[DID NOT ATTEND: October 12, 2023] Devandra Banhart / Miho Hatori
About ten years ago I was really into Devandra Banhart. I enjoyed his weirdo folkie vibe and thought that he was a good deal of fun.
And then I seemed to lose track of him altogether. I haven’t listened to him in ages. I see that he’s cut his hair but he still looks like a wild, fun hippy.
His new album was produced by Cate Le Bon, whose sensibilities are wonderfully oddball. The new album is pretty streamlined with lots of synth I think it’s too mellow for me.
Miho Hatori was in Cibo Matto and worked with Gorillaz. She has released some solo albums and I really like the bits I’ve heard from her new one. Dead Grandma Blog says
Miho Hatori herself says that the album is inspired by the two different genres of anime- Isekai (basically meaning ‘other world’) and Slice of Life. The record eases you in relatively painlessly, with the understated, downtempo opener ‘Tokyo Story‘, which while being quite comforting also has a vague creepiness to it… Hatori characteristically plays and experiments with rhythm throughout the rest of the album (without ever losing pop sensibility), and ultimately manages to create a tight 29 minute package that feels meatier than albums twice it’s length.
Interestingly, I suppose, Back in December, Miho’s Cibo Matto partner Yuka Honda (under the name Eucademix) did a solo avant garde show–she uses a laptop to create interesting sounds–some pleasant, some not so much.
I’d really like to see Miho Hatori.
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