SOUNDTRACK: BIDINIBAND-The Carleton, Halifax Nova Scotia (December 7, 2009).
This is the second night at The Carleton. The previous night they played for two and a half hours; this show is ten minute shy of 3 hours. There are two recordings of this show, an audience and a soundboard. The audience one is quite good although occasionally when Linklater plays a loud guitar it drowns out the vocals a bit.
Unlike with the Rheostatics, this band plays pretty much the same setlist (mixed up and with some songs stretched out) both nights. Even the guests are he same.
The only new songs are “Midnight Ride Of Red Dog Ray,” “Bud the Spud,” “Pornography,” and “Wendell Clark” and they don’t play “Big Men Go Fast on the Water” or “Moncton Hellraisers.” There’s a lot of chatting during the show: “Man I miss Halifax already. I feel like we left and then came back all in that last song.”
“Memorial Day” sounds great, a slow expansive epic song with a really intense, wailing guitar solo at the end. “The Continuing Saga of Canadiana and Canadiandy” and “Paul and Donna” are sweet and boppy, although Paul & Donna sounds like it’s going to start as “Michael Jackson” before locking into “P&D.”
A noisy version of “Fat” (after the ‘I said you were fat’ line, Dave says, “it happens… we were just talking and stuff.” It runs about 9 minutes and then he says, “sometimes one word titles suffice, like “Fame” Someone else: “or Sting!” Dave: “Sting is not a song it’s a lifestyle.” Paul: “Does anybody here read the National Post? (no reaction). Dave’s been writing a weekly column for the National Post and none of his friends read it. Dave: “They are too cool.” Paul: “He wrote an article about Sting a mock interview. Dave: Sting said he couldn’t do his job if he was a fat kid. Dave doesn’t understand why and name checks larger people: Billy Joel, Fats Waller, Chubby Checker. And as they are thinking of them, Dave says it’s time to bring up a guest.
Ruth Minnikin sings a slow, moody “Stolen Car.” And there’s a plug for the Peanuts Christmas album on Zunior: “It’s amazing, Ruth has taken Beethoven and messed with it in an amazing way.
“The Ballad of 1969” is an interesting mellow and folky song segues into the punky, 1 minute “Take a Wild Ride.” It’s followed by a bluesy version of “This Song Ain’t Any Good.” Dave has a lot of fun with the “you can play it when you’re drunk” line–he keeps messing up the sing along part.
Doug is friends with Chris Pennell a local pop and slap bass hero. All of the gear we’re using tonight (and last night) was provided by Chris. (we never learn why) . Some of the gear includes pillows, blankets and beds.
Dave then tells a Stompin’ Tom story which says it’s in his contract that if you tour with him he can never be the last to go to bed at night so someone has to stay up and drink with him. The drummer spent 3 days on hospital with alcohol poisoning. Speaking of contracts, Al, is it time? It was in your contact, must follow a medley. Al tuck sings a mellow song called possibly “The Rights of His Descendants.”
At Mike’s behest were going to do 2 sets–you can mingle buy merch. It’s not merch, it’s art.
Leading into “The Land is Wild,” Dave says that Fogarty was a genius hockey player, broke Gretsky’s records at 12. But he didn’t like hockey, he liked Metallica and Wrestling.
The next song is about the deep winter on the west coast. Anybody hear from British Columbia? Anybody here form Alberta? Anybody her from Alaska? You gotta ask. “Desert Island Poem” has Leo Sayer eat their drummer. This folky songsegues into a folkie, upbeat version of “The List.”
Dave says, …. if you wanna buy shots for the band, we really really discourage it. If you want to go to the bar and are satisfied with the performance, we seriously discourage you. Its’ the last thing the band need (the band plays Tequila) Don says if you do buy is shots don’t invite us back to your house or I might puke on your ceiling. A woman from Sydney whose sink don threw up in is there and Dave tells the every funny story about a crummy gig that turned into a debauchery filled night.
“Popcorn” has a lengthy ending section and Dave sings “Walk on the Wild Side.”
Then Dave shouts, “Where the fuck are our shots?” Don: “Well, do you want shots or popcorn?”
“Michael Jackson” is quite subdued, he even quietly speaks the first “Michael.” It segues into “My First Rock Concert.” The rest of the band sings the Joe Jackson part, and the song has a cool solo from Paul and then right after the swan dive part it segues into “Yemen.”
Mike O’Neill, will you come up and do a shot and a song with us. What do you think of Mike’s ‘stache [cheers]. Wait what do you think of Mike without a ‘stache [more cheers]. Don: That ‘stache is freaking me out man.” Mike: I don’t think my contribution to the Zunior album was that much less than Ruth’s. Chuckles. They sing “Mr. Carvery,” which sounds a bit like The Jayhawks
“Midnight Ride Of Red Dog Ray,” is “unamplified, Band moving around the bar. Dave on acoustic, Paul on Al Tuck’s acoustic guitar,Don and Doug on tambourines A 13 db boost was added to make more audible.” Dave is singing and sings the wrong verse–“fuck!” As he’s getting it back someone starts singing, “My First Rock Concert.”
Dave: “More shots!” Someone: “You guys gut 7:30 flights, right?” Dave dedicates his shot to Ruth Minikin and Al Tuck. Don: “It’s always best to leave Mike O’Neill out I fins. If you can hurt Mike O’Neill with a small gesture its always the best thing.
Dave: Dedicating a shot to him would just piss him off.
Don: Hes going to go home and write a song…. I just want to hurt mike O’Neill just a bit because of that mustache.”
“Last of the Dead Wrong Things” rocks and eventually segues in “Making Plans for Nigel.”
They play “Bud the Spud,” and then “Earth,” which has a nice simple drum solo. The drums play on and on and then Dave segues into “Horses.” We’d like t invitee Chris up–it’s your fucking bass. He says he’s like Mike O’Neill on stage with a tambourine–stereo tambourines with Ruth Minikin.
Doug: Do you guys want to hear something funny? I have to be at work at 10AM tomorrow, in Toronto. [groans].
What kind of work do you do?
Doug: I’m a high school teacher. [laughter].
They play “Pornography” which opens a lot like “Bread Meat Beans and Rice.”
Doug: you guys are great I want to move here to Halifax–I just have to convince my girlfriend. Someone local says, “Doug and Paul are from Manitoba which is from now on the second most friendly province in Canada coz Nova Scotia has got these guys thinking about moving here.”
Dave seems pretty wasted by this point as he introduces “Wendell Clark” : I don’t care of you dot like the Leafs. If you don’t like the Leads you can suck my cock. That’s how I feel. Sometimes you just love stuff because it’s yours doesn’t matter how its judged.
we can all agree on one thing…no players play more virtuously than those from the great province of Saskatchewan. All Canadians love Saskatchewan.
When there were rumors that Wendell Clark was gay, I supported it. “Wendell was the rockingest leather fag on Church Street. If Wendell was gay then he was the best gay hockey player that there ever was.”
As the show ends, the host says, “You don’t have to go home unless you have to go school tomorrow, which I know most of you don’t. Generally we hang around and drink tequila with the band.
I think I love the Maritimes, too.
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“Animal Armies” features a series of stories called The Singh Tapes. But this book is also about Gus–as Dr Singh goes through his notes about Gus.
I love the delivery of this story–Singh’s notes run along the bottom of the page while the story above tells a parallel story without words. And in it we see that of all of the hybrids that were there, only Gus, Wendy and Bobby are left. Wendy is educated, but Bobby is very dumb–at least by human standards. He seems more animal than the others.
By the end Singh is convinced that Gus is somehow the cause of the Sick. (more…)