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Archive for the ‘Funny (ha ha)’ Category

harpoctSOUNDTRACK: THE DECEMBERISTS, LAND HO!, BOBBY KNIGHT RANGER, LETTERS TO CLEO and more on PARKS AND RECREATION (April 24, 2014).

unityLast night, in the season finale of Parks and Recreation, the Pawnee/Eagleton Unity concert finally happened.  And, despite them never talking about who would be at the concert, the final show list was surprising and maybe not so surprising.

To see the Decemberists play live was a huge surprise and was totally wonderful (and to see Jenny Conley on keyboards looking healthy was very nice) especially since they have been more or less on hiatus for a time.  Although maybe it shouldn’t have been such a surprise since Michael Schur directed a Decemberists video a few years back.

Ginuwine played a song as well (I don’t actually know him), and it shouldn’t have been a surprise because in a past episode it was revealed that character Donna is actually Ginuwine’s cousin.

Then came Letters to Cleo.  This was a surprise because they’ve been broken up for years and, aside from a hit were never really all that big (I was huge fan and saw them live once).  Although it was not a real surprise because Ben has been seen wearing an LtC shirt from time to time on the show.  Seeing him sing along to the chorus (off stage) was great.  I also just read that the drummer from LtC is the drummer in Andy’s band Mouse Rat.

Next was Bobby Knight Ranger, a hilarious visual joke of three members dressed like Bobby Knight (with really fake white wigs) who, played nothing but “Sister Christian” for their set.  At the end of their set they threw chairs.  It was a weird throwaway joke that was very funny.  It was made even funnier when during the credits it became clear that Bobby Knight Ranger was actually Yo La Tengo.  This is just surprising as I don’t know any connection there, but in my experience Yo La Tengo are game for anything.

Land Ho! finished the night.  Land Ho!, if you follow the show is Pawnee’s biggest band (fronted by Wilco dude Jeff Tweedy (!)).  They played a song and then Mouse Rate (and others) jammed with them for a holographic tribute to Li’l Sebastian (a running joke that I think is way overplayed and yet which makes me laugh every single time)..

I was so delighted to not know who was playing before hand because every band was a fun surprise.  But seriously, did these bands all fly in just to play one song?   Surely they must have done a few songs for the crowd.  And if so, I think it would behoove Parks and Rec to get a CD out of songs from the Unity Concert (including some solo Johnny Karate songs as well.

The episode itself was also quite good.  While I didn’t care too much for the Tom’s Bistro segment (most of the jokes were pretty obvious from the get go), it was nice to see so many old characters make a cameo.  In fact, with the concert and the old characters and the tidy wrap up, it felt more like a series finale than a season finale.

And, SPOILER ALERT UNTIL THE VIDEO CLIP OF LETTERS TO CLEO PASTED BELOW: I though that their meld from the scene in the office on the third floor with the sly tag of three years later was a stroke of genius.  I have been a little down on this season because I thought it was getting a bit overdone with Leslie’s failures and whatnot. I actually wanted her to get the hell out of Pawnee.  But the compromise of how she stayed made sense for the show (if she didn’t take that job I was done with the show).  I was also not looking forward to a year of Leslie being pregnant (the triplets thing was also lame to begin with).  So the fact that it was all utterly skipped over–the pregnancy, the baby problems, the sleepless nights, even the fact that we didn’t have any awkward transitions in the job and that Leslie is just settled into her new job was excellent.

I also loved that Ben and Leslie were off to do something interesting (with Ben in a tux) with no explanation–what a great cliffhanger.  Kudos for one of the best season enders I’ve seen in a long time.

[READ: April 24, 2014] “The Gifts of Anna Speight”

This was a confusing story.  Well that is because it is an excerpt from a novel and therefore doesn’t stand on its own.  But I don;t know if it was just the excerpt they chose, but I found it not very compelling at all.

The story is told in second person, with Sylvie telling “us” what she knows about the Wibletts Institution.  Sylvie knew someone whose son resided there.  He suffered from PKU, a recessive disorder associated with seizures, mental retardation and blue-green urine.

There are so many layers of storytelling involved here that I was quite confused as to just who was who when Jess was suddenly interested in the story of Bob Germen.  Germen’s son is the above mentioned resident.  She wants to know about Bob’s son.  First we learn that Jess knew a lot about literary figures with disabled or retarded siblings or children and later we learn that she has a special needs daughter, Anna.

But most of the excerpt talks about the literary figures. (more…)

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harpoctSOUNDTRACK: FRANKIE SPARO-My Red Scare [CST013] (2000).

sparo1Speaking of early Constellation Records releases, Frankie Sparo was everywhere in the early stages of the label.  And then he just disappeared.  That proves to be quite literal as he was the pseudonym of Chad Jones (who i don’t know from anywhere else).  Frankie released two albums and an EP and then Chad retired him.

This debut is perhaps the most deconstructed and un-musical album of songs that I can think of.  It’s as if Sparo wrote songs and then decided to take four of every five notes out of the song.  And then he sings in a style that accompanies that spareness.  It’s actually too much of such littleness.  If Sparo’s voice filled the song the minimal accompaniment would be interesting.  If there was more music, his slow singing wouldn’t sound quite so… flat?  There’s talk of his lyrics being good, but I honestly find his singing to be so slow that I can’t really follows any of the songs.

And it’s a shame because his voice is plaintive and longing and the construction is very interesting, it just doesn’t really pan out for me.

The final two songs start to add more to them and I like them better.  I especially like the final tack “The Night That We Stayed In” which has without a doubt the slowest rendition of the oft cited phrase “throw your hands up in the air and wave them like you just don’t care” (imagine falling asleep while saying that).  But the music is fuller, bringing in a new and interesting style to the end of the album .

I suppose that in the right frame of mind this would be exquisite, I just hope I’m never in that frame of mind.

[READ: April 18, 2014] “Near-Death in the Afternoon”

I’m not  huge fan of Ernest Hemingway–I just don’t like his macho schtick.  But this piece–which is a comic story (I don’t know who the person he’s talking about is) is not only quite funny, it seems to be turning his macho image on its head.  Although perhaps I am oversimplifying Hemingway.

Anyhow, this comes from a collection of his letters, although it is considered a story and what submitted to (and rejected by) Vanity Fair in 1924.  The full title is “My Life in the Bull Ring with Donald Ogden Stewart” which implies to me that it is a longer piece, although it feels full to me.

It begins with Hemingway saying that he often encounters Donald Stewart in the bull ring (which make me laugh).  But he’d often ignored him.  Yet on this occasion the crowd is going crazy for him: “Don Stewart!” they chant.  Ernest wants to get into the ring but the crowd is insistent and, indeed, someone even throws a tomato at him (and hits him right in the face). (more…)

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may20014SOUNDTRACK: EXHAUST-Exhaust [CST004] (1998).

exhaustExhaust’s self titled album was another early release from Constellation (disc number 4).  At this point Godspeed You Black Emperor had not defined the label’s sound yet (correctly or incorrectly), so we get Exhaust.  Aidan, who is 1-Speed Bike, which did not have very good drums, is the drummer for Exhaust.  And man, the drums are awesome here.  The drums are again, loud, and they have a great live feel to them–the beats are funky and different and while they anchor what’s going on they in no way keep things settled.

The rest of the band includes a bass, a guitar, a bass clarinet and samples.  The samples just aren’t loud enough anywhere on the album.  It’s a shame–you simply can’t really hear them, which I guess is the point, but then what’s the point of having them?  So the first song, “A History of Guerrilla Warfare” is interesting (again, those drums!), but it’s in song two “Metro Mile End” when that bass clarinet comes out that it totally rules. The third song “Homemade Maggot Beer” is a 20 second hardcore song with just drums and feedback.  Song 4 “We Support Iran in Their Bid to Win the 1998 World Cup” is a remix by 1-Speed Bike, and after listening to the full length 1-Speed Bike, it sounds like it– a little dull, a little slow and nowhere near as dynamic as the album.  And it has such a good title too.

“Two Years On Welfare” has louder samples–you can hear a kind of political rant going on, but it seems like it could have been used better.  But around 1;30 the sounds get really interesting.  Track six, “This Is Our (Borrowed) Equipment” is another 1-Speed Bike remix, and it is mostly drums again.  “Wool Fever” makes good use of harmonics and drums although it goes on a bit too long.  The 8th song, “A Medley Of Late Night Buffet Commercials” is the final 1-Speed Bike remix.  Unlike the others I really like this one.  True, I wish the song was more akin to what the title says, but the drums are funky and hammering and sound great.  “Winterlude” is 40 seconds of squealing radio sounds before the final track reintroduces us to that great clarinet.  “The Black Horns Of H2T” reminds us how good this album can sound.

So it’s a mixed bag, but the highs are definitely high.

[READ: April 14, 2014] “Humor”

This article appeared in the December 1958 issue of Harper’s magazine.  Mark Twain made over 100 contributions to the magazine (geez).  I have often thought that Twain is an author I need to read more of.  But when I hear he has contributed over 100 articles to Harper’s alone, my mind reels at the output.

Anyhow, this is an article about repetition in the art of humor.  Interestingly, he relates a story that happened forty years before writing this.  So the occasions of the joke he tells was in 1918!  Woah.

The article talks about the first and second lectures that he ever gave.  The first was a success but he was concerned about the second as he had very little in the way of humor to warm up the audience.  He decided to make use of an anecdote that everyone in San Francisco had heard many times and were undoubtedly sick of.  It had been overdone as long as five years ago.  But he decided that he would simply tells the very overdone story over and over until people started to laugh (the precursor of Saturday Night Live, obviously). (more…)

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SOUNDTRACK: stickman2JUSTIN ROBERTS-“Pop Fly” (2008).

popflyThis is a wonderful pop song from Justin Roberts.  Roberts is regarded as a top-notch children’s song writer.  I hadn’t heard him before, but i was totally sold by this one.

It’s a poppy almost dancey song–it certainly makes you want to move around, anyway.  There’s a catchy acoustic guitar and a fast beat and Roberts’ voice is really solid and warm.  Interestingly I didn’t even realize this song was about baseball when I heard it on the radio (I missed the song title).  I was totally hooked by the pa pa pa pa pa pa chorus.

And there’s a great third section of the song that changes the mood but not the tempo.  This reminds me a bit of Ralph’s World, but a bit…more full, perhaps?  Or maybe like something from Phineas and Ferb.  I’m going to have to check out more from him.

Oh, and the video, while cheaply made, is quite funny when the chorus kicks in.

[READ: April 8, 2014] Stickman Odyssey, Book 2

I enjoyed Book 2 of this series more than Book 1. It felt like it had a little more plot and was a little less slavish to the original myths.  or maybe I just like quests.

The story starts in the middle, with Nestor having captured Zozimos and having tied him up for failing to avenge Sticatha (which was Nestor’s plan all along).  He says that Zozimos has been doing nothing all this time. But Zozimos says no, he has been on an epic adventure.

Which brings us to where book one left off.

Praxis (the strongest man in the world) Atrukos (a guy who looks like a frog) and Zozimos set off to find a piece of the sky.  In book one, Praxis had knocked a piece of the sky out when he hurled a cyclops at it.  He wanted to retrieve it to prove to his love that he was actually a worthwhile person.  This story is left all of a sudden (in a very funny way) so they can help Atrukos with the witch who cursed him before Book 1 even started.  That’s when Nestor captured Zozimos, as he was on his way to help Atrukos. (more…)

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stickman1SOUNDTRACK: DANNY WEINKAUF-“Archaeology” (2014).

noschoolDanny Weinkauf is one of the Band of Dans that plays with They Might Be Giants.  In 2014 he successfully funded a Kickstarter campaign to create his solo album, No School Today.  (I knew nothing about the Kickstarter campaign).

The album comes out this month and I have to say I really like what I’ve heard so far.  This song has been played on Kids Corner a lot.  It’s very catchy and reminds me of good indie pop music.  There’s even a feel of 70s British pop (or like Davy Jones singing).  It’s super catchy.  The chorus and the oft-repeated “arc” “arc” “arc” before “archaeology” can be a bit much at the end of the song, but for the most part this is a real winner.

Danny also wrote “I am a Paleontologist” from They Might Be Giants Here Comes Science album, so his bona fides are good.  And the lyrics are clever and smart, too:

Archaeology It’s human evolution From the Caveman to you and me analyzing their solutions (yeah now)
/Archaeology the secrets they left for us We can study activities Of those who came before us

[READ: April 7, 2014] Stickman Odyssey, Book 1

While I was looking for Stickdog books for C., I came across Stickman.  There are two books in this series (with book two being set up for a third, but no sign of it yet).

This book is a kind of spoof of Homer’s Odyssey, but not really. It is set in the time of the ancient Greek gods and some of those gods make appearances.  Even the style is done in a generically Homeric epic storytelling style.  But none of the characters from Homer appear.  This is an alternate reality of sorts.  The Great Whirlpool exists (shades of Scylla and Charybdis), but so does Candy Island and a place called Odonoros and Stickman’s home world of Sticatha (which made me laugh once I pronounced it correctly).  So, you don’t need familiarity with Homer to appreciate this, indeed, it kind of confused me at first because I wasn’t sure if I should be looking for parallels.

Stickman’s name is the awkward Zozimos (which I want to be significant but can’t figure out any reason why it would be).

The gods do play with the humans, though.  On the second page we see that Athena wields a giant pen and makes Zozimos a raft while he is struggling in the ocean.  Days later he lands on what he thinks is Sticatha, but no, he lands on an island with fair maidens.  He tries to charm one of them, Asteria, but is immediately grabbed by a golem and dragged to jail.  The evil King Marnox imprisons every castaway who lands on the island–he has his reasons.

But Asteria is mad that her father is locking up all of these eligible men, so he brings Zozimos out of the jail for him to tell his story.  And it is…epic! (more…)

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[ATTENDED: April 4, 2014] Black 47

b47logo I was a fan of Black 47 when they first came out (even though my Irish friends dismissed them out of hand.  What with the “Bridie!” and the “Fiddlee diddlee deidely dee!” and, yeah, Larry Kirwan’s voice, they were just too much for actual Irishmen.  But Irish-Americans loved them.  And now 25 years after they burst onto the scene with “Funky Cieli,” they are calling it quits.

As far as I can tell Kirwan is the only original member left in the band (I’m not inclined to do the research on that).  Actually, I didn’t even realize they were still together.  But they have been releasing albums over the years–some of which have been lauded and other not so much.  (Kirwan has also published some books and is a host on Sirius FM).  They have a brand new going-away album called Last Call, and if the live versions of the songs were any indication, they sound quite good.  And Kirwan is just as political as ever: “If you’re Irish you have to be political.”

I actually saw Black 47 back in, oh, 1993.  I remembered the show, but had misremembered the venue.  It wasn’t a concert, it was a small club in Allston, Mass.  I don’t seem to have any photos.  The bar was packed, I could barely see the band, and I’m not even sure if the people there were there to see the band.  I don’t even know if there was a cover charge.  So it only seems fitting that this concert, one of their last on their farewell tour, should also be free.  As part of the Princeton University’s Fund for Irish Studies, the band played a free 90 minute set in the tiny Berlind Theater.

I have seen a few theater shows there, so I was a little surprised that the sound wasn’t great (well, mostly Kirwan’s lyrics were hard to understand, but that may be a common problem for him), but my seat was great–a few rows back in dead center. (more…)

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when di dSOUNDTRACK: BECK-Scott Pilgrim vs the World (2010).

220px-Scott_Pilgrim_soundtrackI somehow missed Beck’s next album, Modern Guilt.  Whether I was bummed about not loving The Information or that Iwas just out of the loop, I’m surprised I wasn’t all over this collaboration with Danger Mouse.  But I plan to give it a closer listen soon.

After that, Beck wrote several songs for Sex Bob-Omb, the band in the movie Scott Pilgrim vs the World.

In a confusing annotation, he wrote 4 songs that Sex Bob-Omb play on the soundtrack.  Three of those songs, Beck also performs on the deluxe version of the album.  Beck also recorded two versions of a song that he wrote for the soundtrack.  And, according to Spin, there are four more unreleased tracks that you can listen to on their site.

I’m only going to mention the officially released tracks here.

“We Are Sex Bob-Omb” is a great punky fuzzed out rock song (as all four turn out to be).  It has a very Stooges feel and at only 2 minutes (including the intro) it’s quite the punk anthem.  Beck doesn’t do a version of this one.

“Threshold” is a punk blast (less than 2 minutes).  Beck’s version is fuzzed out with all kinds of interesting noises swirling around.  The chorus is very traditional punk (ie. surprisingly catchy).  The Sex Bob-Omb version is very close to the original.  It’s actually a little cleaner (you can understand most of the lyrics), but I think all of the noises are the same, so maybe its the same music with different vocals?  Well, according to the movie Wiki, the actors played the music, but of the three it’s the closest musically to the original.  There’s also an 8-bit version of the song which sounds like a warped video game playing along to the melody.  It’s created by Brian LeBarton.

“Garbage Truck” is a big dumb slow track.  In Beck’s version, there’s more fuzzed out guitars and it sounds more 70s rock than punk.  There’s big drums and dumb lyrics.  It’s great.  The Sex Bob-Omb version sounds quite different in the recording.  It’s a wee bit slower, and once again the vocals are much cleaner, but the music is wonderfully fuzzed out again.

“Summertime” is the same style of song–fuzzy and simple (Beck must have had fun writing these).  This one is the longest of the songs, at just over 2 minutes. Beck’s voice is once again super distorted.  The Sex Bob-Omb version feels slower, but maybe that’s just because the vocals are so much cleaner.

Although I thought I’d enjoy the Sex Bob-Omb versions more, I side with the Beck versions on all of them.  None of the songs are great, but they’re not supposed to be (Sex Bob-Omb isn’t meant to be a great band).  But they are a lot of fun, especially if you like garage punk.

There are two versions of “Ramona” on the disc.  The acoustic one is just a minute long and is Beck strumming and singing the word “Ramona” a few times.  It sets the stage for the full version which has strings and actual lyrics.  It’s a pretty song, reminiscent of the string style of Sea Change.

So this is an interesting collection of songs for Beck fans.  And, in fact, the entire soundtrack is quite good.

[READ: March 16, 2014] When Did You Last See Her?

I enjoyed Book 2 in this series a lot more than I remember enjoying Book 1.  And it was great to get back into the fun writing style of Lemony Snicket novels.

The first book left us with the quest for the Bombinating Beast sculpture which, as the story ended, was taken by Ellington Feint, a girl who Snicket was just starting to like.  The first book was full of (intentionally) confusing writing in which Snicket knows that the things he did were wrong, and things like the true nature of what happened were written in a weird way.

There was some of that in this book, but the focus was more on the story than the weirdness of Snicket’s situation (which I’m still not entirely clear on).  Without dwelling on book 1 too much, suffice it to say that Lemony Snicket is an apprentice to the terrible mentor S. Theodora (we still don’t know what the S. stands for).  We also don’t even exactly know what they do, in other words what his he apprentice-ing in?  He claims it’s not detective work.

Despite the disappointment of losing the Beast statue, there is a new problem in Stain’d by the Sea, which Snicket and S. have not left yet.  It turns out a girl, heir to the Knight fortune, has gone missing.  Cleo Knight, budding chemist, and girl with a plan to save the dying town of Stain’d by the Sea was last seen leaving town in her indestructible car, the famous Dilemma.  And yet, she was also seen (by the proprietor of Partial Foods (ha!)) leaving in a taxicab.  When Snicket and S. Theodora investigate the house, they find that the Knight parents are being sedated by a Dr. Flammarion–who seems very suspicious.

(more…)

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nola3SOUNDTRACK: BECK-The Information (2006).

infoAfter Guero, Beck released Guerolito, a remix album.  I’ve basically given up on remix albums, so I don’t know anything about that one.

His next proper album was The Information which I have recently read was recorded at the same time as Guero. I remember when it came out that it had a whole bunch of stickers that you could put all over the cover (which was made like graph paper) so that each cover could be personalized.  Sadly I remembered that more than the music.  I hadn’t listened to the album in a long time either.  So when I played it the other day, after the first song I was afraid I didn’t remember any of it.

And even after a few listens, that first song, “Elevator Music” just never grabbed me.  Then came “Think I’m in Love” which was a reasonably big hit (surprisingly, not the first single from the album).  It’s what you expect from Beck–a cool bassline, catchy vocals and a great melody.  This one is a mid-paced song, but the chorus has a lot of bounce.  The next song, “Cellphone’s Dead” sounds a bit like “Hell Yes” with that watery staccato funky bass.  It’s definitely a fun song, and there’s a “sample” that I have to wonder if it’s not a sample at all–a neat idea to have something that sounds like sample but actually not be one).

“Strange Apparition” is a folkie song.  And this is the first song which made me realize what’s wrong with the album.  The sound quality of the whole disc is really flat.  It’s very sleek and smooth, so even though there’s some great guitars on this track, it’s the same loudness as the vocals.  And the drums are kind of lost in the mix too, it renders it really bland.  Which is shocking coming from Beck.  It’s also a shame because with a better mix this would be a great song.  Same with “Soldier Jane.”  The bass line is really fun, but it just gets lost in the muddle of everything else–which is not to say it sounds muddied, it’s just all the same.  “Nausea” was the first single from the album and I can see why–it’s funky and bouncy and has a catchy chorus an a cool bass.  But then it slowly dawns that this is basically a slightly less successful version of “Black Tambourine.”

“New Round” sounds pretty different for a Beck song–there’s layered waves of vocals and a lot of different sounds going on, including an interesting piano.  And I want to like it more, but it also seems to get lost in the washes of sound.  “Dark Star” rises above the washes with its slow and sultry sound.  It’s got a very cool 70s bass sound.  I wish there were a few more peaks on the song, but then it probably wouldn’t be so spacey.  “We Dance Alone” has some great sounds as well–again, that bass is very cool, but it just feels too smooth.

“No Complaints” brings back Beck’s old slightly out of tune guitar sound.  It stands out in this muddy middle of the album and is definitely a highlight.  “1000 BPM” is one of Beck’s weird skittery songs. There’s wild sounds and a seemingly improvised rap.  This would have probably sounded great on Odelay, but it feels odd to me here.  “Motorcade” has more acoustic guitar but by the time the chorus comes in, the only melody is on Beck’s vocals, while the strange music is almost a distraction from the melody.  There’s some cool sounds in “The Information” which is certainly an enjoyable song (and a lengthy end section of weird trippy vocals that foreshadows the very long bonus track).  “Movie Theme” opens with keyboards.  It’s nice, but just sort of meandering.

Which leads to the 10 minute final track “The Horrible Fanfare/Landslide/Exoskeleton.”  This is sort of a recap of the whole album, with samples from different songs, long drawn out instrumental passages and dialogue.  There’s some interesting riffs, especially in the middle section (about 3 minutes in).  The third section of the song is dialogue between Dave Eggers and Spike Jonze, talking about space and other things.  One wonders where Beck got this or if he just asked them to talk for the record.  It’s a weird ending and feels like a bonus track but actually isn’t.

There’s a bonus version of the disc which I do not have.  It has some more songs and a DVD.

So overall this is the first Beck CD that I just didn’t love, especially coming on the heels of the excellent Guero. There’s definitely some good songs here, I just want it to be crisper.

[READ: March 14, 2014] Nolas’ Worlds #3

Nola’s World concludes with this book, which was also translated by Erica Olson Jeffrey and Carol Klio Burrell.

I loved the first two books of this series quiet a lot, but felt like the third one fell a little flat.  The ending felt like it was solved too quickly especially after the hugely lengthy set up.

The first nearly 50 pages are all a way to lead up to the ferrets finally meeting Damiano and Ines (with the inevitable we-can’t-tell-you-everything delays.  Then we finally get the explanation that Alta Donna is a town between the Human World and the Land of Stories.  Since Damiano and Ines escaped from the Land of Stories, they have messed everything up.  We learn all about how the ferrets control Alta Donna (the details of this are quite neat).

But the big thing missing from all of this is Pumpkin.  And Nola knows it, too. (more…)

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nola2SOUNDTRACK: BECK-Odelay! (1996)

220px-OdelayAfter the success of Mellow Gold (and those other releases) we didn’t hear from Beck for a while (there’s a joke about the title of this record referring to the delays in production).

Beck quickly went from one hit wonder to wunderkind with this release which had 5 singles and is generally considered a masterpiece of the 1990s.

I haven’t listened to it in a long time, and I was surprised to hear that “Where’s It’s At” is not the lead track (it’s actually #8).  Rather it’s “Devil’s Haircut” that opens the disc.  And it still sounds fresh and fun (and, it must be said, rather weird–the guitar solo and that screaming at the end are not typical “single” material.  “Hotwax” returns Beck to his folkier roots.  Although it is folk done Beck-style, with funk keyboards and rapped lyrics.  There’s a ton of interesting styles of music in the background (old timey pianos, distorted guitars, even a weird little trippy ending).  While not trying to ape “Loser” at all, there are even lyrics in Spanish.  It’s a simple song that might have been a hit if there weren’t so many other hit-worthy songs on the disc.  “Lord Only Knows” is a fairly conventional song, catchy and simple.

“The New Pollution” was another single.  It’s also pretty unusual for a single–the opening samples (it must be a sample, even though I don’t see credits for it) an old sounding do do, do do do vocal line, (the listed sample is the sax solo from Joe Thomas’ “Venus.”  It’s so hard to know what’s original and what’s sampled with Beck.  “Derelict” is a slow, unusual song which I quite like, although I can see it being the first song on the disc that people didn’t love.  The backing music sounds like it’s played on an old music box.

“Novacane” is a funky rap-style track.  It’s noisy but fun and has some great samples.  “Jack-Ass” was another single.  I especially like this song.  It’s a slow and fairly conventional song with s simple melody and Beck’s mellow vocals–it cuts through the clutter of Beck’s usual cacophony and shows that he can do simple as well (and hints at Mutations).  Even if he does throw in the donkey sounds at the end.  And then there’s 2 turntables and a microphone.

“Minus” has a big noisy bass and guitar–a punk song, if you will.  “Sissyneck” has a great whistling opening which comes from “The Moog and Me” by Dick Hyman.  I really enjoy this country-infused number (it’s strange that I enjoy the less weird songs more, given that the other singles were so much bigger) .  “Readymade” is a slow meandering song with some interesting elements, although it’s probably my least favorite song on the disc.  Especially since it’s followed by the raucous “High 5 (Rock the Catskills), which has some great samples (including Shubert), a noisy chorus (“rocking the plastic like a man from a casket”) and (apparently) a recreation of some old rap (I love the “Ooh, La La Sassoon” and “Sergio Valenti” call outs).

The disc ends with “Ramshackle” a simple folk song that feel slightly out of tune.  It’s a mellow end to this all over the place disc (well, aside from the obligatory “bonus” track which is less than a minute of repeated noise).  Although it is well-known for its sampling and pop creations, it also shows the real diversity of Beck’s songwriting.

Check out the Moog and Me, which has Dick Hyman playing the Moog synthesizer and whistling along.

[READ: March 9, 2014] Nolas’ Worlds #2

Nola’s World is a three-part graphic novel series.  I just noticed in this book that it was originally (in French) called Alta Donna.  This book was translated very naturally by Erica Olson Jeffrey and Carol Klio Burrell.

The book picks up right where book one left off.  Nola is wondering why, after the crazy events at the end book one (which involve a roller coaster and aliens) Damiano hasn’t called or texted her and Pumpkin can’t remember anything that happened.

I felt like the beginning of the book was a little too pre-teen angsty for me, but it quickly snapped out of it and moved on the to fun and weirdness that this series presents in spades. We basically learn that Damiano and Inez are avoiding Nola because she can’t know their secret.  We also learn (and I guess we knew this already but I missed it) that the man controlling the aliens at the end of book one is Nola’s father. –WHAT??! (more…)

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nola1SOUNDTRACK: BECK-“Loser” singles (1994).

loserBeck has a new album out so I decided to listen through his back catalog for some context.  Which meant going back to “Loser” and beyond.  The first few things he put out all came around the same time.  So even though there are dates for when things were recorded, it’s not always clear what really came first.  Since the three full lengths all came out in 1994 and this single came out before Mellow Gold, I have arbitrarily decided to start here.

I own two “Loser” singles.  They both have the same cover, although one was an import.  The first one was the obligatory “this song is huge” single.  The second was because it had the delicious B-side “MTV Makes Me Want To Smoke Crack.”

The US CD features 4 B sides, which really demonstrated the variety of styles that he would bring to the album.  They don’t quite span the gamut of the things he had recorded on his other records, but you hear the catchiness and the weirdness as well as the utter chaos (at the end of “Fume”).

All of the songs are well-produced but not glossy.  “Corvette Bummer” seems like it should have been on the album.  “Soul Sucking Jerk (Reject)” is a different version than the album version.  It’s less interesting musically (it’s quite stripped down) and the chorus is really quite different.  I prefer the album version, but it’s interesting to hear this variant.  “Fume” is a funny song about huffing fumes (I thought Scientologists were anti-drugs).  It’s a silly song that is kind of anti-folk until the screaming noise that takes up the large portion of the end.

My UK single also has “Corvette Bummer” but it includes the mellow folky song “Totally Confused” which really shows the more folky side of him that he demonstrated before releasing Mellow Gold (and later on subsequent albums).  “MTV” is a bizarrely wonderful song. It starts off as a kind of spontaneous (so many of his early lyrics seem spontaneous) dis of MTV.  After a verse, the song stops, the engineer asks, what’s the matter, and then the song morphs into a lounge piano song also called “MTV Makes Me Want To Smoke Crack.”  Beck totally morphs his singing voice into a lounge lizard style and the song just gets goofier and weirder  It’s a wonderful B-side.  And these two singles really show what early Beck would be all about.

[READ: March 9, 2014] Nolas’ Worlds #1

Nola’s World is a three-part graphic novel series. I never would have guessed it was originally French (true, author Mathieu Mariolle’s name should have clued me in, but you never really know).  Anyhow, it was translated very naturally by Erica Olson Jeffrey.

The book is set in Alta Donna, a beautiful peaceful paradise on the water.  Which is utterly boring.  Nola’s parents are divorced and Nola’s mom works so much that Nola barely sees her.  (her parents are peripheral to the story but essential to Nola).  No unrelated, she also tends to be late for school a lot.

There’s a new boy at school named Damiano.  He’s a good-looking and interesting guy.  He also has a sister Ines, who seems to get away with whatever she wants–in school, out of school, everywhere.  And Nola makes it her mission to find out what is going on with them. (more…)

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