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Archive for the ‘Meet Me @ The Altar’ Category

[ATTENDED: July 3, 2024] Cavetown

When I learned of Cavetown from my daughter, who played “Lemon Boy” a lot.  Even a few years later, I think the song is fantastic.  I didn’t really know all that much about him (Robbie Skinner), but I had listened to a few records.  So I assumed that the whole set would be kind of mellow and folky.  It actually seemed like an odd double bill.

But there is a sizable overlap of young trans/non-binary people who make up both audiences so even if the music isn’t similar, the tone of acceptance and respect permeates both (all three actually) bands.

I don’t normally like to be far from the stage–it takes me out of the action and makes me feel like I’m just hearing a band not really experiencing a live show.  That makes me a little insufferable I know, especially to my kids who just want to chill out and enjoy an Event.  And really, an outdoor show is more of an Event.

So, when they walked to the back of the lawn and sat on a blanket, I compromised and left the front area that we were in for Mother Mother and hung back with  them.  Although once everyone stood up, I had to move forward a little because I couldn’t NOT SEE the stage. (more…)

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[ATTENDED: July 3, 2024] Mother Mother

When this show was announced back in January, it was a killer triple bill.  Mother Mother, who we love to see live, Cavetown, who I’ve wanted to see live and Destroy Boys, a band that both my kids like and who my son and I have seen once and wanted to see again.

We were bummed that Destroy Boys was unable to play, but we arrived a little late so maybe we wouldn’t have seen their full set anyway.

We also didn’t know who was headlining this show–it appears that Mother Mother and Cavetown have been switching who was the headliner.  I rather hoped Mother Mother would go last because I felt like their show would be bigger and Cavetown’s would be more mellow.

But Mother Mother went on second and I think it was all for the best!  Because we rocked out to Mother Mother and  then we walked to the back of the lawn and chilled out for Cavetown’s more mellow set.  Very cool!

So this is the third time we’ve seen Mother Mother and actually the first time they weren’t headlining.  As I’ve learned over the years, a double headline bill means neither band plays a very long set, which kind of suck, tbh.  But whatever, it usually means a kind of greatest hits package as well.

Mother Mother has a new album out, which I didn’t realize until a few weeks ago.  They played a few songs from it, but the did not skimp on the big names.

The band walked out. First came bassist Mike Young (who runs all around the stage during the show and is a lot of fun to watch) and drummer Ali Siadat.  Then the applause grew louder as singers/keyboardists Molly Guldemond and Jasmin Parkin were singing the new song “Nobody Escapes.”   Finally, huge applause as Ryan Guldemond came out and the song took off.

Then everyone went nuts when they played “Arms Tonite.”  And they surprised me by playing “Hayloft II” which I think has taken on a life of its own.

The new song “The Matrix” is super fun with the completely singalonable part “fuck no.”   They segued that song into Pixies “Where is My Mind?” and I was delighted and surprised at how many very young people knew this rather old song.  Ryan asked at one point how many people in the audience were younger than the band (who celebrated 20 years this year) and scores of hands went up.  Crazy.

They played two songs about having “Problems” including the super fun “Burning Pile.”  Ryan Guldemond really has his banter down well and when he asked if anyone was having a hard time in life, he commiserated and told them to throw everything that was bothering them on the burning pile.  It was a really sweet moment and I love how Mother Mother has really embraced the community that TikTok has built up around them.

The new song “Explode!” is also super catchy–the whole album is really good.  All the fans love the O My Heart album the most, so they played seven songs from it.  Including “Sleep Awake” a slow, pretty song that Ryan said was the first song he wrote for his big sister to singer. Molly has a lovely voice and I love the way the song was really quiet to start and then got huge.

The band left briefly and then came out for an acoustic medley.  They played six songs from their earlier albums and it was really fun hearing the crowd react to the snippets of each song.  Sadly, someone passed out (I guess) during “Ghosting” (my favorite song in the medley) and they stopped it but did not resume it.  But at least the person was fine (and so were we).

They stayed acoustic for “Oh Ana” “Wrecking Ball.”  I said last time that I really want to see them rock out “Wrecking Ball,” but it is more or less an acoustic song so it makes sense that they would play it that way most of the time.

Then they busted out “Verbatim” and the crowd went nuts.  And they went even crazier for “Hayloft” of course.  Jasmin usually gets a solo moment during the set–it had been “Girl Alone” but for this tour they mixed it up and she sang a beautiful rendition of Lana Del Rey’s “Video Games” before they segued back in to Hayloft to end the show.

When we saw them last time the show was explosive in lights and everything else.  It’s a little harder to overwhelm with lights when it’s 7PM and you’re outside.  But the lighting was still pretty cool–minimal but cool.

It’s also funny how much of a festival-like atmosphere an outdoor show has.  People just seem looser and more prone to doing wild things when outside.  It wasn;t my mafvoirte Mother Mother show, but it was a lot of fun.

 

 

July 2024, Mann Center October 2022, Fillmore February 2022, TLA
Nobody Escapes € Verbatim ⊗ Seven ⇔
Arms Tonite ♥ O My Heart ♥ O My Heart ♥
Hayloft II ⇔ Bit by Bit Let’s Fall in Love ≠
The Matrix € / Where Is My Mind? (interlude /Pixies cover ) Infinitesimal ≠ The Stand
Problems Body of Years ♥ I Got Love ⇔
Burning Pile ♥ Creep (Radiohead cover) Problems
Explode! € The Stand ∇ Body ♥
Back to Life § Back in School ‰ It’s Alright §
Body ♥ Burning Pile ♥ Sick of the Silence ⇔
Sleep Awake ♥ Problems Arms Tonite ♥
Dirty Town ⊗ / Neighbour ⊗ / Wisdom ♥ / Ghosting ♥ / Little Pistol ≠ / It’s Alright §
(Acoustic, Ghosting interrupted due to a medical issue in the crowd)
Sick of the Silence ⇔ Life ⇔
Oh Ana ⊗ [acoustic] It’s Alright § Pure Love ⇔
Wrecking Ball ♥ [acoustic] Arms Tonite ♥ [acoustic] Ghosting ♥
Verbatim ⊗ Body ♥ [acoustic] Bit by Bit
Hayloft ♥ / Video Games (interlude Lana Del Rey cover) Wrecking Ball ♥ [acoustic] Wrecking Ball ♥ [acoustic]
Oh Ana ⊗ Oh Ana ⊗ [acoustic]
Hayloft ♥ / Girl Alone Verbatim ⊗
Hayloft II ⇔ Hayloft ♥ / Girl Alone
encore Hayloft II ⇔
Ghosting ♥
Dirty Town ⊗
Burning Pile ♥

€ Grief Chapter (2024)
⇔ Inside (2021)

§ Dance and Cry (2018)
‰ No Culture (2017)
≠ The Sticks (2012)
∇ Eureka (2011)

♥ O My Heart (2008)
⊗ Touch Up (2007) [originally called Mother released 2005]

 

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[ATTENDED: July 3, 2024] Meet Me @ the Altar

When this show was announced back in January, it was a killer triple bill.  Mother Mother, who we love to see live, Cavetown, who I’ve wanted to see live and Destroy Boys, a band that both my kids like and who my son and I hhave seen once and wanted to see again.

Then, in May it was announced that Destroy Boys would no longer be opening

In a joint statement, Mother Mother and Cavetown shared, “Destroy Boys will no longer be able to join our summer tour due to a medical issue. We’ll be sad to miss them and wish them a speedy recovery.
We are really excited to welcome Meet Me @ The Altar to the tour in place! Can’t wait to see you all soon.”

It turned out that this bummed my son out and kind of soured him on the show a bit.  I have seen MM@TA twice and knew what to expect.  I actually thought they’d be a lot of fun since their opening set is usually a condensed form of bangers an covers.

Well, we arrived a little later than I wanted to and then parking was pretty tough. I was frankly shocked by how many people were there so early (on a Wednesday).  People looked like they’d been camping out forever by  the time we strolled in.

We could hear them from the parking lot, so we could hear most of their set, but by the time we got into the venue and found our places, we were easily more than half way through their set. (more…)

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[ATTENDED: January 23, 2024] Meet Me @ the Altar

I had tickets to see Meet Me @ the Altar last year but went to The Beths instead (good choice).  MM@TA were headlining The Foundry.  And now a year later they are headlining TLA.

My daughter and I saw them at the All Things Go Festival and I loved them.  I knew I wanted to see them again–especially as a headliner.

I thought that Meet Me @ the Altar were really really young (teenagers), but this summer, singer Edith Victoria announced that it was her birthday and that she was now 23.  I’m not sure how old guitarist/bassist Téa Campbell or drummer Ada Juarez are.

They play feminist pop punk.  Téa Campbell absolutely rips on guitar and Ada Juarez pummels back there.  I’m not sure how they play the backing sounds–basses and extra percussion.  I assume Juarez triggers a sampler and they play to the sounds as opposed to them being triggered on the fly.  I loved the sound of the guitars.  I loved Edith’s voice (and Téa’s backing vocals) and I loved their attitude.

From the start, they brought the pop punk.  In addition to playing a lot of new songs, they dig into their back catalog (which they have).

After a couple of songs they got a pit going and when they played “Hit Like a Girl,” Edith told the crowd that this pity was just for the women, which I thought was pretty cool.

When I saw them this summer, they played some excerpts from songs they’d wished they’d written.  I assumed that was just a fun way to endear yourself to a festival crowd.  But they’ve been doing this on each show of the tour (although mixing things up a bit).  I really enjoyed their cover of “Complicated” this summer.  They didn’t play that this time, instead playing “Since U Been Gone” and putting a great punk attitude on it.

The end of the set was a collection of killer tracks that the crowd was fully into.  We all sang along to “Kool” and they ended with the name of the tour: Say It to My Face absolutely shredded the room.

The show was only an hour, but they packed everything in and the crowd was really psyched by it.  On the way out I heard someone say how much better they were than at The Foundry last year.  So I think i picked the right show after all!

 

2024 (TLA) 2023 (All Things Go)
Same Language ⇔ Same Language ⇔
Brighter Days (Are Before Us) Δ T.M.I ⇔
Now or Never Δ Try ⇔
Beyond My Control ♦ Since U Been Gone (Kelly Clarkson) (excerpt)
Try ⇔ Complicated (Avril Lavigne) (excerpt)
May the Odds Be in Your Favor Ø Take Me Away (Christina Vidal) (excerpt)
Hit Like A Girl § Hit Like A Girl §
It’s Over For Me ⇔ Say It (To My Face) ⇔
Since U Been Gone (Kelly Clarkson) (excerpt) Garden Ø
Take Me Away (Christina Vidal) (excerpt) Kool ⇔
Burnin’ Up (Jonas Brothers) (excerpt)
T.M.I ⇔
Garden Ø
Feel a Thing Δ
Kool ⇔
Say It (To My Face) ⇔

⇔ Past//Present//Future (2023)
Δ Model Citizen EP (2021)
§ single 2021
Ø single 2020
♦ Bigger Than ME EP (2019)

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[ATTENDED: January 23, 2024] Honey Revenge

I hadn’t heard of Honey Revenge, but before the show I checked out a few songs and really liked them.

Apparently they have a pretty big fan base too, because there were several people who left the front after their set.  And one guy in front of me who was dancing in a very elbows-in-your-face kinda way.  I was very glad when he pushed further forward.

Honey Revenge has played Philly three times in about a year, once as a headliner at The Foundry, so the Philly love is big.

So Honey Revenge is evidently a two-piece: Devin Papadol (vocals) and Donovan Lloyd (guitar), although there were two other people on stage too–touring musicians Tay Fischer (@witchybassist) who was super fun and jumped off the bass drum at one point (and who will be playing with Jhariah in February) and drummer Matt Arsenault who I feel like I’ve seen play with other people too.

They play grungy 90s rock with great pop hooks.

Papadol is a take-no-shit front woman.  She encouraged people to mosh and to crowd surf (it’s not often that people crowd surf for an opener, but they did).  She asked who had never crowd surfed before and aid that tonight was the time to do it.  And, she threatened, if anyone gets dropped, I will stop the show.  It was really fun seeing little kids (with big era protectors) crowd surfing during the songs.

She also insisted that there be a pit AND a conga line.

Lloyd was a great guitarist too.  I didn’t really notice the guitar work at first because really, all eyes are on Papadol, but Lloyd pulled out some great sounds and some kicking (but short) solos.

I also really liked their lyrics which were empowering.  But also funny.  Like a song that is part slacker, part ass kicker

Sure, I could be doing more, but I could be doing lessUsed to going overboard and if I had to take a guessNever been too proud, I’ve always been too loud to ignoreMy mouth’s a messNow being annoying comes with reward and everyone’s impressed

Although one of their most popular songs is “Airhead” as in “damn, I’m such a” so there is definitely a sense of humor in the lyrics.

They were a lot of fun and I would absolutely see them again.

  1. Seeing Negative (Disappointment)
  2. Worst Apology
  3. Recipe for Disaster @
  4. Favorite Song
  5. Habitual
  6. Rerun
  7. Murphy’s Law
  8. Are You Impressed?
  9. Airhead
  10. Distracted

@ new song 2024
∞ Retrovision (2023)
[from this album, they did not play Fight or Flight, Sensitive, Scapegoat]

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[ATTENDED: January 23, 2024] John Harvie

I didn’t know who John Harvie was before this set.  He seemed like a slightly out of place artist since everyone else was female (token male on the tour perhaps?).  Although he was more of an odd presence because his songs are mega-emo rather than pop punky.

But he won me over pretty quickly because he’s a Philly guy and he was pretty psyched to be playing in his hometown.

Unlike Elliot Lee, Harvie had a live drummer.  Although like Lee, much of the rest of the music was on backing tracks. John did occasionally play guitar too.

The things that really made an impression on me were his stage presence and his voice.  he absolutely commanded the stage like a guy who has been playing for far longer.  And, even more impressive, his voice sounded like he was the singer for any number of long-time emo bands.  He strained his voice to the breaking point a few times (and may have paid for it by the end oft he show).

Most of his songs seemed to be a bout breakup, but there was some clever wordplay in the lyrics, which I appreciated.

I also chuckled when he said that “Beauty in the Bad Things” was about being an Eagles fan.

I wound up enjoying his set more than I thought I would.

  1. roses £
  2. A Little Bit Longer ©
  3. Alaina ©
  4. Beauty in the Bad Things ©
  5. at my worst £
  6. figure 8 £
  7. Bleach (On the Rocks) ©

£ single 2023
© Told Ya. (2022)

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[ATTENDED: January 23, 2024] Elliot Lee

Elliot Lee looks like they are about 12 years old. In fact, they are 26 and are simultaneously adorable and, for someone who commands a stage, really nervous-seeming.

I didn’t know anything about Elliot Lee before this show.  I listened to a couple of their songs and wanted to get there early enough to see their set.  I’m glad I did, even if it was only 20 minutes.

They played five songs and when the lights first dimmed a guy in a full on bunny costume (with really long ears) came out and either did nothing or triggered the sounds of the first song “Sicko.”

Elliot came out shortly after wearing a bonnet with small ears.  The whole outfit was wild–striped shirt, colorful bra on the outside and pink ski pants.  And they proceeded to bounce around the stage with abandon.

Her songs are catchy and poppy but with a dark edge.  On record, the production is really sharp with lots going on.  But live, the music was stripped down, letting Elliot’s voice shine.

“Fun” is pretty much a disco song with a dark edge (come to think of it, just like ABBA).

Elliot was pretty clear about what the songs were about, but here’s an article from Outwrite (more…)

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[ATTENDED: October 1, 2023] Lana Del Rey

Sometime in April, my daughter asked if we could go to the All Things Go Festival.  I had never heard of this Festival and assumed the answer was no.  But then I saw that it was at the Merriweather Post Pavilion which is exactly three hours away from us.  So when tickets went on sale, I managed to get two pre-sale tickets for Sunday.  And then when they went on proper sale, I managed to score two more for Saturday.

Sunday was  the far more important day for music.  I mean, the whole reason she wanted to go was to see boygenius (and Lana Del Rey).  But this was a great day of music to be sure.

While Muna was playing on the other stage, the Lana Del Rey crew assembled the stage for the final act.  I didn’t understand why boygenius was late in starting.  But they finished at 8, when they were supposed to.  The Lana set was fully in place before Muna finished.

Of all of the performers at this festival, Lana was the person I was least interested in seeing.  My take on Lana is that she plays a random melody on the piano (or guitar) and then looks out the window and literally describes what’s in front of her in a bored monotone.  I never would have guessed that she actually had a beautiful voice, because all I ever hear from her is bored monotone. (more…)

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[ATTENDED: October 1, 2023] Muna

Sometime in April, my daughter asked if we could go to the All Things Go Festival.  I had never heard of this Festival and assumed the answer was no.  But then I saw that it was at the Merriweather Post Pavilion which is exactly three hours away from us.  So when tickets went on sale, I managed to get two pre-sale tickets for Sunday.  And then when they went on proper sale, I managed to score two more for Saturday.

Sunday was  the far more important day for music.  I mean, the whole reason she wanted to go was to see boygenius (and Lana Del Rey).  But this was a great day of music to be sure.

I didn’t really know Muna all that well before this show.  I knew that they were signed to Phoebe Bridgers’ label and that she joined them on stage a lot.  I also knew Silk Chiffon which was a highly touted song.  I kind of liked it.  There was something about it that I didn’t quite like but I couldn’t put my finger on it.

It probably would have been fun  to see them in person, as their set was really fun and lively.  But realistically since they went on literally right after Boygenius on a stage that was a short walk away, there was no way we would have gotten anything like a good space to be. (more…)

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[ATTENDED: October 1, 2023] boygenius

Sometime in April, my daughter asked if we could go to the All Things Go Festival.  I had never heard of this Festival and assumed the answer was no.  But then I saw that it was at the Merriweather Post Pavilion which is exactly three hours away from us.  So when tickets went on sale, I managed to get two pre-sale tickets for Sunday.  And then when they went on proper sale, I managed to score two more for Saturday.

Sunday was  the far more important day for music.  I mean, the whoel reason she wanted to go was to see boygenius (and Lana Del Rey).  But this was a great day of music to be sure.

Despite our plans to get to the pavilion early for boygenius, by the time we got there, every close seat was full.  We didn’t want to sit in the sun (it was HOT) so we wound up sitting much further back than I would have liked.

I have to say that I was shocked that Lana del Rey was headlining and not boygenius, because it sure seemed to me that boygenius was the biggest band on the planet at the time.  But Lana does have a much longer track record (and a lot of fans).

Boygenius was late coming on stage.  I genuinely don’t know why.  I mean, Arlo Parks had been off the stage for half an hour and the Boygenius gear was already on stage (the festival was, otherwise, very efficient).  So they went on 15 minutes late.  And what was insulting about it was that earlier in the week we were told that beabadoobie couldn’t make it so boygenius would get an extra 15 minutes.   We were prepared for a full on 90 minute show, but we lost those 15 minutes anyway.

They played The Boys Are Back in Town over the speakers and then we saw the geniuses backstage singing “Without You Without Them” as they do.

And then they came bounding out on stage.  (more…)

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