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Archive for the ‘Cities’ Category

[ATTENDED: July 28, 2019] Lucy Dacus @ Newport Folk Festival

I have seen Lucy Dacus twice and she has been really amazing both times.  I was very excited to see that she would be at Newport.  But I was really bummed to see that she would be running into Jeff Tweedy’s set.  I had to decide who I wanted to see more, Lucy or Jeff.  Since I had seen Lucy twice and more recently, I decided to pick Jeff.  (It also seems more likely that Lucy will tour again before he does).  That meant I could only see a few Lucy songs.

S and T came and we all sat under the big tent.

She sounded great (of course) and her band was in great form.

She opened with “Addictions,” a fantastic song.   I knew there wouldn’t be much that I hadn’t heard from her before.  Neverthless, I was delighted that we got to hear “La Vie en rose” which is tremendous live (and which S. liked very much). (more…)

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[ATTENDED: July 27, 2019] Colin Meloy

Colin Meloy was at Newport Folk Festival to read his new book The Golden Thread: A Song for Pete Seeger.  It was announced shortly before the Festival and S and I were super excited to see him.  He was in the kids tent and did a reading in between two bands that played on the main stage.

He came in and chatted with us and then read the book. (more…)

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SOUNDTRACK: RHEOSTATICS-“Woodstuck” (Moose: The Compilation, 1991).

Back in the 1990s, it was common to buy a compilation or soundtrack or even a band’s album based on one song.  Only to then find that you didn’t really like anything else on it.

Maybe that single sounded like nothing else on the album.  Maybe the movie was almost entirely one genre, but they had that one song that you liked over the credits.  Or maybe the compilation was for something you didn’t know, but a song you really wanted was on it, too.

With streaming music that need not happen anymore.  Except in this case.

I bought this compilation, used, recently exclusively for one song, Rheostatics’ “Woodstuck.”  It’s a goofy song and this is the only place you can get the studio version.  The actual compilation was not well documented, so I didn’t know what the other bands on it might sound like.  It turns out to be a compilation for Ontario based Moose Records which specialized in Rock, Folk, World & Country.  They put out another compilation in 1992 and that’s all I can find out about them.

I’d heard this song on several live bootlegs, but I was very curious about the original recording.

It’s a stomping folk song with great backing vocals and a very funny chorus.

You can’t go back to Woodstock baby, you were just two years old You weren’t even born

And this wonderful verse

Before they were kissing the earth now they’re washing their cars
Before they were feeling stoned now they’re feeling bored
Sure you shed your clothes but you shed no blood
Poor hippie child don’t sit and wait for another summer of love

Was it worth getting this whole compilation for a two and a half minute joke song?  You bet.

[READ: July 20, 2019] “Just Keep Going North: At the border”

William T. Vollmann continues to amaze me with his dedication to writing about issues that matter.

This lengthy essay is Vollmann’s attempt to discover what is happening at the border after trump warned of migrant caravans coming up from Mexico in February of 2019.

He decided to go to the Arizona border, a place he knew little about, to save himself from prejudgment (he is from California and knows that border situation a little better).  He went to the internationally bifurcated town of Nogales.  Nogales said it would sue the federal government if it did not remove the new coil of razor wire.

He talks to an immigration lawyer from Tucson who says in the old days it was no big deal to cross the border–you could come and go. There were some small changes in the mid-eighties.  Then 9/11 caused big changes.  It had been bad before trump but trump’s policies at least opened peoples eyes to what was happening here. (more…)

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SOUNDTRACK: CAJUN RAMBLERS-“Venez à Louisiane” (Moose: The Compilation, 1991).

Back in the 1990s, it was common to buy a compilation or soundtrack or even a band’s album based on one song.  Only to then find that you didn’t really like anything else on it.

Maybe that single sounded like nothing else on the album.  Maybe the movie was almost entirely one genre, but they had that one song that you liked over the credits.  Or maybe the compilation was for something you didn’t know, but a song you really wanted was on it, too.

With streaming music that need not happen anymore.  Except in this case.

I bought this compilation, used, recently exclusively for one song, Rheostatics’ “Woodstuck.”  It’s a goofy song and this is the only place you can get the studio version.  The actual compilation was not well documented, so I didn’t know what the other bands on it might sound like.  It turns out to be a compilation for Ontario based Moose Records which specialized in Rock, Folk, World & Country.  They put out another compilation in 1992 and that’s all I can find out about them.

Cajun Ramblers’ music sounds like it should–a cajun flare in a bouncy two-step (as the lyrics even say).  There’s even a verse in French.  This song seems so un-Canadian but that’s because Peter Jellard, an English musician, was busking in Paris and heard a recording of the Balfa Brothers, leading to a life long infatuation with Cajun music.  After a six-week trip to Louisiana he founded the Cajun Ramblers who performed a mix of Cajun and Zydeco around Toronto.  He was also in Swamperella

[READ: July 12, 2019] “Something True”

This is the story of a woman returning home.  She has been in Seattle visiting her daughter Wendy.  It had been fun but exhausting, sightseeing everywhere.  She was not looking froward to what she had to return to.

She had had a health scare.  The doctor assured her that she was fine–nothing to worry about–but she was shaken.  The doctor could sense that she was very upset so he invited her for a drink.  And the he called her again the following week to go to an exhibition on Buddhist sculptures.

But she was a sixty year-old married woman, she couldn’t imagine going on a date.  Officially, it wasn’t a date but how could it not be?

After a few more outings she told her husband that she was in love with someone else. (more…)

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SOUNDTRACK: STING AND SHAGGY-Tiny Desk Concert #866 (July 10, 2019).

Sting is certainly one of the biggest names to play the Tiny Desk Concert thus far (even if his star has probably faded somewhat).  I was surprised to see him here. And also surprised to see him with Shaggy, a singer I don’t know all that much about.

Sting and Shaggy might not be the most likely musical pairing. But one thing is certain, they love playing each other’s music. On a bright autumn morning, the legends arrived at the NPR Music office bleary-eyed yet excited to play for the diverse staff of Shaggy and Sting fans. What surprised many of my NPR colleagues is just how well the collaboration works.

I don’t know if they have done more together besides this, but they certainly sound familiar with each others work.  Well, the blurb suggests that they are or were touring together:

Shaggy affectionately refers to his collaborator as “Stingy,” putting his arm around him mid-performance. It’s easy to see the camaraderie that being on the road together affords these veteran musicians.

They open the set with “Englishman in New York” and Sting’s bass sounds great.  When he sings, he is so clearly Sting (even if he’s singing is slightly affected).  Dominic Miller strums Reggae offbeats on acoustic guitar.  Then Shaggy takes the second verse.

Shaggy (zoinks! – his nom de guerre comes from the Scooby-Doo cartoon character) was born in Kingston, Jamaica. He moved to New York when he was 18 and his music evokes only good vibes. The positive energy he brought to their opening song, “Englishman[and Jamaican]In New York,”had everyone in the room grinning ear to ear, “early morning Reggae style,” as he put it.

Shaggy adds this humorous verse:

I wear my colors in my back pocket / I got a big spliff in my hand /
and you might notice there’s swagger anytime I walk / I’m a Jamaican in New York.

Their voices sound great together especially as the end of the song soars unexpectedly.

After the tune, Sting announced “I never sang that song before 8 PM… Ever!”

Up next is “Don’t Make Me Wait,” a song I don’t know.  Sting plays a reggae bass line will Shaggy sings the first verses. The backing vocals from Gene Noble and Melissa Musique fill the chorus.  Then Sting takes the next verses.

The end is really funny as Shaggy tries to clap along with the backing singers but he gets lost and everyone laps.

The final song is a mash-up.  Dominic Miller co-wrote “Shape Of My Heart” which is mashed-up with Juice Wrld’s “Lucid Dream.”  “Shape of My Heart” sounds familiar–or at least sounds like a pretty typical Sting song.  Since I don’t know either song, I didn’t realize that Gene Noble was singing the lead of “Lucid Dream” within “Shape.”  Miller and Sting plays the same melody all the way through.  Noble has a nice voice, but I don’t like the way he sings.  Shaggy takes a verse.

This is an unlikely collaboration, but it works very well.

[READ: July 1, 2019] “Diamond Monkey”

The Summer 2019 issue of The West End Phoenix was a special all comics issue with illustrations by Simone Heath.  Each story either has one central illustration or is broken up with many pictures (or even done like a comic strip).

Each story is headed by the year that the story takes place–a story from that particular summer.

1995: This is another story about a summer job opportunity–one that promised much but delivered little.

This time the job opportunity was working the diamond mines in Yellowknife, Canada.  Heidi and her friends were driving up from Montreal.

This was pre-cell phone, pre-internet, pre-everything.  They squatted in grubby trailers playing cards.  What else was there to do?  Drink beers of course.

But you never wanted to go outside to pee, even after four beers because 20 seconds of dropped pants equaled at least three times that number in angry northern mosquito bites. (more…)

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[ATTENDED: June 29, 2018] Phish

I was very excited to see Phish again this summer.  I bought tickets for all three shows at the BB&T Pavillion.

But then my week had turned very busy with shows and other commitments.  When I heard Cate Le Bon was playing at Boot & Saddle on the Friday night, I decided to sell Friday’s ticket.  I mean, let’s be honest, BB&T is a pain in the ass to get to (and parking is insane and expensive).   (I wound up not even going to Cate Le Bon either, boo).   I also decided to sell Sunday’s ticket because Saturday was a long night and I had had enough of the late nights for a time.

But for the Saturday show I had originally bought two tickets so that S. could go to her first Phish show.  I was bummed that they were lawn seats, although I think she felt this added to the experience because she got to see all of the people dancing and milling about.  We were supposed to meet my friend Armando, which would have made the whole night really fun, but he had car trouble and wound up not making it.  (boo).

So it was just S. and I.  Traffic sucked, parking sucked and the weather was questionable.   We arrived literally as “Mike’s Song” started.  So we found a somewhat unused spot on the lawn and settled in.  Phish fans are very friendly but for some reason the group around us wasn’t very inclusive.  In what has to be a first, no one offered either of us a joint the whole night!  They must have thought we were narcs. (more…)

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[ATTENDED: June 27, 2019] Kikagaku Moyo

I ‘m not sure where I first heard about Kikagaku Moyo (which means “geometric patterns”), but I know it wasn’t very long before this show.

I have more or less gotten to the point where any Japanese psychedelic band that comes to town I’m going to want to check out.

I’ve loved Acid Mothers Temple, I’ve loved Boris (heavy psychedelic, but still) and now I’m adding Kikagaku Moyo to the list.

The band consists of Go Kurosawa (drums/vocals), Tomo Katsurada (lead guitar/vocals), Daoud Popal (guitar), Kotsu Guy (bass) and Go’s brother Ryu Kurosawa (sitar).  They’ve been around for about 6 years and have developed a dedicated following here in the States (everyone at the show appeared to be buying their vinyl).

One of the reasons that Monty Hall is such a fun venue is because while I was waiting online to get into the place, the five guys from the band walked in the same door carrying a pizza.  At first I thought a group of people was just pushing in the line, but their outfits pretty much gave away that they were the band. (more…)

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[ATTENDED: June 27, 2019] Sarah Louise

I had heard of Sarah Louise through NPR, although I didn’t know all that much about her.

The NPR page says, “Henson’s career so far has largely hinged on her unmatched prowess as a fingerpicking guitarist. Solo, she’s made a handful of excellent albums of 12-string acoustic guitar music.  But on Deeper Woods, she branches out into all kind of different sounds.”

Having read that she was a master of the 12 string, I was genuinely surprised that surprised that so much of the show was on electric guitar.  (I assume her 12-string prowess is on the acoustic, but I may be wrong).

It was also strange because she didn’t do a lot on the guitar.  The first couple of songs were sparse guitar playing coupled with complex and presumably improvised drumming from Thom Nguyen.

At times she fleshed out her sound with samples, including in this song which was as much about the birds as it was about her guitar playing. (more…)

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[ATTENDED: June 26, 2019] Astronoid

I had not heard of Astronoid until I saw that Frost Giant was playing this show with them.  I actually had tickets to Bad Books this same evening and I posted a poll to see who I should check out live.  Of the 5 replies (including one from someone in Astronoid), 4 said Astronoid.  Sorry Bad Books.

Astronoid are from Boston and they play what has been described as “a buoyant mix of metal, thrash, punk, prog-rock and shoegaze.”  They cite as influences the Norwegian black metal band Emperor and the Danish band Mew (two very different bands indeed).

And all of that is evident in their music and their set.

They played every song from their new album (not in order) and a few from their debut from 2016.  The crowd around me was definitely more excited by the older stuff, but the guy next to me seemed to know every drum part to every song. (more…)

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[ATTENDED: June 26, 2019] Infinity Shred

I had not heard of Infinity Shred before this show although it seemed like many people were very excited they were opening.

If you look up Infinity Shred you will find a few genres associated with them: electronic, dance, post-rock.  I saw synthwave and chiptune as describers as well.

I don’t know the last two, but I think they all do a good job of describing this band (although synthwave is pretty amorphous, honestly).

Basically the band is a trio from New York.  Clara Warnaar plays drums.  I was standing in front of guitarist Nathan Ritholz and on the other side of the stage was keyboardist Damon Hardjowirogo.

In addition to their instruments, they also had three bright LED panels.  These panels were synchronized to flash red white or blue.  They each lit up a member of the band (with the drummer’s inside her bass drum.  I assumed they were programmed along with some of the sounds?

Damon introduced the band but his mic wasn’t working so he just shouted.  The band began, the lights started flashing and off they went. (more…)

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