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Archive for the ‘Homelessness’ Category

SOUNDTRACK: THE NATIONAL-Tiny Desk Concert #279 (June 10, 2013).

I rather like The National and yet I haven’t spent much time really listening to them.  This Tiny Desk Concert really shows them off well.  It is extremely winning and enjoyable.

I enjoyed this part of the introduction:

we’d gotten word that the group would strip its sound way down for the occasion, sticking to two acoustic guitars and a bit of hand percussion. What we got instead was a fully fleshed-out septet, complete with horns and piano; the band showed up at 9:30 to rehearse and sound-check.

Though singer Matt Berninger had barely rested his voice from a show in the area the night before, The National dutifully performed gorgeous acoustic renditions of four tracks from its fine new album, Trouble Will Find Me.

I like the way the first song “This is the Last Time” starts quietly with just some acoustic guitars (playing quite interesting chords too) but builds, adding more and more instruments.  It grows and grows until it hits a new section where there’s a trumpet solo that fits perfectly in the song.  This new section introduces the second half of the song which never returns to the first part.  The backing vocals–between the guys singing the lines and the other guys singing the high “ahhh” that almost sounds like a horn–also work great together.  It’s a wonderfully full song.

“I Need My Girl” has a cool part with the two guitars.  They play a simple picked melody, but after the second verse, the second guitars plays it one step after the first, making it sound like an echo. And again that lone trumpet sounds terrific here.  This song is a bit more mellow.  In fact, this whole acoustic vibe sounds different from what I expect from the band.

The third song “Pink Rabbits” begins as primarily piano with lots of backing vocals.  But again the song builds slowly (with trumpet and trombone).  And again, after the horns go down there’s a backing voice that sounds a bit like muted trumpet.

Through the whole concert, I love Berninger’s casual demeanor while singing–hands in pockets, gently swaying.

Bob tells them that they are performing Tiny Desk’s first encore.  The blurb notes that the band:

even treated the hundreds of worshipful gawkers to Building 2.0’s first-ever Tiny Desk encore, in response to a roar of applause that could be heard in the far reaches of the newsroom downstairs.

Berninger says this is usually when they run back stage to piss but we’ll just go behind your desk.  Bob jokes that it’s no different from the trombone spit that he sees back there.

Berninger introduces “Sea of Love” by saying this is the only song we’ve ever written with a harmonica in it…and its the last one.

The full band sings and it sounds terrific.  I especially like the pause in the line “they say love is a virtue don’t….they” is pretty dramatic.  And I am tickled by the final lines of the song (while the backing singers do some great work: “I see you rushing down / tell me how to reach you / I see you rushing down / what did Harvard teach you.”

The National are usually more dramatic, I believe–almost theatrical, but this quieter version is really quite enjoyable.

[READ: April 2, 2016] Feathers

Jorge Corona introduces this book by explaining that he had an idea for a Beauty and the Beast kind of story that features a boy with feathers.  And it slowly expanded into the story we have here.

The story opens with a bright white city in the distance.  In the foreground, there’s some dark Victorian-looking houses.  And as we zoom in, we learn that the dark city is known as the Maze.  And in this Maze live the poor.  Little kids, called “mice” are street urchins who run all over the Maze.  And then there’s a man with a beard.  The man finds a baby in an alley.  The baby is born with feathers and he decides to take the boy in and raise him.

The scene jumps to eleven years later.  The boy, known as Poe has grown up and has stayed hidden.  He still has feathers and he goes out at night, but no one knows about him.  People just speak of the ghost–Poe–who swoops down unseen and does things (mostly to help the poorest) and then flees. (more…)

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SOUNDTRACK: WEEZER-Raditude (2009).

I didn’t buy this Weezer album when it came out because I had heard really bad things about it (like the “guests”), but when I saw it cheap I decided to check it out.  This has to be the most polarizing Weezer album of them all.  I listened to it twice yesterday.  The first time I thought I had been too harsh on it.  The second time I thought it was godawful.  It’s amazing what a couple of hours can do.

It opens with a wonderful bit of poppy wordplay ala Cheap Trick: “(If You’re Wondering If I Want You To) I Want You To.”  It’s catchy as anything and is a wonderful start to the album, even if it is probably their poppiest song ever.  From there though, the album really degenerates.  And mostly it’s because it’s so dumb.  I mean the album title should tell you what you’re in for, but who would have expected the moronic sub-pop-metal of “The Girl Got Hot” or even the reprehensible lyrics of “I’m Your Daddy” “You are my baby tonight And I’m your daddy.”  It’s just creepy.  Or gah, a song about the mall?  “In the Mall.”  It’s not even worth mocking.  And really, try to picture Rivers Cuomo in a mall.  Any mall.

But nothing could prepare anyone for “Can’t Stop Partying.”  Unlike Andrew WK’s ouvre, which is so sincere about partying that you can’t take it seriously, this song really seems to be about the guys partying.  It’s laughable.  The anemic rap but Li’l Wayne certainly doesn’t help.

Even the collaboration with Indian musicians on “Love is the Answer” (yes, seriously) doesn’t really work.  It feels like they wrote the song and then said, “Hey let’s throw some sitar on it.”  It’s not enough to be exciting but too much to ignore.

This is not to say that these songs aren’t catchy.  I mean, geez, I still have “Can’t Stop Partying” in my head while I’m listening to something else.   Rivers knows how to write a pop trifle.  And the more he writes songs like this, it makes me thing that Pinkerton was the fluke.  Which is fine. The music world needs poppy songs, right?

[READ: early August 2011] various nonfictions

I thought about doing individual posts for all of Arthur Bradford’s non-fiction that’s available on his website (that’s right,  yet another author that I have read short uncollected pieces by without having read any of his bigger works–I’m looking at you Wells Tower).  Bradford has links to all of his nonfiction ( I assume) on his website.  There are 12 links in total.  One is to his blog (which I’m not reviewing).  The rest are for articles covering a pretty broad array of topics from a pretty broad variety of sources.  (more…)

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SOUNDTRACK: SHARON VAN ETTEN-Epic (2010).

Sharon Van Etten caught my attention with the song “Don’t Do It,” which I love.  The rest of this album doesn’t have the intensity of that song, but rather, it gets under your skin with some great songs and interesting and subtle textures.

There’s only seven songs (running time just over 30 minutes), so “epic” is kind of a joke.  But she packs a lot into these songs.  The opening two songs are about 3 minutes each, and they are great alt-folk songs, especially “Peace Signs.”  They are sparse but effective.

“Save Yourself” adds more instrumentation, including a slide guitar.  But it’s the harmonies that really make the song great.  “DsharpG” is a cooly brooding song that never wears out its 6 minute length.   And “One Day” also has major potential to be a hit.

Of course for me the highlight is still “Don’t Do It” which gives me goosebumps with each listen.

What’s really impressive about the disc is how on the surface it seems like a simple folk album and yet every song has subtly different sounds and textures to makes this a really complex recording.

[READ: February 16, 2011] “Homeless in Sacramento”

Vollmann wrote a lengthy piece about death in the November issue of Harper’s.  Now, four months later, he’s back with an 18 page (!) article about homelessness. Now, normally I wouldn’t read an article about homelessness, because, well, because its a major bummer, but also because there isn’t anything that I can do about it and it doesn’t seem like there’s much new to say about it.

But I decided recently that I was going to try to read Vollmann whenever I encountered him, since it was unlikely that I’d ever go back and read his vast output.  So, here I am.

Vollmann does, in fact, manage to say something new about the homeless.  He begins by explaining that the house he bought had a vacant lot next to it.  And he has been tacitly encouraging homeless people to sleep there when they need to.  He has learned to like many of them and he finds that the frequent users have become “friends”–as much as you can in that situation. (more…)

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