Feeds:
Posts
Comments

Archive for the ‘Philadelphia, PA’ Category

[ATTENDED: July 10, 2024] Emily Robb

Emily Robb is a guitarist from Philadelphia.  I didn’t know much about her, but the last time she opened a show (which I didn’t attend) I wrote:

Emily Robb plays an electric guitar (and is referred to as a guitar abuser).  She has a solo album out that is an incredible amount of fuzzy guitar noise.

No vocals, no artifice, barely even a drum. It’s a totally fried, mutant offering that’ll entice the twisted seekers– a sustained, distilled meditation on the unabashed revved up freedom of rock.

She came up on stage with her guitar and pedals and amp and… played.   For forty plus minutes.

She played bluesy riffs.  She looped herself.  She played solos over those riffs.  She made noise.  She experimented with melodies and feedback.

Sometimes it was interesting.  Sometimes it was tedious.

She played a whole section in which sliding her pick up the strings was a major part of the sound. (more…)

Read Full Post »

[ATTENDED: July 3, 2024] Cavetown

When I learned of Cavetown from my daughter, who played “Lemon Boy” a lot.  Even a few years later, I think the song is fantastic.  I didn’t really know all that much about him (Robbie Skinner), but I had listened to a few records.  So I assumed that the whole set would be kind of mellow and folky.  It actually seemed like an odd double bill.

But there is a sizable overlap of young trans/non-binary people who make up both audiences so even if the music isn’t similar, the tone of acceptance and respect permeates both (all three actually) bands.

I don’t normally like to be far from the stage–it takes me out of the action and makes me feel like I’m just hearing a band not really experiencing a live show.  That makes me a little insufferable I know, especially to my kids who just want to chill out and enjoy an Event.  And really, an outdoor show is more of an Event.

So, when they walked to the back of the lawn and sat on a blanket, I compromised and left the front area that we were in for Mother Mother and hung back with  them.  Although once everyone stood up, I had to move forward a little because I couldn’t NOT SEE the stage. (more…)

Read Full Post »

[ATTENDED: July 3, 2024] Mother Mother

When this show was announced back in January, it was a killer triple bill.  Mother Mother, who we love to see live, Cavetown, who I’ve wanted to see live and Destroy Boys, a band that both my kids like and who my son and I have seen once and wanted to see again.

We were bummed that Destroy Boys was unable to play, but we arrived a little late so maybe we wouldn’t have seen their full set anyway.

We also didn’t know who was headlining this show–it appears that Mother Mother and Cavetown have been switching who was the headliner.  I rather hoped Mother Mother would go last because I felt like their show would be bigger and Cavetown’s would be more mellow.

But Mother Mother went on second and I think it was all for the best!  Because we rocked out to Mother Mother and  then we walked to the back of the lawn and chilled out for Cavetown’s more mellow set.  Very cool!

So this is the third time we’ve seen Mother Mother and actually the first time they weren’t headlining.  As I’ve learned over the years, a double headline bill means neither band plays a very long set, which kind of suck, tbh.  But whatever, it usually means a kind of greatest hits package as well.

Mother Mother has a new album out, which I didn’t realize until a few weeks ago.  They played a few songs from it, but the did not skimp on the big names.

The band walked out. First came bassist Mike Young (who runs all around the stage during the show and is a lot of fun to watch) and drummer Ali Siadat.  Then the applause grew louder as singers/keyboardists Molly Guldemond and Jasmin Parkin were singing the new song “Nobody Escapes.”   Finally, huge applause as Ryan Guldemond came out and the song took off.

Then everyone went nuts when they played “Arms Tonite.”  And they surprised me by playing “Hayloft II” which I think has taken on a life of its own.

The new song “The Matrix” is super fun with the completely singalonable part “fuck no.”   They segued that song into Pixies “Where is My Mind?” and I was delighted and surprised at how many very young people knew this rather old song.  Ryan asked at one point how many people in the audience were younger than the band (who celebrated 20 years this year) and scores of hands went up.  Crazy.

They played two songs about having “Problems” including the super fun “Burning Pile.”  Ryan Guldemond really has his banter down well and when he asked if anyone was having a hard time in life, he commiserated and told them to throw everything that was bothering them on the burning pile.  It was a really sweet moment and I love how Mother Mother has really embraced the community that TikTok has built up around them.

The new song “Explode!” is also super catchy–the whole album is really good.  All the fans love the O My Heart album the most, so they played seven songs from it.  Including “Sleep Awake” a slow, pretty song that Ryan said was the first song he wrote for his big sister to singer. Molly has a lovely voice and I love the way the song was really quiet to start and then got huge.

The band left briefly and then came out for an acoustic medley.  They played six songs from their earlier albums and it was really fun hearing the crowd react to the snippets of each song.  Sadly, someone passed out (I guess) during “Ghosting” (my favorite song in the medley) and they stopped it but did not resume it.  But at least the person was fine (and so were we).

They stayed acoustic for “Oh Ana” “Wrecking Ball.”  I said last time that I really want to see them rock out “Wrecking Ball,” but it is more or less an acoustic song so it makes sense that they would play it that way most of the time.

Then they busted out “Verbatim” and the crowd went nuts.  And they went even crazier for “Hayloft” of course.  Jasmin usually gets a solo moment during the set–it had been “Girl Alone” but for this tour they mixed it up and she sang a beautiful rendition of Lana Del Rey’s “Video Games” before they segued back in to Hayloft to end the show.

When we saw them last time the show was explosive in lights and everything else.  It’s a little harder to overwhelm with lights when it’s 7PM and you’re outside.  But the lighting was still pretty cool–minimal but cool.

It’s also funny how much of a festival-like atmosphere an outdoor show has.  People just seem looser and more prone to doing wild things when outside.  It wasn;t my mafvoirte Mother Mother show, but it was a lot of fun.

 

 

July 2024, Mann Center October 2022, Fillmore February 2022, TLA
Nobody Escapes € Verbatim ⊗ Seven ⇔
Arms Tonite ♥ O My Heart ♥ O My Heart ♥
Hayloft II ⇔ Bit by Bit Let’s Fall in Love ≠
The Matrix € / Where Is My Mind? (interlude /Pixies cover ) Infinitesimal ≠ The Stand
Problems Body of Years ♥ I Got Love ⇔
Burning Pile ♥ Creep (Radiohead cover) Problems
Explode! € The Stand ∇ Body ♥
Back to Life § Back in School ‰ It’s Alright §
Body ♥ Burning Pile ♥ Sick of the Silence ⇔
Sleep Awake ♥ Problems Arms Tonite ♥
Dirty Town ⊗ / Neighbour ⊗ / Wisdom ♥ / Ghosting ♥ / Little Pistol ≠ / It’s Alright §
(Acoustic, Ghosting interrupted due to a medical issue in the crowd)
Sick of the Silence ⇔ Life ⇔
Oh Ana ⊗ [acoustic] It’s Alright § Pure Love ⇔
Wrecking Ball ♥ [acoustic] Arms Tonite ♥ [acoustic] Ghosting ♥
Verbatim ⊗ Body ♥ [acoustic] Bit by Bit
Hayloft ♥ / Video Games (interlude Lana Del Rey cover) Wrecking Ball ♥ [acoustic] Wrecking Ball ♥ [acoustic]
Oh Ana ⊗ Oh Ana ⊗ [acoustic]
Hayloft ♥ / Girl Alone Verbatim ⊗
Hayloft II ⇔ Hayloft ♥ / Girl Alone
encore Hayloft II ⇔
Ghosting ♥
Dirty Town ⊗
Burning Pile ♥

€ Grief Chapter (2024)
⇔ Inside (2021)

§ Dance and Cry (2018)
‰ No Culture (2017)
≠ The Sticks (2012)
∇ Eureka (2011)

♥ O My Heart (2008)
⊗ Touch Up (2007) [originally called Mother released 2005]

 

Read Full Post »

[ATTENDED: July 3, 2024] Meet Me @ the Altar

When this show was announced back in January, it was a killer triple bill.  Mother Mother, who we love to see live, Cavetown, who I’ve wanted to see live and Destroy Boys, a band that both my kids like and who my son and I hhave seen once and wanted to see again.

Then, in May it was announced that Destroy Boys would no longer be opening

In a joint statement, Mother Mother and Cavetown shared, “Destroy Boys will no longer be able to join our summer tour due to a medical issue. We’ll be sad to miss them and wish them a speedy recovery.
We are really excited to welcome Meet Me @ The Altar to the tour in place! Can’t wait to see you all soon.”

It turned out that this bummed my son out and kind of soured him on the show a bit.  I have seen MM@TA twice and knew what to expect.  I actually thought they’d be a lot of fun since their opening set is usually a condensed form of bangers an covers.

Well, we arrived a little later than I wanted to and then parking was pretty tough. I was frankly shocked by how many people were there so early (on a Wednesday).  People looked like they’d been camping out forever by  the time we strolled in.

We could hear them from the parking lot, so we could hear most of their set, but by the time we got into the venue and found our places, we were easily more than half way through their set. (more…)

Read Full Post »

[ATTENDED: June 30, 2024] Grails

My friend Eleanor told me about this show and I immediately grabbed a ticket.

Grails opened with a mellow almost spooky instrumental with Jesse Bates playing synth and flute.  Alex Hall did something with his phone in front of his guitar’s pickups.  I wonder what app he was using.

Then the whole band kicked in drummer Emil Amos (who was incredible but who I couldn’t see very well because of the keyboard in front of me) played a delicate rhythm.  I stood almost in front of Ilyas Ahmed who played guitar in so many different styles, he was marvelous to watch.

And there was a keyboard player in the back who I literally never saw but who was playing low end and waves of sounds.

As the song progresses, Bates played slide guitar–a pretty melody  over the waves of music.  And the song builds and builds.

Through the course of the night, there were excellent bass lines, some wild drums, and more flute.

The whole night set was terrific.  The moods and emotions that they conveyed through these instrumentals were terrific.  What was interesting/amusing was the videos the venue showed behind the band. I don’t know if the band had any say in the video but I enjoyed screen shots like “Rivers turn to blood” and what looked like someone having a psychedelic trip.  At one point during a quiet moment I saw Amos look up at the screen and chuckle.

The set ended with Origin-ing–a fast bassline with some terrific starts and stops as the band was totally in sync.

It was a great show and I’m so glad I got to see them live.

  1. Word Made Flesh
  2. Sisters of Bilitis
  3. Immediate Mate
  4. New Prague Ψ
  5. Burden of Hope ß
  6. Belgian Wake-Up Drill
  7. Lord I Hate Your Day ß
  8. Evening Song
  9. Sad & Illegal
  10. Origin-ing
∇ Anches En Maat
ß The Burden of Hope
≡ Black Tar Prophecies, Volume II
∞ Burning Off Impurities
Ψ Chalice Hymnal
♠ Doomsdayer’s Holiday
♦ Redlight

Read Full Post »

[ATTENDED: June 30, 2024] Grails

I saw Soma play at a church in Asbury Park.  The night was an evening of cool video projections and transcendent music.

I really enjoyed their set which was based around sacred music inspired by Krishna.  At the church I really couldn’t see them because lights were low so the projections on the walls would show up better.

At this show the whole band was visible and I enjoyed seeing the vast array if instruments they played–including two double-barrelled flutes and a shell (I’ve never seen anyone blow into a shell to make a sound before).

The music has a trance-like element with repetitive phrases, chanting and simple percussive beats.  At this show a woman sat cross legged on the floor as soon as they started.  And a guy on the side occasionally burst out in joyous affirmation–which I thought was weird, but which the bands seemed to find normal.

There are two main vocalists and virtually every song is a call and response in which the rest of the band (and crowd) sing along.  I enjoyed watching everyone playing their instruments up close and seeing the random assortment of instruments that they were playing as well–so much percussion. (more…)

Read Full Post »

[DID NOT ATTEND: June 28, 2024] Mdou Moctar / J.R.C.G.

I saw Mdou Moctar at Ardmore Music Hall and it was pretty fantastic.  I wasn’t sure if I needed to see him again at a bigger venue, but this show was on my radar.

I didn’t buy a ticket because I assumed it wouldn’t sell out.  It was also squeezed right in between a few other shows I was going to and I am trying to limit the amount of shows I see in a week (honestly).  I was also assuming  that since I’d seen him fairly recently I wasn’t sure if I needed to see him again so soon.  Although it turns out he just announced an intimate semi-acoustic show in early July that I’m going to go to.

There are four Tuareg musicians who I’m interested in seeing.
Bombino, Imarhan, Mdou Moctar and Tinariwen.

I have seen Mdou Moctar.  I’ll be seeing Tinarwen in a few weeks.  We’ll see if the other two come my way. (more…)

Read Full Post »

[ATTENDED: June 27, 2024] Quasi

I was a middling fan of Quasi back in the 90s.  I liked some of their stuff but never really  thought al that much about them.  After Janet “left” Sleater-Kinney and got into a car accident, I was much more interested in supporting her, so I got back into Quasi and was pretty excited to see they were touring last year.

When they played Johnny Brenda’s last year it was just Sam Coomes (on keys–wow, somehow only on keys) and Janet Weiss (killing it on drums).  I really enjoyed the show a lot and was so glad to have seen them.

When they announced a new tour, of the album Featuring “Birds” (the first album I (and apparently everyone else) loved from them.  I knew I’d like to see them again.  I wasn’t keen on going to World Cafe Live because it’s kind of awkward to get to for me.  But this was my second time there in a month and the paring was awesome once again.

And, the best part is that when I got downstairs, Sam and Janet were right there selling their own merch!  I got to chat with both of them and they signed my vinyl.  It was very cool.

When they came on stage, I noticed that there were a lot of guitars up there–there were none last time.  There was also someone else walking around the stage.  This turned out to be Joanna Bolme, on bass and occasional guitar or keyboard.  Bolme played regularly with Quasi for well over a decade, and was around for Birds, as an executive producer.  She didn’t say anything (although she did help o untangle some cords for Sam).  But she really held the show together, especially when Sam switched to guitar–the low end would have been notably absent without her on those song. (more…)

Read Full Post »

[DID NOT ATTEND: June 28, 2024] Dakhabrakha / Native Harrow

I saw DakhaBrakha about two years ago.  I had wanted to see them for a while, but the timing was right after Russia invaded Ukraine.  I can’t believe the war is still going on.

Their music is like nothing else I’ve heard and their visually are just as compelling.  Traditional music but with contemporary elements.  It’s mesmerizing.

I have wanted to see them again and they seem to be playing around the area from time to time, but nothing ever works out.  Once again, King of Prussia is just a little too far, especially if I’d just gone out the night before.

I am still genuinely surprised they haven’t played McCarter in Princeton. It seems like a perfect combination.

(more…)

Read Full Post »

[ATTENDED: June 27, 2024] Marnie Stern

I knew of Marnie Stern mostly from Late Night with Seth Meyers.  I had heard of her before the show as a notable guitar player (she was on Kill Rock Stars, so she was clearly iconoclastic).  So I was surprised that she was going to be on the show as, essentially a rhythm guitar player.  She was fine on the show, but she never really got to shine in any way (but I assume it was a reliable, steady gig).

When she put a new album out last year, I assumed it would be full of guitar wizardry, but I was surprised at just how weird it was.

But here’s a review of the album from treblezine which sums up her career briefly but nicely

Stern is a straight-up shredder whose playing style errs closer to the joyous fireworks of someone like Eddie Van Halen than she does any knotty, noisy experimentalists. That she happened to run in underground circles is by-the-by—there was always a great pop song buried within the chaos of her music. This is more visible than ever on The Comeback Kid. With her fifth and (you guessed it) comeback album, Stern has continued to chip away some of the raw spikiness of her early releases in service of a dozen stellar math pop tracks that might be (:whispers:) her strongest body of work yet.

I really enjoyed being right in front of Marnie, watching her tap away on her complex melodies with such ease. She also smiled and laughed through the whole set as she sang her complicated, sometimes perplexing, always exhilarating songs.

The rest of her band (whose names I didn’t catch) were also great.  Her drummer was incredible (I think it’s Jeremy Gara from Arcade Fire).  He smashed the hell out of the drums and really excelled at the crazy time signatures of the songs. (more…)

Read Full Post »

« Newer Posts - Older Posts »