SOUNDTRACK: MEG MYERS-Tiny Desk Concert #830 (March 6, 2019).
Meg Myers has a fascinating delivery–singing rather low on the first verse and then in a kind of falsetto on the second verse. It’s kind of interesting but it seems at times like she’s mocking the lyrics or something. But I love the music on the song. I especially love the violin slide to the high notes at the end.
Apparently the instrumentation here is very different from the album.
Meg Myers put out one of 2018’s most intense and cathartic albums. Take Me to the Disco raged and threw sonic punches at anyone who’d ever attempted to use or abuse her, from former record executives to past lovers. Dressed in a sparkling blue leotard, Myers re-creates that fire and ferocity behind the Tiny Desk, replacing her album’s roaring electric guitars and electronics with a pulsing string quartet, piano and brushed drums. [Jared Shavelson: drums, percussion; Josh Rheault: keys; Kristin Bakkegard: violin; Livy Amoruso: violin; Paul Bagley: viola; Carol Anne Bosco: cello].
But the most intense part of the performance is Myers herself. The distant, piercing looks she gives during the set’s opening cut, “Jealous Sea,” are unforgettable and unforgiving as she sings about a rat’s nest of feelings — anger, fear, jealousy, desire — over an ex. “Everything’s right, everything’s wrong / When you call my name,” she sings while half-hugging herself. “And I don’t think I can stop the jealousy / When it comes, it comes like waves and I can’t breathe.”
I am mixed on her delivery, but I like most of her lyrics. I am fascinated by the imagery of “I don’t think I can stop the jealous sea, when it runs, it runs like lightning through my teeth.”
Myers follows with a searing version of what she calls “a very lovely, uplifting song” from Take Me to the Disco called “Tear Me to Pieces,” a frenzied takedown of liars, buried secrets and “wicked temptations.”
In the middle of “Tear Me to Pieces,” she sings “it’s in your eye,s you fucking liar” which she sings in what I assume is her normal voice. And she sounds so powerful and clear there that I rather wish she sang more like that. I wonder if all of these vocals styles sound different with guitars. Because by the end, her yelling seems a bit out of tune.
She takes a little break before the final song because she played last night. While she’s rehydrating, she talks about the next song, a cover of Kate Bush’s “Running Up That Hill.”
She then dials back the fury and indignation to close with a surprising version of “Running Up That Hill” by Kate Bush. Myers is a longtime fan, and often gets compared to the British singer. But Myers tells the audience she fell in love with the song for its meaning. “It’s about men and women and the differences between them, and learning to have empathy for each other.”
At first I wasn’t too keen on her version–again, her vocal delivery seemed really wrong for this song. But as she was singing–and singing the lyrics so clearly, I started to really appreciate the way she was performing it. So I’m overall mixed on her. I wanted to like her more than I did.
[READ: February 21, 2019] The Dam Keeper: World Without Darkness
Kondo and Tsutsumi have both worked at Pixar, which may explain why this graphic novel looks unlike anything I have ever seen before. I have (after reading their bios) learned that this was also a short film. I’m only a little disappointed to learn that because it means the pictures are (I assume) stills from the film. It still looks cool and remarkable, but it makes it a bit less eye-popping that this unusual style wasn’t made for a book.
For part two, our heroes, Pig, Fox and Hippo are trying to get back home. But they need the help of that weirdo frog character named Van. Van shows them the city where he lives. And it is incredible. So many people, so many colors, and the dams are all automated. But when they get down into the city, it is just fill of smog,.. so much smog that they need to wear masks. Van gets ahead of them and they lost him, but everyone speaks a different language and it’s hard for them to find anything.
After wandering around looking for Van, Pig spies the ancient symbol of damkeepers. He remembers back to his father saying it’s a symbol of the damkeepers’ promise to protect the city–they sacrifice for a greater cause. (more…)
I Just Read About That... 