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Archive for the ‘Housemartins’ Category

[DID NOT ATTEND: October 30, 2022] We Were Promised Jetpacks / Breakup Shoes

I’ve seen We Were Promised Jetpacks a couple of times and they put on a ripping show.  I had seen them play White Eagle Hall back in 2020 and it was fantastic–the crowd was really responsive.

But recently one of their original members left and they seem to have changed their sound a bit.  I didn’t enjoy it quite as much.  But they tour around here all the time, it seems (especially for a band from Scotland).  I’m curious if their shows will be as intense.  However, this show was right in the middle of a bunch of shows–I had been to shows the four nights previous.  So I had to give up something and this was it.

So, I’m sure WWPJ will be back again.

Breakup Shoes reminds me of The Housemartins/non-funny Barenaked Ladies–soda pop sweet, surf-flavored indie rock but with dark lyrics that you might not pick out.  All of this wrapped in a more 90s sound–buzzy guitars and fuzzy production with guitar solos.

I rather enjoyed the few songs I heard.

 

 

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[DID NOT ATTEND: October 26, 2022] We Were Promised Jetpacks / Breakup Shoes

I’ve seen We Were Promised Jetpacks a couple of times and they put on a ripping show.

But recently one of their original members left and they seem to have changed their sound a bit.  I didn’t enjoy it quite as much.  But they tour around here all the time, it seems (especially for a band from Scotland).  I’m curious if their shows will be as intense.  However, this show was right in the middle of a bunch of shows and I had tickets to see Band-Maid, who I’d never seen before.

I also didn’t quite think that Ardmore Music Hall was the right venue for them.

So, I’m sure WWPJ will be back again.

Breakup Shoes reminds me of The Housemartins/non-funny Barenaked Ladies–soda pop sweet, surf-flavored indie rock but with dark lyrics that you might not pick out.  All of this wrapped in a more 90s sound–buzzy guitars and fuzzy production with guitar solos.

I rather enjoyed the few songs I heard

 

 

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latke.jpgSOUNDTRACK: THE HOUSEMARTINS-Live at the BBC (2006).

housemartin.jpgI found out about the Housemartins after enjoying the Beautiful South, and since they only released two albums, it was easy to get into them quickly. This is a collection of live tracks from the BBC, some have an audience and some do not. What is most striking about the record are the amount of acapella works that are on here, and the, surprisingly religious aspect of many of the songs (especially for a bunch of guys who on the latest Beautiful South album say “No thanks to God, he did fuck all.”)

They sound great, and can totally pull off the acapella, and when they do break out the instrumentation it sounds even better. I would have resequenced it so that the acapellas were sprinkled throughout but hey, what can you do. My only sad moment was that “Happy Hour” was done acappella, and as I said, the acapellas are great, but that song just screams for full instrumentation. Anyhow, this collection will definitely get me listening to the Housemartins again.

[READ: October 21, 2007]: The Latke Who Couldn’t Stop Screaming.

What better way to get back into reading books than with a 20 page book full of illustrations! This is a holiday story of a latke who, because of his inherent religious beliefs, feels left out at Christmastime. As it is written by Lemony Snicket, it is twisted and even more twisted.

(more…)

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company.jpgSOUNDTRACK: THE BEAUTIFUL SOUTH-Welcome to the Beautiful South (1989) & Choke (1990) & 0898 (1992) & Miaow (1994) & Blue is the Colour (1996) & Quench (1998) & Painting It Red (2000) & Goldiggas Headnodders and Pholk Songs (2004).

welcome.jpgWhen the Housemartins broke up and The Beautiful South sprang into existence, I was working at our college radio station. I received a Beautiful South poster of the debut album, Welcome to the Beautiful South, and I remember hanging it on the hallway bulletin board of our dorm. It stayed up there an unreasonably long time for a public bulletin board Maybe everyone liked the picture of the women with the gun in her mouth. But really, that’s all I knew about them for a pretty long time. Then sometime around Blue is the Colour, I started paying attention to them and really started to like them. I was also amazed to hear that Carry On Up the Charts, their greatest hits record was one of the best selling records in England at the time. choke.jpgSo, I thought I would have to check them out more fully.

What is interesting about them is how, for a band that does not seem like a “hits” kind of band, they have a huge number of great singles.  So, how best to describe them? They’re a sort of mellow rock band, with jazzy leanings, occasional lounge lizards stylings, and occasional rocking songs. But their selling point for me is Paul Heaton’s lyrics (and voice, of course). (more…)

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