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Archive for the ‘Lil Yachty’ Category

[ATTENDED: July 6, 2025] Tyler, the Creator

Lil I didn’t know all that much about Tyler, the Creator before this show.  All that I knew about him was from when he first came on the scene with odd Future and he wrote horrorcore raps that were pretty graphic and nasty.

I knew that his albums were well regarded, but I had no idea that he had changed his style and that he was massively popular!

My daughter has a few of his songs on her playlists.  He’s still pretty vulgar, but in much smaller doses.

I had no idea what to expect from this show.  So I was blown away when the show started and Tyler came out, by himself, on the massive stage that was full of green lights.

Then we realized the problem.  The seats that we had were pretty great–straight back from the stage and in rather comfy chairs.  But there was this massive piece of rigging in the rafters that literally blocked all of the giant screens behind him and almost cut off him from view.  It turns out that this rigging was all part of his stage show, so I can’t blame Wells Fargo Center.

Tyle came out and started dancing and rapping on the stage.  He was completely engaging and commanded the entire room.  He wore a mask with a wig (as on the album) for this part of the show.  Although really I couldn’t tell at all that he was wearing the mask–couldn’t see the screens and he was too far away to see his face.

He played six songs from the new album (I don’t know if they were played all the way through or were just snippets).  Which I only mention because in the middle of the set he played nothing but shortened versions of his songs.

After Judge Judy, the rigging moved down and then Tyler was on the catwalk in between the main stage and the B stage.  He marched around and danced and was a fun spectacle to watch while he was up there.

And then the B stage rose high in the air to connect to the catwalk and as it lowered back down, a series of panels surrounded the stage and made it look like a small house.  We couldn’t really see him inside and I thought, wow, we’ll never see this guy.  But after the first song, the walls lifted and the B stage was there for all to see–a couch, a few other things and in the center was a turntable.  For in one corner, he had a whole bunch of albums that he flipped through.

The camera was on him the whole time and while we still couldn’t see the screens, we could see him pretty well.  But we needed the screens to see that he was digging through his records and ultimately pulled out IGOR (and the crowd went nuts).  He brought the record to the turntable and put it on.  I’m very curious to know if IGOR’s THEME was playing from the record he put on or not.

Then he proceeded to play three songs from Igor, including a snippet of Are We Still Friends, which everyone went nuts about.  (more…)

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[ATTENDED: July 6, 2025] Lil Yachty

Lil Yachty followed about 15 minutes after Paris, Texas.  He was also on the small stage in the middle of the floor. When he came running out, the noise was loud, the lights were bright and the fog was thick.

I had listened to Lil Yachty before the show and I really liked his style.  I was intrigued by the Wikipedia blurb:

Lil Yachty has called his style “bubblegum trap.” His songs have sampled sounds from Mario Bros., Charlie Brown, the theme from Rugrats, the startup sound of a GameCube console.  Themes in his works include clouds, cotton candy, the Super Nintendo, and scenes from Pixar films. Rolling Stone described his music as “catchy, intentionally dinky-sounding tunes packed with off-color boasts delivered in a proudly amateurish singsong.”

It was exactly the kind of alternative hip hop that I like.

But his sound was overwhelmed by the venue.  Any subtlety in his music was lost and mostly it just felt like the bass was going to knock the building down.  The girls in the seats next to us were thrilled with Yachty and they screamed and sang along.  But I couldn’t hear the words and the music kind of just got melded together.  He also didn’t do very much on stage, just wandering around the stage and mostly engaging with the folks in the GA Pit, with his back to us at least 90% of the time.

He was very gracious about us being there to watch him (and not getting a hot dog or some shit).  I’m fascinated that he played 22 songs in 45 minutes.  I think this show made me realize that rappers don’t necessarily play their whole song–sometimes snippets or even a verse will suffice.  Although many of Yachty’s songs are short (many under 3 minutes, he still had to cut some parts to squeeze all of this in.

So even though I couldn’t really hear anything that was going on, his set moved pretty quickly and I enjoyed watching everyone really getting into him.

 

  1. the BLACK seminole [TAPE]
  2. Gimme da Lite (Southside & Lil Yachty song) §
  3. pRETTy
  4. SOLO STEPPIN CRETE BOY
  5. Split / Whole Time ¾
  6. Pardon Me ¾
  7. Hate Me (ian cover)
  8. Ron Artest (Babyface Ray cover) (with Babyface Ray) §
  9. Yacht Club
  10. NBAYOUNGBOAT ½
  11. Flex Up ¾
  12. Coffin ¾
  13. From the D to the A (Tee Grizzley cover) >
  14. Minnesota
  15. Broccoli (DRAM cover) ¥
  16. iSpy (KYLE cover)
  17. One Night
  18. TESLA
  19. Poland
  20. Strike (Holster)
  21. drive ME crazy!
  22. WE SAW THE SUN!
  23. A Cold Sunday π
π Something Ether EP (2024)
⇓ Let’s Start Here (2023)
⊥ TESLA EP (2023)
¶ single (2022)
¾ Lil Boat 3 (2020)
½ Lil Boat 2 (2018)
∼ Lil Boat (2016)
⊗ Nuthin’ 2 Prove (2018)
Others
¥ DRAM-Big Baby Dram (2016)
∝ KYLE-Light of Mine (2016)
> single (2017)
§ single (2023)
‰ single 2024
 

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[ATTENDED: July 6, 2025] Paris, Texas

My daughter really wanted to see Tyler, the Creator, so I grabbed us tickets.  I knew him a little (from what she had played me), but I didn’t know the other two opening bands at all.

When I read about Paris, Texas I was intrigued.  The group is a duo, featuring Louie Pastel and Felix and what I was most interested in was their description: an eclectic mix of rap & hip-hop, fused with the guitar-driven elements of alternative rock, including grunge, punk, metal, emo and new-wave.

When we arrived, we could see that the main stage was bathed in green.  But when the lights dimmed, the tiny stage in the middle of the pit suddenly lit up and Paris, Texas ran up to the small stage to perform their set.  They had a DJ with them and the three guys prowled the stage.

They also set the basic tone that everyone would have their back to us when at the center stage.  It was clear that the performers were gearing their set to the GA Pit area.   I realized pretty quickly that the people who rushed to be first at the stage were actually pretty far from the action once the band started.  (more…)

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