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Archive for the ‘Philadelphia, PA’ Category

Kool Keith / MC Homeless / DJ Halo: The Punk Rap Tour (Kung Fu Necktie, Philadelphia, PA, April 6, 2025) [DID NOT ATTEND]

Posted in DJ Halo, Kool Keith, Kung Fu Necktie, MC Homeless, Philadelphia, PA on April 6, 2025| Leave a Comment »

[DID NOT ATTEND: April 6, 2025] Kool Keith / MC Homeless / DJ Halo

Kool Keith is a weirdo rapper who I liked back in the old days.

He was supposed to play Johnny Brenda’s during the pandemic.  But those shows got cancelled.

I wrote this back then

Kool Keith is a wacko alternative rapper.  I really liked him a lot back in the 1990s. He was part of the Ultramagnetic MC’s and Dr. Octagon. he also had the alias Black Elvis.

I had more or less forgotten about him and didn’t realize that he was still making music, but he has been consistently releasing music since the 1990s.

A lot of his music is aggressively, explicitly, sometimes disturbingly sexual (Dr. Octagonecologyst, anyone?) which was once amusing but feels really wrong now.

I didn’t really know about this show until it was cancelled and I’m not sure that I’d actually want to go (I had a few other shows I was more interested in that night).  I’ve also heard mixed things about Keith live, but I feel like it would be a fun experience.  The postponed date is a year away–we’ll see.

When he performed again in 2023 I didn’t go for various reasons.  And then this show was announced at Kung Fu Necktie.  Once again, I was intrigued.  And yet I’ve learned that underground hip hop shows are pretty boring if yo udon’t know the music really well.  And I don’t.  So. (more…)

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Deftones (Wells Fargo Center, Philadelphia, PA, April 4, 2025)

Posted in Deftones, fleshwater, Philadelphia, PA, The Mars Volta, Wells Fargo Center on April 5, 2025| Leave a Comment »

[ATTENDED: April 4, 2025] Deftones

I liked Deftones pretty much from when they first came out (the riff for My Own Summer is so good), although like everyone else, it was White pony that really blew me away.

I was lucky enough to see them in 2016 after they released Gore (an album that I love even though many fans do not).  They played the Sands Bethlehem, not a great venue, but the band sounded great and the band was really interactive with the audience.

I knew I wanted to see them again but the pandemic had other ideas, rescheduling their shows a few times.  When the rescheduled show finally happened in 2022, I wound up going with my daughter to see Beach Bunny instead.  And my son (a Deftones fan) went in my place.  Interestingly, since then my daughter has become a big Deftones fan and wow I’m sure she wished we had gone to Deftones instead of Beach Bunny.

Indeed, when this show was announced, I grabbed four tickets for me, my son, and my daughter.  But then my daughter had a commitment she couldn’t get out of (oh no), so my son’s friend came along–he’s a big fan as well–and all was good.  Actually it wasn’t all good because my car died on the way down.  Luckily it died on the way to his school and not while we were on 95.  Okay it didn’t die exactly, but it gave me a very alarming warning beep that made me quite certain I would not be driving it anywhere except home.

So he drove us in his convertible.  And he handled the nonsense of rte 95, the bottleneck at the Wells Fargo Center and the fact that there was a baseball game at the same time next door very well.  The baseball traffic was the real killer and the reason we missed fleshwater completely.  While we were in line for the exit, a car swerved in front of us and it was one of my coworkers!  How weird.  They were going to the stupid baseball game.

But we had decent seats (straight back but not close) and after Mars Volta we waited with mounting excitement.  It was here that I realized how young (and female) much of the audience was (like my daughter).  I believe that TikTok has introduced them to a lot of new people (good for Deftones, but it means they pay arenas instead of large clubs now).

The lights went down and thier gigantic video screen behind them lit up.  The screen jumped between shots of the band playing and other random projected videos.

The show started with what I guess is their (now) biggest hit.  I believe that Be Quiet is the song that got all the younguns into them.  And it sounded great, even in the cavernous Wells Fargo.  And I was really impressed with how energetic and bouncy Chino Moreno (who is in his 50s now) was. (more…)

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Poppy (Fillmore Philadelphia, Philadelphia, PA, April 3, 2025)

Posted in House of Protection, Philadelphia, PA, Poppy, The Fillmore Philadelphia on April 4, 2025| Leave a Comment »

[ATTENDED: April 3, 2025] Poppy

A few years ago Poppy was supposed to open for Deftones.  The show was postponed and on the new dates, Poppy was no longer available.  I wound up not going to the show anyhow.  She has played Philly once before as a headliner in 2022, but I had plans that night.  So I decided, why not check her out this time around, now that she has fully embraced her heavy metal persona.

I didn’t know how crowded it would be (somewhat), nor how enthusiastic the crowd would be (very).  I casually know Poppy’s music and assumed she’d put on a good show  But people there knew every song.

With five minutes to go before showtime, a countdown clock appeared on the curtain (this was a great idea I thought).  And when it reached zero, a voice read out a whole bunch of thingsas the words were projected onto the screen  I don’t know if this is part of a song or what.  But when it was done, the band emerged.

Her stage was set up with soft fabrics, including a keyhole entryway with soft curtains that she went through a number of times.  Her band was on the left on a large platform.  She was on the right on a large platform.  The view would have been spectacular except the guy who was earlier next to me was now in front of me and he swayed and pogoed in my face for about half the show.  Sigh.

So Poppy has a great stage presence.  She was dressed in what I can only imagine was a fairy wedding dress without the train, which was replaced by short shorts.  Poppy is, of course, an internet creation, so she is well versed in her image.  She also know how to play against type, being cute and bashful in between songs while screaming her head off during them. (more…)

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Mars Volta (Wells Fargo Center, Philadelphia, PA, April 4, 2025) [DEFTONES]

Posted in Deftones, fleshwater, Philadelphia, PA, The Mars Volta, Wells Fargo Center on April 4, 2025| Leave a Comment »

[ATTENDED: April 4, 2025] Mars Volta

I liked Mars Volta when they came out, lost track of them over the years and then assumed they’d broken up for good.  But in 2022 I scored tickets to see them at The Met in Philly.  The show was great and I was really amazed at how good Omar Rodríguez-López’s guitar was and I was even more impressed by Cedric Bixler-Zavala’s voice which can still hit the incredible high notes.

So I was pretty excited that they were opening for Deftones on this arena tour.

But when they came out on stage I realized the flaw.

Mars Volta plays intricate, complicated songs with many parts and wild shifts.  Which totally got lost in this giant arena.  Plus, they were playing their brand new (not yet released) album in its entirety.

It’s fun to hear new songs for the first time live.  But it is tough to hear an entire new album for the first time in a giant arena with thousands of people around you who are only waiting for the headliner. (more…)

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House of Protection (Fillmore Philadelphia, Philadelphia, PA, April 3, 2025) [POPPY]

Posted in Fever 333, House of Protection, Philadelphia, PA, Poppy, The Fillmore Philadelphia on April 3, 2025| Leave a Comment »

[ATTENDED: April 3, 2025] House of Protection

A few years ago Poppy was supposed to open for Deftones.  The show was postponed and on the new dates, Poppy was no longer available.  I wound up not going to the show anyhow.  She has played Philly once before as a headliner in 2022, but I had plans that night.  So I decided, why not check her out this time around, now that she has fully embraced her heavy metal persona.

I didn’t know who would be opening and when she announced it would be House of Protection, I assumed they would be a metal band that was super heavy.

I wasn’t expecting a duo.  Aric Improta ran out and sat at the drumset which was sideways and sitting at the front of the stage.  Seconds later Stephen Harrison also ran out.  He sang and played guitar.  But mostly he incited the crowd.

Improta sang the first song while drumming in a very elaborate (and yes, I’ll say it, a very California) style with lots of arms flailing around.  He was exceptionally theatrical, standing on his drum stool and waving a cymbal around, and really trying to get the crowd into it.

Harrison was equally as theatrical.  He literally ran all over the stage (his guitar was remote, so no cables held him in place).  He spun around, he punched the air, he swung his guitar around his neck.  He was exhausting to watch.

He also commanded the crowd in a way that an opening band very rarely does.  But it turns out that both guys were in Fever 333 (who I don’t know, but who sound pretty cool) and are veterans of the stage. (more…)

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Nanocluster : Immersion | Suss (Johnny Brenda’s, Philadelphia, PA, April 1, 2025)

Posted in Immersion, Johnny Brenda's, Philadelphia, PA, Suss on April 1, 2025| Leave a Comment »

[ATTENDED: April 1, 2025] Nanocluster : Immersion | Suss

I stumbled upon Suss one night when I was looking for music to relax to.  I got a kick out of the name–my kids had been using it as slang quite a lot at the time–and really enjoyed their music.  The seem to be described as “ambient country” which would have turned me off.  I’d rather think of them as a soundtrack to the open spaces in the midwest and west (even though all three members are from New York City.

The trio is Jonathan Gregg: Pedal Steel, dobro ; Bob Holmes: Mandolin, baritone guitar, acoustic guitar, harmonica, violin, Keyboards ; Pat Irwin: Electric guitars, National guitar, eBow, harmonium, keyboards, melodica, loops.

Then one night I was listening to Echoes on NPR and they had an interview with Suss.  Which seemed coincidental.  And they mentioned this album that they had made with Immersion.   Immersion is a project from Colin Newman of Wire.  He and Malka Spigel (his wife) who played in Minimal Compact started this electronic project some 30 years ago.  Then in 2021 they started doing Nanocluster projects where they collaborated with others.  Volume 3 featured Suss.  So this was a tour of the album (which is short) as well as sets from each band.

I almost never sit in the balcony at Johnny Brenda’s.  I like to be up by the stage.  But this show, which promised to be very chill, seemed like a great opportunity to go upstairs and grab a stool!

Suss came out first.  They were clustered close together because there was so much gear on the stage.   They had two screens behind them.  Each one projected the same thing (which was weird when it was a  camera panning over a landscape since it seemed like it should continue from one screen to the next rather than being the same thing, but that’s fine.

The three guys bent over their instruments and made beautiful instrumental music.  Keys, slide guitar and other instruments created a dreamy feeling of being in open spaces.  After about 15 minutes or so they were joined by a bass player (whose name I didn’t catch),  he didn’t add fancy bass lines, just a nice low end.  They ended as a trio with one of the guys whistling a sad mournful melody.  (more…)

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Ninja Sex Party / TWRP (Franklin Music Hall, Philadelphia, PA, March 29, 2025) [DID NOT ATTEND]

Posted in Franklin Music Hall, Ninja Sex Party, Philadelphia, PA, TWRP on March 29, 2025| Leave a Comment »

[DID NOT ATTEND: March 29, 2025] Ninja Sex Party / TWRP

When I saw that this tour was playing at Franklin Music Hall and The Wellmont, I instantly grabbed a ticket for the Wellmont because FMH is a pain in the ass, especially for a really crowded show.

I enjoyed the show so much at the Wellmont that the next day I told my family that I would 100% love to take all of them to see it tonight at FMH.

Logistically this never would have worked and I believe that it was nearly or actually sold out, so yea, didn’t happen.

Bummer, I would 100% see them both again.

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Beth Gibbons / Bill Ryder-Jones (The Met Philadelphia, Philadelphia, PA, March 29, 2025) [DID NOT ATTEND]

Posted in Beth Gibbons, Bill Ryder-Jones, Philadelphia, PA, Portishead, The Met Philadelphia on March 29, 2025| Leave a Comment »

[DID NOT ATTEND: March 29, 2025] Beth Gibbons / Bill Ryder-Jones

I love Portishead, they’ve always been a favorite band of mine even if they are rather unprolific.  A lot of that is Beth Gibbons’ voice.  But I’m guessing more has to do with the music of Geoff Barrow and Adrian Utley.

When this tour was announced I almost immediately grabbed a ticket.  And then I heard Beth’s solo album and I was kind of bored by it.  Her voice is still glorious but I wasn’t excited by the music.  And while it would be amazing to see such an icon…not if I don’t enjoy what they’re doing.

Bill Ryder-Jones is a songwriter.  I listened to a few minutes of something and found it really slow.  It sounds like maybe he’s a diverse musician, but I wasn’t interested in finding out more.

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Ida / Tsunami (Underground Arts, Philadelphia, PA, March 28, 2025) [DID NOT ATTEND]

Posted in Ida, Philadelphia, PA, Tsunami, Underground Arts on March 28, 2025| Leave a Comment »

[DID NOT ATTEND: March 28, 2025] Ida / Tsunami

Back in the 90s I liked Tsunami.  I was never a huge fan, but I liked them enough.  Listening again, I maybe should have given them a better chance back then.

Here’s what philty mag said

“Daniel and I have a 23-year-old daughter, and her friends are interested in music from the ‘90s, and they’re like, ‘You’re parents are in Ida?!  What?!’” says Elizabeth Mitchell of herself and husband Daniel Littleton, co-founders of 1990s indie rock legends Ida.  This past weekend, Ida kicked off their first tour in more than a decade.  The tour has them paired with longtime friends and fellow ‘90s legends Tsunami, who haven’t actually toured since 1998.

Ida and Tsunami are currently amidst the Coin Toss tour, which has the bands double-headlining, sharing equipment and van space, and determining each night’s set order by the flip of a coin.  “I think it’s gonna have kind of a celebratory feel, more than just a two-band bill,” Mitchell tells me of the show, which will be at Underground Arts this Friday, March 28th.  Tsunami co-founder Kristin Thomson chimes in: “I almost made a shirt that said, ‘Expect Whimsy!’”

Ida was based in NYC and Tsunami in DC.  Tsunami’s own Simple Machines record label released Ida’s first three albums (1994’s Tales of Brave Ida, 1996’s I Know About You, and 1997’s Ten Small Paces) and the two acts regularly found themselves touring and collaborating together throughout the decade.  “It will be a very Gen X time!” Thomson jokes of the Coin Toss tour.

Honestly it sounds like a great time, even if I wasn’t too familiar with their music anymore.  But I had tickets to Ninja Sex Party that night and I wasn’t going to pass that up.

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Helmet: Betty 30th anniversary / Effusion 35 / Slomosa (Underground Arts, Philadelphia, PA, March 22, 2025) [DID NOT ATTEND]

Posted in Effusion 35, Helmet, Philadelphia, PA, Slomosa, Underground Arts on March 22, 2025| Leave a Comment »

[DID NOT ATTEND: March 22, 2025] Helmet / Effusion 35 / Slomosa

I really liked the first Helmet album.  I bought betty, but I don’t remember much about it.  I probably haven’t listened to them in twenty years, and I think there have been some fifteen people in the band over the years, but I’ll bet they are still heavy as anything.  But I wasn’t that excited about this tour.

In Denver, War on Women opened, but not for us.  We had Slomosa and Effusion 35.

Slomosa is from Bergen, Norway.  They have created their own music genre, Tundra Rock.  It appears to be a meld of stoner rock and power metal.  I’m intrigued by them.  I listened to a couple of songs and found it okay, but a little flat.  They are probably great live though.

Effusion 35 is from Philly.  They seem almost like a heavy country band, although their earlier stuff is even less heavy–an odd pairing with Helmet to be sure.

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