SOUNDTRACK: LES CLAYPOOL-Of Whales and Woe (2006).
Although Les Claypool had been making all manner of jam band based “solo” records, he finally got around to releasing another one under just his name. Although interestingly, Frog Brigade members Skerik on sax, Mike Dillon on vibes and marimba and Gabby La la all appear on this disc as well. But this is the Les show, from start to finish.
I had reviewed this disc a few years ago. Some things I said then:
On the first few listens, when I wasn’t listening very carefully, I really enjoyed the disc. It reminded me a lot of Primus, although it had a lot of Les’ solo quirks. However, once I started scrutinizing it a bit more, I found I didn’t enjoy it as much.
Most of the songs are stories about various bizarro characters. And although I love Les’ characters, this turns into one of the downfalls of the disc. In the great tradition of storytelling songs, the songs tend to be verses only with nary a chorus. And that’s fine because most storytellers use the music as a background to accompany the story. Les’ music is far too aggressive/innovative/interesting to be background. So when you get a great wild bass line, you’re attracted to it. But when it lasts for 5 minutes with no changes, it’s exhausting. And trying to listen to lyrics along with it is, well, I think your brain just shuts down (especially when they are recorded low in the mix and are hard to hear). And so, the album feels a lot longer than it is.
“Back Off Turkey” is wild and crazy sounding music but the vocals are so muddy it’s impossible to tell what’s up with the song. It feels more like randomness than an actual song. “One Better” is an amazing track, highlighting just how great Claypool is as a songwriter and arranger. This song lasts pretty long but because there’s a lot of different things going on, it never overstays its welcome. The vibes are great once again and this has a great sax solo. “Lust Stings” sounds a lot like Tom Waits. Musically it is interesting but lyrically not so much.
“Of Whales and Woe” has a great bass line and I love the theremin solo (from Gabby La La). Gabby also plays sitar on “Vernon the Company Man.” The sitar is a great change of pace from all the heavy bass stuff. Although this is definitely a song that benefits from brevity. “Phantom Patriot” has a good bass riff. It’s a nice stomping song that is catchy but could use another part in it.
On the opposite end from the bass heavy tracks, we have “Iowan Gal” a light-sounding and light-hearted romp about, well, an Iowan Gal. Les plays bass banjo and there are lots of little quirks in there–bow ditty bow bow. “Nothing Ventured” has some cool vibes and sax. It’s fun to hear the Robot Chicken theme song in here as well. “Filipino Ray” has some good funky bass. The disc ends nicely with “Off-White Guilt” a cool instrumental with horns and vibes.
I imagine that Les was happy to get more into his own head on this album. But as with lot of other things he’s done, I feel like when he plays well with others he really shines.
[READ: January 21, 2015] “The Start of the Affair”
Despite the title, I felt that this story was really quite sad.
Set in South Africa, this is the story of James MacPherson, a retired professor from Johannesburg. He has settled down and bought a restaurant. He doesn’t really have much to do with the restaurant itself, leaving all of the day to day decisions to the manager, Yacine, a Moroccan. We learn quite a bit about James, but the story has more to do with James’ interest in a local merchant named Ahmed.
Ahmed is Somali and reminds James of a Somali boy he knew once a long times ago. James never did anything with that boy and when he first saw Ahmed her feared that it was the same boy just now grown up. But when that proved to be untrue, James decided to show some interest in the young man. (more…)
I Just Read About That... 