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Archive for the ‘Gang Starr’ Category

SOUNDTRACK: JERU THE DAMAJA-Tiny Desk (Home) Concert #16 (April 30, 2020).

I’ve always liked Jeru the Damaja’s name; I find it very satisfying.  It’s amusing to me that with a name like that he raps about positive things.

He used the concert to share his inspiring philosophy of self-knowledge. Jeru drops lyrics about what it takes to achieve self-actualization in tough conditions for not just himself, but for the culture.

I don’t actually know any of his songs; this is a “medley of his classics.”  Jeru’s got a great, deep voice that adds a lot of strength to his lyrics.

Like Black Thought, Jeru sits in a chair, surrounded by his gear.  Unlike Black Thought, Jeru is in motion pretty consistently bobbing and waving his hand like he does care.

He starts with 50 seconds of “Can’t Stop the Prophet” after which he says “we need a superhero and we forget that the superhero resides within us.”  he encourages everyone to be creative in this time because idle hands do the devil’s work.  This is his lead into the 90 seconds of “Ain’t The Devil Happy.”

His prescient lyrics remain as relevant as ever as he addresses the deepening fissures of socioeconomic inequalities exposed by the coronavirus crisis.

He even updates the lyrics of “Scientifical Madness”

Mind Jah lick you with disease
So I inflict MC’s like Ebola Corona
Or some other man made cancer

He says he doesn’t want to be inside, but he’s grateful that he has a place to be because living outside is “So Raw.”  I really like the slow grooving beat of this song.

After the 90 seconds of “My Mind Spray” he says his mind is always working.  He’s always wondering if this and if that. But the old saying goes “If if’s were fifth, we’d all be drunk.”  In the song “If” he adds “If if was a spliff, we’d all get smoked up.”

He closes his set from his home in Berlin with a new song, “The Power,” and offers up a message we all need: “No matter who you are, the power resides in you…We can overcome anything if you put your mind to it, you just can’t get in your mind too much.” The prophet cannot be stopped.

“The Power” is a full song which was inspired by a things his mother used to say that he didn’t understand until he got older: “nothing matters except for how we treat people.”

[READ: May 6, 2020] “Shelter Seekers”

This story is written as a letter to the “scholarship liaison officer.”

The letter writer received a $4,000 Daniel White Foreign Study Scholarship via the Government of Canada.  The money was to fund three months in Argentina to study how the region is “adapting its approach to housing in the interest of sustainability.”

This letter is the final report which is “unconventional in form, long overdue and in excess of the stipulated two-page limit.”

The writer left her husband for three months to undertake this challenge.

On the flight to Patagonia ($1,297) she read the Award Holder’s Guide.  She imagined building clay houses and hanging out with her fellow researchers, drinking Fernet and Coke.  She even considered the idea of an affair with an attractive researcher.  (more…)

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SOUNDTRACK: DJ PREMIERE & THE BADDER BAND-Tiny Desk Concert #644 (August 21, 2017).

This is a fascinating Tiny Desk Concert. DJ Premiere plays turntables–scratching records and hyping the audience.  But he is accompanied by a live band: a five string bass, a trumpeter, a trombonist and a drummer.

Who is Premiere?  Three-time Grammy winner DJ Premier, one of the definitive architects of New York hip-hop, brought a new type of life to NPR’s Tiny Desk: our first concert helmed by a DJ.

The set list rested on the undeniable footprint of Preemo’s classics, but this was more than just another DJ mix. His touring outfit, The Badder Band, overlaid Premier’s blends with an undulating electric bass courtesy of Brady Watt, a steady accent on the one from drummer Lenny “The Ox” Reece and boisterous horns from Mark Williams and Jonathan Powell.

I don’t know much about DJ Premiere, although I have learned that he was part of Gang Starr (which explains why there is so much Gang Starr represented here).  He medleys these songs together in a 24 minute mixtape

  • KRS-One – “KRS-One Attacks”
  • KRS-One – “MC’s Act Like They Don’t Know”
  • Das Efx – “Real Hip-Hop”
  • Nas – “Nas Is Like”
  • Jeru The Damaja – “Da Bichez”
  • Gang Starr – “Step In The Arena”
  • Gang Starr feat. M.O.P. – “1/2 & 1/2”
  • Royce Da 5’9 – “Boom”
  • Gang Starr – “Moment Of Truth”

So he spins the discs and includes some of the raps from the records.  Especially the ones where he himself is mentioned:

Clap your hands everybody, if you got what it takes
‘Cause I’m KRS and I’m on the mic, and Premier’s on The Breaks
(from “MC’s Act Like They Don’t Know”)

there’s also this line

If you don’t know me by now I doubt you’ll ever know me
I never won a Grammy, I won’t win a Tony
[Premiere points to himself and holds up three fingers at the Grammy line]

He gets the Tiny Desk crowd hyped with them repeating “Hell yeah, fuck yeah, the real hip hop.”

He does a lot of scratching and repeating with Das EFX

And he features some of these great lines:

Yo, you niggedy know that I’m back man
You’re wack man, I eat a rapper like I’m Pacman
I briggedy bring it, straight from the cella
Fo’ realla, packin more hits than Lou Pinella

It’s me the Nigga wit G’z
The B double O K-S
So say yes I’ll bust your caliber
When I pop shit and rock shit like Metallica

The original song is a simple slap bass line, but here the live band adds a cool funky bass line and live drums.  It’s really cool watching how he does all his turntable work

As it switches to Nas, the horns come in, playing a jazzy riff with some nifty bass underneath.  Premiere hypes everybody up Tiny Desk WHAT! Don’t be no motherfucking bitchez (from the Jeru the Damaja song).  There’s a ripping trumpet solo followed by an interesting trombone solo

Gang Starr gets a pretty lengthy rap from “Step in the Arena.”  There’s a pause and then the violins from “1/2 & 1/2” kick in.  Premiere air violins (poorly) before a shout out to M.O.P.  He raps the end line with the record.

He does a very long scratching intro to Royce Da 5’9’s “Boom” and the drummer spins his cymbal.  Premier adds some clicking sounds from another record.  He gets another name check in this song:

Me and Premier, we kind of the same in ways
We both speak with our hands in dangerous ways

He seems to be adding samples to Gang Starr’s final song.  He’s pressing buttons and making sounds but I don’t know if they are part of the original or not.

When the rapping is done, they jam for two minutes.  Premier plays some samples, the bass rumbles away, the drums keep a fast beat and the horns kick in to rock out to the end.

This is a really fun show and I could totally see how much fun a live DJ show like this would be if you knew the songs he was mixing.

[READ: June 25, 2017] “The Piano Teacher”

This is a short piece about a piano teacher, Miss Nightingale.

She was in her early fifties and was a quiet beauty.  Although single, she felt she was fortunate.  She might have married but is involved with a married man instead.

But mostly she is happy that she can make a living teaching students to play piano.

The boy with her now was a delightful student, eager and talented with a bit of cockiness.  Although he was always silent.  He seemed shy somehow–never prattling on and she couldn’t understand why he had been moved through several teachers already. (more…)

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SOUNDTRACK:THEM CROOKED VULTURES-Live on Austin City Limits, Feb 13, 2010 (2010).

This set from Them Crooked Vultures is outstanding. I really like the album, but in a live setting these three (technically 4) guys are on fire.  They extend the songs a bit but are always tight as a drum.  Josh Homme is a great front man, even if he’s not that animated.  He shares guitar duties with Alain Johannes who is not on the album, but who gets some great sounds out of his guitar.

Dave Grohl is in his drum-pounding glory back there.  Man, he hits the drums hard.  And he seems to be really enjoying himself .

 And the biggest surprise (sort of, but not really) is John Paul Jones.  He fits in perfectly with the two younguns, and he really shows them how it’s done.  His bass work is phenomenal: fast, furious and accurate to a fault.  He also plays keyboards, an LED pulsing 12-(at least) string bass and a fascinating purple electric slide guitar contraption on “Nobody Loves Me and Neither Do I”.   Matt Rosoff from cnet explains this guitar here:

It looked like some sort of slide guitar with an electronic screen. I’d never seen anything like it before, so I did a little digging and found out from a March interview in Bass Player that it’s a custom-made axe created by Hugh Manson, who has been Jones’ tech for some time and who owns a renowned guitar shop in England. It’s essentially laid out like a lap slide guitar, modified so Jones can sling it over his shoulder and carry it around on stage, and with two extra bass strings at the bottom.

So what about that rectangular screen? According to a forum post on the EMG pickups site, it’s a MIDI controller that Jones can use to trigger stage lights. I imagine it could also be used to trigger various effects, similar to the modified Korg Kaoss controller that Manson built into a guitar for Muse’s Matt Bellamy.

If you’re already a fan of the band, you really need to check out this live show; they are amazing.  And if you’re not a fan, you will be after this show.  This is how I first heard  them and I was blown away.

You can watch the show online on PBS.

[READ: July 27, 2011] Five Dials Number 20

I didn’t expect to get caught up to Five Dials issues so quickly (has it really been 20 weeks already?).  This is the most recently releases issue!  They aren’t getting published as often as I expected.  Which is fine.  But the funny thing with this issue is that there were several printing errors in the initial run of this issue.  I don’t know if this has happened before, but it seemed so noticeable to me, that I had to wonder how it slipped by everyone.  The most obvious was that the front page had many ƒƒƒƒ characters (these were also evident in the Word Cloud later on).  There’s a word missing from the fiction “the thin cold stillness you got [  ] this part of the country” and there’s a crazy typo in the Fiction story later on. The errors have now been fixed.  But, the letter to the editor (and this has not been fixed) promises us a picture which isn’t there. “Here’s a photo of Doni at the reading – he did a brilliant job.”  I’ll assume they were partying too hard at the Port Eliot Festival to make sure  the issue was launch-ready

CRAIG TAYLOR-A Letter from the Editor: On Cable Street and General Interests
There were some serious race riots on Cable Street back in 1936.  Indeed,the head of the British Union of Fascists, Mosley, and his aggressive supporters were turned back by a noisy crowd (Irish women throwing fishy potatoes at them).  The rest of the magazine he says is general Interest, an anachronistic term from the 20th century before all magazines had to specialize in something.  I mentioned in my introduction that there was a photo error here.  Doni Gewirtzman performed a reading at the launch of Five Dials 19.  They couldn’t out the picture there, so they added it here.  Perhaps in Issue 21? (more…)

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