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Archive for the ‘Omni’ Category

[ATTENDED: October 10, 2024] Yard Act

I had tickets to see Yard Act last back in 2022.  That show was cancelled at the last minute because Yard Act was called back home to do a live TV appearance for the Mercury Prize (surely a lot more lucrative than playing a gig at Underground Arts).

But they returned to Underground Arts last year and I grabbed a ticket.  My expectations were mild and they blew me away with their energy and fun.

Yard Act are very British (being from Leeds).  On record, “singer” James Smith mostly rants and speaks angrily in his accented English.  His lyrics are placed over some very cool guitars from Sam Shipstone and some really grooving bass from Ryan Needham.  Drummer Jay Russell keeps things together.

For this tour they added two backing singers Daisy Smith and Lauren Fitzpatrick who made a surprising difference to the show.  Their vocal contributions were great but it was their physical presence that added a lot to the show.  They also added a keyboardist Christopher Duffin who fleshed out the sounds–I’m not sure if he was making some of the really weird sounds that floated through the background, but I assume so. (more…)

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[ATTENDED: October 10, 2024] Omni

Omni is a trio from Atlanta. I hadn’t heard of them and thought they were a new band.  Well, they are, but the members of the band have been around for a while.  Guitarist Frankie Broyles on guitar was in Deerhunter.  Drummer Chris Yonker has been in some other bands that I didn’t know and Philip Frobos on vocals and bass has been in Carnivores.

This explains why this band of, what I assumed were young newbies, was so confident playing their off-kilter post punk.  And probably explains why I loved their set immediately.

I was in front of Frobos and it was cool watching him play bass lines that were more like lead lines than simply rhythm.  I also really liked the sound of his bass–clean but not sharp.

I was pretty far from Broyles, but I enjoyed that he played interesting guitar lines that complemented the bass–but it basically meant there was no simply chord playing going on.

Granite Kiss was staccato with fluid lead guitar lines over the stomping bass and drums.  (more…)

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