SOUNDTRACK: NINET-Tiny Desk Concert #602 (March 3, 2017).
One of the things I’d hoped to do this year was to finish posting about all of the Tiny Desk Concerts. I didn’t know how I’d do it, but at some point I just decided to plow through them all. And as of today, I have posted about all of the Concerts from the first one through March of this year. There’s about 25 newer ones left. It’s a pretty good feeling to accomplish arbitrary goals.
Ninet is the first of the newest Concerts. Ninet Tayeb is an Israeli singer but she doesn’t sing any kind of “ethnic” or “world” music. Rather, she and her band simply rock out.
As the first song, “Child” opens, the band sings in great harmony. I love that the drummer (Yotam Weiss) is using a box drum but also a small hand drum (tapping with his fingers) and a cymbal (playing with his hands perfectly). Ninet herself plays acoustic guitar and I love that you can hear her strumming and scratching on the guitar even with everyone else playing. After a few verses, the whole band starts to rock out. The great guitar sounds come from the electric guitarist (and main backing vocalist)–Joseph E-Shine Mizrahi. I loved watching his guitar solo and the way he was occasionally hitting all of the strings to make them ring them out as he soloed.
I love the melody of Elinor–the way the guitars and bass (Matt McJunkins) play the same thing but in different tones. The song takes off and runs nonstop with some great riffing in the middle and Ninet’s angry, snarling but catchy voice rising over it all. I also love the great use of snyths (Doron Kochli) to play divergent and dark swells underneath the main riffs.
The song rocks to an end and they laugh as the guitarist picks some things up off the floor and says sorry Bob. To which he says “what did you break now?” That remains unresolved–I’m not even sure when it happened.
“Superstar,” the final song has the same snarling coolness as the previous two. But it adds an interesting middle Eastern vibe from the keys as well as during the vocal lines near the end. It sounds amazing.
The blurb has this to say:
“[Ninet is] one of the most famous entertainers in Israel today.” She has recently settled in the States. She has released five albums, “and their most recent, Paper Parachute, is the home of the songs she brought to us. It’s filled with a her husky-toned voice and guitar lines straight out of stateside ’70s rock, with a Middle Eastern lean. It’s a winning sound, performed by an unrestrained talent.”
I really enjoyed this set–her voice is really captivating and the riffs are wonderful. As the song ends, Bob says “and that was the stripped down version,” I’d like to hear the full on rocking version too!
[READ: January 12, 2017] “On the Street Where You Live”
Just the other day I learned that Yiyun Li would be joining Princeton University’s Creative Writing team. That’s pretty exciting. If I was a groupie it would be even more exciting. It would certainly be awkward to go to her office and thank her for all of the great fiction she’s written. But how cool would it be to walk down the hall and see her and Jeffrey Eugenides, A.M. Homes, Jhumpa Lahiri, and Joyce Carol Oates chatting by the literary water cooler?
This is the story of Becky. Becky’s son, Jude has autism and is being seen by two specialists.
She is in the remodeled San Francisco museum, talking to a man who says he hates museums–he hates sharing art with others. The man is wearing a red tie that reminds her of Spongebob Squarepants. She will write about him in her journal (mentioning only the red tie). Her journal is comprised solely of descriptions of people. She imagines that one day Jude will read it and be appreciative for all of her words. (more…)
I Just Read About That... 