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Archive for the ‘C.’ Category

[ATTENDED: December 10, 2016] Doktor Kaboom! The Science of Santa

kaboomWe loved Doktor Kaboom! when we saw him last (which I didn’t even realize was less than a year ago).  His last show, Live Wire, mixed comedy, science and a hearty dose of believing in yourself.

And so did this one.  Indeed, this show wasn’t radically different from the previous one except that it was all about the magic of Santa Claus.  For as Doktor Kaboom! states: magic is simply science we can’t explain yet.  And in case you are worried about any Santa spoilers, the tagline reads: No iconic Holiday figures were harmed in the making of this show.

For background, the K in Doktor isn’t a zany spelling (thank goodness), it is because the good Doktor is German!  And when he asks you if you understand, you must shout JA!, not yeah or yuh or okay, but JA!

And he likes things to go Kaboom!  Ja?  JA! (more…)

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[ATTENDED: September 25, 2016] The Legend of Zelda

legendBack in the summer we took the kids to the Mann Center to see Symphonic Pokémon.  And it was pretty great.  Well, the Mann Center closed its season with a symphonic Legend of Zelda performance.  C. has been a big Zelda fan for a couple of years (he loves the soundtrack particularly), so it seemed like an obvious show to go to.

Our one regret is that it was on a Sunday night which meant we didn’t get home until 11, which is just too late for a school night (especially since earlier in the week we took the kids to see “Weird Al” and got home even later–terrible parents, yes, but pretty cool parents).  But that was the only regret we had.

The show was fantastic.  C. even wore his Zelda Halloween costume (and brought his home-made cardboard sword–which passed security thankfully).  And he was not the only one in costume–some people were very seriously dressed for this event. (more…)

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[ATTENDED: September 20, 2016] “WEIRD AL” YANKOVIC

2016-09-20-19-37-57Back on June 16, 2015, Sarah and I took the kids to this very venue to see “Weird Al” perform.  He is (amazingly) still touring the Mandatory Fun World Tour, and he made another stop in Bethlehem en route to Radio City Music Hall.  I wasn’t planning on going this time since I know that his shows from the same tour are identical.  But when I learned that my friend Matt and many members of his family were going to go, it sounded like a fun celebration.  So we bought some tickets (not 3rd row like last time, although 13th row isn’t too shabby, it turns out), and met our friends for a fun night.

The Sands is a casino, and we were going to eat in one of the fancier restaurants lining the casino.  Well, PA state law says that a security guard must accompany minors around the casino.  So we got an escort to the Chinese Food place.  Then we sat down, were shocked at the prices–seriously shocked. I mean, it’s a casino, but c’mon it’s Bethlehem, there’s no way any Chinese Food is worth $28 a plate.  So we walked out (a first for me) and got escorted back to the food court where we ate overpriced food court Chinese Food instead.

Then we went in and were pleased with our seats and our neighbors.  And then the show started. (more…)

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[LISTENED TO: August 2016] Warren the 13th and the All-Seeing Eye

warren-13I had grabbed this book for C. because it looked kind of interesting.  He said he wanted to read it but hadn’t gotten around to it before we left for vacation. So instead, I grabbed the audio book for us to listen to.

The book itself had a lot of interesting illustrations by Will Staehle which were obviously not present in the audio book.  Often times the audio book version of a book is a bit more fun because of the delivery, but I feel like we really missed out without the pictures.  Indeed, the blurb for the book really talks up the design of it:

The first volume in a delightful new series, this middle grade adventure features an oversized hardcover format, gorgeous two-color illustrations on every page, and a lavish two-column turn-of-the-century design. We guarantee you’ve never seen anything quite like it!

And I still haven’t. (more…)

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silentSOUNDTRACK: HOSPITAL SHIPS-Tiny Desk Concert #177 (November 23, 2011).

hospital shipsHospital Ships is a band created by Jordan Geiger, who was in the band Shearwater, among others. In 2011 he released his second album as Hospital Ships.  The blurb describes the album as “packed with poppy folk songs and brash rockers enhanced with instrumental flourishes and bursts of guitar feedback,” but for this recording, they strip everything down to the basics: a guitar, banjo, ukulele and a drum with a towel over it to muffle the sound.

Geiger has a rather high-pitched, delicate, almost talking-singing voice and his songs are rather pretty.  The band plays 3 songs in just over ten minutes.  The first one, “Phantom Limb,” (once my lover, now my friend, you are my phantom limb) has a recurring motif of them saying/singing “ha ha” which is rather catchy.

“Carry On,” features a four-letter word (technically a seven letter word), which might be one of the first times on a Tiny Desk Concert that such a word is uttered.  It’s especially funny given how sweet the band sounds.  The sentiment of the song is nice though: “To all the women I’ve loved, When I was with you I would say I was better off….  And when I’m gone, carry on, carry on.”  There were harmonies in the first song, but they are more prominent in this one (three part) and are quite nice.  The banjo player also does a whistling solo.

“Let Me In” made me laugh because he uses the word baby a lot (which Ben Folds said in his Tiny Desk that he has never said in real life, so why would he put in it a song?).  But this song is very gentle and sweet–just Geiger on his guitar singing “baby, let me in.”

Geiger’s voice reminds me of a few different people–Ben Gibbard from Death Cab for Cutie especially on the final track; perhaps the Mountain Goats or the Weakerthans.  And his songwriting is very good.

[READ: December 26, 2015] Silent But Deadly

I really enjoyed the first Liō collection, and was pretty excited that I could find the second collection so quickly (my library doesn’t have any more collections for some reason, so I’ll have to track the rest down elsewhere).  This book collects the strips from February 25, 2007 – December 2, 2007.

Not much has changed from that book to this one, but I think Tatulli’s comic chops have gotten even better.

The strip won me over immediately with the first one in the book. Lio draws a monster and it comes to life.  He looks at the marker and it says “magic marker” and he gets a big grin and goes back to work.  So simple yet so funny.

It is that big grin–wide open-mouthed just unfettered mischievous delight that occurs in nearly every strip. (more…)

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lio1 SOUNDTRACK: JOE HENRY-Tiny Desk Concert #176 (November 21, 2011).

joe henryI had never heard of Joe Henry, so imagine my surprise to find out that he was releasing his 12th album in 2011.  For this Tiny Desk, it’s just him at a stool playing his guitar.  He has a very easy vibe, telling stories between songs and playing them with very little fuss.

He opens the show by saying this is, “not exactly like Woody Guthrie playing for the union members but you are working people.”

He plays four songs, “Sticks and Stones,” After the War,” “Odetta” and “Piano Furnace.”

Between the first two songs, he says he first became aware of Tiny Desk Concerts when his friend Vic Chesnutt was on the show (amusingly, he was the second person on the show).  He says he has a song on his new record about Chesnutt (Chesnutt had recently died).  He doesn’t play it though.  At first it seems like he might not be allowed to play it, but then it seems like maybe he just doesn’t get to it.

Rather he plays “After the War” where his guitar sounds like it has an incredible echo on it.  That echo is also present on the third song.  After which Bob asks him about his guitar.

Joe says he’s had the guitar for 6 years.  But the guitar dates back to 1932.  He says that he heard things differently with this guitar.  It’s got a smaller body and was actually sold as a budget guitar by Gibson (for $19 in 1932).  He also jokes that it’s black and looks a bit like a World Wrestling Federation belt.

Then someone asks him about Sam Phillips.  Joe says he sold her husband a guitar about 20 years ago.  She and her husband have split and Sam got the guitar and has been playing only that guitar for the last 20 years.  He says that he loves that she doesn’t plug in her guitar.  She plays into a microphone where you can hear the whole guitar and which makes the other players lean in to hear her.

I love the chords he plays in the final song, “Piano Furnace,” even if I don’t know what the song is about.  Henry’s voice is familiar.  I think he sounds a bit like a number of different singers.  And overall, nothing really stands out in his performance, except that everything sounds great and hiss songwriting is really solid.  That’s not a bad thing.

[READ: December 20, 2015] Happiness is a Squishy Cephalopod

Mark Tatulli is the author of the Desmond books.  I liked the stories, but I didn’t love the drawing style so much.  Imagine my surprise to find out that Tatulli has been drawing comics featuring this little boy Liō since 2006 (going forward, I’m leaving off that line over the o, because it’s a real pain).

And even more surprising is that I like the drawing style in the comic quite a bit–it is slightly refined over the Desmond books and is all the better for it.

I am also really surprised to find out that this strip appeared in newspapers across the country.  I’ve certainly never heard of it (but then I don’t read newspapers anymore, either).

So Lio is strip about a boy named Lio.  Lio is a dark, dark kid.  He has a pet squid, he loves monsters and he’s delighted by chaos. (more…)

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glorkpieSOUNDTRACK: OTHER LIVES Tiny Desk Concert #150 (August 18, 2011).

otherlivesI didn’t know Other Lives before this Tiny Desk, but I really liked this one a lot.  It’s a little hard to get past the lead singers incredible facial hair, but his voice is great and the backing vcoals are excellent too.  I loved the combination of instruments and, yeah, pretty much every thing else about this set.

I enjoyed that at the beginning of the first song, “For 12,” the drummer is playing his lap.  The female backing vocalist (whose voice is great) is playing the cello.  The chorus–when everyone sings high notes—is wonderful.  And I love that the drums, once they kick in, are predominately floor tom and rims.

After the song and the polite applause the singer comments, “It’s so somber in here, we need a dance party after this.  And a bunch of caffeine.”

For “Old Statues” the cellist switches to autoharp, which makes a wonderful harp-like sound.  Again the backing vocals are lovely.  I love that she does a series off perfect oooohs as a backing note for his singing on the first verse.  There’s also a harmonium on this track (I can’t believe how many bands use the harmonium).    I love the intensity of the middle section too.

It’s amusing to see them use an iPhone tuner before the final song

“Dust Bowl III” has a cool picked guitar riff (reminds me a little of Neil Young).  There’s more harmonium on this track.  The cellist plays the autoharp upright instead of flat for this song—I wonder why.  The rumbling floor toms are great for this song as well.  And when the full band does the haunting ooohs at the end, it’s really great.

I definitely need to check out more by them.

[READ: January 26, 2016] The Glorkian Warrior Eats Adventure Pie

This Glorkian Warrior story is similar to the previous one in that it is pretty crazy.  As it opens, the Glorkian Warrior and his backpack are riding a giant worm.  They are trying to destroy the worm, but while they are riding it, the tail pieces start popping–they are being shot by Buster Glark (who looks like the Glorkian Warrior but has only one eye).  He also a has a talking backpack (who says “they’re stupid, right boss”) to which the Glorkian Warrior’s backpack says “Don’t say stupid, it’s a swear”.

The head of the worm flies off to destroy another pie factory.

When the Glorkian Warrior gets home, baby alien (from the previous book) lands on his head and starts sucking his brains.  Backpack is concerned about this, but Glorkian Warrior says that all of his intelligence comes from his elbow anyhow.  And there is much fighting by the elbow. (more…)

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glorkpizza SOUNDTRACK: NELLIE McKAY-Tiny Desk Concert #117 (April 4, 2011).

nellieNellie McKay is a singer I’d never heard of.  She is a blonde woman in a kind of yellow kimono and looks like she might be a funny folk singer as she plays a ukulele which is cut to look like an electric guitar.  But rather unexpectedly, she and her band burst into a reggae song.

McKay is, according to the blurb, an audacious artist who once devoted an entire album to Doris Day songs.  And now she writes a pretty authentic sounding Caribbean jam.  “Caribbean Time” has all the trappings of an island song–reggae guitars, bongos, and heavily wah-wahed guitars.

Between the songs, she makes some unexpected comments.  Like she says that she decided that a good sketch would be people sitting around a table asking for things and confessing at the same time, “Pass the syrup my father beat e as a child.”

When they start “Beneath the Underdog” the guitarist doesn’t start on time.  He says “Sorry, I forgot where we were for a second.”  She replies, “We’re in Washington D.C. fighting the man.”

“Beneath the Underdog” is a little less reggae influenced but still has a very tropical, light sound.  And her lyrics are wry and amusing, “beneath the underdog, that’s where I’m comfortable.”  It’s poppy and fun.  She even plays a keyboard solo with notes that sound kind of like steel drums.

“The Portal” is a ballad.  It’s much more traditional sounding, although with the same inflections that McKay has used on the other songs.  Her voice is quite distinctive without being unusual.  This is a somber song, but even while singing it she looks like she’s about to laugh.

And she caps off the set with an other weird  moment where she introduces her band and mispronounces her guitarists last name and seems to have a really hard time saying it.  She apologizes, “I was stoned when I met him.”  As the camera dims she says, “Thank you for fighting the good fight.  We are the silent majority but not so silent, we’re just quiet and tasteful.”

I found her to be quite engaging and charming.  I wonder if she’s still making music.

[READ: January 17, 2016] The Glorkian Warrior Delivers a Pizza

I have enjoyed everything I’ve read from John Kochalka.  His drawings are deceptively simple and his books are stupid but ultimately clever (and funny, either way).  His adult books are pretty over the top vulgar (don’t let your kids see them), but his kids books are very funny and perfectly juvenile.

This is his first book for First Second, and the first in a trilogy about the Glorkian Warrior.

Our copy also has an autograph for C.–our Vermont cousins sent it for his birthday (Kochalka is the artist laureate of Vermont, you know).

The premise of this book is painfully simple.  We meet the Glorkian Warrior who is, well, dumb.  His backpack talks to him and tries to get him to be less dumb.  And to be more heroic. (more…)

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[ATTENDED: March 24, 2016] Peter Pan

peterEvery year, the fifth grade in our town puts on a play.  C. volunteered to be in the stage crew, so of course we went to see the production.

It’s funny going to see a play to watch your son who is meant to be invisible in the play.  Fortunately, there was enough light between scenes so I could see him moving furniture and carrying bongos.  He even got to held the rope to make the pirate ship at the end.

A few weeks ago, T. and I went to see a high school production.  I was curious to see how good the quality would be in fifth grade.  And I was delighted by how good the show was and how well the creators used their lack of production values to their advantage.

The high school show had been amazing–they had an orchestra pit, the had kids on wires–I was really amazed.  This production was much more bare bones.  The play was performed in the combination gym, cafeteria, auditorium–so there was no wire work, no orchestra pit, no orchestra, in fact.  Just kids who worked hard.

And the way they made the kids fly was awesome.

(more…)

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[ATTENDED: March 11, 2016] Doktor Kaboom!

drkAnyone named Doktor Kaboom sounds like a performer I want to see. Especially if his thing is that he mixes science and comedy.

I knew nothing about the man when we bought tickets at RVCC Friday night, but boy was I excited.  And so were the kids, who both love science and things that go Kaboom!

So Doktor Kaboom came out on stage and…lo and behold…the K in Doktor wasn’t a zany spelling (thank goodness), it is because the good Doktor is German!  And when he asks you if you understand, you must shout Ja!, not yeah or yuh or okay, JA!

And he likes things to go Kaboom!  Ja?  JA! (more…)

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