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Archive for the ‘Blue Eye Extinction’ Category

[ATTENDED: August 19, 2023] Parliament-Funkadelic featuring George Clinton

I’ve had Parliament’s Greatest Hits since like 1990.  I have a couple Funkadelic albums.  I am in no way a huge fan, but I’ve always liked them and I’ve always thought that George Clinton was a pretty great guy.  I realize 100% that the P-Funk heyday was literally decades ago.  And of course I knew that any P-Funk concert in 2023 was going to be an imitation of what the band(s) got up to back in the day.

But since George was going to be there and his name was on the marquee, I assumed that this show would be a 21st century update to the classic P-Funk show.  And with the technology (and costumery) available, it seemed like this could be an outrageous spectacle.

And it was not.

Well, it was a spectacle.  There were some forty people on stage over the course of the night.  Not even all of them were musicians.  There were people ringing in the stage (one woman had her purse with her) who I’m guessing were VIPs or who won a contest or something.  When the band first came out there were four horn players, two guitarists, a bassist, a drummer, a keyboardist, a disembodied voice (eventually I located him), four backing vocalists and George himself.

These musicians came and went throughout the show, sometimes being replaced by others.  And who even knew what was going on in the back where people were unseeable. (more…)

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[ATTENDED: August 19, 2023] Fishbone

I first heard of Fishbone from John Cusack wearing a Fishbone shirt in Say Anything (1989).

And it wasn’t just a random T-shirt

[Cusack didn’t like the boom-box scene].  In a last-ditch effort to convince his star to try the scene the way it was written, Crowe told Cusack that the song blaring from the stereo would be by the band Fishbone. At the time, the actor was a big fan of the ska group, and their music’s inclusion helped persuade him to give it a try. The shot worked, but the scene was still a long way from reaching its legendary form.

(While sources all agree that a Fishbone song was played from the boombox on-set, which song was used seems up for debate. AFI claims it was “Question of Life, Mental Floss says it was “Turn the Other Way” and Uproxx believes it to have been ”Bonin’ in the Boneyard.” For the sake of argument, we’ll trust Crowe, who said that “Party at Ground Zero” was the song used.)

Anyhow, I liked the logo and decided to check out the band (or at least that’s how I remember it).  I loved their first EP with it’s funky dancey, naughty songs.  And Truth and Soul followed to great success.  Then it was their terrific The Reality of My Surroundings which sold me for good on Fishbone.  They even had a pretty big hit with the very heavy “Swim” from the following album.  So I’d been following Fishbone for about five years and hen kind of lost touch with them.

But those albums received a ton of play in those years and I never forgot how much I loved them.

So when I saw that they were still together (or reunited or whatever) I was surprised and delighted.  There’s been a ton of lineup shuffling over the years, but as of this concert, four of the six original members are now back (or still) in the band. (more…)

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[ATTENDED: August 19, 2023] Blu Eye Extinction

I had been looking forward to this show quite a lot.  I’ve loved Fishbone for years and I assumed that PFunk would be a lot of fun.

At the last minute I found out that there was going to be a third band, Blu Eye Extinction opening as well.  I was pretty tired going in so this wasn’t welcome news.

I walked in as they were playing and I rather liked their sound–a rock/funk/rap experience.  Off t the side of the stage was a woman playing keys and singing backing vocals.  But he singing style was… different.  Kind of operatic and not exactly related to the melody.  It was a puzzle for sure.  So I looked them up and found this

Blu Eye Extinction is a NYC-based funk fusion band.  The brainchild of Isotopia Records’ Constance Hauman who brings an unlikely combination of opera, jazz and funk to her keyboards and vocals, is only possible with the funk foundation and masterful grooves of the electric bass of James Jones. His unique style also encompasses his vocals, supporting Henry Ott’s rock guitars…  If that isn’t enough, you add front man and emcee TJ Robinson on trombone, percussion and rap vocals, supported by JS Williams‘s rich trumpet w/ R&B vocals, and last but so not the least, Joshua Keitt’s metal-rock funk drums, it is no wonder that audience’s minds have been blown on the 50 UK and US shows since their debut at New Orleans Jazzfest April 29, 2022.

(more…)

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