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Archive for the ‘Dead Can Dance’ Category

SOUNDTRACK: LES MOMIES DE PALERME-Brûlez de Coeur [CST070] (2011).

This is the second disc from Constellation’s MUSIQUE FRAGILE 01.  Les Momies de Palerme, comprised of Marie Davidson and Xarah Dion, create ethereal music that would not be out of place on NPR’s Echoes (wonder if John Diliberto knows about the album).

There is a female vocalist who has qualities of Cocteau Twins’ Elizabeth Fraser (big surprise there) as well as early Lush.  But while the music is often swirling and intriguing, it is also sometimes odd.  There are moments in “Solis” which remind me of Pink Floyd’s “Several Species of Small Furry Animals Gathered Together in a Cave and Grooving with a Pict.” (That’s the second time I’ve mentioned this song in just over a month).

“Incarnation” has a vaguely middle eastern feel and works more in a Dead Can Dance kind of vein and “Le Cerf Invisible” has some really cool sound effects that spring up throughout the song.

The title track has a spoken word section that reminds me of the spoken word part in Sinéad O’Connor’s “Never Get Old” from The Lion and the Cobra (probably because it’s spoken by a woman and is in a foreign language, although on Sinéad’s album it’s Gaelic (spoken by Enya(!) and on this one it’s French).  I rather like it.

Most of the songs are longer than five-minutes, but there are two short ones: “Médée” is just under three and “Outre-Temps” is just under two, but they retain the same style of music, although “Médée” introduces acoustic guitars.

“Je T’aime” ends the disc with a bit more acoustic instrumentation.  The album kind of becomes more grounded as it goes along.  But it’s always ethereal.  It’s a neat experience.

Their website has a great front page, too.

[READ: January 23, 2012] Five Dials Number 22

Most Five Dials issues are chockablock with different ideas: contemporary issues, flashbacks to the past, fiction, poetry, ethics, music.  A wonderful melding of interesting ideas.  But Number 22 is entirely different.  Simon Prosser and Tracy Chevalier co-edited this issue and as they say in the editor’s note, they asked a group of contributors “to write grown-up fables about nineteen trees native to the UK.”

This issue is also promoting trees by highlighting the work at http://www.woodlandtrust.org.uk, an organization with three aims:

1 Work with others to plant more native trees…

2 Protect native woods, trees and their wildlife for the future…

3 Inspire everyone to enjoy and value woods and trees…

Simple but noble goals.  You can even buy a copy of this book in print from them at their store.

Even though I love nature and like being in the woods, I don’t know a lot about different kinds of trees.  I’m always stumped when it comes to tree identification.  So this issue was kind of enlightening for me.  Each fable has a picture of a leaf (presumably from that tree) which were painted by Leanne Shapton.  The fables also create backstory for what tree-lovers know about their favorite trees, and so this was also helpful just to learn what people know about trees.

But at the same time, it makes me uniquely unequipped to really talk about these fables.  So I’m just going to list the authors and their trees and say a word or two about their style. (more…)

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SOUNDTRACK: BRENDAN PERRY-Live at KEXP, July 26, 2011 (2011).

Brendan Perry was the mastermind behind Dead Can Dance, one of the more influential bands on the 4AD label.  I really haven’t listened to them in ages (goth is so 1990s), but I was delighted to see that Robin Guthrie and Brendan Perry performed a live set at KEXP.

There’s an interview explaining what Perry has been up to since his last solo album (in 1999)–he has a new one from 2010 that was just released in the States.  He explains a lot about his early musical career and his interests (and living in New Zealand).  But the magic really comes when he starts singing.  And sadly his set has only two songs: “Song to the Siren” and “The Carnival is Over.”

Indeed, I had forgotten what a great, resonant voice Perry has.  It is instantly recognizable and brought me back to Dead Can Dance immediately.  “Song to the Siren” is a Tim Buckley cover, which he (and others) recorded for This Mortal Coil’s It’ll End in Tears album.  This version has Robin Guthrie on guitar. 

The other song, “The Carnival is Over” is a Dead Can Dance song (from Into the Labyrinth).  This song is piano and strings and is immediately recognizable as a Dead Can Dance song.  I admit it’s not as moving as the Tim Buckley song but that would be hard to accomplish (what is it about Guthrie’s echo pedal that is so amazing?).  Nevertheless, it’s a great reunion and wonderful to hear his voice again.

[READ:  July 19, 2011] Modelland

When I was at BEA, there was a lengthy line forming at one of the publisher’s tables.  I found out that it was for Tyra Banks, who was making a “surprise” appearance.  I certainly wasn’t going to wait for her, but after a few minutes, I heard people saying that she would be coming momentarily.  So I hung out and when she arrived with her entourage, I snapped a few pictures and left.

A few days ago, my former co-worker Sandy came to work and left me a [signed!] copy of this excerpt (she had waited for Tyra and got her autograph).  I really had no intention of reading the book, but I was delighted to have a copy of it.  In the interest of embarrassing full disclosure, Sarah and I watch ANTM.  However, in our defense, we FF just about every time someone speaks.  We basically like it for the photo shoots and the final pictures.  But we both feel that Tyra is a looney-tunes egomaniac. 

But seeing the book on our table made me have to read it. 

So how good could this book possible be, especially when the main character is named (seriously) Tookie de la Crème (and her sister is named Myrracle).  Oh and holy cow Tyra’s own introduction says that this is the first book in a trilogy!  Good grief.  

The summary of the story is:

Welcome to Modelland, where every girl dreams of the beauty and glamour of the Land on the top of the mountain. Every girl but one.

Right.

Well, surprise, surpise…the story is actually quite interesting. (more…)

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