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Archive for the ‘Isaac Albeniz’ Category

[ATTENDED: March 13, 2016] Avi Avital and MILOŠ

Five years ago, S. and I went to see Avi Avital at a tiny theater on the Princeton University campus.  And now, here he was returning, but this time with a partner!  MILOŠ, an incredible guitarist whom I’d also learned about through a Tiny Desk Concert.

Israeli musician Avi Avital has taken the mandolin to new heights, earning a GRAMMY nomination as the first mandolin soloist in history…. He returns to Princeton University Concerts joined by an exciting PUC debut: Montenegrin phenomenon MILOŠ, who is described as “the hottest guitarist in the world” and renowned for his deeply emotive playing. Together, they bring us a kaleidoscopic program of arrangements and transcriptions for mandolin and guitar.   “POD SEATING” — Patrons will be seated on stage only with members of their party, as determined by the ticket quantity in your order.

So we could see these two terrific musicians and be right on the stage with them? Sign me up!

S. and I both went and we were maybe twenty feet from the musicians.  They were charming and funny as they introduced themselves and each other and then they blew us away with their amazing finger and fret work.

They played a truly wide ranging repertoire and explained the origins and context of each song.  Who would have guessed that Bach and Philip Glass could work together so well? (more…)

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moomin3  SOUNDTRACK: PAUL JACOBS-Tiny Desk Concert #148 (August 12, 2011).

pauljacobsPaul Jacobs is an organist.  In fact he heads the Julliard School’s organ department.  For this Tiny Desk Concert they moved in Jacobs’ massive organ–complete with foot pedals.  I feel like he should have played for an hour for all the work that must have gone into moving this.

I had thought about describing the way the Tiny Desk Concert has changed as I went through the Concerts.  But I have gone out of sequence so often that it’s kind of moot.  Nevertheless, it’s fun to marvel at how in the first few shows, it was one camera, there was little editing and what you got is what you saw.

Well, for this, the 148th Concert, they have three cameras.  And that is perfect because one is on Jacobs’ face.  One is on Jacobs’ hands as he plays these amazing Back pieces.  But the best one is on Jacobs’ feet.  Jacobs play a melody with his hands and a separate melody with his feet.  Watch as he looks like he’s tap dancing all over these massive foot pedals. The mind boggles watching him.

He plays four Bach pieces:

  • J.S. Bach: “Gigue” Fugue
  • J.S. Bach: Arioso
  • Bach/Reger: Invention in F Major
  • J.S. Bach: Fugue in A Minor

The Arioso is recognizable to me as a familiar piece.  It’s low and beautiful with washes of foot pedals.  But even more familiar is the Invention in F minor which most piano students try to play.  This version was arranged by Max Reger who turned the left hand melody into a foot pedal melody–so Jacobs is all over the keyboard on this one.  It’s stunning.

The final piece is somewhat recognizable (well, to me its recognizable as Bach, since his stuff is so elaborate and cool).  This piece is really fun to watch his hands and feet at work.  Especially at the end when he plays an intense “foot solo” before returning to an incredibly fast finger coda.

It’s such a neat instrument and he’s an amazingly talented player.

I prefer to watch on the NPR site, but its easier to embed the YouTube version:

[READ: January 13, 2015] Moomin Volume 3

Moomin Book 3 is slightly different n that it has four stories instead of three.   The stories feel shorter too, although I don’t have the other books handy to compare.

This book contains the stories: “Moomin Falls in Love,” “Moominvalley Turns Jungle,” “Moomin and the Martians,” “Moomin and the Sea,” and “Club Life in Moominvalley.”  As with the others these stories originally ran in the Evening News, London 1953-1959. (more…)

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milos moo2SOUNDTRACK: MILOŠ-Tiny Desk Concert #138 (June 30, 2011).

Miloš is Miloš Karadaglić, a 28-year-old from Montenegro.  He says he wants to bring classical guitar to a younger audience–to make it cool.

The first piece is a lovely ballad called “Romance” although the author is anonymous.  It is sweetly pretty and everything you might expect from a slow classical guitar piece.  It rings familiar to me, although it’s hard to know if I’ve heard it before or not.

The second piece is where his guitar really comes to life.  Asturias by Isaac Albeniz which Miloš describes as most flamenco and most familiar.  Interestingly, eh says that this was originally written for piano. The introductory riff should indeed be familiar and Miloš plays it passionately.

For the final piece he plays the first movement of a piece by Carlo Domeniconi: “Koyunbaba – moderato.”  This piece has a strange tuning: C sharp minor.  It’s a Turkish song with extraordinary techniques.  He says it reminds him of home–the song is about the sea and the waves by his home.  Whether it’s the tuning or the structure of the song, it is enchanting and exotic and really lovely.

[READ: January 13, 2015] Moomin Volume 2

I enjoyed Moomin volume 1 so much that I was excited to read vol 2.  And it did not disappoint.  This volume was full of the same whimsical, often bizarre stories that were sweet and funny (and a bit cruel, which makes them funny).  It also added some new characters.

This book contains the strips: Moomin’s Winter Follies, Moomin Mamma’s Maid, Moomin Builds a House and Moomin Begins a New Life.  Each one seems to tackle a big idea and pushes it to crazy conclusions.

These stories originally ran in the Evening News, London 1953-1959. (more…)

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roofSOUNDTRACK: DAVID RUSSELL-Tiny Desk Concert #55 (April 19, 2010).

russellDavid Russell is a classical guitar player (or “god,” as they call him).  Although I am unfamiliar with his work, apparently he is huge.

And deservedly so. When he started playing the first song I assumed he was looping the low notes while he soloed the high notes.  But no, he is playing the low notes slowly with his thumb while he speeds along the nearly pizzicato notes with the rest of his fingers.  And that’s just his right hand.

His left hand doesn’t move fast–he’s not shredding–but man, the elaborate chords, the expanse of his hand covering so much of the neck at once–are really stunning to watch. The chords are complex and the way he can play solo notes and low notes at the same time is amazing.

The Couperin piece absolutely blew my mind–there are two melodies going at once.  And the Albeniz piece is simply lovely.

It’s also fun to listen to his Scottish accent when he describes what he loves about the guitar he is playing (and his unexpectedly baudy joke about why he doesn’t name it).

The set list includes:

  • Augustin Barrios: “Una Limosna por el Amor de Dios”
  • Francois Couperin: “Les Silvains”
  • Isaac Albeniz: “Granada”

You can watch it here.  It’s amazing.

[READ: May 27, 2015] Dog on the Roof

I usually try to only read books that I’ll enjoy,  but every once in a while you get a stinker.  So this weekend is devoted to two recent stinkers.

I saw this book on a pile at work.  And I thought why on earth did we get this completely out of date book in 2015?  I see now that it was donated to the library. My goodness, thank you random person.

So perhaps you remember that in the 2012 campaign, Mitt Romney put his dog on the roof of his car or something. It was a minor scandal (or a major scandal if you love dogs).  And it was a jokey talking point for a little while.

Well, as happens in political cycles, some people decided to make a jokey book about it.  Kluger and Slavin are satirists who work for All Things Considered.  And, as the blurb on the back of the book says (not too overstate what was a minor incident) “It is the inside look at the Man Who Would Be President and the wild ride that’s sweeping and bewildering the nation.” (more…)

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