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Archive for the ‘Los Retros’ Category

[ATTENDED: December 15, 2021] Chicano Batman [rescheduled from May 3, 2020 and June 16, 2021]

I’ve enjoyed a bunch of Chicano Batman songs over the last few years.  When I saw the Tiny Desk concert, they seemed so cool, that I really wanted to see them live.

This show was postponed twice.  I waited until a couple of weeks before the show to get tickets, and I had no idea it would be my last show before COVID struck again.

The band started in a delightful way.  The (new) keyboardist came out first followed by their (absolutely insane) drummer Gabriel Villa.  The keyboardist started hitting a cowbell and Villa laid down a funky beat while bassist Eduardo Arenas and guitarist Carlos Arévalo came out to rapturous applause.  Moments later, singer Bardo Martinez came on stage in an Adidas tracksuit.

The band used to dress in full matching suits, so this was a bit of a surprise.  I was also surprised at how mellow and low key Martinez was.  I would almost say he wasn’t into the show, but he definitely was.  I guess he’s just a low-key kind of guy.

I had moved away from the center of the stage because a bunch of people wouldn’t leave their masks on.  I wound up in front of Arévalo who was a lot of fun to watch (his solo during “Color My Life” was awesome).  But to me, Chicano Batman is all about the bass lines.  Arenas lays down great lines and his sound was fantastic. (more…)

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[ATTENDED: December 15, 2021] Los Retros / Le Butcherettes / Inner Wave / Crumb [rescheduled from May 3, 2020 and June 16, 2021]

This band had several different opening acts planned over the many different shows.  I knew Le Butcherettes, but not Inner Wave or Crumb.  When I walked in, I wasn’t even sure who was opening, although I did note that the signs announced Los Retros.

Los Retros is Mauri Tapia, from Oxnard CA.  For this show, he had a bassist and a drummer (my little brother) with him.

Tapia started on guitar and I could hear right away why they were called Los Retros.  They played a retro sound–shimmery guitars and a soft rocking sound.  The three of them were very tight with the bassist keeping a nice low end while Tapia plays some really wicked solos.  The songs varied between upbeat and slower–but the vibe was the same.

I was amazed to see that all of the people around me were singing along.

After three or so songs on guitar Tapia switched to keyboards and the rest of the set took on a very different feel–more of a smooth, soft rock vibe.  One that I didn’t like as much (I really didn’t like his keyboard sound).

But that’s because the retro in the name doesn’t apply to me.

Al Dia News notes:

The name ‘Los Retros’ pays homage to the Chilean pop group, Los Ángeles Negros — “the black angels” in English — which originally formed in 1968. …  Los Retros had a quick rise to stardom after the release of his single “Someone To Spend Time With.”

I didn’t enjoye the second half as much, but the first half of the set was great–Tapia’s guitar chops are right on.

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Le Butcherettes I also know from a Tiny Desk Concert.  Teri Gender Bender is a great punk front woman. She channels different vocal styles and can rock with the best of them.  She is also unafraid to stare at the audience.  I imagine she’d be an intense experience.

Inner Wave is a five-piece ensemble, and three of the bandmates – lead vocalist and guitarist Pablo Sotelo, bassist and vocalist Jean Pierre Narvaez, and guitarist and keyboard player Elijah Trujillo – go all the way back to middle school. Some back-in-the-day homies left the band in 2016, and keyboardist Chris Runners and drummer Luis Portillo joined the group. But their departure from the original line up hasn’t thrown off the band’s energy in the slightest, as evident in their most recent full-length release, last summer’s Underwater Pipe Dreams. The 18-track LP is the best testament to Inner Wave as they are now: an indie rock quintet who seamlessly float between psychedelic and synthwave sounds, poised for a breakthrough.

Indie Current described Crumb‘s sound on ‘Locket’ as psychedelic slacker-rock.[11] Paste Magazine called their sound a meld of “60s psych, loose jazz, and freeform indie rock into a soothing pop amalgamation.” Others describe them as psychedelic jazzy Lofi dream pop.

 

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