S
OUNDTRACK: DESTROYER-Live at Massey Hall (July 10, 2014).
Destroyer is Daniel Behar (who is also part of New Pornographers and other bands). Usually, Behar is surrounded by a lot of other people when he plays. His music tends toward the symphonic.
But for this show (his first time at Massey Hall), it is just him with his acoustic guitar.
In the introduction he says that he gave up playing the guitar a long time ago, but he couldn’t just do a set with him signing a capella so…. He observes that he’s been playing with an 8 piece band–they solo forever and I’m barely singing anymore. So this is quite something.
He seriously downplays the show saying he doesn’t even really like “guy with guitar” music, he’s more into Sinatra or the Stones. “This is an anti-advertisement for the show I’m about to play.”
He plays songs from throughout his catalog.
“Foam Hands” is not that different, although I do prefer the recorded version. In this version, though, I like the way he plays the end chords loudly and dramatically and the way the song abruptly.
“Chinatown” is a much bigger song on record with backing vocals and a rather cheesy sax throughout. So I like this version better.
He introduces “Streets on Fire” this way: “Here’s a song I wrote 20 years ago. Showing off because lots of you couldn’t write songs twenty years ago because you didn’t know how to say anything. Couldn’t play guitar. Didn’t know the chords didn’t know words. Pathetic.
The song is from his debut when it was just him and a guitar. This version sounds 100 times better.
“European Oils” I love this song from Rubies and I especially love the orchestration of it. So while I enjoy this stripped down version I’ll take the record.
The original of “Your Blood” is a romping fun song (also from Rubies). This is slowed down but still nice. And of course I enjoy that my daughter is mentioned; “Tabitha takes another step.”
“Savage Night at the Opera” has a great bass sound in the original, although this stripped down is very nice.
“Farrar, Straus and Giroux (Sea of Tears)” is a quiet song (the original has drums and piano but’s not that different from what’s here). It’s quite pretty as is the whole set. A real treat for fans of Destroyer.
[READ: May 3, 2018] “The Boarder”
This story was translated from the Yiddish by the author. Singer died in 1991, so I’m not sure if this is a recently found story or an old one that has just been published..
This is a simple story about a pious man and a non-believer.
Reb Berish is the pious man. He eats only twice a day; he prays for many hours a day. He had recently retired from his business in fabric remains and had little to do. Over the last forty years, his wife had died, his son had died and his daughter had married a gentile in California.
He didn’t want to live alone so he took in a border, Morris Melnik. Melnik paid $15 a month, but that wasn’t the point. Berish was taking pity on the man who had literally nothing left in his life–no family, no job, no God. Melnik was a heretic; a nonbeliever.
He mocked Berish for praying “to the God who made Hitler and gave him the strength to kill six million Jews. Or perhaps to the God who created Stalin and let him liquidate another ten million victims.”
It sounds like the premise for a sitcom, but this story does not do that. (more…)
I Just Read About That... 