not set foot on high school grounds since Lewis had left

When she returned (victorious from her matches), she discovered that Lewis had taken his own life.  They had talked about Lewis doing this, but Nina always thought she would be there–a ceremonial act of some sort.  But clearly Lewis didn’t want her to see him do this.  (more…)

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Michael Chabon–“Along the Frontage Road” (New Yorker, November 19, 2001)

Posted in Canadian Music, Death, Friday the 13th, Halloween, Michael Chabon, New Yorker, Parenting, Pumpkin Patch, Pumpkins, PUP, Short Story on September 19, 2020| Leave a Comment »

SOUNDTRACK: PUP-“Rot” (2020).

Pup has a new EP coming out in October.  It’s called This Place Sucks Ass. Ha.  This is the first single.

It’s three minutes of angry catchy punk (so a PUP song).  The verses are sung by the lead singer while the chorus is sung by the whole band–chanted and rocking.

The bridge changes things a little bit and adds some tension to this otherwise catchy but dark song.  It celebrates the paradoxes of life

The more I’m reckless The less I break
The more I care about money The less I make
The less I care about everything The better it goes
And the better it gets The more I lose control
And when I’ve lost it all I self-sabotage

Looks like PUP has been busy over the quarantine.

[READ: September 18, 2020] “Along the Frontage Road”

In this story, the narrator remembers going to pumpkin patches as kid around Halloween.  I love that his father is fastidious and hates to get his hands dirty–especially with food–but is also a surgeon and has expert precision as he operates on the pumpkin.

But he now lives in the city and instead of farm pumpkin patch, they go to an abandoned lot on the frontage road where every year people set up a booth with pumpkins and Halloween items. It slowly morphs into a Christmas store and then disappears again until next all.

The narrator is sad that his son, Nicky, seems to love this otherwise gloomy stretch of land.  His son was intrigued by the decorations–a rubber snake crawling through a skull’s eye socket.  The scarecrow at the entrance had a pumpkin for a head and wore a Friday the Thirteenth goalie mask

I forbid myself absolutely to consider the proposition that in the orchards of my youth it would neve have occurred to anyone to employ a serial killer motif as a means of selling Halloween pumpkins to children.

(more…)

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Robert Stone–“Dominion” (New Yorker, December 27, 1999 & January 3, 2000)

Posted in Charly Bliss, Guns, Hospitals, Humiliation, Hunting, New Yorker, Parenting, PUP, Religion, Robert Stone, Short Story on April 28, 2019| Leave a Comment »

SOUNDTRACK: PUP-“Free at Last” (2019).

PUP has been on my radar for a while now–I’ve heard amazing things about their live shows, although I always seem to miss them. I was really surprised to find out that this year’s Morbid Stuff was only their 3rd album (for about 100 minutes of total music released), because they’ve been touring forever.

I was very amused to see that at the beginning of the video for this first single they wrote

Prior to its release we wanted to see if anyone would cover our song “Free at last” without hearing it first.  We posted the lyrics and a basic chord chart.  The rest was up to interpretation.

253 people tried.

The beginning of the video shows many of these interpretations (wonderful variety) before the song properly starts.

The song is a wonderful punk blast of fast chords and a big chanted chorus of “Just ’cause you’re sad again, doesn’t make you special at all.”

What I particularly like is the slow heavy metal sounding opening guitar riff (it seems like it should be a very different song from the way it starts).  I also love that Eva Hendricks from Charly Bliss gets a cameo line “Have you been drinking?” although I wish she was a little louder in the song, because it goes by so fast.

I will keep an eye out for the next time PUP comes around.  I hope to catch them.

[READ: April 20, 2019] “Dominion”

I really enjoyed this story, the way it unfolded and the way it was broken into relatively discreet sections.  I found the ending to be really unsatisfying, though.

The story opens with Michael and his wife talking to their son Paul.  Paul is 12 and wants to go hunting with his father.  Michael thinks that when he’s 14 he’ll be old enough to go on this annual trip, but that right now he’s still too young.

Paul gives the unexpected argument that in Christian Ethics class, he debated that man has dominion over the animals and that hunting them is okay.

His parents are on the fence about sending him to Catholic school–they both had horror stories about their own upbringing.

The ironic thing is that Michael himself doesn’t really like hunting.  He often walked the woods with the dog ostensibly hunting for pheasants.  But that was mostly because he liked walking in the woods and fields.  The locals though there was something suspicious about you if you didn’t have a gun in your arms doing it.  So he carried a shot gun and planned on shooting nothing.  Of course, if the dog spooked a bird he would try for it.  If he did hit it, it was just more work because he felt compelled to eat it. (more…)

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