Feeds:
Posts
Comments

Archive for the ‘Noël, Pleszyński, Maćkowiaka’ Category

SOUNDTRACK: POTTY UMBRELLA-4 Tracks on MySpace (2007).

The internet is a fascinating thing.  While looking up Basia Bulat, I stumbled upon a Polish music website.  That site featured a review of an album by Noël, Pleszyńskiego, Maćkowiaka.  It turns out that Artur Maćkowiak was also in a band called Potty Umbrella.  And Potty Umbrella have a MySpace page with 4 songs on it from their 2007 album Forte Furioso.  

Potty Umbrella is a (mostly) instrumental band that plays pretty great alternative/psychedelic/ jazzy rock.  I suppose they’re a jam band, although the Polish language SavageSaints blog (technically called … którędy pójdą dzicy święci) describes them as “New wave of Polish post-jazz.”

The songs are wonderful.  “Gone” opens with the waving guitar and delicate riffs of an Explosions in the Sky song.  But it soon shifts with the propulsive bass of a jazz song.  It’s a wonderful medley of the two styles.  And when the keyboards come over the top, it adds yet another layer of musical stew to this mix.

“Jet Lag” continues the manic fun with a 6 minute  (actually most  of the songs are 6 minute) blast of energy.  Crashing drums open a sinister spy-movie theme (with wicked-sounding guitar lines).  By the middle of the song, wah wah guitars and super fast keyboards have converted this into a cool jam.

The track “Dr. Pizdur” is wonderfully wild, with some great keyboard sounds over the top of the funky guitar/bass lineup.  And the live track “Nymph’s Song” (sung in rather forced English) rocks really hard.

Potty Umbrella will never have a big following in the States (although there are YouTube videos of them playing in Canada), but the underground fanclub can start right here.

[READ: June 24, 2011] “Gravel”

Readers here know that I love Alice Munro.  I think that she is one of the best short stories writers around.   Of course, if you know what other kinds of writers I like you might be surprised by this declaration–because I love florid prose.  But Alice Munro is the antithesis of that.  She writes succinct stories, with very little in the way of flourishes.  Sometimes they have action, but usual there’s very little and, like in this story, the action is not the point of the story.  And yet for all of that, the stories are quite powerful.

This is the story of a young girl (written from the point of view of the girl when she is an adult).  When her parents separated she, her mother and her older sister Caro moved to a trailer park (with their dog Blitzee).  The reason her parents separated is because her mother became pregnant.  And she told everyone that the baby was Neal’s.  Neal was an actor in the town’s summer theater troupe (he drifted from job to job but always had enough to get by).

Caro was a headstrong girl, but since this is her sister’s story we see Caro’s actions from her sister’s perspective.  On two occasions, Caro sneakily brought Blitzee to their old house (where their father still lived)–pretending that he had run back to the house.  The parents were amazed and perplexed at first, but caught on when it happened again so soon. (more…)

Read Full Post »

SOUNDTRACKNOËL, PLESZYŃSKI, MAĆKOWIAK-“Salty Air” (2011).

While looking for videos of Basia Bulat, I stumbled upon a Polish music site.  The site featured a review of this album and a free stream of this song.

The album is a collaboration of artists Ann Noël, Grzegorza Pleszyńskiego and Artura Maćkowiaka (Ann Noël, Grzegorz Pleszynski and Artur Maćkowiak).  Their website explains the collaboration (in translated English obviously):

It is for the first time that Fluxus artist Ann Noël and a visual artist Grzegorz Pleszynski engage in a music venture. For Maćkowiak, a musician from Potty Umbrella and Something Like Elvis, this project has become an unprecedented way to go beyond rock band routines known for years.

Potty Umbrella?  Love it.

Anyhow, this is experimental improv music of the most fascinating kind. Especially since, “Ann and Grzegorz have never played music or any instrument.”  The site allows you to listen to all of the tracks.  “In Emmet’s Bag” is a spoken word piece in the spirit of Laurie Anderson (the spoken part is in English).  And “Hey Man!” is a pretty conventional guitar with spoken word piece.

But it’s this track, “Salty Air” that I keep coming back to.  It opens with some guitar waves. Then a simple repeated riff entrs the mix.  And after a minute or so, distorted, echoed vocals speak underneath the music.  I think it’s in English but that’s irrelevant because the repeating and echoing makes it almost incomprehensible.

It doesn’t evoke a mood so much as a kind of helplessness.  But it’s a beautiful helplessness.  Especially when the second voice comes in, sounding almost inhuman as it moans over the top of everything else.  It’s quite a track.

 You can hear this song (and others, and download the CD for $.50) at their site.

[READ: July 10, 2011] “The Swan”

“The Swan” was a wonderfully dark and confusing story.  I loved everything about it.  It opens with the very simple scene of David coming home from work and knowing something was wrong.  His wife Suzie is acting very strange, and where the hell is the car?  Suzie tells him that she was hit by a car and that her car was totalled.  Why didn’t she call him at work?  She didn’t think it was that big of a deal.

He doesn’t know what to think so he turns his anger towards his seventeen year old son (from his first marriage).  Jamie is upstairs in his room, smoking pot and more or less ignoring everything around him (a trait he has perfected).  When David finally breaks through to Jamie, he learns the truth–Suzie was hit by a swan.

The story unfolds a little more: Suzie imagined that the swan was David’s first wife, coming to give her a message.  David is more freaked out by this than Suzie seems to be.  He can’t understand why suddenly all these years later, she is so upset about his first wife (who died, before David met Suzie, by the way).  Suzie wants to know why David never talked about her (she didn’t want to know back then).  And then finally she winds up spending most of her time with a sketchy woman across town. (more…)

Read Full Post »