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Archive for the ‘Canadian Content’ Category

SOUNDTRACK: KURSTIN x GROHL-“Frustrated” (The Hanukkah Sessions: Night Seventh” December 16, 2020).

   Producer Greg Kurstin (who I have not heard of) and Dave Grohl (who I have) decided that, rather than releasing a Christmas song this year, they would record eight covers of songs by Jewish artists and release them one each night for Hanukkah.

“With all the mishegas of 2020, @GregKurstin and I were kibbitzing about how we could make Hannukah extra-special this year. Festival of Lights?! How about a festival of tasty LICKS! So hold on to your tuchuses… We’ve got something special coming for your shayna punims. L’chaim!!”

The seventh night is a song from a band who, to most people’s knowledge only ever released one song. I know I have certainly never heard this song from The Knack before.

Tonight we’re featuring 4 nice Jewish boys whose biggest hit was a song about a nice Jewish girl… “My Shalom-a” or something like that… We’re huge fans of New Wave (as well as the “old wave” that came after Moses parted the Red Sea)…so we were psyched to get to cover one of our favorites…The Knack!

The Knack put out three albums from 1979-1981, then three more in the late 90s-2000s.  And yet the only song they ever released is “My Sharona,” right?

“Frustrated” is a pretty simple late 70s new wave song.  Catchy (but not super catchy).  Kurstin plays the keyboards and it sounds pretty new wavey.  He also rips a pretty good solo.

Grohl plays drums and sings.  The drums are pretty simple although I like that the verses alternate between snare and tom dominance. I don’t know how close he comes to the original voice but the (inserted video) harmony vocal i quite lovely.

It’s nice that they chose something other than the obvious hit, although the obvious hit is a hit for a reason.

[READ: December 17, 2020] “Ersatz Panda”

This year, S. ordered me The Short Story Advent Calendar.  This is my fifth time reading the Calendar.  I didn’t know about the first one until it was long out of print (sigh), but each year since has been very enjoyable.  Here’s what they say this year

You know the drill by now. The 2020 Short Story Advent Calendar is a deluxe box set of individually bound short stories from some of the best writers in North America.

This year’s slipcase is a thing of beauty, too, with electric-yellow lining and spot-glossed lettering. It also comes wrapped in two rubber bands to keep those booklets snug in their beds.

As always, each story is a surprise, so you won’t know what you’re getting until you crack the seal every morning starting December 1. Once you’ve read that day’s story, check back here to read an exclusive interview with the author.

It’s December 17. Lucy Ives, author of Loudermilk, has a nickname for every cat she’s ever met. [Click the link to the H&O extras for the story].

I really enjoyed the way this seven-part story began.  In a store there is a cat.  It is black and white.  Its name is Panda.  The narrator sends videos of Panda being cute to her feed.

Then one day the woman goes to the store and Panda has been replaced by another cat.  It’s also black and white but looks nothing like Panda.  This one is also loud and hairy.  The owner says that someone took Panda and replaced her with this cat.  A friend calls it “Ersatz Panda.”  The narrator decides she can’t go back to that store.

She goes to a new store.  They also have a cat.  This one is orange.  It’s name is K.C. for Kitty Cat.  K.C disappeared for a while, but she came back.

But then Part 2 shifts gears.  It comments on what we have just read: “narration is the act of organizing discrete events into a series.”  The narrator defines ersatz and says that ersatz is a beautiful word. (more…)

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SOUNDTRACK: KURSTIN x GROHL-“Connection” (The Hanukkah Sessions: Night Six” December 15, 2020).

   Producer Greg Kurstin (who I have not heard of) and Dave Grohl (who I have) decided that, rather than releasing a Christmas song this year, they would record eight covers of songs by Jewish artists and release them one each night for Hanukkah.

“With all the mishegas of 2020, @GregKurstin and I were kibbitzing about how we could make Hannukah extra-special this year. Festival of Lights?! How about a festival of tasty LICKS! So hold on to your tuchuses… We’ve got something special coming for your shayna punims. L’chaim!!”

The sixth night is a 90s rocker: a short, fun, stomper from Elastica.

From Brit Milot to Britpop…here’s one of the coolest tracks from the 90’s….sung by the very cool…and Jewish…Justine Frischmann…ELASTICA!

“Connection” was a 90’s juggernaut (even if they did have to give money to Wire).  Justine Frischmann was a perfect frontwoman–sexy and snarly at the same time.

Kurstin plays the keyboards and gets the sound pretty spot on, especially the higher notes.

Grohl plays drums and sings.  After providing those opening low voiced “uhhs,” he sings in a slightly higher register, and his harmonies (in a video insert) are perfect.

Midway through the song they add in circles with handclaps.  It amuses me that hey start with two circles and move up to sixteen or so.  Once again, one of my favorite songs in the set is super short (not even three minutes).

[READ: December 16, 2020] “In the Mist of Everything”

This year, S. ordered me The Short Story Advent Calendar.  This is my fifth time reading the Calendar.  I didn’t know about the first one until it was long out of print (sigh), but each year since has been very enjoyable.  Here’s what they say this year

You know the drill by now. The 2020 Short Story Advent Calendar is a deluxe box set of individually bound short stories from some of the best writers in North America.

This year’s slipcase is a thing of beauty, too, with electric-yellow lining and spot-glossed lettering. It also comes wrapped in two rubber bands to keep those booklets snug in their beds.

As always, each story is a surprise, so you won’t know what you’re getting until you crack the seal every morning starting December 1. Once you’ve read that day’s story, check back here to read an exclusive interview with the author.

It’s December 16. Hilary Leichter, author of Temporary, is pretty sure she just felt a raindrop. [Click the link to the H&O extras for the story].

It strikes me that this story was created because the phrase “in the midst of everything” was misheard as “mist.”

At first I didn’t care for the way the story was structured, but it only took a couple of paragraphs before I rather appreciated it. (more…)

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SOUNDTRACK: KURSTIN x GROHL-“Rainy Day Women 12 & 35″ (The Hanukkah Sessions: Night Five” December 14, 2020).

   Producer Greg Kurstin (who I have not heard of) and Dave Grohl (who I have) decided that, rather than releasing a Christmas song this year, they would record eight covers of songs by Jewish artists and release them one each night for Hanukkah.

“With all the mishegas of 2020, @GregKurstin and I were kibbitzing about how we could make Hannukah extra-special this year. Festival of Lights?! How about a festival of tasty LICKS! So hold on to your tuchuses… We’ve got something special coming for your shayna punims. L’chaim!!”

The fifth night is a classic rock staple: a singalong from Bob Dylan.

So now everybody must get stoned (not in the Law of Moses sense) as we put some blood on this track: Rainy Day Women 12&35 by the immortal Bob Dylan!

Anyone who has listened to classic rock radio has heard this song a hundred times.  And if you heard it when you were younger, it made you chuckle because he says “everybody must get stoned.”  I have often wondered if there is any more depth to the song than that.  Also, why it is called “Rainy Day Women 12 & 35.”

Kurstin plays the piano on this one–a bouncy barroom piano rag.  He also adds harmonica.

Grohl plays drums and sings.  These drums are about the simplest thing that he’s ever played–a two beat snare and bass drum. He doesn’t try to sing like Dylan (that would be too obvious), although he definitely sings more like Dylan than himself.

It’s a straightforward song and both of them have a lot of fun with it.

[READ: December 15, 2020] “The Game”

This year, S. ordered me The Short Story Advent Calendar.  This is my fifth time reading the Calendar.  I didn’t know about the first one until it was long out of print (sigh), but each year since has been very enjoyable.  Here’s what they say this year

You know the drill by now. The 2020 Short Story Advent Calendar is a deluxe box set of individually bound short stories from some of the best writers in North America.

This year’s slipcase is a thing of beauty, too, with electric-yellow lining and spot-glossed lettering. It also comes wrapped in two rubber bands to keep those booklets snug in their beds.

As always, each story is a surprise, so you won’t know what you’re getting until you crack the seal every morning starting December 1. Once you’ve read that day’s story, check back here to read an exclusive interview with the author.

It’s December 15. Kris Bertin, author of Use Your Imagination!, would like to buy a vowel. [Click the link to the H&O extras for the story].

This story is about allowing fate to control your life.

The narrator and his friend Brad both work at a University.  They are both published authors although neither has written anything since they got the jobs.

Brad believed in “all that shit”–he got his fortune told,  did Tarot, I Ching, Ouija–he did it all. He believes that he is fucked on a cosmic level.  He is trying to bring his wife and child to where he is working, but he can’t afford to do so yet.

The narrator tries to convince him it’s all junk and says he’ll do a fortune for him right now.  But Brad knows that having any of that divination shit in your house is bad luck.  However, he does have a can of dice.

The dice are a large assortment of letters–from multiple Boggle games.  Brad tells him you roll the dice and you read what it says–not all the letters obviously, just what speaks to you.

The first roll produced

GOGET ON THE ROOF QIUCK

So they did.  The roof was beautiful–a lovely night, a lovely view, and a flat surface to keep rolling. (more…)

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SOUNDTRACK: KURSTIN x GROHL-“Fuck the Pain Away” (The Hanukkah Sessions: Night Four” December 13, 2020).

   Producer Greg Kurstin (who I have not heard of) and Dave Grohl (who I have) decided that, rather than releasing a Christmas song this year, they would record eight covers of songs by Jewish artists and release them one each night for Hanukkah.

“With all the mishegas of 2020, @GregKurstin and I were kibbitzing about how we could make Hannukah extra-special this year. Festival of Lights?! How about a festival of tasty LICKS! So hold on to your tuchuses… We’ve got something special coming for your shayna punims. L’chaim!!”

The fourth night is very family un-friendly, because it’s a song by Peaches.

Drake’s not the only musical Jew from Canada…tonight we feature a Canadian rock G-Dess…who coincidentally grew up around the corner from a Canadian Jewish rock G-D (G-ddy Lee). Straight out the mikvah, here’s Peaches!

I don’t know Peaches all that well, but I do know this song.

Kurstin plays the minimalist synth line, including the hand claps.

Grohl plays drums and sings.  There’s not much in the way of drums in this song (nor much in the way of lyrics either, actually).  There’s an inherent smile as Grohl sings “sucking on my titties.”

For such a hedonistic song, the pro-school verse is pretty surprising: IUD SIS, stay in school cause it’s the best.

The surprise in this one comes half way through the song when Peaches herself makes a remote appearance.  She sings the chorus with Dave (although they don’t acknowledge each other).

[READ: December 14, 2020] “The Professor”

This year, S. ordered me The Short Story Advent Calendar.  This is my fifth time reading the Calendar.  I didn’t know about the first one until it was long out of print (sigh), but each year since has been very enjoyable.  Here’s what they say this year

You know the drill by now. The 2020 Short Story Advent Calendar is a deluxe box set of individually bound short stories from some of the best writers in North America.

This year’s slipcase is a thing of beauty, too, with electric-yellow lining and spot-glossed lettering. It also comes wrapped in two rubber bands to keep those booklets snug in their beds.

As always, each story is a surprise, so you won’t know what you’re getting until you crack the seal every morning starting December 1. Once you’ve read that day’s story, check back here to read an exclusive interview with the author.

It’s December 14. Sabrina Orah Mark, author of Wild Milk, regrets that she will be unable to attend office hours this week. [Click the link to the H&O extras for the story].

This is the second story in a row that I found very confusing and not very enjoyable.  I really used to enjoy weird stories like this, but my tolerance for this style has thinned as I get older I guess.

It starts plainly enough.  A student, Penny, is waiting for her professor.  Although when the professor calls, “we step over five students I’ve never seen before.” (more…)

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SOUNDTRACK: KURSTIN x GROHL-“Mississippi Queen” (The Hanukkah Sessions: Night Three” December 12, 2020).

   Producer Greg Kurstin (who I have not heard of) and Dave Grohl (who I have) decided that, rather than releasing a Christmas song this year, they would record eight covers of songs by Jewish artists and release them one each night for Hanukkah.

“With all the mishegas of 2020, @GregKurstin and I were kibbitzing about how we could make Hannukah extra-special this year. Festival of Lights?! How about a festival of tasty LICKS! So hold on to your tuchuses… We’ve got something special coming for your shayna punims. L’chaim!!”

The third night is a rocking version of a Mountain song.

Talk about making a mountain out of a mohel … named Leslie Weinstein at his bris, the singer of our next band built a wailing wall of guitar as Leslie West. Check out our take on a track from Leslie’s monolithic band, MOUNTAIN.

Unlike yesterday’s song, I know “Mississippi Queen” very well. I’ve been a fan of Mountain and even saw them live thirty or so years ago.

Kurstin plays synth and the opening guitar line sounds perfect–he gets a really good guitar sound in this session.

Grohl plays drums and sings.  He’s singing in more of his screaming style for this song which works pretty well.

The joke in this one is that he is using a cup as a cowbell.  The cup is duct taped all over the place and as the song opens, Grohl says “I’m fucking this cup up real bad.”  Kurstin says it’s worth it.  And I agree.  This song rocks.

They play with split screen on this one–during the solo, there’s four shots of Kurstin’s hands.

The only bad thing about this song is that it’s so short!

[READ: December 13, 2020] “Our Humans”

This year, S. ordered me The Short Story Advent Calendar.  This is my fifth time reading the Calendar.  I didn’t know about the first one until it was long out of print (sigh), but each year since has been very enjoyable.  Here’s what they say this year

You know the drill by now. The 2020 Short Story Advent Calendar is a deluxe box set of individually bound short stories from some of the best writers in North America.

This year’s slipcase is a thing of beauty, too, with electric-yellow lining and spot-glossed lettering. It also comes wrapped in two rubber bands to keep those booklets snug in their beds.

As always, each story is a surprise, so you won’t know what you’re getting until you crack the seal every morning starting December 1. Once you’ve read that day’s story, check back here to read an exclusive interview with the author.

It’s December 13. Meng Jin, author of Little Gods, always keeps carbon copies in triplicate. [Click the link to the H&O extras for the story].

I found this story very confusing and not very enjoyable.

It is set in some kind of futuristic society, but hat doesn’t seem to matter all that much.  The narrator works at a job “in those day we still employed a number of humans.”

She was an unusual sight there–being (somewhat) young and (clearly) female.  Most people assumed she was a consultant.

Once she leaves work, the story changes entirely.

On the train she sees a little girl–unsupervised: “young people are rarely seen in the city these days.”

The train breaks down in the middle of nowhere.  The girl encourages the narrator to go with her.

Everyone in the story calls her jiejie (which means older sister).  She seems disconcerted by this.

As they walk through the dark, the little girl tells her that they have become their shadows.  They can’t walk through any unlit spaces, obviously.

She gets back to her apartment. It is pitch dark.  She feels she has lost herself but then she bumps into Duowen, a man from work.  Their mouths meet.

This story really lost me.  I was really interested in the futuristic society and the bots (and their gradual falling apart), but the whole thing with the shadows just didn’t seem very compelling.

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SOUNDTRACK: KURSTIN x GROHL-“Hotline Bling” (The Hanukkah Sessions: Night Two” December 11, 2020).

Producer Greg Kurstin (who I have not heard of) and Dave Grohl (who I have) decided that, rather than releasing a Christmas song this year, they would record eight covers of songs by Jewish artists and release them one each night for Hanukkah.

“With all the mishegas of 2020, @GregKurstin and I were kibbitzing about how we could make Hannukah extra-special this year. Festival of Lights?! How about a festival of tasty LICKS! So hold on to your tuchuses… We’ve got something special coming for your shayna punims. L’chaim!!”

The second night is a grooving version of a Drake song.

You might be surprised to learn that this superstar is… Canadian. He’s never hidden the fact that he was M.O.T. … so a generation of Jewish parents could tell their kids “if Drake took the time to study for HIS Bar Mitzvah, you can too.” Ladies and gentlemen…challah at your boy….DRAKE!

I may be the only person in the world who has not heard the original of this song (or seen the video).

Kurstin plays synth and gets a nice full sound.

Grohl plays drums and sings.  I can’t comment on if he’s trying to sing like Drake, but he is definitely singing in his crooning voice, not his screaming voice.

There’s no stick drops in this song (although there’s some nice variety in the drum sounds).  The humor in this one comes from Grohl doing a dance with a menorah (this may be the “Hotline Bling” dance?).  It’s slow motion and very amusing.

I can’t decide if I want to hear the original of this song or not, but I do rather like this version of it.

[READ: December 12, 2020] “A History of Heart Disease”

This year, S. ordered me The Short Story Advent Calendar.  This is my fifth time reading the Calendar.  I didn’t know about the first one until it was long out of print (sigh), but each year since has been very enjoyable.  Here’s what they say this year

You know the drill by now. The 2020 Short Story Advent Calendar is a deluxe box set of individually bound short stories from some of the best writers in North America.

This year’s slipcase is a thing of beauty, too, with electric-yellow lining and spot-glossed lettering. It also comes wrapped in two rubber bands to keep those booklets snug in their beds.

As always, each story is a surprise, so you won’t know what you’re getting until you crack the seal every morning starting December 1. Once you’ve read that day’s story, check back here to read an exclusive interview with the author.

It’s December 12. Amber Sparks, author of I Do Not Forgive You, finds the drive-thru a little too impersonal. [Click the link to the H&O extras for the story].

This is a very short story (four pages in these little booklets).

It begins with Glen’s father dying in a Burger King when Glen was five.

The next paragraph jumps to Glen at thirty, married with a little girl and a job teaching.  He and his wife are having problems.  She has gained weight and he is scared of the way his body sinks into it.

Glen is wrapping the ankle of a student, Jenny, when his wife calls to say that his mother died.  Heart attack. (more…)

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SOUNDTRACK: KURSTIN x GROHL-“Sabotage” (The Hanukkah Sessions: Night One” December 10, 2020).

  Producer Greg Kurstin (who I have not heard of) and Dave Grohl (who I have) decided that, rather than releasing a Christmas song this year, they would record eight covers of songs by Jewish artists and release them one each night for Hanukkah.

“With all the mishegas of 2020, @GregKurstin and I were kibbitzing about how we could make Hannukah extra-special this year. Festival of Lights?! How about a festival of tasty LICKS! So hold on to your tuchuses… We’ve got something special coming for your shayna punims. L’chaim!!”

The first night is a ripping version of Beastie Boys’ Sabotage.

As the only Rock and Roll Hall Of Famers with a lyric about kugel, we thought it would be a shanda to not kick off this party with New York’s (and Abraham’s) finest…known by some as Shadrach, Meshach, and Abedenego, known by others as Ad-Rock, Mike D, and MCA…known by their Imas and Abbas as Adam Horovitz, Mike Diamond and Adam Yauch… Beastie Boys!

Kurstin plays synth (the bass is not quite as cool sounding as the original, but is otherwise pretty spot on).

Grohl plays drums and sings.  The singing is hilarious because he does his best Beastie Boys vocal style, including a tinge of an accent.

The video is done in one take, including a moment where Grohl drops his drumstick (the video mockingly points this out).  But he manages to get it back without any real damage to the song

This is a fantastic introduction to this enjoyable new tradition.

[READ: December 11, 2020] “Must be Peopled”

This year, S. ordered me The Short Story Advent Calendar.  This is my fifth time reading the Calendar.  I didn’t know about the first one until it was long out of print (sigh), but each year since has been very enjoyable.  Here’s what they say this year

You know the drill by now. The 2020 Short Story Advent Calendar is a deluxe box set of individually bound short stories from some of the best writers in North America.

This year’s slipcase is a thing of beauty, too, with electric-yellow lining and spot-glossed lettering. It also comes wrapped in two rubber bands to keep those booklets snug in their beds.

As always, each story is a surprise, so you won’t know what you’re getting until you crack the seal every morning starting December 1. Once you’ve read that day’s story, check back here to read an exclusive interview with the author.

It’s December 11. David Burr Gerrard, author of The Epiphany Machine, kindly requests that you un-tag him from that photo.[Click the link to the H&O extras for the story].

This story was hilarious and dark at the same time.  It was an opportunity to live out a perverse fantasy and then to see what doing so would send back your way.

The narrator says that he and Kate often joked about ranking friends’ baby pictures from cutest to ugliest.

I mean, who hasn’t?

Anyway, Kate has left the narrator, so he is now going to start ranking.  Publicly.

He begins by saying “Maryanne Jameson is the curtest baby on my feed Congratulations, Maryanne!!!!”

Within seconds many people have liked the post–primarily Maryanne’s mom and her friends.  (more…)

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SOUNDTRACK: MICHAEL KIWANUKA: Tiny Desk (Home) Concert #112 (November 16, 2020).

Michael Kiwanuka was on my radar for a few years, although I never actually knew who was singing these songs that I liked.

His previous album Love & Hate was hugely praised (although I missed it that year).  It and his most recent album Kiwanuka are fantastic. His songs are big with lots of electric guitar parts.  They are catchy but complex.  And his voice is just amazing–somehow quiet and powerful at the same time.

The warm texture of his voice and tenderness of his soul belie the depth of his songwriting, which ranges from sociopolitical works to songs revealing the inner chambers of self-exploration.

For this Tiny Desk (Home) Concert, Kiwanuka performs

from a “rainy London” flat that’s dimly lit with a vintage feel.

Kiwanuka plays five songs, but they are very different from the album versions.  Three of these songs are played on acoustic guitar.  This shows that the kernel of these songs is wonderful without and soaring electric guitar.

The Mercury Prize-winning musician evokes an all-encompassing softness in spirit as he leads viewers into the “Light,” the first of five songs in his Tiny Desk (home) concert.

The first two songs “Light” and “Hard To Say Goodbye” (both from Kiwanuka) are played on acoustic guitar.  They are pretty and gentle, warm and inviting.

He switches to the electric guitar for “Hero” (also from Kiwanuka).  On the album, the song is broken into two parts (I never realized this).  You can hear the difference in the parts very distinctly here as part two sounds really different from the first.  He stays with the electric guitar for “Cold Little Heart” (the opening track from Love & Hate).  You can hear the consistency in his songwriting with this earlier track.

He returns to Kiwanuka for the final song, “Solid Ground.”  But he plays this song on an organ–a beautiful rich sound.

Even with the different instrumentation, the songs retain their essential sound.  This set offers wonderful insight into Kiwanuka’s performance.  (That’s Kiwanuka on stage in the movie Yesterday, by the way)

[READ: December 10, 2020] “Vera Something”

This year, S. ordered me The Short Story Advent Calendar.  This is my fifth time reading the Calendar.  I didn’t know about the first one until it was long out of print (sigh), but each year since has been very enjoyable.  Here’s what they say this year

You know the drill by now. The 2020 Short Story Advent Calendar is a deluxe box set of individually bound short stories from some of the best writers in North America.

This year’s slipcase is a thing of beauty, too, with electric-yellow lining and spot-glossed lettering. It also comes wrapped in two rubber bands to keep those booklets snug in their beds.

As always, each story is a surprise, so you won’t know what you’re getting until you crack the seal every morning starting December 1. Once you’ve read that day’s story, check back here to read an exclusive interview with the author.

It’s December 10.  Adam O’Fallon Price, author of The Hotel Neversink, would walk five hundred miles, but not a step further.  [Click the link to the H&O extras for the story].

This story felt very different from the other ones so far.  I was certain that it was an old story.  It is set in the 1950s and I believed it was written then and that’s why it felt so different.  It wasn’t, it is very current.  Then I read in the link above that this story was a chapter from the novel The Hotel Neversink.  However, this chapter was removed from the novel because it didn’t quite fit.

I don’t know if Adam tweaked this into a short story or if it remains as it was.  But it feels slower, yes, like from a novel.  And although it felt slower, it was in no way less engaging.

Sam met Vera at the Hotel Neversink in the Catskills–during a singles event.  They were both from New York City, in their twenties and more or less pressured by their parents to find a mate.  They had a surprisingly good time together.  Sam had taken her picture (with his Polaroid) and she had written her phone number in the white part. (more…)

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SOUNDTRACKCOPLAND HOUSE: Tiny Desk (Home) Concert #110 (November 13, 2020).

Every Tiny Desk (Home) Concert is unique.  But this one seems extra special.

the desk – and the home setup – for this performance beats them all. The location is the home, and not so tiny writing desk, of Aaron Copland, America’s beloved composer.

Copland, who would have turned 120 on Nov. 14, gave us Appalachian SpringFanfare for the Common Man and Rodeo, among many other works that helped define a singular American sound.

These pieces are familiar to anyone who has listened to any classical music anywhere (or Emerson, Lake & Palmer).  But these three pieces were ones I didn’t know at all.

The set begins with one of the composer’s earliest pieces in a jazzy vein.

The piece is called “Three Moods: III. Jazzy.”  It is an upbeat, yes, jazzy, bouncy piano piece.  That last all of 80 seconds.  It is indeed, as Michael Boriskin says, delectable.

Michael Boriskin plays Copland’s own piano. He’s the artistic and executive director of Copland House, located an hour north of New York City in the lower Hudson River Valley. What was once Copland’s home is now a creative center for American music.

Up next, Boriskin plays a duet with violinist Curtis Macomber.

The Violin Sonata that follows embodies America’s wide open spaces, filled with possibilities.

“Sonata for Violin and Piano: I. Andante semplice – Allegro” is the only major piece Copland wrote for violin. It is sombre and pretty, with a kind of back and forth violin and piano.  There’s lots of lengthy, slow, almost mournful violin parts.

Macomber departs and is replaced by flutist Carol Wincenc.  They play “Duo for flute and piano: II. Poetic, somewhat mournful; III. Lively, with bounce.”  Those descriptors are part of the title and also describe how the music is to be played.  This piece

 was actually written at the very desk seen in this video.

The first part is slow and sad, while the second one is much more fun and bouncy.  The middle of the second part has a a sow staccato dialogue between the flute and piano.  There’s a fun moment where the flute and piano play the exact same very high note and the sound is really unusual.

I found these pieces to be less engaging than his more famous pieces.  But maybe that’s just because I am much more familiar with them.

[READ: December 9, 2020] “Parade for the Dead and Dying”

This year, S. ordered me The Short Story Advent Calendar.  This is my fifth time reading the Calendar.  I didn’t know about the first one until it was long out of print (sigh), but each year since has been very enjoyable.  Here’s what they say this year

You know the drill by now. The 2020 Short Story Advent Calendar is a deluxe box set of individually bound short stories from some of the best writers in North America.

This year’s slipcase is a thing of beauty, too, with electric-yellow lining and spot-glossed lettering. It also comes wrapped in two rubber bands to keep those booklets snug in their beds.

As always, each story is a surprise, so you won’t know what you’re getting until you crack the seal every morning starting December 1. Once you’ve read that day’s story, check back here to read an exclusive interview with the author.

It’s December 9.  Kelly Luce, author of Pull Me Under, can always pull a quick U-turn if she misses the exit. [Click the link to the H&O extras for the story].

I love how this story started in a kind of surreal location and then did a U-Turn and wound up in an even more surreal place.

Palmsville, Florida, has decided to have a parade for the dead and dying.  The floats were from various hospitals.  County supplied four bodies from the morgue to ride on the back of one of the floats.  Mount Sinai putthree geriatrics (and their ventilators) in a convertible. (more…)

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SOUNDTRACKSHIRLEY COLLINS: Tiny Desk (Home) Concert #109 (November 10, 2020).

There is no denying the first line of this blurb: “Shirley Collins is a legend.”  But like many legends, I find that I know of her more than I know about her.  It’s possible that I’d never heard her before this set.  And that may not be an unreasonable thing

 Her life story took the sort of twists you hear in the songs she sings, in her case, a broken heart, a painful divorce, and the loss of her voice. For 30 years, she couldn’t sing.

I don’t exactly understand what happened to her voice (that link doesn’t explain it), but her first album in over 30 years came out in 2016.

Now, here she is playing songs from Heart’s Ease, only the second album she’s made in the past 40 years. You hear her sing of a young sailor boy who saves his ship from robbers and is promised by his captain both gold and his daughter’s hand in marriage. The lad sinks the robber’s boat, only to be left to drown by that very same captain.

These unimaginable tales and that unadorned voice have influenced both British and American folk music since the 1960s, from Fairport Convention’s Sandy Denny to The Decemberists’ Colin Meloy. These tales of woe and whimsy are as timeless as Shirley Collins

So here is Shirley Collins, at 85, seated in the living room of her cottage in Lewes, East Sussex, accompanied by guitarist Ian Kearey, singing along to a few stringed instruments

She sings five songs.  At 85, her voice doesn’t sound amazing, but it does sound good.  And it’s more about the emotion she puts into these songs than the power of her voice.

She explains that in the 1950s, she took a field recording trip across the United States with Alan Lomax.  She heard “The Merry Golden Tree” in Arkansas.  It was still sung in England but had traveled across the Atlantic and then across the continent.

Kearey plays guitar for the first song, but switches to banjo for “Sweet Greens and Blues” a song her first husband Austin John marshall wrote 50 years ago.   She says the first line seems apt in 2020: “If we don’t make it this year let’s see what next year will bring.”

She heard “Wondrous Love” from a rural Alabama congregation.  The church was full of people from all over.  They sang this hymn in their old voices–“shrill and beautiful at the same time: the most incredible lovely noise you could hope to hear.”  Kearey gets a very cool metallic slide guitar sound for this song.

Before singing “Tell Me True” she tells the story of an American friend in Montana who sent her a vast British ensign flag from the Royal Navy.  He found it in a barn when he was 16 on holiday in rural Vermont.  He took it!  Now he sent it to her.  She thinks its from 1812, the Battle of Lake Champlain in vermont.  Woah

“Old Johnny Buckle” is a nonsense song, an upside down song that’s good fun to sing.  I imagine it could have been sung by Boy and Girl Scouts.  With silly lyrics like this

Old Mrs. Buckle went a’fishing one day
She caught her left leg in the clay
The toads and frogs all wobbled about
She ran to get a shovel to dig herself out

[READ: December 8, 2020] “Reflections”

This year, S. ordered me The Short Story Advent Calendar.  This is my fifth time reading the Calendar.  I didn’t know about the first one until it was long out of print (sigh), but each year since has been very enjoyable.  Here’s what they say this year

You know the drill by now. The 2020 Short Story Advent Calendar is a deluxe box set of individually bound short stories from some of the best writers in North America.

This year’s slipcase is a thing of beauty, too, with electric-yellow lining and spot-glossed lettering. It also comes wrapped in two rubber bands to keep those booklets snug in their beds.

As always, each story is a surprise, so you won’t know what you’re getting until you crack the seal every morning starting December 1. Once you’ve read that day’s story, check back here to read an exclusive interview with the author.

It’s December 8.  Sofia Samatar, author of A Stranger in Olondria, is glad she remembered to pack those seasickness tabs..  [Click the link to the H&O extras for the story].

This story was a challenge for me.  First because I didn’t realize that the two letters (the story is two letters on facing pages) were meant to be read separately.  At first I thought it was a series of disjointed, unfinished letters–a sort of failed attempt at communication.  Obviously that is very far from what the story is mean to be about. (more…)

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