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The Afterglows (Kung Fu Necktie, Philadelphia, PA, February 21, 2026) [REMEMBER SPORTS]

Posted in Eraser, Kung Fu Necktie, Philadelphia, PA, Remember Sports, The Afterglows on February 21, 2026| Leave a Comment »

[ATTENDED: February 21, 2026] The Afterglows

The Afterglows are a Philly band–a duo–Sam Cook-Parrott and Michael Cantor (although I’m not sure who was who).

They took the stage at 7 (the show was pushed up a but, I guess because KFN had an event at ten).  One guy on guitar and another on bass and keys/drum machine.

Their songs were simple but their harmonies were really great.  They had a kind of slow, dreamy quality–retro in a pleasant way.

The lead vocals we shared between the two, with the bassist’s voice being the higher.  For one song, they switched instruments (and apologized for the delay) and then they went back to the basic setup.

Their set was really pleasant.  Songs of love and loss with simple melodies and nice harmonies.  None of which were more than 3 minutes I don’t think.

The last song, How This Ends rocked a lot more.  It was louder and even had a noisy guitar solo at the end.   A fun way to end the set.

SETLIST

Don’t Make Me Lonely §
Sea of Hate §
I’m Closing the Door ∇
The Nearest Window §
Here Comes the Night §
Bless My Soul ∇
Born Again §
How This Ends §

§ The Sound of the Afterglows
∇ The Afterglows

 

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The Rural Alberta Advantage (Johnny Brenda’s, Philadelphia, PA, February 18, 2026)

Posted in Johnny Brenda's, Jordan Burchel, Philadelphia, PA, The Rural Alberta Advantage on February 19, 2026| Leave a Comment »

[ATTENDED: February 18, 2026] Jordan Burchel

Jordan I saw The Rural Alberta Advantage two years ago at The Foundry and it was such a great show I couldn’t wait to see them again.  I even grabbed a ticket for my wife because I was sure she’d love them.  She didn’t feel up to going but I did and it was even more fun than last time.

The RAA is a trio with an unusual setup: Keys, guitar and drums, with the drums on the right side and the drummer facing the other two.  Nils Edenloff sings and plays acoustic guitar.  Amy Cole plays keys and (most importantly) bass foot pedals that add so much to these songs. She also has a floor tom that she occasionally bangs on.  And Paul Banwatt plays drums (which is the biggest understatement I can make).

I wrote this last time and I’ll say it again

But no drumming could compare to Paul Banwatt.  He has a fairly small kit, but it’s amazing that it’s still standing by the end of the show.  He throws in all kinds of fills on the snare and even the hi-hat.  He has speed and power and is simply amazing to watch.  I think that since the songs themselves are fairly simple, it gives Banwatt the ability to fill in any open spaces as needed.  Banwatt, who is also a lawyer (!) has to be the most underrated drummer out there.  The way he plays the drums in counterpoint to the guitar in “Drain the Blood ” is just incredible to watch.

He broke two drumstick by about the fifth song.

Amy Cole has a lot to do in the songs, but she also has parts where she doesn’t do anything.  So she skips around the stage, claps, or just hangs out in the back of the stage until one of her responsibilities is called upon.  She and Paul seem to communicate a lot on stage with meaningful looks.  They even had a kind of dance move for one of the songs when Nils was singing by himself.

For a band whose songs are so intense (Nils’ voice is so intense, I love it) they have a lot of fun.

They are not very prolific–they were still calling their last album (2023) their new album.  Although Nils did say that his friend got him to participate in a “write a song a week” session which really loosened up his creativity. They have been around for almost 20 years and have put out 5 albums (an easy band to get caught up with). (more…)

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Jordan Burchel (Johnny Brenda’s, Philadelphia, PA, February 18, 2026) [THE RURAL ALBERTA ADVANTAGE]

Posted in Johnny Brenda's, Jordan Burchel, Philadelphia, PA, The Rural Alberta Advantage on February 18, 2026| Leave a Comment »

[ATTENDED: February 18, 2026] Jordan Burchel

Jordan Burchel is a folk singer from Florida.  He writes clever lyrics over simple, catchy melodies. I’d never heard of him before the show but I liked him a lot.  I almost bought a T shirt from him (they were cool designs) but the line was too long.

He sang and played guitar and his wife (I’m fairly certain) Sam (he mentioned her last name briefly, but said Sam several times) sang the harmonies (which added so much to the songs!)

He joked that he wrote the setlist on a plate (a Johnny Brenda’s tradition, I feel) but that he couldn’t read the plate from where he was.

He was very funny telling stories between songs.  He even joked that he felt weird about bending over to get his water because he was afraid he looked like Marco Rubio in that video where he bent out of frame to drink a water–and he doesn’t want to be associated with that man in any way.

He made a joke comparing Florida where he was born and raised to his Aunt Jane while at his wedding. She hit on all of his friends.  Like Florida, he loves his Aunt Jane, he just wishes she were different.

And on another song he has a lyric about taking all the spoons and knives.  He said he didn’t really know what that meant and if anyone had any ideas they could tell him.  He said that after one show a very intense guy came up to him and said I know what it means.  You took the spoons and knives…. but you left the forks [end of statement]. (more…)

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Nine Inch Nails (Prudential Center, Newark, NJ, February 14, 2026)

Posted in Boys Noize, Newark, NJ, Nine Inch Nails, Prudential Center, Set in New Jersey! on February 15, 2026| Leave a Comment »

[ATTENDED: February 14, 2026] Nine Inch Nails

I saw Nine Inch Nails open for Skinny Puppy 37 years ago.  And never saw them again.  My son said he was interested in seeing them so when the announced this show I was like, hell yea, lets go.

I had heard the show was great, and I peeked at the setlist to see that there was a B stage (always cool) and a main stage.  I’m bad at song names so even though I saw what was playing I didn’t realize which songs they were, so a lot of it was a wonderful surprise to me.

After Boys Noize, Trent came out and played a song on the piano on the B stage.  We could see okay (except for that goddamned wire clump) but there was fog blowing down on them basically obscuring the whole proceedings.

And I can say this for this first time possibly ever,  I could barely see what was going on half the time and it was still one of  the best arena shows I’ve ever been to.

The sound was perfect–clean and crisp.  And as I said to my son, I was never bored or waiting for what came next for the entire hour and 45 minutes.  In fact, when it was 10 o clock, I couldn’t believe an hour had gone by.  It was just a killer show from start to finish–even the songs I didn’t know sounded great.  But most importantly, they played a lot of songs I did know!

While Trent played (You Made It Feel Like) Home, a quiet song, I was surprised at how chatty and weird the audience was during this, a woman shouted Happy Valentine’s Day and people laughed and whooped–it was so disrespectful.  But he seemed unfazed.

Then he pushed a button and started the second song, Non-Entity. While he was playing the cool piano melody of Atticus Ross came up on stage followed by his bassist Stu Brooks and guitarist Robin Finck and they added a fuller sound to the mix and wow it sounded great!

Trent got up and started singing Hey Piggy.  And while he did, a guy shone a spotlight on his face the whole time–walking around shining it right in his face–how weird.  But it sounded incredible. (more…)

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Boys Noize (Prudential Center, Newark, NJ, February 14, 2026) [NINE INCH NAILS]

Posted in Boys Noize, Newark, NJ, Nine Inch Nails, Prudential Center, Set in New Jersey! on February 14, 2026| Leave a Comment »

[ATTENDED: February 14, 2026] Boys Noize

I saw Nine Inch Nails open for Skinny Puppy 37 years ago.  And never saw them again.  But not because I didn’t like them, it just never happened.  Recently, my son said he was interested in seeing them so when they announced the continuation of this tour and it was in Jersey, I was like, hell yea, lets go.

I grabbed us seats straight back (the floor would have been awesome but unrealistic and too expensive).  And I figured we’d have the perfect view.

Getting into Newark is always a pain in the ass.  I’d rather go to Philly.  However, in this case our show had a better setlist than Philly so, hooray.

We showed up a little later than I intended but parking was a breeze (amazingly) and  then we saw what looked like a massive line to get into the place.  And holy crap it was a massive massive massive line.  There were thousands of people in various lines all clumped together and no one seemed to know what was going on.  No one from the venue was directing anyone.  And people were MAD.  My son and I accidentally cut the line and were in the middle of one of the massive lines, so we wound up getting in a little after 8. Some people missed part of NIN’s set, I have heard.  But we arrived and could hear that Boys Noize had started.

I didn’t know much about Boys Noize (who is Alexander Ridha a German-Iraqi DJ), I listened to a song or two but was kind of meh about them.  So we didn’t care that we missed them.  We got on the merch line and when we got closer my son said he didn’t really like any of the shorts.  And I was surprised that I didn’t either.  So we left the line and found our seats,

They were great.  lower level straight back.  Except that there was a massive power cable bundle running from floor to ceiling literally right in front of us.  It split the stage in half and was unavoidable.  I was lucky there was no one next to me because otherwise it was blocking Trent the whole time.

While we were on the merch line we could hear Boys Noize, and to me it just sounded like a loud drum beat.  When we finally got to our seat (and put earplugs in (Jesus he was loud) we were right behind the DJ.  He was on a small stage (not the B stage) and was tinkering with equipment as he mixed and added songs.  But mostly it was a (very) loud drum beat.  It was kind of weird. (more…)

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Iron & Wine: Free at Noon (World Cafe Live, Philadelphia, PA, February 13, 2026)

Posted in Free at Noon, Iron & Wine, Iron and Wine, Philadelphia, PA, World Cafe Live, WXPN 88.5 FM--Philadelphia, PA on February 13, 2026| Leave a Comment »

[ATTENDED: February 13, 2026] Iron & Wine

I have wanted to see Iron & Wine for a pretty long time.  But they’ve always been on my “casually” want to see them list.  I knew I liked them (him) whenever I heard them, and I’ve known that Sam Beam has an amazing voice, but I didn’t really know many songs by them.

So it seemed like going to a full on show might be too much?

When this Free at Noon was announced, it seemed like the perfect way to see him.  A 30 minute show in the middle of the day–not a major time commitment, and I could see if I really like him.

And I did!

It was just Sam and his guitar.  He played a few songs from his new album and then a few older songs too.  He chatted a lot, praised us for being so quiet and talked about how much he liked to play Philly.

At one point someone shouted What’s your name, which I thought was pretty odd.  Then I saw the person and saw that he had special needs.  Sam must have seen that too because he asked What’s Your Name.  And then Sam made a joke that people ask if he’s related to Jim Beam.  It was delightful how nice and friendly Sam was to everyone.  He seems like a genuinely nice guy.

One of his new songs has the line “fuck the man” which he sang (on the radio!–I actually wondered if he forgot he was on the radio).  Later on when he played All in Good Time it has the words shit in it, and he stopped himself from singing the word and then said, well, I already said fuck, so he sang shit. (more…)

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Dan Deacon (Underground Arts, Philadelphia, PA, February 6, 2026)

Posted in Dan Deacon, Moon Bounce, Philadelphia, PA, Underground Arts on February 7, 2026| Leave a Comment »

[ATTENDED: February 6, 2026] Dan Deacon 

I saw Dan Deacon three years ago and it was one of the most fun and uplifting shows I’d ever been to.  I knew I’d see him again and I planned to drag my wife along with me.  I knew that she wouldn’t really like the music, but I thought she’d really enjoy the experience.

After the last show I wrote

I would absolutely see him again, even if I need to wait another six years.

So it was almost 4 but it did take a while.

On the way to the show I told her that all of the things that I usually get mad at during a show don’t apply here.  People can talk, they can push, then can block my view.  It really doesn’t matter.  And, wherever we start it won’t be the same place when we’re done.

She seemed thankful for this primer and knew that this was going to be a very different show.

I had genuinely hoped that Dan would come out right after Moon Bounce was done (who starts a show at 9PM these days?).  Especially since Moon Bounce’s set was 30 minutes.  But he waited until 10.  Unlike last time, he had a live drummer, which was totally unexpected but a lot of fun.

He also took advantage of the venue’s video screen.  I thought he might project trippy images, but he explained that he had been meaning to make something but he didn’t.  So instead, he played a Phish show from Saratoga Springs.  It was so funny to see the guys from Phis playing behind him.  But he was thankful to them for putting out entire shows (2 hours) for free on line with no ads.

And then he started his music.  And it was loud.  I had intended to bring earplugs like always, but with the parking problem (and trying to find a reasonable spot) I forgot.  Dan’s music is repetitive and dancey.  He also sings and usually modulates his voice so that it’s insanely high pitched.  Which is bizarre but somehow even more fun. (more…)

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Moon Bounce (Underground Arts, Philadelphia, PA, February 6, 2026) [DAN DEACON]

Posted in Dan Deacon, Moon Bounce, Philadelphia, PA, Underground Arts on February 6, 2026| Leave a Comment »

[ATTENDED: February 6, 2026] Moon Bounce

Moon Bounce is an electronic musician.  He said he was originally from Philly then he moved to L.A. (don’t ever do it)and now he’s back in Philly.  He said he got his start because Dan Deacon turned him on to electronic music.

His set was thirty minutes and I enjoyed watching him.

He had all of his music on his laptop and he used various gear to pitch shift and modify the songs.  It was fun watching someone manipulate sounds in real time.  It was also fun seeing how well he knew his music (which duh, I know, but he would wave his hands in the air to the beats that were coming or angle his face when things slowed down).

His songs were catchy and he did sing (which I wasn’t expecting after the first few minutes of instrumentals).

It’s hard to really describe electronic music if you don’t know it that well.  There were beats and sounds.  He chose some cool sounds to go with the beats. At one point he looped an a capella sample from a rap album (which I can’t remember the name of).  The loop was one word repeated pretty quickly.  Then he slowed it down to match the beat of the next song.  “This is called a transition, it’s got to match 89 BPM, ok here we go.” (more…)

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Halima (Union Transfer, Philadelphia, PA, January 28, 2026) [SUDAN ARCHIVES]

Posted in Philadelphia, PA, Sudan Archives, Union Transfer on January 28, 2026| Leave a Comment »

[ATTENDED: January 28, 2026] Halima

I’ve known about Sudan Archives since her first album came out.  I wanted to see her in 2020, but her show sold out.  Then it was just before the COVID shutdown and her show wasn’t cancelled but hardly anyone went so I could have gone (but I didn’t know that and probably wouldn’t have gone anyway).  I had a ticket to see her a couple years ago but didn’t make it.  But then I finally saw her at All Things Go in 2023,so I was excited to get to see her again at her own show.

I had not heard of Halima, but she seemed to have some buzz around her.  She came out looking fierce in a half jacket with huge shoulders.  She had beads in her hair, marched out to the mic all by herself and started her backing music.

It was really impressive that she stood there with just the mic and her backing music playing as she sang her genre-unspecific music.  I really enjoyed the spare backing sounds of her songs.  omoge was a series of soft notes as she sang gently over them.    Her second song (which I never found the name of) was a bit more bouncy with some deep bass notes.

I really liked the sounds of cocoa body–a kind of percussive melody accompanied by deep bass notes.  Most of her songs were pretty short, but this one did have a middle instrumental section where Halima showed off her great dance moves.

Halima is British but she lives in Brooklyn.  I loved hearing her talk–there’s something really cool sounding about the way British singers say Phillleeee.  (more…)

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Agriculture (Underground Arts, Philadelphia, PA, January 24, 2026)

Posted in Agriculture, Knoll, Nina Ryser, Philadelphia, PA, Underground Arts on January 26, 2026| Leave a Comment »

[ATTENDED: January 24, 2026] Agriculture

I saw Agriculture open for Boris just two months ago.  I enjoyed their set so much that I knew I’d see them again and two months was not too short of a time to wait.

Agriculture calls their music ecstatic black metal and that description, while slightly vague, is really spot on.  There is screaming and growling, speed and heaviness but also a lot of brightness and beauty.

They put out a new album last year and most of their Boris set was from that album.  The headline set added two more songs form that record and a few more older tracks.

First out was guitarist Richard Chowenhill who started playing one note really really fast.  I was standing right in front of him and I was really blown away by how fast he was picking the string.   The rest of the band came out and started Flea, which features bassist Leah Levinson reciting lyrics while guitarist Dan Meyer who still has a big beard screamed gutturally.  The fact the the song shifts gears midway through to a pleasant, uplifting voice while Leah sings gently only make the screams that she does shortly all the more crazy.

I loved watching drummer Kern Haug.  He has exceptional sideburns and he plays so fast and yet with such precision.  I’m surprised for the second time that he wore a button down shirt,  But I was less surprised to see him trying to stretch out his back mid set because holy cow what a workout.

But it was really amazing being in front of Chowenhill as he played these amazing solos. Whether he shredded furiously or was doing fascinating finger tapping while sliding up and down the neck, the speed and accuracy were mind blowing.

It was pretty bizarre about half way through the show a guy pushed his way up front and started “singing” along to Leah’s screamed vocals. He clearly knew the words and he did try to sound screamy but it was almost like have a translator next to me.  I let him get in front so he’s stop shouting in my ear. (more…)

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