SOUNDTRACK: ERIC HARLAND AND AVISHAI COHEN-“Scrap Metal Improv” (Field Recordings, February 28, 2012).
This Field Recording [Eric Harland And Avishai Cohen: Scrap Metal Improv] is set behind the scenes at the 2011 Newport Jazz Festival.
Eric Harland is the sort of drummer who can conjure the music out of just about anything. And when you are this sort of drummer, you get asked to play with a lot of different musicians. When he joined us for this field recording, Harland was in the middle of playing three sets with three different bands in under five hours at the Festival.
One of those gigs was with the trumpeter Avishai Cohen and his band Triveni. Right after they finished with their set, we absconded with both trumpeter and drummer into an abandoned quadrant of Fort Adams State Park for a little experiment. Watch as Harland squats and annexes a rusty piece of scrap metal for a makeshift ride cymbal. The following improvisation seems to just fall into place.
This is an unusual field recording because, indeed, as it opens Harland is banging on pieces of metal (they sound pretty good too). He plays for a bout a minute and then Avishai comes over and plays a two-minute trumpet improv around what Harland is doing. It’s pretty need and a good example that you can make music anywhere.
[READ: January 22, 2018] “How Beautiful the Mountain”
This is (surprise) a strange story–one of those where the narrator just seems to be having a great old time being weird and rambling. Where a descriptive paragraph just turns insane.
After a nice descriptive paragraph about a country it gets a bit, questionable: You could perhaps say this country has the smoothness and the symmetry of the inside of a much used mouth. I am the suckhole, the chewing and the cud.”
After this statement, “During the twentieth century there arose in some peripheral parts of the globe an obsession with democracy and human rights. Don’t bother to read the rest, it is of no importance.” (more…)
