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Archive for the ‘Amenra’ Category

[ATTENDED: April 5, 2019] Voivod

I’ve been a fan of Voivod for decades.  But I never saw them live when I was most into them (late 80’s).  Then after Denis “Piggy” D’Amour’s death in 2005 I assumed I never would.

But amazingly they found a guy who plays guitar very much like Piggy did–a bizarre hybrid of prog, metal, dissonance and eerie harmony.  That man is Daniel “Chewy” Mongrain.  Chewy is able to play Piggy’s parts.  And his new parts are very much in the style of old Voivod, but are certainly his own (his soloing style is definitely different for instance.  And since recording songs with him in 2013, Voivod have been touring fairly regularly.  (They played Philly in 2015 and 2016–to see them at the Black Box in Underground Arts would have been amazing!)

For a band that’s been active (in one form or another) for over 30 years, they still had a lot of fun on stage.  If there’s one thing I love it’s seeing a band enjoying themselves.

Strangely, in the 30 years that they’ve been together, nearly everyone has been replaced (with some returns), and there have been a number of styles. (more…)

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[ATTENDED: April 5, 2019] Amenra

I had heard of Amenra, but I really didn’t know anything about them.

I had no idea that they were from Belgium, which I find weirdly exciting.  I also didn’t know that they’d been around for twenty years.  In that time they have released six albums: Mass I, Mass II, Mass III, Mass IIII, Mass V, and Mass VI.

They were founded by vocalist Colin H. van Eeckhout and guitarist Mathieu Vandekerckhove, (Belgian names are awesome).  In this incarnation, they are joined by drummer Bjorn Lebon, guitarist Lennart Bossu and bassist Levy Seynaeve.

I was running a few minutes late when I got to Union Transfer.  Amenra had just taken the stage, but I needed to use the restroom.  The good thing about metal is that it is loud, easily heard in the restroom.  The good thing about Amenra is that they started the show with a lengthy section of almost ambient music.  Over strummed guitar, van Eeckhout clacked two rods together.  His back was to the audience as the tension built. (more…)

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