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Archive for the ‘The Double’ Category

ayoade SOUNDTRACK: MAVIS STAPLES-Tiny Desk Concert #72 (August 9, 2010).

mavisMavis Staples is a legend.  She has been singing for decades.  And her voice still sounds amazing.

For this Tiny Desk Concert, it’s just her singing and Rick Holmstrom playing guitar.  Staples sings two songs from her then new album (recorded at Wilco’s studio).  In fact, the first song she sings “Only the Lord Knows” was written by Jeff Tweedy.  It’s a great bluesy number.  And Staples hits notes all over the place–it’s great.

Before the second song, she calls Rick Holmstrom “Pops Jr.” and he says “I wish.”

Next she plays “You’re Not Alone.”  There’s a funny moment after the first verse where she forgets the words–she shouts “don’t tell nobody.”  She says she was busy looking at all the friendly faces and got lost.  But she comes back and knocks the song out.

For a brief encore she does a few verses and a chorus of “I’ll Take You There.”  And you can hear the disappointment in the audience when she sings, “And that’s all for today” after a chorus.  She is happy and claps and does apologize saying “you all will make me hurt myself.”

It’s amazing how good Mavis sounds after all these years, and how she wins over the crowd in an instant.

[READ: July 15, 2015] Ayoade on Ayoade

Richard Ayoade is best known by me as Moss on The It Crowd.  Probably the most frequently asked question by me about him is how the Rhell you say his last name.  The book does not help with that, although online searches reveal eye-oo-WAH-dee to be pretty accurate.

Ayoade cracks me up whenever I see him.  And he even starts the funny before you open the cover of the book.  The cover sticker notes: “Once in every generation, a man writes a book.  This is that book. I am a man.”

I knew that Ayoade had recently released The Double (I read the screenplay), but I wasn’t aware of his previous film, Submarine.  (I have subsequently watched it and enjoyed it very much–it’s an unusually dark comedy about young love).  And these facts, along with maybe one or two others are what I gleaned from this book.  The rest is pure nonsense–a right silly lark, full of Ayoade’s outrageously self-deprecating wit and scathing comments about his own writing, acting and directing skills. (more…)

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over easySOUNDTRACK: ANDREW HEWITT-“A Boy Held Up with String” (2014).

Yhewittesterday I mentioned the soundtrack to The Double.  The score was composed by Andrew Hewitt, and this is one of the more popular pieces from the film.

It opens with some fast violin runs that seems to be racing each other, until about twenty seconds in the piano takes over the runs, but with a high note that keeps the pieces grounded (in the air somewhat).

The end of the song is primarily the piano with violin swirling around on top of the melody.

It actually feels like an introduction to something epic, but as with most scores, 75 seconds is all you’re going to get out of this cool, dramatic piece.

You can hear it here.

[READ: June 5, 2014] Over Easy

I saw this book at work and more or less ignored it.  Then a few days later I saw a review of it in somewhere and decided to read it.

This is a graphic novel about a young artist making ends meet at a diner in Oakland, California in the 1970s.  The back of the book says this is a fictionalized memoir (which I hate because, well, let’s just call it fiction, huh?).

Margaret is an art student.  As the story opens, she is in a diner, the only one there, when a guy named Lazlo starts talking to her. He is funny, cleverly dressed and probably high.  (He claims his full name is Lazlo Meringue).  Margaret is broke and knows that most waitresses hate poor students, but Lazlo is willing to take one of her drawings in exchange a meal.  And a friendship is born.

A flashback shows us that Margaret grew up in San Diego.  When she graduated high school, she didn’t want to do anything, but was forced to go to college–so she chose Art school at San Diego State.  Then she moved to Oakland, and got mired in the art scene.  In which punks were starting to push out the hippies.  And the center of it all was the Imperial Cafe (the diner in the first scene).

She says that you can discern the various culture who came into the cafe by the drugs they took: Professional crowd (cocaine); punks (speed); hippies (pot).  And since she could no longer afford school, she felt that she could do worse than working at the Imperial.  Lazlo says she has to tell him a joke or a dream and if he likes it, she’s hired.  Her joke is quite vulgar and she is welcomed as Madge.  Her first job is washing dishes and scrubbing out all the shit.  It is backbreaking and strangely satisfying. (more…)

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doubleSOUNDTRACK: KIM JUNG MI-“The Sun” (1973).

kjmsunThis song, along with a few other unexpected tracks accompany the score for The Double which was composed by Andrew Hewitt.  Kim Jung Mi is a South Korean singer (singing in Korean) and this track is hers from the 1970s.

Interestingly, the melody is conventionally Western (played on acoustic guitars), but as I said the vocals are all in Korean.  The song has a 70s folk (with orchestra) feel, and while there are a lot of Westernisms about the song, it still sounds “foreign.”

The song is pretty and eventually builds to adding some strings.  However at nearly 7 minutes without a lot of change (lots of La La Las, maybe like “Hey Jude”?), it’s a bit (well, a lot) too long.

[READ: June 13, 2014] The Double

I saw this book at work and immediately grabbed it because I love Richard Ayoade (Moss on The IT Crowd).  I didn’t even know what this was, I just had to see it.  Then I saw that it was that it a play and I was intrigued, especially when I saw that Chris O’Dowd (also from The IT Crowd) was in it.

Then I read the introductions by Korine and Ayoade and learned that this is actually a film.  When I looked online I saw that it opened in limited release last week.  Holy cow!  The film stars Jessee Eisenberg and Mia Wasikowska and also features Wallace Shawn, Noah Taylor and J Mascis (as a janitor).

The story is based on Dostoevsky’s short story “The Double” (so you know it’s not especially cheery).  And, although I assumed it would still be funny (given Ayoade’s credentials), it is not as funny (at least in print) as one might expect.  The other weird thing was that I kept picturing Moss as the lead character (some lines seem very Moss-like), so should I ever see this it will be weird to hear the lines coming from Eisenberg. (more…)

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