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Archive for the ‘Michael Kiwanuka’ Category

[ATTENDED: September 29, 2024] Michael Kiwanuka

Michael Kiwanuka’s previous album Kiwanuka was a slow burning joy for me. I liked every song that I heard from it even though I never actively listened to it. And then I bought it and liked it even more.

I knew I wanted to see him live (he appears in the film Yesterday as himself and was suitably cool in it).

So when this tour was announced I grabbed a ticket right away.  Since it was a double bill, I wasn’t sure who was going on first.  In my head, Brittany Howard is a bigger draw than Michael Kiwanuka, but what do I know.

If nothing else I thought that maybe the two artists would share maybe the same stage set, maybe even the same musicians.  I mean, can you imagine if they had the same backing band and Brittany left and then Michael came out with no changes at all?  That would be wild!

And implausible of course.  Brittany set was taken down, Michael’s was put up and then his band came out. (more…)

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[ATTENDED: September 29, 2024] Brittany Howard

I was really excited to see Michael Kiwanuka but less so about Brittany Howard (although I see that in 2020 I said I was excited to see her live).  Actually I loved her Tiny Desk Concert back in 2020, so I guess the thing was I didn’t really like Alabama Shakes because I don’t really like blues rock.  Although I just realized that they sing Don’t Wanna Fight which I really like, so I guess I’m just dumb.

So I clearly should have been more excited to see her live.  But maybe it’s better that I wasn’t because SHE BLEW ME AWAY!

From the moment she walked on looking like a sparkling goddess, she commanded the room.

To be honest I’m surprised she wasn’t the headliner of this two person tour–I guess maybe they are coheadlining, but still).  The crowd around me went crazy for her–the two women near me were yelping and screaming (I assume they were both pretty drunk).

Howard’s band was fantastic.  She had four musicians behind her, a guitarist next to her and two backing vocalists on her side.  Her drummer Nate Smith was outstanding–he even had a (very brief) drum solo.  I don’t know any of her songs really (except Stay High) so I don’t know the setlist.  But wow, what a voice–so commanding–and what a range.  So impressive.  I also had no idea she played guitar.  There were two other guitarists, so she didn’t play all the time.  Mostly, she played rhythm, but occasionally she played louder parts–with a great tone on that old guitar.  And then every once in a while, she played a guitar solo and totally killed it.  I didn’t know she soloed. but she was really impressive at that too. (more…)

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[ATTENDED: September 29, 2024] Yasmin Williams

I hadn’t heard of Yasmin Williams before this show.  But as soon as I watched a video of her, I knew I wanted to see her set.  (Any video will do, definitely check her out).

My tickets said that the show would start at 7:30.  I arrived a little later than I intended, but was still there by around 7:20.  It took a while to get into the venue and by the time I got close to the stage (it wasn’t very crowded yet), Yasmin finished a song and announced her last song!

I don’t know what time she actually went on (a little after 7, I guess) so I only had the chance to watch one of her songs.

It was wild fingerpicked guitar (she lays the guitar on her lap and has a kalimba at the end of it as well.  So much fun to watch.  I’m not sure I would simply listen to her–although her song was lovely.  I don’t really listen to solo acoustic guitar music.  But I would absolutely see her live any time.

No setlist available.

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SOUNDTRACK: MICHAEL KIWANUKA: Tiny Desk (Home) Concert #112 (November 16, 2020).

Michael Kiwanuka was on my radar for a few years, although I never actually knew who was singing these songs that I liked.

His previous album Love & Hate was hugely praised (although I missed it that year).  It and his most recent album Kiwanuka are fantastic. His songs are big with lots of electric guitar parts.  They are catchy but complex.  And his voice is just amazing–somehow quiet and powerful at the same time.

The warm texture of his voice and tenderness of his soul belie the depth of his songwriting, which ranges from sociopolitical works to songs revealing the inner chambers of self-exploration.

For this Tiny Desk (Home) Concert, Kiwanuka performs

from a “rainy London” flat that’s dimly lit with a vintage feel.

Kiwanuka plays five songs, but they are very different from the album versions.  Three of these songs are played on acoustic guitar.  This shows that the kernel of these songs is wonderful without and soaring electric guitar.

The Mercury Prize-winning musician evokes an all-encompassing softness in spirit as he leads viewers into the “Light,” the first of five songs in his Tiny Desk (home) concert.

The first two songs “Light” and “Hard To Say Goodbye” (both from Kiwanuka) are played on acoustic guitar.  They are pretty and gentle, warm and inviting.

He switches to the electric guitar for “Hero” (also from Kiwanuka).  On the album, the song is broken into two parts (I never realized this).  You can hear the difference in the parts very distinctly here as part two sounds really different from the first.  He stays with the electric guitar for “Cold Little Heart” (the opening track from Love & Hate).  You can hear the consistency in his songwriting with this earlier track.

He returns to Kiwanuka for the final song, “Solid Ground.”  But he plays this song on an organ–a beautiful rich sound.

Even with the different instrumentation, the songs retain their essential sound.  This set offers wonderful insight into Kiwanuka’s performance.  (That’s Kiwanuka on stage in the movie Yesterday, by the way)

[READ: December 10, 2020] “Vera Something”

This year, S. ordered me The Short Story Advent Calendar.  This is my fifth time reading the Calendar.  I didn’t know about the first one until it was long out of print (sigh), but each year since has been very enjoyable.  Here’s what they say this year

You know the drill by now. The 2020 Short Story Advent Calendar is a deluxe box set of individually bound short stories from some of the best writers in North America.

This year’s slipcase is a thing of beauty, too, with electric-yellow lining and spot-glossed lettering. It also comes wrapped in two rubber bands to keep those booklets snug in their beds.

As always, each story is a surprise, so you won’t know what you’re getting until you crack the seal every morning starting December 1. Once you’ve read that day’s story, check back here to read an exclusive interview with the author.

It’s December 10.  Adam O’Fallon Price, author of The Hotel Neversink, would walk five hundred miles, but not a step further.  [Click the link to the H&O extras for the story].

This story felt very different from the other ones so far.  I was certain that it was an old story.  It is set in the 1950s and I believed it was written then and that’s why it felt so different.  It wasn’t, it is very current.  Then I read in the link above that this story was a chapter from the novel The Hotel Neversink.  However, this chapter was removed from the novel because it didn’t quite fit.

I don’t know if Adam tweaked this into a short story or if it remains as it was.  But it feels slower, yes, like from a novel.  And although it felt slower, it was in no way less engaging.

Sam met Vera at the Hotel Neversink in the Catskills–during a singles event.  They were both from New York City, in their twenties and more or less pressured by their parents to find a mate.  They had a surprisingly good time together.  Sam had taken her picture (with his Polaroid) and she had written her phone number in the white part. (more…)

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